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Color name
RGB 155 110 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 110 59 it is the complementary color RGB 100 145 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 110 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 110 59 shade: RGB 160 110 54, RGB 177 128 73, RGB 194 146 92, RGB 211 164 111 and RGB 228 182 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 110 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 110 59 shade: RGB 155 110 59, RGB 138 92 40, RGB 121 74 21, RGB 104 56 2 and RGB 87 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 110 59 shade: RGB 155 110 58, RGB 155 84 58 and RGB 155 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 110 59 shade: RGB 155 110 58, RGB 155 136 58, RGB 148 155 58, RGB 122 155 58 and RGB 96 155 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 110 59 shade matches the following richer shades: RGB 155 110 58, RGB 172 111 41, RGB 189 112 24 and RGB 207 113 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 110 59 shade: RGB 155 110 58, RGB 137 109 76, RGB 120 107 93, RGB 103 106 110 and RGB 85 105 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 110 59 shade: RGB 155 58 60, RGB 155 83 58, RGB 155 108 58, RGB 155 134 58 and RGB 150 155 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 110 59 shade: RGB 95 67 36, RGB 125 88 47, RGB 155 110 58, RGB 185 131 70 and RGB 196 151 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 110 59 shade: RGB 155 110 59, RGB 86 155 58 and RGB 70 58 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 110 59 shade: RGB 155 110 59, RGB 58 155 108 and RGB 108 58 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 110 59 shade: RGB 155 110 59, RGB 86 155 58, RGB 58 105 155 and RGB 127 58 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 110 59 shade: RGB 155 110 59, RGB 58 155 60, RGB 58 105 155 and RGB 155 58 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 62 / 39

HEX #9B6E3B

RGB 155 110 59

HSL 31.88, 0.45%, 0.42%

LAB 50.02, 12.24, 35.07

 

Complementary color

CMYK 49 / 26 / 0 / 23

HEX #6491C4

RGB 100 145 196

HSL 211.88, 0.45%, 0.58%

LAB 58.92, -1.12, -31.15

 

CMYK 0 / 31 / 66 / 37

HEX #A06E36

RGB 160 110 54

HSL 31.7, 0.5%, 0.42%

LAB 50.56, 14.12, 38.47

 

CMYK 0 / 28 / 59 / 31

HEX #B18049

RGB 177 128 73

HSL 31.73, 0.42%, 0.49%

LAB 57.33, 12.8, 36.95

 

CMYK 0 / 25 / 53 / 24

HEX #C2925C

RGB 194 146 92

HSL 31.76, 0.46%, 0.56%

LAB 64, 11.7, 35.47

 

CMYK 0 / 22 / 47 / 17

HEX #D3A46F

RGB 211 164 111

HSL 31.8, 0.53%, 0.63%

LAB 70.56, 10.77, 34.07

 

CMYK 0 / 20 / 43 / 11

HEX #E4B682

RGB 228 182 130

HSL 31.84, 0.64%, 0.7%

LAB 77.02, 9.96, 32.75

 

CMYK 0 / 29 / 62 / 39

HEX #9B6E3B

RGB 155 110 59

HSL 31.88, 0.45%, 0.42%

LAB 50.02, 12.24, 35.07

 

CMYK 0 / 33 / 71 / 46

HEX #8A5C28

RGB 138 92 40

HSL 31.84, 0.55%, 0.35%

LAB 43.08, 13.68, 36.6

 

CMYK 0 / 39 / 83 / 53

HEX #794A15

RGB 121 74 21

HSL 31.8, 0.7%, 0.28%

LAB 36.02, 15.47, 37.83

 

CMYK 0 / 46 / 98 / 59

HEX #683802

RGB 104 56 2

HSL 31.76, 0.96%, 0.21%

LAB 28.84, 17.64, 38.33

 

CMYK 0 / 56 / 100 / 66

HEX #572600

RGB 87 38 0

HSL 26.21, 1%, 0.17%

LAB 21.63, 20.34, 31.35

 

CMYK 0 / 29 / 63 / 39

HEX #9B6E3A

RGB 155 110 58

HSL 32.16, 0.46%, 0.42%

LAB 50.01, 12.17, 35.59

 

CMYK 0 / 46 / 63 / 39

HEX #9B543A

RGB 155 84 58

HSL 16.08, 0.46%, 0.42%

LAB 43.68, 26.97, 28.02

 

CMYK 0 / 63 / 63 / 39

HEX #9B3A3A

RGB 155 58 58

HSL 0, 0.46%, 0.42%

LAB 38.38, 40.51, 21.38

 

CMYK 0 / 29 / 63 / 39

HEX #9B6E3A

RGB 155 110 58

HSL 32.16, 0.46%, 0.42%

LAB 50.01, 12.17, 35.59

 

CMYK 0 / 12 / 63 / 39

HEX #9B883A

RGB 155 136 58

HSL 48.25, 0.46%, 0.42%

LAB 56.96, -2.52, 43.49

 

CMYK 5 / 0 / 63 / 39

HEX #949B3A

RGB 148 155 58

HSL 64.33, 0.46%, 0.42%

LAB 61.69, -15.82, 48.47

 

CMYK 21 / 0 / 63 / 39

HEX #7A9B3A

RGB 122 155 58

HSL 80.41, 0.46%, 0.42%

LAB 59.79, -26.75, 45.85

 

CMYK 38 / 0 / 63 / 39

HEX #609B3A

RGB 96 155 58

HSL 96.49, 0.46%, 0.42%

LAB 58.26, -36.67, 43.73

 

CMYK 0 / 29 / 63 / 39

HEX #9B6E3A

RGB 155 110 58

HSL 32.16, 0.46%, 0.42%

LAB 50.01, 12.17, 35.59

 

CMYK 0 / 35 / 76 / 33

HEX #AC6F29

RGB 172 111 41

HSL 32.06, 0.62%, 0.42%

LAB 52.17, 18.16, 46.9

 

CMYK 0 / 41 / 87 / 26

HEX #BD7018

RGB 189 112 24

HSL 32, 0.77%, 0.42%

LAB 54.53, 24.47, 56.34

 

CMYK 0 / 45 / 97 / 19

HEX #CF7106

RGB 207 113 6

HSL 31.94, 0.94%, 0.42%

LAB 57.16, 31.28, 63.5

 

CMYK 0 / 29 / 63 / 39

HEX #9B6E3A

RGB 155 110 58

HSL 32.16, 0.46%, 0.42%

LAB 50.01, 12.17, 35.59

 

CMYK 0 / 20 / 45 / 46

HEX #896D4C

RGB 137 109 76

HSL 32.46, 0.29%, 0.42%

LAB 47.98, 6.44, 22.62

 

CMYK 0 / 11 / 23 / 53

HEX #786B5D

RGB 120 107 93

HSL 31.11, 0.13%, 0.42%

LAB 46.04, 2.66, 9.71

 

CMYK 6 / 4 / 0 / 57

HEX #676A6E

RGB 103 106 110

HSL 214.29, 0.03%, 0.42%

LAB 44.68, -0.3, -2.64

 

CMYK 34 / 18 / 0 / 50

HEX #556980

RGB 85 105 128

HSL 212.09, 0.2%, 0.42%

LAB 43.64, -1.5, -15.19

 

CMYK 0 / 63 / 61 / 39

HEX #9B3A3C

RGB 155 58 60

HSL 358.76, 0.46%, 0.42%

LAB 38.41, 40.65, 20.19

 

CMYK 0 / 46 / 63 / 39

HEX #9B533A

RGB 155 83 58

HSL 15.46, 0.46%, 0.42%

LAB 43.45, 27.52, 27.75

 

CMYK 0 / 30 / 63 / 39

HEX #9B6C3A

RGB 155 108 58

HSL 30.93, 0.46%, 0.42%

LAB 49.5, 13.31, 34.99

 

CMYK 0 / 14 / 63 / 39

HEX #9B863A

RGB 155 134 58

HSL 47.01, 0.46%, 0.42%

LAB 56.41, -1.42, 42.88

 

CMYK 3 / 0 / 63 / 39

HEX #969B3A

RGB 150 155 58

HSL 63.09, 0.46%, 0.42%

LAB 61.85, -14.95, 48.7

 

CMYK 0 / 29 / 62 / 63

HEX #5F4324

RGB 95 67 36

HSL 31.53, 0.45%, 0.26%

LAB 30.82, 8.23, 23.37

 

CMYK 0 / 30 / 62 / 51

HEX #7D582F

RGB 125 88 47

HSL 31.54, 0.45%, 0.34%

LAB 40.48, 10.54, 29.48

 

CMYK 0 / 29 / 63 / 39

HEX #9B6E3A

RGB 155 110 58

HSL 32.16, 0.46%, 0.42%

LAB 50.01, 12.17, 35.59

 

CMYK 0 / 29 / 62 / 27

HEX #B98346

RGB 185 131 70

HSL 31.83, 0.45%, 0.5%

LAB 58.96, 14.37, 40.66

 

CMYK 0 / 23 / 49 / 23

HEX #C49764

RGB 196 151 100

HSL 31.88, 0.45%, 0.58%

LAB 65.58, 10.55, 33.25

 

CMYK 0 / 29 / 62 / 39

HEX #9B6E3B

RGB 155 110 59

HSL 31.88, 0.45%, 0.42%

LAB 50.02, 12.24, 35.07

 

CMYK 45 / 0 / 63 / 39

HEX #569B3A

RGB 86 155 58

HSL 102.68, 0.46%, 0.42%

LAB 57.78, -40.08, 43.06

 

CMYK 55 / 63 / 0 / 39

HEX #463A9B

RGB 70 58 155

HSL 247.42, 0.46%, 0.42%

LAB 31.1, 32.67, -51.45

 

CMYK 0 / 29 / 62 / 39

HEX #9B6E3B

RGB 155 110 59

HSL 31.88, 0.45%, 0.42%

LAB 50.02, 12.24, 35.07

 

CMYK 63 / 0 / 30 / 39

HEX #3A9B6C

RGB 58 155 108

HSL 150.93, 0.46%, 0.42%

LAB 57.49, -39.69, 16.45

 

CMYK 30 / 63 / 0 / 39

HEX #6C3A9B

RGB 108 58 155

HSL 270.93, 0.46%, 0.42%

LAB 35.16, 41.07, -44.69

 

CMYK 0 / 29 / 62 / 39

HEX #9B6E3B

RGB 155 110 59

HSL 31.88, 0.45%, 0.42%

LAB 50.02, 12.24, 35.07

 

CMYK 45 / 0 / 63 / 39

HEX #569B3A

RGB 86 155 58

HSL 102.68, 0.46%, 0.42%

LAB 57.78, -40.08, 43.06

 

CMYK 63 / 32 / 0 / 39

HEX #3A699B

RGB 58 105 155

HSL 210.93, 0.46%, 0.42%

LAB 43.31, 0.04, -31.97

 

CMYK 18 / 63 / 0 / 39

HEX #7F3A9B

RGB 127 58 155

HSL 282.68, 0.46%, 0.42%

LAB 37.67, 45.78, -40.53

 

CMYK 0 / 29 / 62 / 39

HEX #9B6E3B

RGB 155 110 59

HSL 31.88, 0.45%, 0.42%

LAB 50.02, 12.24, 35.07

 

CMYK 63 / 0 / 61 / 39

HEX #3A9B3C

RGB 58 155 60

HSL 121.24, 0.46%, 0.42%

LAB 56.75, -47.76, 40.69

 

CMYK 63 / 32 / 0 / 39

HEX #3A699B

RGB 58 105 155

HSL 210.93, 0.46%, 0.42%

LAB 43.31, 0.04, -31.97

 

CMYK 0 / 63 / 1 / 39

HEX #9B3A99

RGB 155 58 153

HSL 301.24, 0.46%, 0.42%

LAB 41.68, 52.59, -32.71

 

Description

Color code: RGB 155 110 59 | qconv.com Color code: RGB 155 110 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 110 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 110 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 62 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 62% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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