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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 199 106 it is the complementary color RGB 101 56 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 199 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 199 106 shade: RGB 159 199 101, RGB 176 217 120, RGB 193 235 139, RGB 210 253 158 and RGB 227 255 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 199 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 199 106 shade: RGB 154 199 106, RGB 137 181 87, RGB 120 163 68, RGB 103 145 49 and RGB 86 127 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 199 106 shade: RGB 154 198 107, RGB 179 198 107, RGB 198 193 107, RGB 198 169 107 and RGB 198 144 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 199 106 shade: RGB 154 198 107, RGB 129 198 107, RGB 107 198 109, RGB 107 198 133 and RGB 107 198 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 199 106 shade matches the following richer shades: RGB 154 198 107, RGB 155 215 90, RGB 155 231 74 and RGB 156 248 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 199 106 shade: RGB 154 198 107, RGB 153 182 123, RGB 153 165 140, RGB 152 149 156 and RGB 152 132 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 199 106 shade: RGB 198 194 107, RGB 179 198 107, RGB 154 198 107, RGB 130 198 107 and RGB 107 198 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 199 106 shade: RGB 113 162 61, RGB 134 187 77, RGB 154 198 107, RGB 174 210 137 and RGB 195 221 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 199 106 shade: RGB 154 199 106, RGB 107 198 169 and RGB 198 107 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 199 106 shade: RGB 154 199 106, RGB 107 154 198 and RGB 198 107 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 199 106 shade: RGB 154 199 106, RGB 107 198 169, RGB 151 107 198 and RGB 198 107 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 199 106 shade: RGB 154 199 106, RGB 107 198 197, RGB 151 107 198 and RGB 198 107 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 47 / 22

HEX #9AC76A

RGB 154 199 106

HSL 89.03, 0.45%, 0.6%

LAB 75.3, -30.6, 41.62

 

Complementary color

CMYK 32 / 62 / 0 / 42

HEX #653895

RGB 101 56 149

HSL 269.03, 0.45%, 0.4%

LAB 33.49, 38.95, -43.78

 

CMYK 20 / 0 / 49 / 22

HEX #9FC765

RGB 159 199 101

HSL 84.49, 0.47%, 0.59%

LAB 75.55, -29.29, 44.45

 

CMYK 19 / 0 / 45 / 15

HEX #B0D978

RGB 176 217 120

HSL 85.36, 0.56%, 0.66%

LAB 81.95, -29.34, 43.29

 

CMYK 18 / 0 / 41 / 8

HEX #C1EB8B

RGB 193 235 139

HSL 86.25, 0.71%, 0.73%

LAB 88.27, -29.35, 42.15

 

CMYK 17 / 0 / 38 / 1

HEX #D2FD9E

RGB 210 253 158

HSL 87.16, 0.96%, 0.81%

LAB 94.49, -29.34, 41.03

 

CMYK 11 / 0 / 31 / 0

HEX #E3FFB1

RGB 227 255 177

HSL 81.54, 1%, 0.85%

LAB 96.42, -21.77, 34.36

 

CMYK 23 / 0 / 47 / 22

HEX #9AC76A

RGB 154 199 106

HSL 89.03, 0.45%, 0.6%

LAB 75.3, -30.6, 41.62

 

CMYK 24 / 0 / 52 / 29

HEX #89B557

RGB 137 181 87

HSL 88.09, 0.39%, 0.53%

LAB 68.79, -30.58, 42.78

 

CMYK 26 / 0 / 58 / 36

HEX #78A344

RGB 120 163 68

HSL 87.16, 0.41%, 0.45%

LAB 62.17, -30.49, 43.88

 

CMYK 29 / 0 / 66 / 43

HEX #679131

RGB 103 145 49

HSL 86.25, 0.49%, 0.38%

LAB 55.44, -30.28, 44.78

 

CMYK 32 / 0 / 76 / 50

HEX #567F1E

RGB 86 127 30

HSL 85.36, 0.62%, 0.31%

LAB 48.57, -29.89, 45.16

 

CMYK 22 / 0 / 46 / 22

HEX #9AC66B

RGB 154 198 107

HSL 89.01, 0.44%, 0.6%

LAB 75.03, -30.01, 40.79

 

CMYK 10 / 0 / 46 / 22

HEX #B3C66B

RGB 179 198 107

HSL 72.53, 0.44%, 0.6%

LAB 76.7, -20.43, 43.23

 

CMYK 0 / 3 / 46 / 22

HEX #C6C16B

RGB 198 193 107

HSL 56.7, 0.44%, 0.6%

LAB 76.8, -10.28, 43.69

 

CMYK 0 / 15 / 46 / 22

HEX #C6A96B

RGB 198 169 107

HSL 40.88, 0.44%, 0.6%

LAB 70.49, 2.32, 35.81

 

CMYK 0 / 27 / 46 / 22

HEX #C6906B

RGB 198 144 107

HSL 24.4, 0.44%, 0.6%

LAB 64.17, 15.91, 27.68

 

CMYK 22 / 0 / 46 / 22

HEX #9AC66B

RGB 154 198 107

HSL 89.01, 0.44%, 0.6%

LAB 75.03, -30.01, 40.79

 

CMYK 35 / 0 / 46 / 22

HEX #81C66B

RGB 129 198 107

HSL 105.49, 0.44%, 0.6%

LAB 73.62, -38.82, 38.73

 

CMYK 46 / 0 / 45 / 22

HEX #6BC66D

RGB 107 198 109

HSL 121.32, 0.44%, 0.6%

LAB 72.64, -45.39, 36.27

 

CMYK 46 / 0 / 33 / 22

HEX #6BC685

RGB 107 198 133

HSL 137.14, 0.44%, 0.6%

LAB 73.03, -41.46, 24.36

 

CMYK 46 / 0 / 20 / 22

HEX #6BC69E

RGB 107 198 158

HSL 153.63, 0.44%, 0.6%

LAB 73.53, -36.54, 11.71

 

CMYK 22 / 0 / 46 / 22

HEX #9AC66B

RGB 154 198 107

HSL 89.01, 0.44%, 0.6%

LAB 75.03, -30.01, 40.79

 

CMYK 28 / 0 / 58 / 16

HEX #9BD75A

RGB 155 215 90

HSL 88.8, 0.61%, 0.6%

LAB 79.79, -39.24, 54.48

 

CMYK 33 / 0 / 68 / 9

HEX #9BE74A

RGB 155 231 74

HSL 89.04, 0.77%, 0.6%

LAB 84.28, -47.45, 65.92

 

CMYK 37 / 0 / 77 / 3

HEX #9CF839

RGB 156 248 57

HSL 88.9, 0.93%, 0.6%

LAB 89.16, -55.05, 76.39

 

CMYK 22 / 0 / 46 / 22

HEX #9AC66B

RGB 154 198 107

HSL 89.01, 0.44%, 0.6%

LAB 75.03, -30.01, 40.79

 

CMYK 16 / 0 / 32 / 29

HEX #99B67B

RGB 153 182 123

HSL 89.49, 0.29%, 0.6%

LAB 70.63, -20.45, 26.87

 

CMYK 7 / 0 / 15 / 35

HEX #99A58C

RGB 153 165 140

HSL 88.8, 0.12%, 0.6%

LAB 66.19, -8.91, 11.53

 

CMYK 3 / 4 / 0 / 39

HEX #98959C

RGB 152 149 156

HSL 265.71, 0.03%, 0.6%

LAB 62.14, 2.46, -3.29

 

CMYK 12 / 24 / 0 / 32

HEX #9884AD

RGB 152 132 173

HSL 269.27, 0.2%, 0.6%

LAB 58.22, 15.69, -18.85

 

CMYK 0 / 2 / 46 / 22

HEX #C6C26B

RGB 198 194 107

HSL 57.36, 0.44%, 0.6%

LAB 77.07, -10.8, 44.01

 

CMYK 10 / 0 / 46 / 22

HEX #B3C66B

RGB 179 198 107

HSL 72.53, 0.44%, 0.6%

LAB 76.7, -20.43, 43.23

 

CMYK 22 / 0 / 46 / 22

HEX #9AC66B

RGB 154 198 107

HSL 89.01, 0.44%, 0.6%

LAB 75.03, -30.01, 40.79

 

CMYK 34 / 0 / 46 / 22

HEX #82C66B

RGB 130 198 107

HSL 104.84, 0.44%, 0.6%

LAB 73.67, -38.49, 38.8

 

CMYK 46 / 0 / 45 / 22

HEX #6BC66C

RGB 107 198 108

HSL 120.66, 0.44%, 0.6%

LAB 72.63, -45.54, 36.76

 

CMYK 30 / 0 / 62 / 36

HEX #71A23D

RGB 113 162 61

HSL 89.11, 0.45%, 0.44%

LAB 61.38, -33.35, 46.1

 

CMYK 28 / 0 / 59 / 27

HEX #86BB4D

RGB 134 187 77

HSL 88.91, 0.45%, 0.52%

LAB 70.28, -35.5, 49.18

 

CMYK 22 / 0 / 46 / 22

HEX #9AC66B

RGB 154 198 107

HSL 89.01, 0.44%, 0.6%

LAB 75.03, -30.01, 40.79

 

CMYK 17 / 0 / 35 / 18

HEX #AED289

RGB 174 210 137

HSL 89.59, 0.45%, 0.68%

LAB 80.12, -24.57, 32.37

 

CMYK 12 / 0 / 25 / 13

HEX #C3DDA6

RGB 195 221 166

HSL 88.36, 0.45%, 0.76%

LAB 85.03, -18.2, 24.21

 

CMYK 23 / 0 / 47 / 22

HEX #9AC76A

RGB 154 199 106

HSL 89.03, 0.45%, 0.6%

LAB 75.3, -30.6, 41.62

 

CMYK 46 / 0 / 15 / 22

HEX #6BC6A9

RGB 107 198 169

HSL 160.88, 0.44%, 0.6%

LAB 73.79, -34.13, 6.14

 

CMYK 0 / 46 / 4 / 22

HEX #C66BBF

RGB 198 107 191

HSL 304.62, 0.44%, 0.6%

LAB 58.3, 47.9, -28.58

 

CMYK 23 / 0 / 47 / 22

HEX #9AC76A

RGB 154 199 106

HSL 89.03, 0.45%, 0.6%

LAB 75.3, -30.6, 41.62

 

CMYK 46 / 22 / 0 / 22

HEX #6B9AC6

RGB 107 154 198

HSL 209.01, 0.44%, 0.6%

LAB 61.92, -3.93, -27.6

 

CMYK 0 / 46 / 22 / 22

HEX #C66B9A

RGB 198 107 154

HSL 329.01, 0.44%, 0.6%

LAB 56.93, 41.88, -9.35

 

CMYK 23 / 0 / 47 / 22

HEX #9AC76A

RGB 154 199 106

HSL 89.03, 0.45%, 0.6%

LAB 75.3, -30.6, 41.62

 

CMYK 46 / 0 / 15 / 22

HEX #6BC6A9

RGB 107 198 169

HSL 160.88, 0.44%, 0.6%

LAB 73.79, -34.13, 6.14

 

CMYK 24 / 46 / 0 / 22

HEX #976BC6

RGB 151 107 198

HSL 269.01, 0.44%, 0.6%

LAB 53.14, 35.53, -41.06

 

CMYK 0 / 46 / 31 / 22

HEX #C66B88

RGB 198 107 136

HSL 340.88, 0.44%, 0.6%

LAB 56.39, 39.38, 0.34

 

CMYK 23 / 0 / 47 / 22

HEX #9AC76A

RGB 154 199 106

HSL 89.03, 0.45%, 0.6%

LAB 75.3, -30.6, 41.62

 

CMYK 46 / 0 / 1 / 22

HEX #6BC6C5

RGB 107 198 197

HSL 179.34, 0.44%, 0.6%

LAB 74.54, -27.36, -7.95

 

CMYK 24 / 46 / 0 / 22

HEX #976BC6

RGB 151 107 198

HSL 269.01, 0.44%, 0.6%

LAB 53.14, 35.53, -41.06

 

CMYK 0 / 46 / 45 / 22

HEX #C66B6C

RGB 198 107 108

HSL 359.34, 0.44%, 0.6%

LAB 55.69, 36.1, 15.7

 

Description

Color code: RGB 154 199 106 | qconv.com Color code: RGB 154 199 106 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 199 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 199 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 47 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 47% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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