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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 18 180 it is the complementary color RGB 100 237 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 18 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 18 180 shade: RGB 160 18 175, RGB 177 36 194, RGB 194 54 213, RGB 211 72 232 and RGB 228 90 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 18 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 18 180 shade: RGB 155 18 180, RGB 138 0 161, RGB 121 0 142, RGB 104 0 123 and RGB 87 0 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 18 180 shade: RGB 155 17 180, RGB 180 17 162, RGB 180 17 118, RGB 180 17 74 and RGB 180 17 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 18 180 shade: RGB 155 17 180, RGB 111 17 180, RGB 67 17 180, RGB 23 17 180 and RGB 17 17 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 18 180 shade matches the following richer shades: RGB 155 17 180 and RGB 166 1 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 18 180 shade: RGB 155 17 180, RGB 144 33 164, RGB 133 50 148, RGB 122 66 132 and RGB 111 82 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 18 180 shade: RGB 66 17 180, RGB 110 17 180, RGB 153 17 180, RGB 180 17 164 and RGB 180 17 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 18 180 shade: RGB 91 10 105, RGB 123 14 143, RGB 155 17 180, RGB 188 21 218 and RGB 205 46 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 18 180 shade: RGB 155 18 180, RGB 180 23 17 and RGB 17 180 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 18 180 shade: RGB 155 18 180, RGB 180 153 17 and RGB 17 180 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 18 180 shade: RGB 155 18 180, RGB 180 23 17, RGB 45 180 17 and RGB 17 175 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 18 180 shade: RGB 155 18 180, RGB 180 72 17, RGB 45 180 17 and RGB 17 126 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 90 / 0 / 29

HEX #9B12B4

RGB 155 18 180

HSL 290.74, 0.82%, 0.39%

LAB 39.06, 69.52, -53.02

 

Complementary color

CMYK 58 / 0 / 68 / 7

HEX #64ED4B

RGB 100 237 75

HSL 110.74, 0.82%, 0.61%

LAB 83.85, -65.95, 64.41

 

CMYK 9 / 90 / 0 / 31

HEX #A012AF

RGB 160 18 175

HSL 294.27, 0.81%, 0.38%

LAB 39.58, 69.5, -49.17

 

CMYK 9 / 81 / 0 / 24

HEX #B124C2

RGB 177 36 194

HSL 293.54, 0.69%, 0.45%

LAB 44.95, 71.96, -51.59

 

CMYK 9 / 75 / 0 / 16

HEX #C236D5

RGB 194 54 213

HSL 292.83, 0.65%, 0.52%

LAB 50.58, 73.34, -53.37

 

CMYK 9 / 69 / 0 / 9

HEX #D348E8

RGB 211 72 232

HSL 292.13, 0.78%, 0.6%

LAB 56.4, 73.99, -54.69

 

CMYK 9 / 64 / 0 / 2

HEX #E45AFB

RGB 228 90 251

HSL 291.43, 0.95%, 0.67%

LAB 62.31, 74.15, -55.69

 

CMYK 14 / 90 / 0 / 29

HEX #9B12B4

RGB 155 18 180

HSL 290.74, 0.82%, 0.39%

LAB 39.06, 69.52, -53.02

 

CMYK 14 / 100 / 0 / 37

HEX #8A00A1

RGB 138 0 161

HSL 291.43, 1%, 0.32%

LAB 33.93, 66.01, -50.08

 

CMYK 15 / 100 / 0 / 44

HEX #79008E

RGB 121 0 142

HSL 291.13, 1%, 0.28%

LAB 29.46, 60.13, -45.83

 

CMYK 15 / 100 / 0 / 52

HEX #68007B

RGB 104 0 123

HSL 290.73, 1%, 0.24%

LAB 24.87, 54.11, -41.48

 

CMYK 16 / 100 / 0 / 59

HEX #570068

RGB 87 0 104

HSL 290.19, 1%, 0.2%

LAB 20.15, 47.92, -37.02

 

CMYK 14 / 91 / 0 / 29

HEX #9B11B4

RGB 155 17 180

HSL 290.8, 0.83%, 0.39%

LAB 39.01, 69.68, -53.11

 

CMYK 0 / 91 / 10 / 29

HEX #B411A2

RGB 180 17 162

HSL 306.63, 0.83%, 0.39%

LAB 42.33, 71.26, -36.82

 

CMYK 0 / 91 / 34 / 29

HEX #B41176

RGB 180 17 118

HSL 322.82, 0.83%, 0.39%

LAB 40.27, 65.82, -13.09

 

CMYK 0 / 91 / 59 / 29

HEX #B4114A

RGB 180 17 74

HSL 339.02, 0.83%, 0.39%

LAB 38.9, 62.05, 12.82

 

CMYK 0 / 91 / 83 / 29

HEX #B4111E

RGB 180 17 30

HSL 355.21, 0.83%, 0.39%

LAB 38.2, 60.07, 39.12

 

CMYK 14 / 91 / 0 / 29

HEX #9B11B4

RGB 155 17 180

HSL 290.8, 0.83%, 0.39%

LAB 39.01, 69.68, -53.11

 

CMYK 38 / 91 / 0 / 29

HEX #6F11B4

RGB 111 17 180

HSL 274.6, 0.83%, 0.39%

LAB 31.98, 63.36, -64.87

 

CMYK 63 / 91 / 0 / 29

HEX #4311B4

RGB 67 17 180

HSL 258.4, 0.83%, 0.39%

LAB 26.42, 58.99, -74.23

 

CMYK 87 / 91 / 0 / 29

HEX #1711B4

RGB 23 17 180

HSL 242.21, 0.83%, 0.39%

LAB 23.27, 56.88, -79.56

 

CMYK 91 / 91 / 0 / 29

HEX #1111B4

RGB 17 17 180

HSL 240, 0.83%, 0.39%

LAB 23.05, 56.75, -79.93

 

CMYK 14 / 91 / 0 / 29

HEX #9B11B4

RGB 155 17 180

HSL 290.8, 0.83%, 0.39%

LAB 39.01, 69.68, -53.11

 

CMYK 16 / 99 / 0 / 23

HEX #A601C5

RGB 166 1 197

HSL 290.51, 0.99%, 0.39%

LAB 41.47, 76.09, -59.04

 

CMYK 14 / 91 / 0 / 29

HEX #9B11B4

RGB 155 17 180

HSL 290.8, 0.83%, 0.39%

LAB 39.01, 69.68, -53.11

 

CMYK 12 / 80 / 0 / 36

HEX #9021A4

RGB 144 33 164

HSL 290.84, 0.66%, 0.39%

LAB 37.29, 61.33, -46.42

 

CMYK 10 / 66 / 0 / 42

HEX #853294

RGB 133 50 148

HSL 290.82, 0.49%, 0.39%

LAB 36.75, 49.6, -37.7

 

CMYK 8 / 50 / 0 / 48

HEX #7A4284

RGB 122 66 132

HSL 290.91, 0.33%, 0.39%

LAB 37.3, 35.2, -27.14

 

CMYK 4 / 29 / 0 / 55

HEX #6F5274

RGB 111 82 116

HSL 291.18, 0.17%, 0.39%

LAB 39.03, 18.6, -14.71

 

CMYK 63 / 91 / 0 / 29

HEX #4211B4

RGB 66 17 180

HSL 258.04, 0.83%, 0.39%

LAB 26.32, 58.92, -74.4

 

CMYK 39 / 91 / 0 / 29

HEX #6E11B4

RGB 110 17 180

HSL 274.23, 0.83%, 0.39%

LAB 31.83, 63.24, -65.11

 

CMYK 15 / 91 / 0 / 29

HEX #9911B4

RGB 153 17 180

HSL 290.06, 0.83%, 0.39%

LAB 38.67, 69.36, -53.68

 

CMYK 0 / 91 / 9 / 29

HEX #B411A4

RGB 180 17 164

HSL 305.89, 0.83%, 0.39%

LAB 42.44, 71.54, -37.84

 

CMYK 0 / 91 / 33 / 29

HEX #B41179

RGB 180 17 121

HSL 321.72, 0.83%, 0.39%

LAB 40.39, 66.15, -14.78

 

CMYK 13 / 90 / 0 / 59

HEX #5B0A69

RGB 91 10 105

HSL 291.16, 0.83%, 0.23%

LAB 21.8, 46.36, -34.96

 

CMYK 14 / 90 / 0 / 44

HEX #7B0E8F

RGB 123 14 143

HSL 290.7, 0.82%, 0.31%

LAB 30.66, 58.35, -44.49

 

CMYK 14 / 91 / 0 / 29

HEX #9B11B4

RGB 155 17 180

HSL 290.8, 0.83%, 0.39%

LAB 39.01, 69.68, -53.11

 

CMYK 14 / 90 / 0 / 15

HEX #BC15DA

RGB 188 21 218

HSL 290.86, 0.82%, 0.47%

LAB 47.35, 80.69, -61.47

 

CMYK 12 / 80 / 0 / 8

HEX #CD2EEA

RGB 205 46 234

HSL 290.74, 0.82%, 0.55%

LAB 52.81, 81.21, -61.61

 

CMYK 14 / 90 / 0 / 29

HEX #9B12B4

RGB 155 18 180

HSL 290.74, 0.82%, 0.39%

LAB 39.06, 69.52, -53.02

 

CMYK 0 / 87 / 91 / 29

HEX #B41711

RGB 180 23 17

HSL 2.21, 0.83%, 0.39%

LAB 38.47, 58.72, 45.81

 

CMYK 91 / 0 / 51 / 29

HEX #11B458

RGB 17 180 88

HSL 146.13, 0.83%, 0.39%

LAB 64.54, -58.35, 36.19

 

CMYK 14 / 90 / 0 / 29

HEX #9B12B4

RGB 155 18 180

HSL 290.74, 0.82%, 0.39%

LAB 39.06, 69.52, -53.02

 

CMYK 0 / 15 / 91 / 29

HEX #B49911

RGB 180 153 17

HSL 50.06, 0.83%, 0.39%

LAB 63.78, -2.24, 64.93

 

CMYK 91 / 0 / 15 / 29

HEX #11B499

RGB 17 180 153

HSL 170.06, 0.83%, 0.39%

LAB 65.8, -44.18, 3.08

 

CMYK 14 / 90 / 0 / 29

HEX #9B12B4

RGB 155 18 180

HSL 290.74, 0.82%, 0.39%

LAB 39.06, 69.52, -53.02

 

CMYK 0 / 87 / 91 / 29

HEX #B41711

RGB 180 23 17

HSL 2.21, 0.83%, 0.39%

LAB 38.47, 58.72, 45.81

 

CMYK 75 / 0 / 91 / 29

HEX #2DB411

RGB 45 180 17

HSL 109.69, 0.83%, 0.39%

LAB 64.36, -61.89, 62.34

 

CMYK 91 / 3 / 0 / 29

HEX #11AFB4

RGB 17 175 180

HSL 181.84, 0.83%, 0.39%

LAB 65.02, -34.08, -13.05

 

CMYK 14 / 90 / 0 / 29

HEX #9B12B4

RGB 155 18 180

HSL 290.74, 0.82%, 0.39%

LAB 39.06, 69.52, -53.02

 

CMYK 0 / 60 / 91 / 29

HEX #B44811

RGB 180 72 17

HSL 20.25, 0.83%, 0.39%

LAB 44.77, 41.48, 50.42

 

CMYK 75 / 0 / 91 / 29

HEX #2DB411

RGB 45 180 17

HSL 109.69, 0.83%, 0.39%

LAB 64.36, -61.89, 62.34

 

CMYK 91 / 30 / 0 / 29

HEX #117EB4

RGB 17 126 180

HSL 199.88, 0.83%, 0.39%

LAB 49.9, -8.38, -36.32

 

Description

Color code: RGB 155 18 180 | qconv.com Color code: RGB 155 18 180 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 18 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 18 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 90 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 90% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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