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Color name
RGB 155 216 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 216 94 it is the complementary color RGB 100 39 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 216 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 216 94 shade: RGB 160 216 89, RGB 177 234 108, RGB 194 252 127, RGB 211 255 146 and RGB 228 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 216 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 216 94 shade: RGB 155 216 94, RGB 138 198 75, RGB 121 180 56, RGB 104 162 37 and RGB 87 144 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 216 94 shade: RGB 155 216 94, RGB 188 216 94, RGB 216 211 94, RGB 216 178 94 and RGB 216 146 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 216 94 shade: RGB 155 216 94, RGB 122 216 94, RGB 94 216 99, RGB 94 216 132 and RGB 94 216 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 216 94 shade matches the following richer shades: RGB 155 216 94, RGB 155 232 78 and RGB 155 248 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 216 94 shade: RGB 155 216 94, RGB 155 200 110, RGB 155 184 127, RGB 155 167 143 and RGB 155 151 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 216 94 shade: RGB 216 212 94, RGB 187 216 94, RGB 155 216 94, RGB 123 216 94 and RGB 94 216 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 216 94 shade: RGB 114 184 44, RGB 134 208 61, RGB 155 216 94, RGB 176 224 128 and RGB 196 232 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 216 94 shade: RGB 155 216 94, RGB 94 216 179 and RGB 216 94 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 216 94 shade: RGB 155 216 94, RGB 94 155 216 and RGB 216 94 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 216 94 shade: RGB 155 216 94, RGB 94 216 179, RGB 155 94 216 and RGB 216 94 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 216 94 shade: RGB 155 216 94, RGB 94 216 216, RGB 155 94 216 and RGB 216 94 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

Complementary color

CMYK 38 / 76 / 0 / 37

HEX #6427A1

RGB 100 39 161

HSL 270, 0.61%, 0.39%

LAB 31.19, 50.27, -54.8

 

CMYK 26 / 0 / 59 / 15

HEX #A0D859

RGB 160 216 89

HSL 86.46, 0.62%, 0.6%

LAB 80.35, -37.96, 55.63

 

CMYK 24 / 0 / 54 / 8

HEX #B1EA6C

RGB 177 234 108

HSL 87.14, 0.75%, 0.67%

LAB 86.64, -38.09, 54.65

 

CMYK 23 / 0 / 50 / 1

HEX #C2FC7F

RGB 194 252 127

HSL 87.84, 0.95%, 0.74%

LAB 92.85, -38.15, 53.58

 

CMYK 17 / 0 / 43 / 0

HEX #D3FF92

RGB 211 255 146

HSL 84.22, 1%, 0.79%

LAB 94.93, -31.35, 47.42

 

CMYK 11 / 0 / 35 / 0

HEX #E4FFA5

RGB 228 255 165

HSL 78, 1%, 0.82%

LAB 96.3, -22.94, 40.17

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 30 / 0 / 62 / 22

HEX #8AC64B

RGB 138 198 75

HSL 89.27, 0.52%, 0.54%

LAB 73.74, -39.17, 54

 

CMYK 33 / 0 / 69 / 29

HEX #79B438

RGB 121 180 56

HSL 88.55, 0.53%, 0.46%

LAB 67.27, -38.91, 54.65

 

CMYK 36 / 0 / 77 / 36

HEX #68A225

RGB 104 162 37

HSL 87.84, 0.63%, 0.39%

LAB 60.71, -38.48, 54.77

 

CMYK 40 / 0 / 88 / 44

HEX #579012

RGB 87 144 18

HSL 87.14, 0.78%, 0.32%

LAB 54.04, -37.78, 53.82

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 13 / 0 / 56 / 15

HEX #BCD85E

RGB 188 216 94

HSL 73.77, 0.61%, 0.61%

LAB 82.17, -26.87, 55.96

 

CMYK 0 / 2 / 56 / 15

HEX #D8D35E

RGB 216 211 94

HSL 57.54, 0.61%, 0.61%

LAB 82.91, -13.16, 57.36

 

CMYK 0 / 18 / 56 / 15

HEX #D8B25E

RGB 216 178 94

HSL 41.31, 0.61%, 0.61%

LAB 74.35, 3.87, 47.51

 

CMYK 0 / 32 / 56 / 15

HEX #D8925E

RGB 216 146 94

HSL 25.57, 0.61%, 0.61%

LAB 66.49, 21.04, 38.05

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 44 / 0 / 56 / 15

HEX #7AD85E

RGB 122 216 94

HSL 106.23, 0.61%, 0.61%

LAB 78.5, -50.29, 50.77

 

CMYK 56 / 0 / 54 / 15

HEX #5ED863

RGB 94 216 99

HSL 122.46, 0.61%, 0.61%

LAB 77.51, -57.34, 47.05

 

CMYK 56 / 0 / 39 / 15

HEX #5ED884

RGB 94 216 132

HSL 138.69, 0.61%, 0.61%

LAB 77.97, -52.42, 31.39

 

CMYK 56 / 0 / 24 / 15

HEX #5ED8A5

RGB 94 216 165

HSL 154.92, 0.61%, 0.61%

LAB 78.58, -46.04, 15.03

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 33 / 0 / 66 / 9

HEX #9BE84E

RGB 155 232 78

HSL 90, 0.77%, 0.61%

LAB 84.6, -47.58, 64.73

 

CMYK 38 / 0 / 75 / 3

HEX #9BF83E

RGB 155 248 62

HSL 90, 0.93%, 0.61%

LAB 89.14, -55.12, 74.85

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 23 / 0 / 45 / 22

HEX #9BC86E

RGB 155 200 110

HSL 90, 0.45%, 0.61%

LAB 75.7, -30.23, 40.15

 

CMYK 16 / 0 / 31 / 28

HEX #9BB87F

RGB 155 184 127

HSL 90.53, 0.29%, 0.61%

LAB 71.41, -20.12, 25.8

 

CMYK 7 / 0 / 14 / 35

HEX #9BA78F

RGB 155 167 143

HSL 90, 0.12%, 0.61%

LAB 66.97, -8.72, 10.99

 

CMYK 3 / 5 / 0 / 38

HEX #9B979F

RGB 155 151 159

HSL 270, 0.04%, 0.61%

LAB 63.02, 3.01, -3.68

 

CMYK 0 / 2 / 56 / 15

HEX #D8D45E

RGB 216 212 94

HSL 58.03, 0.61%, 0.61%

LAB 83.18, -13.66, 57.66

 

CMYK 13 / 0 / 56 / 15

HEX #BBD85E

RGB 187 216 94

HSL 74.26, 0.61%, 0.61%

LAB 82.1, -27.27, 55.86

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 43 / 0 / 56 / 15

HEX #7BD85E

RGB 123 216 94

HSL 105.74, 0.61%, 0.61%

LAB 78.54, -49.98, 50.83

 

CMYK 56 / 0 / 55 / 15

HEX #5ED862

RGB 94 216 98

HSL 121.97, 0.61%, 0.61%

LAB 77.5, -57.47, 47.5

 

CMYK 38 / 0 / 76 / 28

HEX #72B82C

RGB 114 184 44

HSL 90, 0.61%, 0.45%

LAB 68.05, -43.93, 59.66

 

CMYK 36 / 0 / 71 / 18

HEX #86D03D

RGB 134 208 61

HSL 90.2, 0.61%, 0.53%

LAB 76.39, -45.98, 62.31

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 21 / 0 / 43 / 12

HEX #B0E080

RGB 176 224 128

HSL 90, 0.61%, 0.69%

LAB 84.02, -31.68, 41.96

 

CMYK 16 / 0 / 31 / 9

HEX #C4E8A1

RGB 196 232 161

HSL 90.42, 0.61%, 0.77%

LAB 87.98, -23.96, 30.79

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 56 / 0 / 17 / 15

HEX #5ED8B3

RGB 94 216 179

HSL 161.8, 0.61%, 0.61%

LAB 78.89, -42.93, 8.04

 

CMYK 0 / 56 / 6 / 15

HEX #D85ECC

RGB 216 94 204

HSL 305.9, 0.61%, 0.61%

LAB 58.94, 61.47, -34.81

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 56 / 28 / 0 / 15

HEX #5E9BD8

RGB 94 155 216

HSL 210, 0.61%, 0.61%

LAB 62.32, -2.03, -37.08

 

CMYK 0 / 56 / 28 / 15

HEX #D85E9B

RGB 216 94 155

HSL 330, 0.61%, 0.61%

LAB 57.05, 54.25, -9.5

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 56 / 0 / 17 / 15

HEX #5ED8B3

RGB 94 216 179

HSL 161.8, 0.61%, 0.61%

LAB 78.89, -42.93, 8.04

 

CMYK 28 / 56 / 0 / 15

HEX #9B5ED8

RGB 155 94 216

HSL 270, 0.61%, 0.61%

LAB 51.76, 48.04, -53.48

 

CMYK 0 / 56 / 39 / 15

HEX #D85E83

RGB 216 94 131

HSL 341.8, 0.61%, 0.61%

LAB 56.33, 51.39, 3.51

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 56 / 0 / 0 / 15

HEX #5ED8D8

RGB 94 216 216

HSL 180, 0.61%, 0.61%

LAB 79.87, -33.7, -10.29

 

CMYK 28 / 56 / 0 / 15

HEX #9B5ED8

RGB 155 94 216

HSL 270, 0.61%, 0.61%

LAB 51.76, 48.04, -53.48

 

CMYK 0 / 56 / 56 / 15

HEX #D85E5E

RGB 216 94 94

HSL 0, 0.61%, 0.61%

LAB 55.49, 47.96, 24.04

 

Description

Color code: RGB 155 216 94 | qconv.com Color code: RGB 155 216 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 216 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 216 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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