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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 179 121 it is the complementary color RGB 100 76 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 179 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 179 121 shade: RGB 160 179 116, RGB 177 197 135, RGB 194 215 154, RGB 211 233 173 and RGB 228 251 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 179 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 179 121 shade: RGB 155 179 121, RGB 138 161 102, RGB 121 143 83, RGB 104 125 64 and RGB 87 107 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 179 121 shade: RGB 155 179 121, RGB 171 179 121, RGB 179 172 121, RGB 179 156 121 and RGB 179 140 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 179 121 shade: RGB 155 179 121, RGB 139 179 121, RGB 123 179 121, RGB 121 179 134 and RGB 121 179 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 179 121 shade matches the following richer shades: RGB 155 179 121, RGB 158 196 104, RGB 161 213 87, RGB 164 230 70 and RGB 167 247 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 179 121 shade: RGB 155 179 121, RGB 152 162 138, RGB 149 145 155, RGB 146 128 171 and RGB 143 112 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 179 121 shade: RGB 179 171 121, RGB 171 179 121, RGB 156 179 121, RGB 140 179 121 and RGB 125 179 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 179 121 shade: RGB 114 139 78, RGB 135 164 94, RGB 155 179 121, RGB 175 194 147 and RGB 194 209 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 179 121 shade: RGB 155 179 121, RGB 121 179 156 and RGB 179 121 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 179 121 shade: RGB 155 179 121, RGB 121 156 179 and RGB 179 121 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 179 121 shade: RGB 155 179 121, RGB 121 179 156, RGB 144 121 179 and RGB 179 121 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 179 121 shade: RGB 155 179 121, RGB 121 179 173, RGB 144 121 179 and RGB 179 121 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

Complementary color

CMYK 25 / 43 / 0 / 47

HEX #644C86

RGB 100 76 134

HSL 264.83, 0.28%, 0.41%

LAB 37.11, 22.89, -28.85

 

CMYK 11 / 0 / 35 / 30

HEX #A0B374

RGB 160 179 116

HSL 78.1, 0.29%, 0.58%

LAB 70.16, -17.24, 30.04

 

CMYK 10 / 0 / 31 / 23

HEX #B1C587

RGB 177 197 135

HSL 79.35, 0.35%, 0.65%

LAB 76.7, -17.3, 28.91

 

CMYK 10 / 0 / 28 / 16

HEX #C2D79A

RGB 194 215 154

HSL 80.66, 0.43%, 0.72%

LAB 83.13, -17.34, 27.84

 

CMYK 9 / 0 / 26 / 9

HEX #D3E9AD

RGB 211 233 173

HSL 82, 0.58%, 0.8%

LAB 89.46, -17.36, 26.82

 

CMYK 9 / 0 / 24 / 2

HEX #E4FBC0

RGB 228 251 192

HSL 83.39, 0.88%, 0.87%

LAB 95.7, -17.38, 25.85

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 14 / 0 / 37 / 37

HEX #8AA166

RGB 138 161 102

HSL 83.39, 0.24%, 0.52%

LAB 63.22, -18.46, 28.12

 

CMYK 15 / 0 / 42 / 44

HEX #798F53

RGB 121 143 83

HSL 82, 0.27%, 0.44%

LAB 56.42, -18.43, 29.34

 

CMYK 17 / 0 / 49 / 51

HEX #687D40

RGB 104 125 64

HSL 80.66, 0.32%, 0.37%

LAB 49.47, -18.35, 30.59

 

CMYK 19 / 0 / 58 / 58

HEX #576B2D

RGB 87 107 45

HSL 79.35, 0.41%, 0.3%

LAB 42.36, -18.18, 31.82

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 4 / 0 / 32 / 30

HEX #ABB379

RGB 171 179 121

HSL 68.28, 0.28%, 0.59%

LAB 71.06, -12.28, 28.74

 

CMYK 0 / 4 / 32 / 30

HEX #B3AC79

RGB 179 172 121

HSL 52.76, 0.28%, 0.59%

LAB 69.8, -5.43, 27.19

 

CMYK 0 / 13 / 32 / 30

HEX #B39C79

RGB 179 156 121

HSL 36.21, 0.28%, 0.59%

LAB 65.55, 3.2, 21.48

 

CMYK 0 / 22 / 32 / 30

HEX #B38C79

RGB 179 140 121

HSL 19.66, 0.28%, 0.59%

LAB 61.41, 12.05, 15.81

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 22 / 0 / 32 / 30

HEX #8BB379

RGB 139 179 121

HSL 101.38, 0.28%, 0.59%

LAB 68.83, -24.39, 25.37

 

CMYK 31 / 0 / 32 / 30

HEX #7BB379

RGB 123 179 121

HSL 117.93, 0.28%, 0.59%

LAB 67.9, -29.96, 23.95

 

CMYK 32 / 0 / 25 / 30

HEX #79B386

RGB 121 179 134

HSL 133.45, 0.28%, 0.59%

LAB 68.04, -28.33, 17.11

 

CMYK 32 / 0 / 16 / 30

HEX #79B396

RGB 121 179 150

HSL 150, 0.28%, 0.59%

LAB 68.39, -25.19, 8.85

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 19 / 0 / 47 / 23

HEX #9EC468

RGB 158 196 104

HSL 84.78, 0.44%, 0.59%

LAB 74.67, -27.91, 41.88

 

CMYK 24 / 0 / 59 / 16

HEX #A1D557

RGB 161 213 87

HSL 84.76, 0.6%, 0.59%

LAB 79.53, -36.41, 55.6

 

CMYK 29 / 0 / 70 / 10

HEX #A4E646

RGB 164 230 70

HSL 84.75, 0.76%, 0.59%

LAB 84.45, -44.1, 67.71

 

CMYK 32 / 0 / 79 / 3

HEX #A7F735

RGB 167 247 53

HSL 84.74, 0.92%, 0.59%

LAB 89.39, -51.07, 77.92

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 6 / 0 / 15 / 36

HEX #98A28A

RGB 152 162 138

HSL 85, 0.11%, 0.59%

LAB 65.24, -8.02, 11.29

 

CMYK 4 / 6 / 0 / 39

HEX #95919B

RGB 149 145 155

HSL 264, 0.05%, 0.59%

LAB 60.79, 3.43, -4.76

 

CMYK 15 / 25 / 0 / 33

HEX #9280AB

RGB 146 128 171

HSL 265.12, 0.2%, 0.59%

LAB 56.57, 15.55, -20.27

 

CMYK 24 / 40 / 0 / 26

HEX #8F70BC

RGB 143 112 188

HSL 264.47, 0.36%, 0.59%

LAB 53.01, 27.93, -35.58

 

CMYK 0 / 4 / 32 / 30

HEX #B3AB79

RGB 179 171 121

HSL 51.72, 0.28%, 0.59%

LAB 69.53, -4.9, 26.83

 

CMYK 4 / 0 / 32 / 30

HEX #ABB379

RGB 171 179 121

HSL 68.28, 0.28%, 0.59%

LAB 71.06, -12.28, 28.74

 

CMYK 13 / 0 / 32 / 30

HEX #9CB379

RGB 156 179 121

HSL 83.79, 0.28%, 0.59%

LAB 69.96, -18.09, 27.07

 

CMYK 22 / 0 / 32 / 30

HEX #8CB379

RGB 140 179 121

HSL 100.34, 0.28%, 0.59%

LAB 68.89, -24.03, 25.47

 

CMYK 30 / 0 / 32 / 30

HEX #7DB379

RGB 125 179 121

HSL 115.86, 0.28%, 0.59%

LAB 68.01, -29.29, 24.12

 

CMYK 18 / 0 / 44 / 45

HEX #728B4E

RGB 114 139 78

HSL 84.59, 0.28%, 0.43%

LAB 54.65, -19.82, 29.68

 

CMYK 18 / 0 / 43 / 36

HEX #87A45E

RGB 135 164 94

HSL 84.86, 0.28%, 0.51%

LAB 63.76, -22.22, 33.02

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 10 / 0 / 24 / 24

HEX #AFC293

RGB 175 194 147

HSL 84.26, 0.28%, 0.67%

LAB 75.95, -14.78, 21.54

 

CMYK 7 / 0 / 17 / 18

HEX #C2D1AD

RGB 194 209 173

HSL 85, 0.28%, 0.75%

LAB 81.89, -11.44, 16.17

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 32 / 0 / 13 / 30

HEX #79B39C

RGB 121 179 156

HSL 156.21, 0.28%, 0.59%

LAB 68.54, -23.93, 5.76

 

CMYK 0 / 32 / 0 / 30

HEX #B379B3

RGB 179 121 179

HSL 300, 0.28%, 0.59%

LAB 58.52, 32.2, -21.58

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 32 / 13 / 0 / 30

HEX #799CB3

RGB 121 156 179

HSL 203.79, 0.28%, 0.59%

LAB 62.59, -6.41, -15.84

 

CMYK 0 / 32 / 13 / 30

HEX #B3799C

RGB 179 121 156

HSL 323.79, 0.28%, 0.59%

LAB 57.71, 28.03, -9.59

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 32 / 0 / 13 / 30

HEX #79B39C

RGB 121 179 156

HSL 156.21, 0.28%, 0.59%

LAB 68.54, -23.93, 5.76

 

CMYK 20 / 32 / 0 / 30

HEX #9079B3

RGB 144 121 179

HSL 263.79, 0.28%, 0.59%

LAB 54.93, 20.82, -27.42

 

CMYK 0 / 32 / 20 / 30

HEX #B37990

RGB 179 121 144

HSL 336.21, 0.28%, 0.59%

LAB 57.34, 26.05, -3.2

 

CMYK 13 / 0 / 32 / 30

HEX #9BB379

RGB 155 179 121

HSL 84.83, 0.28%, 0.59%

LAB 69.89, -18.47, 26.97

 

CMYK 32 / 0 / 3 / 30

HEX #79B3AD

RGB 121 179 173

HSL 173.79, 0.28%, 0.59%

LAB 68.98, -20.12, -2.96

 

CMYK 20 / 32 / 0 / 30

HEX #9079B3

RGB 144 121 179

HSL 263.79, 0.28%, 0.59%

LAB 54.93, 20.82, -27.42

 

CMYK 0 / 32 / 29 / 30

HEX #B3797F

RGB 179 121 127

HSL 353.79, 0.28%, 0.59%

LAB 56.87, 23.51, 5.98

 

Description

Color code: RGB 155 179 121 | qconv.com Color code: RGB 155 179 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 179 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 179 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 32 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 32% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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