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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 31 187 it is the complementary color RGB 101 224 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 31 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 31 187 shade: RGB 159 31 182, RGB 176 49 201, RGB 193 67 220, RGB 210 85 239 and RGB 227 103 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 31 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 31 187 shade: RGB 154 31 187, RGB 137 13 168, RGB 120 0 149, RGB 103 0 130 and RGB 86 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 31 187 shade: RGB 155 30 188, RGB 188 30 179, RGB 188 30 136, RGB 188 30 94 and RGB 188 30 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 31 187 shade: RGB 155 30 188, RGB 112 30 188, RGB 70 30 188 and RGB 30 30 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 31 187 shade matches the following richer shades: RGB 155 30 188 and RGB 165 12 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 31 187 shade: RGB 155 30 188, RGB 144 48 170, RGB 134 66 153, RGB 124 83 135 and RGB 114 101 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 31 187 shade: RGB 70 30 188, RGB 112 30 188, RGB 154 30 188, RGB 188 30 180 and RGB 188 30 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 31 187 shade: RGB 96 19 117, RGB 126 24 153, RGB 155 30 188, RGB 182 40 220 and RGB 194 75 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 31 187 shade: RGB 154 31 187, RGB 188 30 33 and RGB 30 188 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 31 187 shade: RGB 154 31 187, RGB 188 154 30 and RGB 30 188 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 31 187 shade: RGB 154 31 187, RGB 188 30 33, RGB 64 188 30 and RGB 30 188 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 31 187 shade: RGB 154 31 187, RGB 188 75 30, RGB 64 188 30 and RGB 30 143 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 83 / 0 / 27

HEX #9A1FBB

RGB 154 31 187

HSL 287.31, 0.72%, 0.43%

LAB 40.31, 67.9, -55.15

 

Complementary color

CMYK 55 / 0 / 70 / 12

HEX #65E044

RGB 101 224 68

HSL 107.31, 0.72%, 0.57%

LAB 79.89, -61.68, 62.9

 

CMYK 13 / 83 / 0 / 29

HEX #9F1FB6

RGB 159 31 182

HSL 290.86, 0.71%, 0.42%

LAB 40.78, 67.87, -51.4

 

CMYK 12 / 76 / 0 / 21

HEX #B031C9

RGB 176 49 201

HSL 290.13, 0.61%, 0.49%

LAB 46.5, 69.29, -53.16

 

CMYK 12 / 70 / 0 / 14

HEX #C143DC

RGB 193 67 220

HSL 289.41, 0.69%, 0.56%

LAB 52.42, 69.9, -54.42

 

CMYK 12 / 64 / 0 / 6

HEX #D255EF

RGB 210 85 239

HSL 288.7, 0.83%, 0.64%

LAB 58.44, 69.99, -55.35

 

CMYK 11 / 60 / 0 / 0

HEX #E367FF

RGB 227 103 255

HSL 288.95, 1%, 0.7%

LAB 64.36, 69.19, -54.64

 

CMYK 18 / 83 / 0 / 27

HEX #9A1FBB

RGB 154 31 187

HSL 287.31, 0.72%, 0.43%

LAB 40.31, 67.9, -55.15

 

CMYK 18 / 92 / 0 / 34

HEX #890DA8

RGB 137 13 168

HSL 288, 0.86%, 0.35%

LAB 34.87, 65.34, -52.8

 

CMYK 19 / 100 / 0 / 42

HEX #780095

RGB 120 0 149

HSL 288.32, 1%, 0.29%

LAB 29.82, 61.24, -49.57

 

CMYK 21 / 100 / 0 / 49

HEX #670082

RGB 103 0 130

HSL 287.54, 1%, 0.25%

LAB 25.25, 55.25, -45.31

 

CMYK 23 / 100 / 0 / 56

HEX #56006F

RGB 86 0 111

HSL 286.49, 1%, 0.22%

LAB 20.54, 49.11, -40.95

 

CMYK 18 / 84 / 0 / 26

HEX #9B1EBC

RGB 155 30 188

HSL 287.47, 0.72%, 0.43%

LAB 40.46, 68.5, -55.49

 

CMYK 0 / 84 / 5 / 26

HEX #BC1EB3

RGB 188 30 179

HSL 303.42, 0.72%, 0.43%

LAB 45.46, 73, -41.86

 

CMYK 0 / 84 / 28 / 26

HEX #BC1E88

RGB 188 30 136

HSL 319.75, 0.72%, 0.43%

LAB 43.36, 67.25, -19.35

 

CMYK 0 / 84 / 50 / 26

HEX #BC1E5E

RGB 188 30 94

HSL 335.7, 0.72%, 0.43%

LAB 41.89, 63.07, 4.55

 

CMYK 0 / 84 / 73 / 26

HEX #BC1E33

RGB 188 30 51

HSL 352.03, 0.72%, 0.43%

LAB 40.99, 60.41, 30.3

 

CMYK 18 / 84 / 0 / 26

HEX #9B1EBC

RGB 155 30 188

HSL 287.47, 0.72%, 0.43%

LAB 40.46, 68.5, -55.49

 

CMYK 40 / 84 / 0 / 26

HEX #701EBC

RGB 112 30 188

HSL 271.14, 0.72%, 0.43%

LAB 33.99, 61.88, -66.3

 

CMYK 63 / 84 / 0 / 26

HEX #461EBC

RGB 70 30 188

HSL 255.19, 0.72%, 0.43%

LAB 29.06, 57.07, -74.6

 

CMYK 84 / 84 / 0 / 26

HEX #1E1EBC

RGB 30 30 188

HSL 240, 0.72%, 0.43%

LAB 26.26, 54.49, -79.33

 

CMYK 18 / 84 / 0 / 26

HEX #9B1EBC

RGB 155 30 188

HSL 287.47, 0.72%, 0.43%

LAB 40.46, 68.5, -55.49

 

CMYK 20 / 94 / 0 / 19

HEX #A50CCE

RGB 165 12 206

HSL 287.32, 0.89%, 0.43%

LAB 42.34, 76.38, -62.87

 

CMYK 18 / 84 / 0 / 26

HEX #9B1EBC

RGB 155 30 188

HSL 287.47, 0.72%, 0.43%

LAB 40.46, 68.5, -55.49

 

CMYK 15 / 72 / 0 / 33

HEX #9030AA

RGB 144 48 170

HSL 287.21, 0.56%, 0.43%

LAB 39.49, 57.3, -46.49

 

CMYK 12 / 57 / 0 / 40

HEX #864299

RGB 134 66 153

HSL 286.9, 0.4%, 0.43%

LAB 40.02, 43.13, -35.53

 

CMYK 8 / 39 / 0 / 47

HEX #7C5387

RGB 124 83 135

HSL 287.31, 0.24%, 0.43%

LAB 41.57, 26.67, -22.31

 

CMYK 3 / 14 / 0 / 54

HEX #726575

RGB 114 101 117

HSL 288.75, 0.07%, 0.43%

LAB 44.47, 8.35, -7.07

 

CMYK 63 / 84 / 0 / 26

HEX #461EBC

RGB 70 30 188

HSL 255.19, 0.72%, 0.43%

LAB 29.06, 57.07, -74.6

 

CMYK 40 / 84 / 0 / 26

HEX #701EBC

RGB 112 30 188

HSL 271.14, 0.72%, 0.43%

LAB 33.99, 61.88, -66.3

 

CMYK 18 / 84 / 0 / 26

HEX #9A1EBC

RGB 154 30 188

HSL 287.09, 0.72%, 0.43%

LAB 40.29, 68.33, -55.76

 

CMYK 0 / 84 / 4 / 26

HEX #BC1EB4

RGB 188 30 180

HSL 303.04, 0.72%, 0.43%

LAB 45.52, 73.14, -42.36

 

CMYK 0 / 84 / 27 / 26

HEX #BC1E8A

RGB 188 30 138

HSL 318.99, 0.72%, 0.43%

LAB 43.44, 67.49, -20.44

 

CMYK 18 / 84 / 0 / 54

HEX #601375

RGB 96 19 117

HSL 287.14, 0.72%, 0.27%

LAB 24.44, 47.23, -38.42

 

CMYK 18 / 84 / 0 / 40

HEX #7E1899

RGB 126 24 153

HSL 287.44, 0.73%, 0.35%

LAB 32.68, 58.46, -47.35

 

CMYK 18 / 84 / 0 / 26

HEX #9B1EBC

RGB 155 30 188

HSL 287.47, 0.72%, 0.43%

LAB 40.46, 68.5, -55.49

 

CMYK 17 / 82 / 0 / 14

HEX #B628DC

RGB 182 40 220

HSL 287.33, 0.72%, 0.51%

LAB 47.79, 76.35, -61.96

 

CMYK 14 / 67 / 0 / 12

HEX #C24BE1

RGB 194 75 225

HSL 287.6, 0.71%, 0.59%

LAB 53.96, 67.93, -54.78

 

CMYK 18 / 83 / 0 / 27

HEX #9A1FBB

RGB 154 31 187

HSL 287.31, 0.72%, 0.43%

LAB 40.31, 67.9, -55.15

 

CMYK 0 / 84 / 82 / 26

HEX #BC1E21

RGB 188 30 33

HSL 358.86, 0.72%, 0.43%

LAB 40.78, 59.79, 40.53

 

CMYK 84 / 0 / 52 / 26

HEX #1EBC5B

RGB 30 188 91

HSL 143.16, 0.72%, 0.43%

LAB 67.28, -59.55, 38.12

 

CMYK 18 / 83 / 0 / 27

HEX #9A1FBB

RGB 154 31 187

HSL 287.31, 0.72%, 0.43%

LAB 40.31, 67.9, -55.15

 

CMYK 0 / 18 / 84 / 26

HEX #BC9A1E

RGB 188 154 30

HSL 47.09, 0.72%, 0.43%

LAB 64.88, 1.12, 63.1

 

CMYK 84 / 0 / 18 / 26

HEX #1EBC9A

RGB 30 188 154

HSL 167.09, 0.72%, 0.43%

LAB 68.44, -46.41, 6.36

 

CMYK 18 / 83 / 0 / 27

HEX #9A1FBB

RGB 154 31 187

HSL 287.31, 0.72%, 0.43%

LAB 40.31, 67.9, -55.15

 

CMYK 0 / 84 / 82 / 26

HEX #BC1E21

RGB 188 30 33

HSL 358.86, 0.72%, 0.43%

LAB 40.78, 59.79, 40.53

 

CMYK 66 / 0 / 84 / 26

HEX #40BC1E

RGB 64 188 30

HSL 107.09, 0.72%, 0.43%

LAB 67.39, -60.41, 62.42

 

CMYK 84 / 0 / 2 / 26

HEX #1EBCB9

RGB 30 188 185

HSL 178.86, 0.72%, 0.43%

LAB 69.29, -37.82, -9.42

 

CMYK 18 / 83 / 0 / 27

HEX #9A1FBB

RGB 154 31 187

HSL 287.31, 0.72%, 0.43%

LAB 40.31, 67.9, -55.15

 

CMYK 0 / 60 / 84 / 26

HEX #BC4B1E

RGB 188 75 30

HSL 17.09, 0.72%, 0.43%

LAB 46.73, 43.37, 47.47

 

CMYK 66 / 0 / 84 / 26

HEX #40BC1E

RGB 64 188 30

HSL 107.09, 0.72%, 0.43%

LAB 67.39, -60.41, 62.42

 

CMYK 84 / 24 / 0 / 26

HEX #1E8FBC

RGB 30 143 188

HSL 197.09, 0.72%, 0.43%

LAB 55.64, -14.21, -31.91

 

Description

Color code: RGB 154 31 187 | qconv.com Color code: RGB 154 31 187 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 31 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 31 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 83 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 83% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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