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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 93 191 it is the complementary color RGB 101 162 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 93 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 93 191 shade: RGB 159 93 186, RGB 176 111 205, RGB 193 129 224, RGB 210 147 243 and RGB 227 165 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 93 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 93 191 shade: RGB 154 93 191, RGB 137 75 172, RGB 120 57 153, RGB 103 39 134 and RGB 86 21 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 93 191 shade: RGB 154 94 191, RGB 180 94 191, RGB 191 94 175, RGB 191 94 149 and RGB 191 94 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 93 191 shade: RGB 154 94 191, RGB 128 94 191, RGB 102 94 191 and RGB 94 94 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 93 191 shade matches the following richer shades: RGB 154 94 191, RGB 159 76 209, RGB 163 58 227 and RGB 167 40 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 93 191 shade: RGB 154 94 191, RGB 150 112 172, RGB 145 130 154, RGB 141 149 136 and RGB 136 167 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 93 191 shade: RGB 102 94 191, RGB 128 94 191, RGB 154 94 191, RGB 179 94 191 and RGB 191 94 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 93 191 shade: RGB 112 57 145, RGB 135 69 174, RGB 154 94 191, RGB 173 124 202 and RGB 191 153 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 93 191 shade: RGB 154 93 191, RGB 191 94 112 and RGB 94 191 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 93 191 shade: RGB 154 93 191, RGB 191 154 94 and RGB 94 191 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 93 191 shade: RGB 154 93 191, RGB 191 94 112, RGB 131 191 94 and RGB 94 191 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 93 191 shade: RGB 154 93 191, RGB 191 105 94, RGB 131 191 94 and RGB 94 179 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 51 / 0 / 25

HEX #9A5DBF

RGB 154 93 191

HSL 277.35, 0.43%, 0.56%

LAB 50.05, 42.54, -41.9

 

Complementary color

CMYK 38 / 0 / 60 / 36

HEX #65A240

RGB 101 162 64

HSL 97.35, 0.43%, 0.44%

LAB 60.76, -37.43, 43.86

 

CMYK 15 / 50 / 0 / 27

HEX #9F5DBA

RGB 159 93 186

HSL 282.58, 0.4%, 0.55%

LAB 50.39, 42.84, -38.43

 

CMYK 14 / 46 / 0 / 20

HEX #B06FCD

RGB 176 111 205

HSL 281.49, 0.48%, 0.62%

LAB 57.08, 42.03, -38.65

 

CMYK 14 / 42 / 0 / 12

HEX #C181E0

RGB 193 129 224

HSL 280.42, 0.61%, 0.69%

LAB 63.69, 41.23, -38.84

 

CMYK 14 / 40 / 0 / 5

HEX #D293F3

RGB 210 147 243

HSL 279.38, 0.8%, 0.76%

LAB 70.2, 40.46, -39.01

 

CMYK 11 / 35 / 0 / 0

HEX #E3A5FF

RGB 227 165 255

HSL 281.33, 1%, 0.82%

LAB 76.35, 38.31, -35.84

 

CMYK 19 / 51 / 0 / 25

HEX #9A5DBF

RGB 154 93 191

HSL 277.35, 0.43%, 0.56%

LAB 50.05, 42.54, -41.9

 

CMYK 20 / 56 / 0 / 33

HEX #894BAC

RGB 137 75 172

HSL 278.35, 0.39%, 0.48%

LAB 43.25, 43.36, -41.71

 

CMYK 22 / 63 / 0 / 40

HEX #783999

RGB 120 57 153

HSL 279.38, 0.46%, 0.41%

LAB 36.4, 44.08, -41.4

 

CMYK 23 / 71 / 0 / 47

HEX #672786

RGB 103 39 134

HSL 280.42, 0.55%, 0.34%

LAB 29.55, 44.49, -40.85

 

CMYK 25 / 82 / 0 / 55

HEX #561573

RGB 86 21 115

HSL 281.49, 0.69%, 0.27%

LAB 22.84, 44.17, -39.81

 

CMYK 19 / 51 / 0 / 25

HEX #9A5EBF

RGB 154 94 191

HSL 277.11, 0.43%, 0.56%

LAB 50.26, 41.99, -41.57

 

CMYK 6 / 51 / 0 / 25

HEX #B45EBF

RGB 180 94 191

HSL 293.2, 0.43%, 0.56%

LAB 53.46, 49.27, -36.31

 

CMYK 0 / 51 / 8 / 25

HEX #BF5EAF

RGB 191 94 175

HSL 309.9, 0.43%, 0.56%

LAB 54.21, 49.58, -25.77

 

CMYK 0 / 51 / 22 / 25

HEX #BF5E95

RGB 191 94 149

HSL 325.98, 0.43%, 0.56%

LAB 53.22, 45.47, -12.09

 

CMYK 0 / 51 / 36 / 25

HEX #BF5E7B

RGB 191 94 123

HSL 342.06, 0.43%, 0.56%

LAB 52.41, 41.98, 2.09

 

CMYK 19 / 51 / 0 / 25

HEX #9A5EBF

RGB 154 94 191

HSL 277.11, 0.43%, 0.56%

LAB 50.26, 41.99, -41.57

 

CMYK 33 / 51 / 0 / 25

HEX #805EBF

RGB 128 94 191

HSL 261.03, 0.43%, 0.56%

LAB 47.44, 34.98, -46.22

 

CMYK 47 / 51 / 0 / 25

HEX #665EBF

RGB 102 94 191

HSL 244.95, 0.43%, 0.56%

LAB 45.07, 28.54, -50.14

 

CMYK 51 / 51 / 0 / 25

HEX #5E5EBF

RGB 94 94 191

HSL 240, 0.43%, 0.56%

LAB 44.44, 26.72, -51.18

 

CMYK 19 / 51 / 0 / 25

HEX #9A5EBF

RGB 154 94 191

HSL 277.11, 0.43%, 0.56%

LAB 50.26, 41.99, -41.57

 

CMYK 24 / 64 / 0 / 18

HEX #9F4CD1

RGB 159 76 209

HSL 277.44, 0.59%, 0.56%

LAB 48.44, 56.48, -54.79

 

CMYK 28 / 74 / 0 / 11

HEX #A33AE3

RGB 163 58 227

HSL 277.28, 0.75%, 0.56%

LAB 47.44, 68.79, -66.64

 

CMYK 32 / 84 / 0 / 4

HEX #A728F5

RGB 167 40 245

HSL 277.17, 0.91%, 0.56%

LAB 47.4, 78.78, -76.84

 

CMYK 19 / 51 / 0 / 25

HEX #9A5EBF

RGB 154 94 191

HSL 277.11, 0.43%, 0.56%

LAB 50.26, 41.99, -41.57

 

CMYK 13 / 35 / 0 / 33

HEX #9670AC

RGB 150 112 172

HSL 278, 0.27%, 0.56%

LAB 53.01, 26.38, -26.3

 

CMYK 6 / 16 / 0 / 40

HEX #91829A

RGB 145 130 154

HSL 277.5, 0.11%, 0.56%

LAB 56.4, 10.36, -10.75

 

CMYK 5 / 0 / 9 / 42

HEX #8D9588

RGB 141 149 136

HSL 96.92, 0.06%, 0.56%

LAB 60.72, -5.4, 5.87

 

CMYK 19 / 0 / 29 / 35

HEX #88A776

RGB 136 167 118

HSL 97.96, 0.22%, 0.56%

LAB 65.1, -19.93, 21.94

 

CMYK 47 / 51 / 0 / 25

HEX #665EBF

RGB 102 94 191

HSL 244.95, 0.43%, 0.56%

LAB 45.07, 28.54, -50.14

 

CMYK 33 / 51 / 0 / 25

HEX #805EBF

RGB 128 94 191

HSL 261.03, 0.43%, 0.56%

LAB 47.44, 34.98, -46.22

 

CMYK 19 / 51 / 0 / 25

HEX #9A5EBF

RGB 154 94 191

HSL 277.11, 0.43%, 0.56%

LAB 50.26, 41.99, -41.57

 

CMYK 6 / 51 / 0 / 25

HEX #B35EBF

RGB 179 94 191

HSL 292.58, 0.43%, 0.56%

LAB 53.33, 48.98, -36.52

 

CMYK 0 / 51 / 8 / 25

HEX #BF5EB0

RGB 191 94 176

HSL 309.28, 0.43%, 0.56%

LAB 54.26, 49.74, -26.29

 

CMYK 23 / 61 / 0 / 43

HEX #703991

RGB 112 57 145

HSL 277.5, 0.44%, 0.4%

LAB 34.83, 40.19, -39.1

 

CMYK 22 / 60 / 0 / 32

HEX #8745AE

RGB 135 69 174

HSL 277.71, 0.43%, 0.48%

LAB 41.94, 46.45, -45

 

CMYK 19 / 51 / 0 / 25

HEX #9A5EBF

RGB 154 94 191

HSL 277.11, 0.43%, 0.56%

LAB 50.26, 41.99, -41.57

 

CMYK 14 / 39 / 0 / 21

HEX #AD7CCA

RGB 173 124 202

HSL 277.69, 0.42%, 0.64%

LAB 59.49, 33.33, -33.21

 

CMYK 11 / 29 / 0 / 16

HEX #BF99D6

RGB 191 153 214

HSL 277.38, 0.43%, 0.72%

LAB 68.54, 25.33, -25.79

 

CMYK 19 / 51 / 0 / 25

HEX #9A5DBF

RGB 154 93 191

HSL 277.35, 0.43%, 0.56%

LAB 50.05, 42.54, -41.9

 

CMYK 0 / 51 / 41 / 25

HEX #BF5E70

RGB 191 94 112

HSL 348.87, 0.43%, 0.56%

LAB 52.12, 40.7, 8.21

 

CMYK 51 / 0 / 40 / 25

HEX #5EBF73

RGB 94 191 115

HSL 132.99, 0.43%, 0.56%

LAB 70.09, -45.09, 29.8

 

CMYK 19 / 51 / 0 / 25

HEX #9A5DBF

RGB 154 93 191

HSL 277.35, 0.43%, 0.56%

LAB 50.05, 42.54, -41.9

 

CMYK 0 / 19 / 51 / 25

HEX #BF9A5E

RGB 191 154 94

HSL 37.11, 0.43%, 0.56%

LAB 65.75, 6.24, 36.52

 

CMYK 51 / 0 / 19 / 25

HEX #5EBF9A

RGB 94 191 154

HSL 157.11, 0.43%, 0.56%

LAB 70.85, -37.45, 10

 

CMYK 19 / 51 / 0 / 25

HEX #9A5DBF

RGB 154 93 191

HSL 277.35, 0.43%, 0.56%

LAB 50.05, 42.54, -41.9

 

CMYK 0 / 51 / 41 / 25

HEX #BF5E70

RGB 191 94 112

HSL 348.87, 0.43%, 0.56%

LAB 52.12, 40.7, 8.21

 

CMYK 31 / 0 / 51 / 25

HEX #83BF5E

RGB 131 191 94

HSL 97.11, 0.43%, 0.56%

LAB 71.48, -36.61, 42.54

 

CMYK 51 / 0 / 9 / 25

HEX #5EBFAD

RGB 94 191 173

HSL 168.87, 0.43%, 0.56%

LAB 71.32, -33, 0.33

 

CMYK 19 / 51 / 0 / 25

HEX #9A5DBF

RGB 154 93 191

HSL 277.35, 0.43%, 0.56%

LAB 50.05, 42.54, -41.9

 

CMYK 0 / 45 / 51 / 25

HEX #BF695E

RGB 191 105 94

HSL 6.8, 0.43%, 0.56%

LAB 54.01, 33.1, 21.41

 

CMYK 31 / 0 / 51 / 25

HEX #83BF5E

RGB 131 191 94

HSL 97.11, 0.43%, 0.56%

LAB 71.48, -36.61, 42.54

 

CMYK 51 / 6 / 0 / 25

HEX #5EB3BF

RGB 94 179 191

HSL 187.42, 0.43%, 0.56%

LAB 68.3, -22.4, -14.04

 

Description

Color code: RGB 154 93 191 | qconv.com Color code: RGB 154 93 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 93 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 93 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 51 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 51% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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