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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 52 149 it is the complementary color RGB 102 203 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 52 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 52 149 shade: RGB 158 52 144, RGB 175 70 163, RGB 192 88 182, RGB 209 106 201 and RGB 226 124 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 52 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 52 149 shade: RGB 153 52 149, RGB 136 34 130, RGB 119 16 111, RGB 102 0 92 and RGB 85 0 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 52 149 shade: RGB 151 52 148, RGB 151 52 121, RGB 151 52 94, RGB 151 52 67 and RGB 151 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 52 149 shade: RGB 151 52 148, RGB 128 52 151, RGB 102 52 151, RGB 75 52 151 and RGB 52 52 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 52 149 shade matches the following richer shades: RGB 151 52 148, RGB 168 35 163, RGB 184 19 178 and RGB 201 2 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 52 149 shade: RGB 151 52 148, RGB 135 68 132, RGB 118 85 117, RGB 102 101 102 and RGB 85 118 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 52 149 shade: RGB 102 52 151, RGB 128 52 151, RGB 151 52 148, RGB 151 52 121 and RGB 151 52 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 52 149 shade: RGB 90 30 88, RGB 121 41 118, RGB 151 52 148, RGB 182 62 177 and RGB 198 88 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 52 149 shade: RGB 153 52 149, RGB 151 75 52 and RGB 52 151 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 52 149 shade: RGB 153 52 149, RGB 148 151 52 and RGB 52 148 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 52 149 shade: RGB 153 52 149, RGB 151 75 52, RGB 52 151 55 and RGB 52 128 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 52 149 shade: RGB 153 52 149, RGB 151 105 52, RGB 52 151 55 and RGB 52 98 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 3 / 40

HEX #993495

RGB 153 52 149

HSL 302.38, 0.49%, 0.4%

LAB 40.24, 53.92, -32.58

 

Complementary color

CMYK 50 / 0 / 48 / 20

HEX #66CB6A

RGB 102 203 106

HSL 122.38, 0.49%, 0.6%

LAB 73.92, -49.29, 39.34

 

CMYK 0 / 67 / 9 / 38

HEX #9E3490

RGB 158 52 144

HSL 307.92, 0.5%, 0.41%

LAB 40.8, 54.36, -28.61

 

CMYK 0 / 60 / 7 / 31

HEX #AF46A3

RGB 175 70 163

HSL 306.86, 0.43%, 0.48%

LAB 47.16, 54.34, -29.88

 

CMYK 0 / 54 / 5 / 25

HEX #C058B6

RGB 192 88 182

HSL 305.77, 0.45%, 0.55%

LAB 53.56, 53.96, -30.84

 

CMYK 0 / 49 / 4 / 18

HEX #D16AC9

RGB 209 106 201

HSL 304.66, 0.53%, 0.62%

LAB 59.96, 53.39, -31.59

 

CMYK 0 / 45 / 3 / 11

HEX #E27CDC

RGB 226 124 220

HSL 303.53, 0.64%, 0.69%

LAB 66.33, 52.73, -32.21

 

CMYK 0 / 66 / 3 / 40

HEX #993495

RGB 153 52 149

HSL 302.38, 0.49%, 0.4%

LAB 40.24, 53.92, -32.58

 

CMYK 0 / 75 / 4 / 47

HEX #882282

RGB 136 34 130

HSL 303.53, 0.6%, 0.33%

LAB 33.96, 53.37, -31.01

 

CMYK 0 / 87 / 7 / 53

HEX #77106F

RGB 119 16 111

HSL 304.66, 0.76%, 0.26%

LAB 27.95, 51.69, -28.71

 

CMYK 0 / 100 / 10 / 60

HEX #66005C

RGB 102 0 92

HSL 305.88, 1%, 0.2%

LAB 22.29, 48.55, -25.48

 

CMYK 0 / 100 / 14 / 67

HEX #550049

RGB 85 0 73

HSL 308.47, 1%, 0.17%

LAB 17.52, 42.24, -20.41

 

CMYK 0 / 66 / 2 / 41

HEX #973494

RGB 151 52 148

HSL 301.82, 0.49%, 0.4%

LAB 39.87, 53.24, -32.58

 

CMYK 0 / 66 / 20 / 41

HEX #973479

RGB 151 52 121

HSL 318.18, 0.49%, 0.4%

LAB 38.58, 48.88, -18.01

 

CMYK 0 / 66 / 38 / 41

HEX #97345E

RGB 151 52 94

HSL 334.55, 0.49%, 0.4%

LAB 37.56, 45.28, -2.59

 

CMYK 0 / 66 / 56 / 41

HEX #973443

RGB 151 52 67

HSL 350.91, 0.49%, 0.4%

LAB 36.82, 42.55, 13.54

 

CMYK 0 / 66 / 66 / 41

HEX #973434

RGB 151 52 52

HSL 0, 0.49%, 0.4%

LAB 36.52, 41.44, 22.61

 

CMYK 0 / 66 / 2 / 41

HEX #973494

RGB 151 52 148

HSL 301.82, 0.49%, 0.4%

LAB 39.87, 53.24, -32.58

 

CMYK 15 / 66 / 0 / 41

HEX #803497

RGB 128 52 151

HSL 286.06, 0.49%, 0.4%

LAB 36.52, 48.07, -39.94

 

CMYK 32 / 66 / 0 / 41

HEX #663497

RGB 102 52 151

HSL 270.3, 0.49%, 0.4%

LAB 32.95, 41.86, -45.86

 

CMYK 50 / 66 / 0 / 41

HEX #4B3497

RGB 75 52 151

HSL 253.94, 0.49%, 0.4%

LAB 29.88, 36.04, -50.99

 

CMYK 66 / 66 / 0 / 41

HEX #343497

RGB 52 52 151

HSL 240, 0.49%, 0.4%

LAB 27.9, 31.98, -54.29

 

CMYK 0 / 66 / 2 / 41

HEX #973494

RGB 151 52 148

HSL 301.82, 0.49%, 0.4%

LAB 39.87, 53.24, -32.58

 

CMYK 0 / 79 / 3 / 34

HEX #A823A3

RGB 168 35 163

HSL 302.26, 0.66%, 0.4%

LAB 41.49, 65.41, -38.88

 

CMYK 0 / 90 / 3 / 28

HEX #B813B2

RGB 184 19 178

HSL 302.18, 0.81%, 0.4%

LAB 44.05, 74.01, -43.57

 

CMYK 0 / 99 / 4 / 21

HEX #C902C1

RGB 201 2 193

HSL 302.41, 0.98%, 0.4%

LAB 47.38, 80.82, -46.88

 

CMYK 0 / 66 / 2 / 41

HEX #973494

RGB 151 52 148

HSL 301.82, 0.49%, 0.4%

LAB 39.87, 53.24, -32.58

 

CMYK 0 / 50 / 2 / 47

HEX #874484

RGB 135 68 132

HSL 302.69, 0.33%, 0.4%

LAB 39.5, 38.14, -23.58

 

CMYK 0 / 28 / 1 / 54

HEX #765575

RGB 118 85 117

HSL 301.82, 0.16%, 0.4%

LAB 40.63, 19.54, -12.82

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 28 / 0 / 26 / 54

HEX #557657

RGB 85 118 87

HSL 123.64, 0.16%, 0.4%

LAB 46.41, -18.57, 13.36

 

CMYK 32 / 66 / 0 / 41

HEX #663497

RGB 102 52 151

HSL 270.3, 0.49%, 0.4%

LAB 32.95, 41.86, -45.86

 

CMYK 15 / 66 / 0 / 41

HEX #803497

RGB 128 52 151

HSL 286.06, 0.49%, 0.4%

LAB 36.52, 48.07, -39.94

 

CMYK 0 / 66 / 2 / 41

HEX #973494

RGB 151 52 148

HSL 301.82, 0.49%, 0.4%

LAB 39.87, 53.24, -32.58

 

CMYK 0 / 66 / 20 / 41

HEX #973479

RGB 151 52 121

HSL 318.18, 0.49%, 0.4%

LAB 38.58, 48.88, -18.01

 

CMYK 0 / 66 / 37 / 41

HEX #97345F

RGB 151 52 95

HSL 333.94, 0.49%, 0.4%

LAB 37.59, 45.4, -3.18

 

CMYK 0 / 67 / 2 / 65

HEX #5A1E58

RGB 90 30 88

HSL 302, 0.5%, 0.24%

LAB 23.02, 35.66, -21.82

 

CMYK 0 / 66 / 2 / 53

HEX #792976

RGB 121 41 118

HSL 302.25, 0.49%, 0.32%

LAB 31.71, 44.81, -27.2

 

CMYK 0 / 66 / 2 / 41

HEX #973494

RGB 151 52 148

HSL 301.82, 0.49%, 0.4%

LAB 39.87, 53.24, -32.58

 

CMYK 0 / 66 / 3 / 29

HEX #B63EB1

RGB 182 62 177

HSL 302.5, 0.49%, 0.48%

LAB 47.71, 61.81, -37.2

 

CMYK 0 / 56 / 3 / 22

HEX #C658C1

RGB 198 88 193

HSL 302.73, 0.49%, 0.56%

LAB 54.9, 57.5, -35.02

 

CMYK 0 / 66 / 3 / 40

HEX #993495

RGB 153 52 149

HSL 302.38, 0.49%, 0.4%

LAB 40.24, 53.92, -32.58

 

CMYK 0 / 50 / 66 / 41

HEX #974B34

RGB 151 75 52

HSL 13.94, 0.49%, 0.4%

LAB 40.99, 29.84, 28.1

 

CMYK 66 / 0 / 24 / 41

HEX #349773

RGB 52 151 115

HSL 158.18, 0.49%, 0.4%

LAB 56.19, -37.53, 10.68

 

CMYK 0 / 66 / 3 / 40

HEX #993495

RGB 153 52 149

HSL 302.38, 0.49%, 0.4%

LAB 40.24, 53.92, -32.58

 

CMYK 2 / 0 / 66 / 41

HEX #949734

RGB 148 151 52

HSL 61.82, 0.49%, 0.4%

LAB 60.5, -14.14, 49.82

 

CMYK 66 / 2 / 0 / 41

HEX #349497

RGB 52 148 151

HSL 181.82, 0.49%, 0.4%

LAB 56.23, -26.4, -9.82

 

CMYK 0 / 66 / 3 / 40

HEX #993495

RGB 153 52 149

HSL 302.38, 0.49%, 0.4%

LAB 40.24, 53.92, -32.58

 

CMYK 0 / 50 / 66 / 41

HEX #974B34

RGB 151 75 52

HSL 13.94, 0.49%, 0.4%

LAB 40.99, 29.84, 28.1

 

CMYK 66 / 0 / 64 / 41

HEX #349737

RGB 52 151 55

HSL 121.82, 0.49%, 0.4%

LAB 55.22, -48.21, 41.22

 

CMYK 66 / 15 / 0 / 41

HEX #348097

RGB 52 128 151

HSL 193.94, 0.49%, 0.4%

LAB 49.98, -15.88, -19.29

 

CMYK 0 / 66 / 3 / 40

HEX #993495

RGB 153 52 149

HSL 302.38, 0.49%, 0.4%

LAB 40.24, 53.92, -32.58

 

CMYK 0 / 30 / 66 / 41

HEX #976934

RGB 151 105 52

HSL 32.12, 0.49%, 0.4%

LAB 48.17, 12.82, 36.51

 

CMYK 66 / 0 / 64 / 41

HEX #349737

RGB 52 151 55

HSL 121.82, 0.49%, 0.4%

LAB 55.22, -48.21, 41.22

 

CMYK 66 / 35 / 0 / 41

HEX #346297

RGB 52 98 151

HSL 212.12, 0.49%, 0.4%

LAB 40.73, 1.82, -33.66

 

Description

Color code: RGB 153 52 149 | qconv.com Color code: RGB 153 52 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 52 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 52 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 3 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 3% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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