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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 104 118 it is the complementary color RGB 101 151 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 104 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 104 118 shade: RGB 159 104 113, RGB 176 122 132, RGB 193 140 151, RGB 210 158 170 and RGB 227 176 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 104 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 104 118 shade: RGB 154 104 118, RGB 137 86 99, RGB 120 68 80, RGB 103 50 61 and RGB 86 32 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 104 118 shade: RGB 155 105 119, RGB 155 105 105 and RGB 155 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 104 118 shade: RGB 155 105 119, RGB 155 105 132, RGB 155 105 146, RGB 150 105 155 and RGB 137 105 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 104 118 shade matches the following richer shades: RGB 155 105 119, RGB 175 84 110, RGB 195 64 101, RGB 215 44 92 and RGB 235 24 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 104 118 shade: RGB 155 105 119, RGB 134 125 127, RGB 114 145 136, RGB 94 165 145 and RGB 74 185 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 104 118 shade: RGB 155 105 145, RGB 155 105 132, RGB 155 105 119, RGB 155 105 105 and RGB 155 117 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 104 118 shade: RGB 106 71 80, RGB 131 87 99, RGB 155 105 119, RGB 171 129 141 and RGB 188 154 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 104 118 shade: RGB 154 104 118, RGB 155 150 105 and RGB 105 139 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 104 118 shade: RGB 154 104 118, RGB 119 155 105 and RGB 105 119 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 104 118 shade: RGB 154 104 118, RGB 155 150 105, RGB 105 155 140 and RGB 105 109 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 104 118 shade: RGB 154 104 118, RGB 144 155 105, RGB 105 155 140 and RGB 115 105 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 23 / 40

HEX #9A6876

RGB 154 104 118

HSL 343.2, 0.2%, 0.51%

LAB 49.59, 22.15, 0.37

 

Complementary color

CMYK 33 / 0 / 9 / 41

HEX #659789

RGB 101 151 137

HSL 163.2, 0.2%, 0.49%

LAB 58.7, -19.96, 2.04

 

CMYK 0 / 35 / 29 / 38

HEX #9F6871

RGB 159 104 113

HSL 350.18, 0.22%, 0.52%

LAB 50.05, 23.34, 4.09

 

CMYK 0 / 31 / 25 / 31

HEX #B07A84

RGB 176 122 132

HSL 348.89, 0.25%, 0.58%

LAB 56.89, 22.52, 3.07

 

CMYK 0 / 27 / 22 / 24

HEX #C18C97

RGB 193 140 151

HSL 347.55, 0.3%, 0.65%

LAB 63.61, 21.78, 2.15

 

CMYK 0 / 25 / 19 / 18

HEX #D29EAA

RGB 210 158 170

HSL 346.15, 0.37%, 0.72%

LAB 70.22, 21.11, 1.32

 

CMYK 0 / 22 / 17 / 11

HEX #E3B0BD

RGB 227 176 189

HSL 344.71, 0.48%, 0.79%

LAB 76.71, 20.51, 0.54

 

CMYK 0 / 32 / 23 / 40

HEX #9A6876

RGB 154 104 118

HSL 343.2, 0.2%, 0.51%

LAB 49.59, 22.15, 0.37

 

CMYK 0 / 37 / 28 / 46

HEX #895663

RGB 137 86 99

HSL 344.71, 0.23%, 0.44%

LAB 42.57, 23.01, 1.38

 

CMYK 0 / 43 / 33 / 53

HEX #784450

RGB 120 68 80

HSL 346.15, 0.28%, 0.37%

LAB 35.41, 23.97, 2.58

 

CMYK 0 / 51 / 41 / 60

HEX #67323D

RGB 103 50 61

HSL 347.55, 0.35%, 0.3%

LAB 28.12, 25.02, 4.08

 

CMYK 0 / 63 / 51 / 66

HEX #56202A

RGB 86 32 42

HSL 348.89, 0.46%, 0.23%

LAB 20.75, 26.07, 6.11

 

CMYK 0 / 32 / 23 / 39

HEX #9B6977

RGB 155 105 119

HSL 343.2, 0.2%, 0.51%

LAB 49.98, 22.12, 0.36

 

CMYK 0 / 32 / 32 / 39

HEX #9B6969

RGB 155 105 105

HSL 0, 0.2%, 0.51%

LAB 49.61, 20.05, 8.14

 

CMYK 0 / 32 / 32 / 39

HEX #9B6969

RGB 155 105 105

HSL 0, 0.2%, 0.51%

LAB 49.61, 20.05, 8.14

 

CMYK 0 / 32 / 23 / 39

HEX #9B6977

RGB 155 105 119

HSL 343.2, 0.2%, 0.51%

LAB 49.98, 22.12, 0.36

 

CMYK 0 / 32 / 15 / 39

HEX #9B6984

RGB 155 105 132

HSL 327.6, 0.2%, 0.51%

LAB 50.38, 24.26, -6.78

 

CMYK 0 / 32 / 6 / 39

HEX #9B6992

RGB 155 105 146

HSL 310.8, 0.2%, 0.51%

LAB 50.86, 26.78, -14.34

 

CMYK 3 / 32 / 0 / 39

HEX #96699B

RGB 150 105 155

HSL 294, 0.2%, 0.51%

LAB 50.63, 26.81, -20.04

 

CMYK 12 / 32 / 0 / 39

HEX #89699B

RGB 137 105 155

HSL 278.4, 0.2%, 0.51%

LAB 49.24, 22.43, -22.3

 

CMYK 0 / 32 / 23 / 39

HEX #9B6977

RGB 155 105 119

HSL 343.2, 0.2%, 0.51%

LAB 49.98, 22.12, 0.36

 

CMYK 0 / 52 / 37 / 31

HEX #AF546E

RGB 175 84 110

HSL 342.86, 0.36%, 0.51%

LAB 47.73, 39.86, 2.81

 

CMYK 0 / 67 / 48 / 24

HEX #C34065

RGB 195 64 101

HSL 343.05, 0.52%, 0.51%

LAB 47.25, 54.8, 8.02

 

CMYK 0 / 80 / 57 / 16

HEX #D72C5C

RGB 215 44 92

HSL 343.16, 0.68%, 0.51%

LAB 48.29, 66.55, 15.53

 

CMYK 0 / 90 / 65 / 8

HEX #EB1853

RGB 235 24 83

HSL 343.22, 0.84%, 0.51%

LAB 50.62, 75.12, 24.82

 

CMYK 0 / 32 / 23 / 39

HEX #9B6977

RGB 155 105 119

HSL 343.2, 0.2%, 0.51%

LAB 49.98, 22.12, 0.36

 

CMYK 0 / 7 / 5 / 47

HEX #867D7F

RGB 134 125 127

HSL 346.67, 0.04%, 0.51%

LAB 53.24, 3.8, 0.14

 

CMYK 21 / 0 / 6 / 43

HEX #729188

RGB 114 145 136

HSL 162.58, 0.12%, 0.51%

LAB 57.66, -12.81, 1.19

 

CMYK 43 / 0 / 12 / 35

HEX #5EA591

RGB 94 165 145

HSL 163.1, 0.28%, 0.51%

LAB 62.79, -27.21, 3.41

 

CMYK 60 / 0 / 17 / 27

HEX #4AB99A

RGB 74 185 154

HSL 163.24, 0.44%, 0.51%

LAB 68.38, -39.1, 6.38

 

CMYK 0 / 32 / 6 / 39

HEX #9B6991

RGB 155 105 145

HSL 312, 0.2%, 0.51%

LAB 50.82, 26.59, -13.81

 

CMYK 0 / 32 / 15 / 39

HEX #9B6984

RGB 155 105 132

HSL 327.6, 0.2%, 0.51%

LAB 50.38, 24.26, -6.78

 

CMYK 0 / 32 / 23 / 39

HEX #9B6977

RGB 155 105 119

HSL 343.2, 0.2%, 0.51%

LAB 49.98, 22.12, 0.36

 

CMYK 0 / 32 / 32 / 39

HEX #9B6969

RGB 155 105 105

HSL 0, 0.2%, 0.51%

LAB 49.61, 20.05, 8.14

 

CMYK 0 / 25 / 32 / 39

HEX #9B7569

RGB 155 117 105

HSL 14.4, 0.2%, 0.51%

LAB 52.63, 13.15, 12.4

 

CMYK 0 / 33 / 25 / 58

HEX #6A4750

RGB 106 71 80

HSL 344.57, 0.2%, 0.35%

LAB 34.29, 16.44, 0.72

 

CMYK 0 / 34 / 24 / 49

HEX #835763

RGB 131 87 99

HSL 343.64, 0.2%, 0.43%

LAB 42.07, 20.04, 0.55

 

CMYK 0 / 32 / 23 / 39

HEX #9B6977

RGB 155 105 119

HSL 343.2, 0.2%, 0.51%

LAB 49.98, 22.12, 0.36

 

CMYK 0 / 25 / 18 / 33

HEX #AB818D

RGB 171 129 141

HSL 342.86, 0.2%, 0.59%

LAB 58.3, 18.08, -0.15

 

CMYK 0 / 18 / 13 / 26

HEX #BC9AA3

RGB 188 154 163

HSL 344.12, 0.2%, 0.67%

LAB 66.86, 14.09, 0.06

 

CMYK 0 / 32 / 23 / 40

HEX #9A6876

RGB 154 104 118

HSL 343.2, 0.2%, 0.51%

LAB 49.59, 22.15, 0.37

 

CMYK 0 / 3 / 32 / 39

HEX #9B9669

RGB 155 150 105

HSL 54, 0.2%, 0.51%

LAB 61.48, -5.4, 24.45

 

CMYK 32 / 10 / 0 / 39

HEX #698B9B

RGB 105 139 155

HSL 199.2, 0.2%, 0.51%

LAB 55.92, -7.86, -12.35

 

CMYK 0 / 32 / 23 / 40

HEX #9A6876

RGB 154 104 118

HSL 343.2, 0.2%, 0.51%

LAB 49.59, 22.15, 0.37

 

CMYK 23 / 0 / 32 / 39

HEX #779B69

RGB 119 155 105

HSL 103.2, 0.2%, 0.51%

LAB 60.23, -22.17, 22.31

 

CMYK 32 / 23 / 0 / 39

HEX #69779B

RGB 105 119 155

HSL 223.2, 0.2%, 0.51%

LAB 50.17, 3.7, -21.1

 

CMYK 0 / 32 / 23 / 40

HEX #9A6876

RGB 154 104 118

HSL 343.2, 0.2%, 0.51%

LAB 49.59, 22.15, 0.37

 

CMYK 0 / 3 / 32 / 39

HEX #9B9669

RGB 155 150 105

HSL 54, 0.2%, 0.51%

LAB 61.48, -5.4, 24.45

 

CMYK 32 / 0 / 10 / 39

HEX #699B8C

RGB 105 155 140

HSL 162, 0.2%, 0.51%

LAB 60.19, -20.13, 2.53

 

CMYK 32 / 30 / 0 / 39

HEX #696D9B

RGB 105 109 155

HSL 235.2, 0.2%, 0.51%

LAB 47.37, 9.7, -25.42

 

CMYK 0 / 32 / 23 / 40

HEX #9A6876

RGB 154 104 118

HSL 343.2, 0.2%, 0.51%

LAB 49.59, 22.15, 0.37

 

CMYK 7 / 0 / 32 / 39

HEX #909B69

RGB 144 155 105

HSL 73.2, 0.2%, 0.51%

LAB 61.99, -12.54, 24.96

 

CMYK 32 / 0 / 10 / 39

HEX #699B8C

RGB 105 155 140

HSL 162, 0.2%, 0.51%

LAB 60.19, -20.13, 2.53

 

CMYK 26 / 32 / 0 / 39

HEX #73699B

RGB 115 105 155

HSL 252, 0.2%, 0.51%

LAB 47.12, 15.25, -25.74

 

Description

Color code: RGB 154 104 118 | qconv.com Color code: RGB 154 104 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 104 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 104 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 23 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 23% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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