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Color name
RGB 155 114 191

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 114 191 it is the complementary color RGB 100 141 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 114 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 114 191 shade: RGB 160 114 186, RGB 177 132 205, RGB 194 150 224, RGB 211 168 243 and RGB 228 186 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 114 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 114 191 shade: RGB 155 114 191, RGB 138 96 172, RGB 121 78 153, RGB 104 60 134 and RGB 87 42 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 114 191 shade: RGB 155 114 191, RGB 176 114 191, RGB 191 114 186, RGB 191 114 165 and RGB 191 114 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 114 191 shade: RGB 155 114 191, RGB 134 114 191 and RGB 114 114 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 114 191 shade matches the following richer shades: RGB 155 114 191, RGB 156 97 208, RGB 157 81 224 and RGB 158 64 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 114 191 shade: RGB 155 114 191, RGB 154 130 175, RGB 153 147 158, RGB 152 163 142 and RGB 151 180 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 114 191 shade: RGB 114 115 191, RGB 133 114 191, RGB 154 114 191, RGB 174 114 191 and RGB 191 114 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 114 191 shade: RGB 114 69 154, RGB 135 85 178, RGB 155 114 191, RGB 175 142 204 and RGB 195 171 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 114 191 shade: RGB 155 114 191, RGB 191 114 136 and RGB 114 191 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 114 191 shade: RGB 155 114 191, RGB 191 154 114 and RGB 114 191 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 114 191 shade: RGB 155 114 191, RGB 191 114 136, RGB 151 191 114 and RGB 114 191 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 114 191 shade: RGB 155 114 191, RGB 191 115 114, RGB 151 191 114 and RGB 114 190 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

Complementary color

CMYK 29 / 0 / 55 / 45

HEX #648D40

RGB 100 141 64

HSL 91.95, 0.38%, 0.4%

LAB 54.16, -28.06, 36.19

 

CMYK 14 / 39 / 0 / 27

HEX #A072BA

RGB 160 114 186

HSL 278.33, 0.34%, 0.59%

LAB 55.13, 31.48, -31

 

CMYK 14 / 36 / 0 / 20

HEX #B184CD

RGB 177 132 205

HSL 276.99, 0.42%, 0.66%

LAB 61.88, 30.73, -31.17

 

CMYK 13 / 33 / 0 / 12

HEX #C296E0

RGB 194 150 224

HSL 275.68, 0.54%, 0.73%

LAB 68.51, 30.03, -31.34

 

CMYK 13 / 31 / 0 / 5

HEX #D3A8F3

RGB 211 168 243

HSL 274.4, 0.76%, 0.81%

LAB 75.03, 29.39, -31.52

 

CMYK 11 / 27 / 0 / 0

HEX #E4BAFF

RGB 228 186 255

HSL 276.52, 1%, 0.86%

LAB 81.2, 27.36, -28.36

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 20 / 44 / 0 / 33

HEX #8A60AC

RGB 138 96 172

HSL 273.16, 0.31%, 0.53%

LAB 47.94, 31.9, -34.3

 

CMYK 21 / 49 / 0 / 40

HEX #794E99

RGB 121 78 153

HSL 274.4, 0.32%, 0.45%

LAB 40.92, 32.79, -34.22

 

CMYK 22 / 55 / 0 / 47

HEX #683C86

RGB 104 60 134

HSL 275.68, 0.38%, 0.38%

LAB 33.77, 33.71, -34.11

 

CMYK 24 / 63 / 0 / 55

HEX #572A73

RGB 87 42 115

HSL 276.99, 0.46%, 0.31%

LAB 26.51, 34.56, -33.89

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 8 / 40 / 0 / 25

HEX #B072BF

RGB 176 114 191

HSL 288.31, 0.38%, 0.6%

LAB 57.1, 37.48, -30.66

 

CMYK 0 / 40 / 3 / 25

HEX #BF72BA

RGB 191 114 186

HSL 303.9, 0.38%, 0.6%

LAB 58.65, 41.2, -25.26

 

CMYK 0 / 40 / 14 / 25

HEX #BF72A5

RGB 191 114 165

HSL 320.26, 0.38%, 0.6%

LAB 57.87, 37.54, -14.39

 

CMYK 0 / 40 / 25 / 25

HEX #BF7290

RGB 191 114 144

HSL 336.62, 0.38%, 0.6%

LAB 57.2, 34.27, -3.24

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 30 / 40 / 0 / 25

HEX #8672BF

RGB 134 114 191

HSL 255.58, 0.38%, 0.6%

LAB 52.8, 24.88, -37.69

 

CMYK 40 / 40 / 0 / 25

HEX #7272BF

RGB 114 114 191

HSL 240, 0.38%, 0.6%

LAB 51.12, 19.35, -40.45

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 25 / 53 / 0 / 18

HEX #9C61D0

RGB 156 97 208

HSL 271.89, 0.54%, 0.6%

LAB 52.03, 44.8, -48.49

 

CMYK 30 / 64 / 0 / 12

HEX #9D51E0

RGB 157 81 224

HSL 271.89, 0.7%, 0.6%

LAB 50.02, 57, -60.8

 

CMYK 34 / 73 / 0 / 5

HEX #9E40F1

RGB 158 64 241

HSL 271.86, 0.86%, 0.6%

LAB 48.62, 68.62, -72.65

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 12 / 26 / 0 / 31

HEX #9A82AF

RGB 154 130 175

HSL 272, 0.22%, 0.6%

LAB 57.97, 17.95, -20.36

 

CMYK 3 / 7 / 0 / 38

HEX #99939E

RGB 153 147 158

HSL 272.73, 0.05%, 0.6%

LAB 61.75, 4.34, -5

 

CMYK 7 / 0 / 13 / 36

HEX #98A38E

RGB 152 163 142

HSL 91.43, 0.1%, 0.6%

LAB 65.61, -7.86, 9.59

 

CMYK 16 / 0 / 31 / 29

HEX #97B47D

RGB 151 180 125

HSL 91.64, 0.27%, 0.6%

LAB 69.97, -19.89, 24.89

 

CMYK 40 / 40 / 0 / 25

HEX #7273BF

RGB 114 115 191

HSL 239.22, 0.38%, 0.6%

LAB 51.38, 18.74, -40.04

 

CMYK 30 / 40 / 0 / 25

HEX #8572BF

RGB 133 114 191

HSL 254.81, 0.38%, 0.6%

LAB 52.71, 24.59, -37.84

 

CMYK 19 / 40 / 0 / 25

HEX #9A72BF

RGB 154 114 191

HSL 271.17, 0.38%, 0.6%

LAB 54.73, 30.77, -34.54

 

CMYK 9 / 40 / 0 / 25

HEX #AE72BF

RGB 174 114 191

HSL 286.75, 0.38%, 0.6%

LAB 56.88, 36.87, -31.03

 

CMYK 0 / 40 / 2 / 25

HEX #BF72BB

RGB 191 114 187

HSL 303.12, 0.38%, 0.6%

LAB 58.69, 41.38, -25.77

 

CMYK 26 / 55 / 0 / 40

HEX #72459A

RGB 114 69 154

HSL 271.76, 0.38%, 0.44%

LAB 38.14, 36.24, -39.28

 

CMYK 24 / 52 / 0 / 30

HEX #8755B2

RGB 135 85 178

HSL 272.26, 0.38%, 0.52%

LAB 45.44, 38.74, -41.77

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 14 / 30 / 0 / 20

HEX #AF8ECC

RGB 175 142 204

HSL 271.94, 0.38%, 0.68%

LAB 64.01, 24.26, -27.32

 

CMYK 10 / 21 / 0 / 15

HEX #C3ABD9

RGB 195 171 217

HSL 271.3, 0.38%, 0.76%

LAB 73.37, 17.29, -20.03

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 0 / 40 / 29 / 25

HEX #BF7288

RGB 191 114 136

HSL 342.86, 0.38%, 0.6%

LAB 56.97, 33.13, 1.07

 

CMYK 40 / 0 / 36 / 25

HEX #72BF7B

RGB 114 191 123

HSL 127.01, 0.38%, 0.6%

LAB 71.06, -38.07, 27.04

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 0 / 19 / 40 / 25

HEX #BF9A72

RGB 191 154 114

HSL 31.17, 0.38%, 0.6%

LAB 66.06, 8.32, 26.2

 

CMYK 40 / 0 / 19 / 25

HEX #72BF9A

RGB 114 191 154

HSL 151.17, 0.38%, 0.6%

LAB 71.67, -32.24, 11.28

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 0 / 40 / 29 / 25

HEX #BF7288

RGB 191 114 136

HSL 342.86, 0.38%, 0.6%

LAB 56.97, 33.13, 1.07

 

CMYK 21 / 0 / 40 / 25

HEX #97BF72

RGB 151 191 114

HSL 91.17, 0.38%, 0.6%

LAB 72.93, -26.88, 34.56

 

CMYK 40 / 0 / 12 / 25

HEX #72BFA9

RGB 114 191 169

HSL 162.86, 0.38%, 0.6%

LAB 72.03, -28.97, 3.64

 

CMYK 19 / 40 / 0 / 25

HEX #9B72BF

RGB 155 114 191

HSL 271.95, 0.38%, 0.6%

LAB 54.83, 31.07, -34.37

 

CMYK 0 / 40 / 40 / 25

HEX #BF7372

RGB 191 115 114

HSL 0.78, 0.38%, 0.6%

LAB 56.64, 29.8, 13.39

 

CMYK 21 / 0 / 40 / 25

HEX #97BF72

RGB 151 191 114

HSL 91.17, 0.38%, 0.6%

LAB 72.93, -26.88, 34.56

 

CMYK 40 / 1 / 0 / 25

HEX #72BEBF

RGB 114 190 191

HSL 180.78, 0.38%, 0.6%

LAB 72.34, -23.22, -7.92

 

Description

Color code: RGB 155 114 191 | qconv.com Color code: RGB 155 114 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 114 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 114 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 40 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 40% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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