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Color name
RGB 154 112 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 112 19 it is the complementary color RGB 101 143 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 112 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 112 19 shade: RGB 159 112 14, RGB 176 130 33, RGB 193 148 52, RGB 210 166 71 and RGB 227 184 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 112 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 112 19 shade: RGB 154 112 19, RGB 137 94 0, RGB 120 76 0, RGB 103 58 0 and RGB 86 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 112 19 shade: RGB 154 112 19, RGB 154 75 19, RGB 154 39 19 and RGB 154 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 112 19 shade: RGB 154 112 19, RGB 154 148 19, RGB 123 154 19, RGB 86 154 19 and RGB 50 154 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 112 19 shade matches the following richer shades: RGB 154 112 19 and RGB 168 117 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 112 19 shade: RGB 154 112 19, RGB 140 106 33, RGB 126 101 47, RGB 112 96 61 and RGB 98 91 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 112 19 shade: RGB 154 39 19, RGB 154 75 19, RGB 154 111 19, RGB 154 147 19 and RGB 125 154 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 112 19 shade: RGB 80 58 9, RGB 117 85 14, RGB 154 112 19, RGB 191 138 23 and RGB 227 165 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 112 19 shade: RGB 154 112 19, RGB 34 154 19 and RGB 57 19 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 112 19 shade: RGB 154 112 19, RGB 19 154 111 and RGB 111 19 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 112 19 shade: RGB 154 112 19, RGB 34 154 19, RGB 19 61 154 and RGB 138 19 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 112 19 shade: RGB 154 112 19, RGB 19 154 43, RGB 19 61 154 and RGB 154 19 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

Complementary color

CMYK 57 / 39 / 0 / 7

HEX #658FEC

RGB 101 143 236

HSL 221.33, 0.78%, 0.66%

LAB 60.31, 12.76, -51.32

 

CMYK 0 / 30 / 91 / 38

HEX #9F700E

RGB 159 112 14

HSL 40.55, 0.84%, 0.34%

LAB 50.68, 10.84, 54.43

 

CMYK 0 / 26 / 81 / 31

HEX #B08221

RGB 176 130 33

HSL 40.7, 0.68%, 0.41%

LAB 57.37, 8.99, 55.15

 

CMYK 0 / 23 / 73 / 24

HEX #C19434

RGB 193 148 52

HSL 40.85, 0.58%, 0.48%

LAB 63.97, 7.44, 54.73

 

CMYK 0 / 21 / 66 / 18

HEX #D2A647

RGB 210 166 71

HSL 41.01, 0.61%, 0.55%

LAB 70.48, 6.13, 53.8

 

CMYK 0 / 19 / 60 / 11

HEX #E3B85A

RGB 227 184 90

HSL 41.17, 0.71%, 0.62%

LAB 76.89, 5.02, 52.64

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 0 / 31 / 100 / 46

HEX #895E00

RGB 137 94 0

HSL 41.17, 1%, 0.27%

LAB 43.25, 10.67, 51.04

 

CMYK 0 / 37 / 100 / 53

HEX #784C00

RGB 120 76 0

HSL 38, 1%, 0.24%

LAB 36.29, 13.21, 45.36

 

CMYK 0 / 44 / 100 / 60

HEX #673A00

RGB 103 58 0

HSL 33.79, 1%, 0.2%

LAB 29.18, 15.89, 39.36

 

CMYK 0 / 53 / 100 / 66

HEX #562800

RGB 86 40 0

HSL 27.91, 1%, 0.17%

LAB 21.93, 18.67, 31.62

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 0 / 51 / 88 / 40

HEX #9A4B13

RGB 154 75 19

HSL 24.89, 0.78%, 0.34%

LAB 41.14, 29.57, 45.03

 

CMYK 0 / 75 / 88 / 40

HEX #9A2713

RGB 154 39 19

HSL 8.89, 0.78%, 0.34%

LAB 34.74, 46.42, 39.7

 

CMYK 0 / 88 / 88 / 40

HEX #9A1313

RGB 154 19 19

HSL 0, 0.78%, 0.34%

LAB 32.66, 52.26, 37.95

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 0 / 4 / 88 / 40

HEX #9A9413

RGB 154 148 19

HSL 57.33, 0.78%, 0.34%

LAB 59.98, -11.31, 60.48

 

CMYK 20 / 0 / 88 / 40

HEX #7B9A13

RGB 123 154 19

HSL 73.78, 0.78%, 0.34%

LAB 59.31, -28.02, 58.94

 

CMYK 44 / 0 / 88 / 40

HEX #569A13

RGB 86 154 19

HSL 90.22, 0.78%, 0.34%

LAB 57.21, -42.32, 56.31

 

CMYK 68 / 0 / 88 / 40

HEX #329A13

RGB 50 154 19

HSL 106.22, 0.78%, 0.34%

LAB 55.92, -52.48, 54.69

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 0 / 30 / 97 / 34

HEX #A87505

RGB 168 117 5

HSL 41.23, 0.94%, 0.34%

LAB 53.01, 12, 58.45

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 0 / 24 / 76 / 45

HEX #8C6A21

RGB 140 106 33

HSL 40.93, 0.62%, 0.34%

LAB 46.97, 6.07, 43.96

 

CMYK 0 / 20 / 63 / 51

HEX #7E652F

RGB 126 101 47

HSL 41.01, 0.46%, 0.34%

LAB 44.16, 3.31, 33.78

 

CMYK 0 / 14 / 46 / 56

HEX #70603D

RGB 112 96 61

HSL 41.18, 0.29%, 0.34%

LAB 41.45, 1.15, 22.35

 

CMYK 0 / 7 / 23 / 62

HEX #625B4B

RGB 98 91 75

HSL 41.74, 0.13%, 0.34%

LAB 38.88, -0.11, 10.26

 

CMYK 0 / 75 / 88 / 40

HEX #9A2713

RGB 154 39 19

HSL 8.89, 0.78%, 0.34%

LAB 34.74, 46.42, 39.7

 

CMYK 0 / 51 / 88 / 40

HEX #9A4B13

RGB 154 75 19

HSL 24.89, 0.78%, 0.34%

LAB 41.14, 29.57, 45.03

 

CMYK 0 / 28 / 88 / 40

HEX #9A6F13

RGB 154 111 19

HSL 40.89, 0.78%, 0.34%

LAB 49.84, 9.21, 52.2

 

CMYK 0 / 5 / 88 / 40

HEX #9A9313

RGB 154 147 19

HSL 56.89, 0.78%, 0.34%

LAB 59.69, -10.77, 60.25

 

CMYK 19 / 0 / 88 / 40

HEX #7D9A13

RGB 125 154 19

HSL 72.89, 0.78%, 0.34%

LAB 59.45, -27.18, 59.11

 

CMYK 0 / 28 / 89 / 69

HEX #503A09

RGB 80 58 9

HSL 41.41, 0.8%, 0.17%

LAB 26.01, 4.62, 31.71

 

CMYK 0 / 27 / 88 / 54

HEX #75550E

RGB 117 85 14

HSL 41.36, 0.79%, 0.26%

LAB 38.39, 6.7, 42.43

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 0 / 28 / 88 / 25

HEX #BF8A17

RGB 191 138 23

HSL 41.07, 0.79%, 0.42%

LAB 61.06, 11.02, 61.97

 

CMYK 0 / 27 / 88 / 11

HEX #E3A51C

RGB 227 165 28

HSL 41.31, 0.78%, 0.5%

LAB 71.78, 12.35, 70.94

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 78 / 0 / 88 / 40

HEX #229A13

RGB 34 154 19

HSL 113.33, 0.78%, 0.34%

LAB 55.58, -55.41, 54.26

 

CMYK 63 / 88 / 0 / 40

HEX #39139A

RGB 57 19 154

HSL 256.89, 0.78%, 0.34%

LAB 22.54, 50.7, -64.93

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 88 / 0 / 28 / 40

HEX #139A6F

RGB 19 154 111

HSL 160.89, 0.78%, 0.34%

LAB 56.48, -44.08, 13.26

 

CMYK 28 / 88 / 0 / 40

HEX #6F139A

RGB 111 19 154

HSL 280.89, 0.78%, 0.34%

LAB 29.86, 57.42, -52.65

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 78 / 0 / 88 / 40

HEX #229A13

RGB 34 154 19

HSL 113.33, 0.78%, 0.34%

LAB 55.58, -55.41, 54.26

 

CMYK 88 / 60 / 0 / 40

HEX #133D9A

RGB 19 61 154

HSL 221.33, 0.78%, 0.34%

LAB 28.93, 23.36, -54.51

 

CMYK 10 / 88 / 0 / 40

HEX #8A139A

RGB 138 19 154

HSL 292.89, 0.78%, 0.34%

LAB 34.4, 61.94, -45.07

 

CMYK 0 / 27 / 88 / 40

HEX #9A7013

RGB 154 112 19

HSL 41.33, 0.78%, 0.34%

LAB 50.1, 8.64, 52.42

 

CMYK 88 / 0 / 72 / 40

HEX #139A2B

RGB 19 154 43

HSL 130.67, 0.78%, 0.34%

LAB 55.51, -55.58, 46.51

 

CMYK 88 / 60 / 0 / 40

HEX #133D9A

RGB 19 61 154

HSL 221.33, 0.78%, 0.34%

LAB 28.93, 23.36, -54.51

 

CMYK 0 / 88 / 16 / 40

HEX #9A1381

RGB 154 19 129

HSL 311.11, 0.78%, 0.34%

LAB 35.83, 61.16, -27.22

 

Description

Color code: RGB 154 112 19 | qconv.com Color code: RGB 154 112 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 112 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 112 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 88 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 88% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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