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Color name
RGB 153 56 35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 56 35 it is the complementary color RGB 102 199 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 56 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 56 35 shade: RGB 158 56 30, RGB 175 74 49, RGB 192 92 68, RGB 209 110 87 and RGB 226 128 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 56 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 56 35 shade: RGB 153 56 35, RGB 136 38 16, RGB 119 20 0, RGB 102 2 0 and RGB 85 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 56 35 shade: RGB 153 56 34 and RGB 153 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 56 35 shade: RGB 153 56 34, RGB 153 88 34, RGB 153 120 34, RGB 153 152 34 and RGB 123 153 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 56 35 shade matches the following richer shades: RGB 153 56 34, RGB 169 46 19 and RGB 184 36 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 56 35 shade: RGB 153 56 34, RGB 138 65 50, RGB 123 75 65, RGB 107 85 80 and RGB 92 95 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 56 35 shade: RGB 153 34 78, RGB 153 34 46, RGB 153 54 34, RGB 153 86 34 and RGB 153 118 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 56 35 shade: RGB 86 31 19, RGB 120 43 27, RGB 153 56 34, RGB 187 68 42 and RGB 210 87 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 56 35 shade: RGB 153 56 35, RGB 110 153 34 and RGB 34 62 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 56 35 shade: RGB 153 56 35, RGB 34 153 54 and RGB 54 34 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 56 35 shade: RGB 153 56 35, RGB 110 153 34, RGB 34 133 153 and RGB 78 34 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 56 35 shade: RGB 153 56 35, RGB 74 153 34, RGB 34 133 153 and RGB 114 34 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 77 / 40

HEX #993823

RGB 153 56 35

HSL 10.68, 0.63%, 0.37%

LAB 37.34, 39.42, 33.76

 

Complementary color

CMYK 54 / 10 / 0 / 14

HEX #66C7DC

RGB 102 199 220

HSL 190.68, 0.63%, 0.63%

LAB 75.35, -22.78, -19.2

 

CMYK 0 / 65 / 81 / 38

HEX #9E381E

RGB 158 56 30

HSL 12.19, 0.68%, 0.37%

LAB 38.18, 41.08, 37.61

 

CMYK 0 / 58 / 72 / 31

HEX #AF4A31

RGB 175 74 49

HSL 11.9, 0.56%, 0.44%

LAB 44.57, 39.68, 34.95

 

CMYK 0 / 52 / 65 / 25

HEX #C05C44

RGB 192 92 68

HSL 11.61, 0.5%, 0.51%

LAB 51.01, 38.25, 32.52

 

CMYK 0 / 47 / 58 / 18

HEX #D16E57

RGB 209 110 87

HSL 11.31, 0.57%, 0.58%

LAB 57.46, 36.87, 30.37

 

CMYK 0 / 43 / 53 / 11

HEX #E2806A

RGB 226 128 106

HSL 11, 0.67%, 0.65%

LAB 63.87, 35.6, 28.48

 

CMYK 0 / 63 / 77 / 40

HEX #993823

RGB 153 56 35

HSL 10.68, 0.63%, 0.37%

LAB 37.34, 39.42, 33.76

 

CMYK 0 / 72 / 88 / 47

HEX #882610

RGB 136 38 16

HSL 11, 0.79%, 0.3%

LAB 31.02, 40.57, 36.57

 

CMYK 0 / 83 / 100 / 53

HEX #771400

RGB 119 20 0

HSL 10.08, 1%, 0.23%

LAB 25.02, 41, 36.85

 

CMYK 0 / 98 / 100 / 60

HEX #660200

RGB 102 2 0

HSL 1.18, 1%, 0.2%

LAB 19.51, 40.36, 29.86

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 63 / 78 / 40

HEX #993822

RGB 153 56 34

HSL 11.09, 0.64%, 0.37%

LAB 37.33, 39.37, 34.3

 

CMYK 0 / 78 / 78 / 40

HEX #992222

RGB 153 34 34

HSL 0, 0.64%, 0.37%

LAB 34.05, 48.31, 30.8

 

CMYK 0 / 63 / 78 / 40

HEX #993822

RGB 153 56 34

HSL 11.09, 0.64%, 0.37%

LAB 37.33, 39.37, 34.3

 

CMYK 0 / 42 / 78 / 40

HEX #995822

RGB 153 88 34

HSL 27.23, 0.64%, 0.37%

LAB 44.04, 22.44, 41.17

 

CMYK 0 / 22 / 78 / 40

HEX #997822

RGB 153 120 34

HSL 43.36, 0.64%, 0.37%

LAB 52.2, 4.14, 49.09

 

CMYK 0 / 1 / 78 / 40

HEX #999822

RGB 153 152 34

HSL 59.5, 0.64%, 0.37%

LAB 61.08, -13.39, 57.32

 

CMYK 20 / 0 / 78 / 40

HEX #7B9922

RGB 123 153 34

HSL 75.13, 0.64%, 0.37%

LAB 59.08, -26.96, 54.62

 

CMYK 0 / 63 / 78 / 40

HEX #993822

RGB 153 56 34

HSL 11.09, 0.64%, 0.37%

LAB 37.33, 39.37, 34.3

 

CMYK 0 / 73 / 89 / 34

HEX #A92E13

RGB 169 46 19

HSL 10.8, 0.8%, 0.37%

LAB 38.61, 48.81, 44.07

 

CMYK 0 / 80 / 98 / 28

HEX #B82404

RGB 184 36 4

HSL 10.67, 0.96%, 0.37%

LAB 40.35, 56.59, 52.02

 

CMYK 0 / 63 / 78 / 40

HEX #993822

RGB 153 56 34

HSL 11.09, 0.64%, 0.37%

LAB 37.33, 39.37, 34.3

 

CMYK 0 / 53 / 64 / 46

HEX #8A4132

RGB 138 65 50

HSL 10.23, 0.47%, 0.37%

LAB 36.77, 29.81, 23.66

 

CMYK 0 / 39 / 47 / 52

HEX #7B4B41

RGB 123 75 65

HSL 10.34, 0.31%, 0.37%

LAB 37.16, 19.15, 14.52

 

CMYK 0 / 21 / 25 / 58

HEX #6B5550

RGB 107 85 80

HSL 11.11, 0.14%, 0.37%

LAB 38.2, 8.24, 6.36

 

CMYK 3 / 0 / 0 / 63

HEX #5C5F5F

RGB 92 95 95

HSL 180, 0.02%, 0.37%

LAB 40.06, -1.17, -0.42

 

CMYK 0 / 78 / 49 / 40

HEX #99224E

RGB 153 34 78

HSL 337.82, 0.64%, 0.37%

LAB 34.94, 51.15, 3.89

 

CMYK 0 / 78 / 70 / 40

HEX #99222E

RGB 153 34 46

HSL 353.95, 0.64%, 0.37%

LAB 34.22, 48.86, 23.59

 

CMYK 0 / 65 / 78 / 40

HEX #993622

RGB 153 54 34

HSL 10.08, 0.64%, 0.37%

LAB 36.98, 40.31, 33.93

 

CMYK 0 / 44 / 78 / 40

HEX #995622

RGB 153 86 34

HSL 26.22, 0.64%, 0.37%

LAB 43.57, 23.57, 40.7

 

CMYK 0 / 23 / 78 / 40

HEX #997622

RGB 153 118 34

HSL 42.35, 0.64%, 0.37%

LAB 51.66, 5.28, 48.58

 

CMYK 0 / 64 / 78 / 66

HEX #561F13

RGB 86 31 19

HSL 10.75, 0.64%, 0.21%

LAB 20.07, 24.69, 20.84

 

CMYK 0 / 64 / 78 / 53

HEX #782B1B

RGB 120 43 27

HSL 10.32, 0.63%, 0.29%

LAB 28.9, 32.72, 27.51

 

CMYK 0 / 63 / 78 / 40

HEX #993822

RGB 153 56 34

HSL 11.09, 0.64%, 0.37%

LAB 37.33, 39.37, 34.3

 

CMYK 0 / 64 / 78 / 27

HEX #BB442A

RGB 187 68 42

HSL 10.76, 0.63%, 0.45%

LAB 45.45, 46.61, 40.31

 

CMYK 0 / 59 / 71 / 18

HEX #D2573C

RGB 210 87 60

HSL 10.8, 0.63%, 0.53%

LAB 52.78, 46.98, 39.72

 

CMYK 0 / 63 / 77 / 40

HEX #993823

RGB 153 56 35

HSL 10.68, 0.63%, 0.37%

LAB 37.34, 39.42, 33.76

 

CMYK 28 / 0 / 78 / 40

HEX #6E9922

RGB 110 153 34

HSL 81.68, 0.64%, 0.37%

LAB 58.24, -32.28, 53.54

 

CMYK 78 / 59 / 0 / 40

HEX #223E99

RGB 34 62 153

HSL 225.88, 0.64%, 0.37%

LAB 29.63, 23.66, -52.74

 

CMYK 0 / 63 / 77 / 40

HEX #993823

RGB 153 56 35

HSL 10.68, 0.63%, 0.37%

LAB 37.34, 39.42, 33.76

 

CMYK 78 / 0 / 65 / 40

HEX #229936

RGB 34 153 54

HSL 130.08, 0.64%, 0.37%

LAB 55.47, -52.33, 41.85

 

CMYK 65 / 78 / 0 / 40

HEX #362299

RGB 54 34 153

HSL 250.08, 0.64%, 0.37%

LAB 24.41, 43.49, -61.24

 

CMYK 0 / 63 / 77 / 40

HEX #993823

RGB 153 56 35

HSL 10.68, 0.63%, 0.37%

LAB 37.34, 39.42, 33.76

 

CMYK 28 / 0 / 78 / 40

HEX #6E9922

RGB 110 153 34

HSL 81.68, 0.64%, 0.37%

LAB 58.24, -32.28, 53.54

 

CMYK 78 / 13 / 0 / 40

HEX #228599

RGB 34 133 153

HSL 190.08, 0.64%, 0.37%

LAB 51.17, -20.55, -18.68

 

CMYK 49 / 78 / 0 / 40

HEX #4E2299

RGB 78 34 153

HSL 262.18, 0.64%, 0.37%

LAB 26.92, 46.77, -57.03

 

CMYK 0 / 63 / 77 / 40

HEX #993823

RGB 153 56 35

HSL 10.68, 0.63%, 0.37%

LAB 37.34, 39.42, 33.76

 

CMYK 52 / 0 / 78 / 40

HEX #4A9922

RGB 74 153 34

HSL 99.83, 0.64%, 0.37%

LAB 56.44, -45.05, 51.19

 

CMYK 78 / 13 / 0 / 40

HEX #228599

RGB 34 133 153

HSL 190.08, 0.64%, 0.37%

LAB 51.17, -20.55, -18.68

 

CMYK 25 / 78 / 0 / 40

HEX #722299

RGB 114 34 153

HSL 280.34, 0.64%, 0.37%

LAB 31.86, 53.06, -48.77

 

Description

Color code: RGB 153 56 35 | qconv.com Color code: RGB 153 56 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 56 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 56 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 77 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 77% 40% C M Y K

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Provide designers and agencies with accurate color values.

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