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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 98 199 it is the complementary color RGB 102 157 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 98 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 98 199 shade: RGB 158 98 194, RGB 175 116 213, RGB 192 134 232, RGB 209 152 251 and RGB 226 170 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 98 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 98 199 shade: RGB 153 98 199, RGB 136 80 180, RGB 119 62 161, RGB 102 44 142 and RGB 85 26 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 98 199 shade: RGB 152 97 198, RGB 179 97 198, RGB 198 97 189, RGB 198 97 162 and RGB 198 97 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 98 199 shade: RGB 152 97 198, RGB 125 97 198, RGB 98 97 198 and RGB 97 97 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 98 199 shade matches the following richer shades: RGB 152 97 198, RGB 153 80 215, RGB 155 62 232 and RGB 157 45 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 98 199 shade: RGB 152 97 198, RGB 150 114 180, RGB 149 132 163, RGB 147 149 146 and RGB 146 166 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 98 199 shade: RGB 97 97 198, RGB 124 97 198, RGB 151 97 198, RGB 178 97 198 and RGB 198 97 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 98 199 shade: RGB 111 56 156, RGB 132 67 187, RGB 152 97 198, RGB 172 127 209 and RGB 191 158 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 98 199 shade: RGB 153 98 199, RGB 198 97 124 and RGB 97 198 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 98 199 shade: RGB 153 98 199, RGB 198 151 97 and RGB 97 198 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 98 199 shade: RGB 153 98 199, RGB 198 97 124, RGB 144 198 97 and RGB 97 198 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 98 199 shade: RGB 153 98 199, RGB 198 100 97, RGB 144 198 97 and RGB 97 194 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 51 / 0 / 22

HEX #9962C7

RGB 153 98 199

HSL 272.67, 0.47%, 0.58%

LAB 51.42, 41.36, -44.34

 

Complementary color

CMYK 35 / 0 / 64 / 38

HEX #669D38

RGB 102 157 56

HSL 92.67, 0.47%, 0.42%

LAB 59.18, -35.6, 45.74

 

CMYK 19 / 49 / 0 / 24

HEX #9E62C2

RGB 158 98 194

HSL 277.5, 0.44%, 0.57%

LAB 51.72, 41.59, -40.95

 

CMYK 18 / 46 / 0 / 16

HEX #AF74D5

RGB 175 116 213

HSL 276.49, 0.54%, 0.65%

LAB 58.42, 40.76, -41.08

 

CMYK 17 / 42 / 0 / 9

HEX #C086E8

RGB 192 134 232

HSL 275.51, 0.68%, 0.72%

LAB 65.03, 39.94, -41.19

 

CMYK 17 / 39 / 0 / 2

HEX #D198FB

RGB 209 152 251

HSL 274.55, 0.93%, 0.79%

LAB 71.54, 39.17, -41.29

 

CMYK 11 / 33 / 0 / 0

HEX #E2AAFF

RGB 226 170 255

HSL 279.53, 1%, 0.83%

LAB 77.36, 35.33, -34.28

 

CMYK 23 / 51 / 0 / 22

HEX #9962C7

RGB 153 98 199

HSL 272.67, 0.47%, 0.58%

LAB 51.42, 41.36, -44.34

 

CMYK 24 / 56 / 0 / 29

HEX #8850B4

RGB 136 80 180

HSL 273.6, 0.4%, 0.51%

LAB 44.61, 42.25, -44.26

 

CMYK 26 / 61 / 0 / 37

HEX #773EA1

RGB 119 62 161

HSL 274.55, 0.44%, 0.44%

LAB 37.74, 43.09, -44.1

 

CMYK 28 / 69 / 0 / 44

HEX #662C8E

RGB 102 44 142

HSL 275.51, 0.53%, 0.36%

LAB 30.83, 43.74, -43.76

 

CMYK 31 / 79 / 0 / 52

HEX #551A7B

RGB 85 26 123

HSL 276.49, 0.65%, 0.29%

LAB 24, 43.85, -43.04

 

CMYK 23 / 51 / 0 / 22

HEX #9861C6

RGB 152 97 198

HSL 272.67, 0.47%, 0.58%

LAB 51.04, 41.41, -44.38

 

CMYK 10 / 51 / 0 / 22

HEX #B361C6

RGB 179 97 198

HSL 288.71, 0.47%, 0.58%

LAB 54.25, 48.83, -39.09

 

CMYK 0 / 51 / 5 / 22

HEX #C661BD

RGB 198 97 189

HSL 305.35, 0.47%, 0.58%

LAB 56.32, 52.54, -30.52

 

CMYK 0 / 51 / 18 / 22

HEX #C661A2

RGB 198 97 162

HSL 321.39, 0.47%, 0.58%

LAB 55.24, 48.16, -16.56

 

CMYK 0 / 51 / 32 / 22

HEX #C66187

RGB 198 97 135

HSL 337.43, 0.47%, 0.58%

LAB 54.35, 44.38, -2.06

 

CMYK 23 / 51 / 0 / 22

HEX #9861C6

RGB 152 97 198

HSL 272.67, 0.47%, 0.58%

LAB 51.04, 41.41, -44.38

 

CMYK 37 / 51 / 0 / 22

HEX #7D61C6

RGB 125 97 198

HSL 256.63, 0.47%, 0.58%

LAB 48.24, 34.33, -48.99

 

CMYK 51 / 51 / 0 / 22

HEX #6261C6

RGB 98 97 198

HSL 240.59, 0.47%, 0.58%

LAB 45.94, 27.94, -52.81

 

CMYK 51 / 51 / 0 / 22

HEX #6161C6

RGB 97 97 198

HSL 240, 0.47%, 0.58%

LAB 45.86, 27.73, -52.94

 

CMYK 23 / 51 / 0 / 22

HEX #9861C6

RGB 152 97 198

HSL 272.67, 0.47%, 0.58%

LAB 51.04, 41.41, -44.38

 

CMYK 29 / 63 / 0 / 16

HEX #9950D7

RGB 153 80 215

HSL 272.44, 0.63%, 0.58%

LAB 48.78, 54.54, -57.71

 

CMYK 33 / 73 / 0 / 9

HEX #9B3EE8

RGB 155 62 232

HSL 272.82, 0.79%, 0.58%

LAB 47.29, 66.9, -69.77

 

CMYK 37 / 82 / 0 / 2

HEX #9D2DFA

RGB 157 45 250

HSL 272.78, 0.95%, 0.58%

LAB 46.9, 77.05, -80.5

 

CMYK 23 / 51 / 0 / 22

HEX #9861C6

RGB 152 97 198

HSL 272.67, 0.47%, 0.58%

LAB 51.04, 41.41, -44.38

 

CMYK 17 / 37 / 0 / 29

HEX #9672B4

RGB 150 114 180

HSL 272.73, 0.31%, 0.58%

LAB 53.83, 27.02, -29.65

 

CMYK 9 / 19 / 0 / 36

HEX #9584A3

RGB 149 132 163

HSL 272.9, 0.14%, 0.58%

LAB 57.59, 12.5, -14.1

 

CMYK 1 / 0 / 2 / 42

HEX #939592

RGB 147 149 146

HSL 100, 0.01%, 0.58%

LAB 61.46, -1.3, 1.32

 

CMYK 12 / 0 / 23 / 35

HEX #92A680

RGB 146 166 128

HSL 91.58, 0.18%, 0.58%

LAB 65.7, -14.07, 17.4

 

CMYK 51 / 51 / 0 / 22

HEX #6161C6

RGB 97 97 198

HSL 240, 0.47%, 0.58%

LAB 45.86, 27.73, -52.94

 

CMYK 37 / 51 / 0 / 22

HEX #7C61C6

RGB 124 97 198

HSL 256.04, 0.47%, 0.58%

LAB 48.15, 34.08, -49.15

 

CMYK 24 / 51 / 0 / 22

HEX #9761C6

RGB 151 97 198

HSL 272.08, 0.47%, 0.58%

LAB 50.93, 41.14, -44.56

 

CMYK 10 / 51 / 0 / 22

HEX #B261C6

RGB 178 97 198

HSL 288.12, 0.47%, 0.58%

LAB 54.12, 48.55, -39.3

 

CMYK 0 / 51 / 4 / 22

HEX #C661BF

RGB 198 97 191

HSL 304.16, 0.47%, 0.58%

LAB 56.4, 52.89, -31.53

 

CMYK 29 / 64 / 0 / 39

HEX #6F389C

RGB 111 56 156

HSL 273, 0.47%, 0.42%

LAB 35.22, 43.1, -45.19

 

CMYK 29 / 64 / 0 / 27

HEX #8443BB

RGB 132 67 187

HSL 272.5, 0.47%, 0.5%

LAB 42.01, 49.77, -52.56

 

CMYK 23 / 51 / 0 / 22

HEX #9861C6

RGB 152 97 198

HSL 272.67, 0.47%, 0.58%

LAB 51.04, 41.41, -44.38

 

CMYK 18 / 39 / 0 / 18

HEX #AC7FD1

RGB 172 127 209

HSL 272.93, 0.47%, 0.66%

LAB 60.38, 32.89, -35.77

 

CMYK 13 / 28 / 0 / 14

HEX #BF9EDC

RGB 191 158 220

HSL 271.94, 0.47%, 0.74%

LAB 69.96, 23.82, -26.92

 

CMYK 23 / 51 / 0 / 22

HEX #9962C7

RGB 153 98 199

HSL 272.67, 0.47%, 0.58%

LAB 51.42, 41.36, -44.34

 

CMYK 0 / 51 / 37 / 22

HEX #C6617C

RGB 198 97 124

HSL 343.96, 0.47%, 0.58%

LAB 54.04, 43.03, 3.98

 

CMYK 51 / 0 / 44 / 22

HEX #61C66E

RGB 97 198 110

HSL 127.72, 0.47%, 0.58%

LAB 72.27, -48.01, 35.21

 

CMYK 23 / 51 / 0 / 22

HEX #9962C7

RGB 153 98 199

HSL 272.67, 0.47%, 0.58%

LAB 51.42, 41.36, -44.34

 

CMYK 0 / 24 / 51 / 22

HEX #C69761

RGB 198 151 97

HSL 32.08, 0.47%, 0.58%

LAB 65.75, 11.1, 35.1

 

CMYK 51 / 0 / 24 / 22

HEX #61C697

RGB 97 198 151

HSL 152.08, 0.47%, 0.58%

LAB 73, -40.52, 14.67

 

CMYK 23 / 51 / 0 / 22

HEX #9962C7

RGB 153 98 199

HSL 272.67, 0.47%, 0.58%

LAB 51.42, 41.36, -44.34

 

CMYK 0 / 51 / 37 / 22

HEX #C6617C

RGB 198 97 124

HSL 343.96, 0.47%, 0.58%

LAB 54.04, 43.03, 3.98

 

CMYK 27 / 0 / 51 / 22

HEX #90C661

RGB 144 198 97

HSL 92.08, 0.47%, 0.58%

LAB 74.31, -34.82, 44.66

 

CMYK 51 / 0 / 14 / 22

HEX #61C6AB

RGB 97 198 171

HSL 163.96, 0.47%, 0.58%

LAB 73.46, -36.06, 4.53

 

CMYK 23 / 51 / 0 / 22

HEX #9962C7

RGB 153 98 199

HSL 272.67, 0.47%, 0.58%

LAB 51.42, 41.36, -44.34

 

CMYK 0 / 49 / 51 / 22

HEX #C66461

RGB 198 100 97

HSL 1.78, 0.47%, 0.58%

LAB 54.01, 38.68, 19.83

 

CMYK 27 / 0 / 51 / 22

HEX #90C661

RGB 144 198 97

HSL 92.08, 0.47%, 0.58%

LAB 74.31, -34.82, 44.66

 

CMYK 51 / 2 / 0 / 22

HEX #61C2C6

RGB 97 194 198

HSL 182.38, 0.47%, 0.58%

LAB 73.02, -27.35, -10.78

 

Description

Color code: RGB 153 98 199 | qconv.com Color code: RGB 153 98 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 98 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 98 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 51 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 51% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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