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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 127 28 it is the complementary color RGB 100 128 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 127 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 127 28 shade: RGB 160 127 23, RGB 177 145 42, RGB 194 163 61, RGB 211 181 80 and RGB 228 199 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 127 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 127 28 shade: RGB 155 127 28, RGB 138 109 9, RGB 121 91 0, RGB 104 73 0 and RGB 87 55 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 127 28 shade: RGB 155 127 28, RGB 155 93 28, RGB 155 58 28 and RGB 155 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 127 28 shade: RGB 155 127 28, RGB 148 155 28, RGB 114 155 28, RGB 80 155 28 and RGB 46 155 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 127 28 shade matches the following richer shades: RGB 155 127 28 and RGB 169 135 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 127 28 shade: RGB 155 127 28, RGB 140 118 43, RGB 125 110 58, RGB 110 102 73 and RGB 95 93 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 127 28 shade: RGB 155 58 28, RGB 155 91 28, RGB 155 125 28, RGB 150 155 28 and RGB 117 155 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 127 28 shade: RGB 85 70 15, RGB 120 98 22, RGB 155 127 28, RGB 190 155 34 and RGB 217 180 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 127 28 shade: RGB 155 127 28, RGB 32 155 28 and RGB 74 28 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 127 28 shade: RGB 155 127 28, RGB 28 155 125 and RGB 125 28 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 127 28 shade: RGB 155 127 28, RGB 32 155 28, RGB 28 58 155 and RGB 150 28 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 127 28 shade: RGB 155 127 28, RGB 28 155 62, RGB 28 58 155 and RGB 155 28 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

Complementary color

CMYK 56 / 44 / 0 / 11

HEX #6480E3

RGB 100 128 227

HSL 226.77, 0.69%, 0.64%

LAB 55.78, 18.64, -53.52

 

CMYK 0 / 21 / 86 / 37

HEX #A07F17

RGB 160 127 23

HSL 45.55, 0.75%, 0.36%

LAB 54.78, 3.04, 55.42

 

CMYK 0 / 18 / 76 / 31

HEX #B1912A

RGB 177 145 42

HSL 45.78, 0.62%, 0.43%

LAB 61.45, 1.5, 55.68

 

CMYK 0 / 16 / 69 / 24

HEX #C2A33D

RGB 194 163 61

HSL 46.02, 0.52%, 0.5%

LAB 68.02, 0.23, 55.11

 

CMYK 0 / 14 / 62 / 17

HEX #D3B550

RGB 211 181 80

HSL 46.26, 0.6%, 0.57%

LAB 74.49, -0.83, 54.15

 

CMYK 0 / 13 / 57 / 11

HEX #E4C763

RGB 228 199 99

HSL 46.51, 0.7%, 0.64%

LAB 80.87, -1.73, 53.02

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 0 / 21 / 93 / 46

HEX #8A6D09

RGB 138 109 9

HSL 46.51, 0.88%, 0.29%

LAB 47.44, 2.61, 51.99

 

CMYK 0 / 25 / 100 / 53

HEX #795B00

RGB 121 91 0

HSL 45.12, 1%, 0.24%

LAB 40.49, 4.72, 48.24

 

CMYK 0 / 30 / 100 / 59

HEX #684900

RGB 104 73 0

HSL 42.12, 1%, 0.2%

LAB 33.37, 7.16, 42.39

 

CMYK 0 / 37 / 100 / 66

HEX #573700

RGB 87 55 0

HSL 37.93, 1%, 0.17%

LAB 26.04, 9.79, 35.74

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 0 / 40 / 82 / 39

HEX #9B5D1C

RGB 155 93 28

HSL 30.71, 0.69%, 0.36%

LAB 45.47, 20.25, 45.3

 

CMYK 0 / 63 / 82 / 39

HEX #9B3A1C

RGB 155 58 28

HSL 14.17, 0.69%, 0.36%

LAB 37.98, 38.95, 38.27

 

CMYK 0 / 82 / 82 / 39

HEX #9B1C1C

RGB 155 28 28

HSL 0, 0.69%, 0.36%

LAB 33.74, 50.56, 34.11

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 5 / 0 / 82 / 39

HEX #949B1C

RGB 148 155 28

HSL 63.31, 0.69%, 0.36%

LAB 61.5, -17.4, 59.32

 

CMYK 26 / 0 / 82 / 39

HEX #729B1C

RGB 114 155 28

HSL 79.37, 0.69%, 0.36%

LAB 59.07, -31.89, 56.24

 

CMYK 48 / 0 / 82 / 39

HEX #509B1C

RGB 80 155 28

HSL 95.43, 0.69%, 0.36%

LAB 57.3, -44.32, 53.98

 

CMYK 70 / 0 / 82 / 39

HEX #2E9B1C

RGB 46 155 28

HSL 111.5, 0.69%, 0.36%

LAB 56.2, -53.19, 52.55

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 0 / 20 / 92 / 34

HEX #A9870D

RGB 169 135 13

HSL 46.92, 0.86%, 0.36%

LAB 57.84, 2.51, 60.62

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 0 / 16 / 69 / 45

HEX #8C762B

RGB 140 118 43

HSL 46.39, 0.53%, 0.36%

LAB 50.34, -0.27, 42.95

 

CMYK 0 / 12 / 54 / 51

HEX #7D6E3A

RGB 125 110 58

HSL 46.57, 0.37%, 0.36%

LAB 46.73, -1.43, 30.9

 

CMYK 0 / 7 / 34 / 57

HEX #6E6649

RGB 110 102 73

HSL 47.03, 0.2%, 0.36%

LAB 43.21, -1.73, 17.57

 

CMYK 0 / 2 / 8 / 63

HEX #5F5D57

RGB 95 93 87

HSL 45, 0.04%, 0.36%

LAB 39.5, -0.41, 3.72

 

CMYK 0 / 63 / 82 / 39

HEX #9B3A1C

RGB 155 58 28

HSL 14.17, 0.69%, 0.36%

LAB 37.98, 38.95, 38.27

 

CMYK 0 / 41 / 82 / 39

HEX #9B5B1C

RGB 155 91 28

HSL 29.76, 0.69%, 0.36%

LAB 44.99, 21.39, 44.86

 

CMYK 0 / 19 / 82 / 39

HEX #9B7D1C

RGB 155 125 28

HSL 45.83, 0.69%, 0.36%

LAB 53.73, 2.01, 52.75

 

CMYK 3 / 0 / 82 / 39

HEX #969B1C

RGB 150 155 28

HSL 62.36, 0.69%, 0.36%

LAB 61.66, -16.51, 59.53

 

CMYK 25 / 0 / 82 / 39

HEX #759B1C

RGB 117 155 28

HSL 77.95, 0.69%, 0.36%

LAB 59.26, -30.67, 56.48

 

CMYK 0 / 18 / 82 / 67

HEX #55460F

RGB 85 70 15

HSL 47.14, 0.7%, 0.2%

LAB 30.27, -0.1, 33.38

 

CMYK 0 / 18 / 82 / 53

HEX #786216

RGB 120 98 22

HSL 46.53, 0.69%, 0.28%

LAB 42.44, 0.72, 43.31

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 0 / 18 / 82 / 25

HEX #BE9B22

RGB 190 155 34

HSL 46.54, 0.7%, 0.44%

LAB 65.36, 1.59, 62.43

 

CMYK 0 / 17 / 78 / 15

HEX #D9B430

RGB 217 180 48

HSL 46.86, 0.69%, 0.52%

LAB 74.58, 0.63, 67.19

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 79 / 0 / 82 / 39

HEX #209B1C

RGB 32 155 28

HSL 118.11, 0.69%, 0.36%

LAB 55.92, -55.55, 52.2

 

CMYK 52 / 82 / 0 / 39

HEX #4A1C9B

RGB 74 28 155

HSL 261.73, 0.69%, 0.36%

LAB 25.72, 49.37, -60.24

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 82 / 0 / 19 / 39

HEX #1C9B7D

RGB 28 155 125

HSL 165.83, 0.69%, 0.36%

LAB 57.24, -40.18, 6.44

 

CMYK 19 / 82 / 0 / 39

HEX #7D1C9B

RGB 125 28 155

HSL 285.83, 0.69%, 0.36%

LAB 33.04, 57.54, -47.98

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 79 / 0 / 82 / 39

HEX #209B1C

RGB 32 155 28

HSL 118.11, 0.69%, 0.36%

LAB 55.92, -55.55, 52.2

 

CMYK 82 / 63 / 0 / 39

HEX #1C3A9B

RGB 28 58 155

HSL 225.83, 0.69%, 0.36%

LAB 28.48, 26.54, -55.83

 

CMYK 3 / 82 / 0 / 39

HEX #961C9B

RGB 150 28 155

HSL 297.64, 0.69%, 0.36%

LAB 37.26, 62.3, -40.97

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 82 / 0 / 60 / 39

HEX #1C9B3E

RGB 28 155 62

HSL 136.06, 0.69%, 0.36%

LAB 56.13, -52.81, 38.85

 

CMYK 82 / 63 / 0 / 39

HEX #1C3A9B

RGB 28 58 155

HSL 225.83, 0.69%, 0.36%

LAB 28.48, 26.54, -55.83

 

CMYK 0 / 82 / 22 / 39

HEX #9B1C79

RGB 155 28 121

HSL 316.06, 0.69%, 0.36%

LAB 36.33, 58.27, -21.43

 

Description

Color code: RGB 155 127 28 | qconv.com Color code: RGB 155 127 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 127 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 127 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 82 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 82% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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