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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 28 160 it is the complementary color RGB 100 227 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 28 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 28 160 shade: RGB 160 28 155, RGB 177 46 174, RGB 194 64 193, RGB 211 82 212 and RGB 228 100 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 28 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 28 160 shade: RGB 155 28 160, RGB 138 10 141, RGB 121 0 122, RGB 104 0 103 and RGB 87 0 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 28 160 shade: RGB 155 28 160, RGB 160 28 129, RGB 160 28 94, RGB 160 28 58 and RGB 160 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 28 160 shade: RGB 155 28 160, RGB 119 28 160, RGB 84 28 160, RGB 48 28 160 and RGB 28 28 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 28 160 shade matches the following richer shades: RGB 155 28 160 and RGB 169 13 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 28 160 shade: RGB 155 28 160, RGB 141 43 145, RGB 127 58 129, RGB 113 74 114 and RGB 98 89 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 28 160 shade: RGB 83 28 160, RGB 118 28 160, RGB 153 28 160, RGB 160 28 131 and RGB 160 28 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 28 160 shade: RGB 87 15 90, RGB 121 22 125, RGB 155 28 160, RGB 189 34 195 and RGB 212 52 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 28 160 shade: RGB 155 28 160, RGB 160 48 28 and RGB 28 160 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 28 160 shade: RGB 155 28 160, RGB 160 153 28 and RGB 28 160 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 28 160 shade: RGB 155 28 160, RGB 160 48 28, RGB 34 160 28 and RGB 28 140 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 28 160 shade: RGB 155 28 160, RGB 160 87 28, RGB 34 160 28 and RGB 28 100 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

Complementary color

CMYK 56 / 0 / 58 / 11

HEX #64E35F

RGB 100 227 95

HSL 117.73, 0.7%, 0.63%

LAB 81, -60.45, 53.03

 

CMYK 0 / 83 / 3 / 37

HEX #A01C9B

RGB 160 28 155

HSL 302.27, 0.7%, 0.37%

LAB 39.02, 64.29, -38.07

 

CMYK 0 / 74 / 2 / 31

HEX #B12EAE

RGB 177 46 174

HSL 301.37, 0.59%, 0.44%

LAB 44.74, 65.85, -40.17

 

CMYK 0 / 67 / 1 / 24

HEX #C240C1

RGB 194 64 193

HSL 300.46, 0.52%, 0.51%

LAB 50.67, 66.54, -41.72

 

CMYK 0 / 61 / 0 / 17

HEX #D352D4

RGB 211 82 212

HSL 299.54, 0.6%, 0.58%

LAB 56.72, 66.68, -42.89

 

CMYK 1 / 57 / 0 / 9

HEX #E464E7

RGB 228 100 231

HSL 298.63, 0.73%, 0.65%

LAB 62.83, 66.47, -43.79

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 2 / 93 / 0 / 45

HEX #8A0A8D

RGB 138 10 141

HSL 298.63, 0.87%, 0.3%

LAB 33.01, 61.3, -39.33

 

CMYK 1 / 100 / 0 / 52

HEX #79007A

RGB 121 0 122

HSL 299.51, 1%, 0.24%

LAB 28.03, 56.76, -35.58

 

CMYK 0 / 100 / 1 / 59

HEX #680067

RGB 104 0 103

HSL 300.58, 1%, 0.2%

LAB 23.41, 50.66, -30.93

 

CMYK 0 / 100 / 3 / 66

HEX #570054

RGB 87 0 84

HSL 302.07, 1%, 0.17%

LAB 18.65, 44.38, -26.1

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 0 / 83 / 19 / 37

HEX #A01C81

RGB 160 28 129

HSL 314.09, 0.7%, 0.37%

LAB 37.64, 60.49, -24.31

 

CMYK 0 / 83 / 41 / 37

HEX #A01C5E

RGB 160 28 94

HSL 330, 0.7%, 0.37%

LAB 36.2, 56.34, -4.42

 

CMYK 0 / 83 / 64 / 37

HEX #A01C3A

RGB 160 28 58

HSL 346.36, 0.7%, 0.37%

LAB 35.22, 53.42, 17.47

 

CMYK 0 / 83 / 83 / 37

HEX #A01C1C

RGB 160 28 28

HSL 0, 0.7%, 0.37%

LAB 34.78, 52.06, 35.49

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 26 / 83 / 0 / 37

HEX #771CA0

RGB 119 28 160

HSL 281.36, 0.7%, 0.37%

LAB 32.46, 57.48, -52.01

 

CMYK 48 / 83 / 0 / 37

HEX #541CA0

RGB 84 28 160

HSL 265.45, 0.7%, 0.37%

LAB 27.44, 52.01, -60.41

 

CMYK 70 / 83 / 0 / 37

HEX #301CA0

RGB 48 28 160

HSL 249.09, 0.7%, 0.37%

LAB 23.66, 47.98, -66.78

 

CMYK 83 / 83 / 0 / 37

HEX #1C1CA0

RGB 28 28 160

HSL 240, 0.7%, 0.37%

LAB 22.36, 46.61, -68.98

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 3 / 93 / 0 / 31

HEX #A90DAF

RGB 169 13 175

HSL 297.78, 0.86%, 0.37%

LAB 40.93, 71.73, -46.93

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 3 / 70 / 0 / 43

HEX #8D2B91

RGB 141 43 145

HSL 297.65, 0.54%, 0.37%

LAB 36.81, 53.87, -35.7

 

CMYK 2 / 55 / 0 / 49

HEX #7F3A81

RGB 127 58 129

HSL 298.31, 0.38%, 0.37%

LAB 36.22, 40.4, -26.93

 

CMYK 1 / 35 / 0 / 55

HEX #714A72

RGB 113 74 114

HSL 298.5, 0.21%, 0.37%

LAB 37.16, 23.75, -16.32

 

CMYK 1 / 10 / 0 / 61

HEX #625963

RGB 98 89 99

HSL 294, 0.05%, 0.37%

LAB 38.97, 5.69, -4.42

 

CMYK 48 / 83 / 0 / 37

HEX #531CA0

RGB 83 28 160

HSL 265, 0.7%, 0.37%

LAB 27.32, 51.88, -60.62

 

CMYK 26 / 83 / 0 / 37

HEX #761CA0

RGB 118 28 160

HSL 280.91, 0.7%, 0.37%

LAB 32.3, 57.3, -52.27

 

CMYK 4 / 83 / 0 / 37

HEX #991CA0

RGB 153 28 160

HSL 296.82, 0.7%, 0.37%

LAB 38.09, 63.72, -42.64

 

CMYK 0 / 83 / 18 / 37

HEX #A01C83

RGB 160 28 131

HSL 313.18, 0.7%, 0.37%

LAB 37.74, 60.76, -25.39

 

CMYK 0 / 83 / 40 / 37

HEX #A01C60

RGB 160 28 96

HSL 329.09, 0.7%, 0.37%

LAB 36.27, 56.55, -5.6

 

CMYK 3 / 83 / 0 / 65

HEX #570F5A

RGB 87 15 90

HSL 297.6, 0.71%, 0.21%

LAB 20.46, 41.32, -27.24

 

CMYK 3 / 82 / 0 / 51

HEX #79167D

RGB 121 22 125

HSL 297.67, 0.7%, 0.29%

LAB 29.71, 52.92, -34.8

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 3 / 83 / 0 / 24

HEX #BD22C3

RGB 189 34 195

HSL 297.76, 0.7%, 0.45%

LAB 46.85, 74.79, -49.01

 

CMYK 3 / 76 / 0 / 14

HEX #D434DB

RGB 212 52 219

HSL 297.49, 0.7%, 0.53%

LAB 53.57, 78.45, -51.86

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 0 / 70 / 83 / 37

HEX #A0301C

RGB 160 48 28

HSL 9.09, 0.7%, 0.37%

LAB 37.25, 45.2, 37.88

 

CMYK 83 / 0 / 38 / 37

HEX #1CA064

RGB 28 160 100

HSL 152.73, 0.7%, 0.37%

LAB 58.33, -48.1, 21.9

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 0 / 4 / 83 / 37

HEX #A0991C

RGB 160 153 28

HSL 56.82, 0.7%, 0.37%

LAB 61.95, -10.99, 60.11

 

CMYK 83 / 0 / 4 / 37

HEX #1CA099

RGB 28 160 153

HSL 176.82, 0.7%, 0.37%

LAB 59.61, -34.57, -5.98

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 0 / 70 / 83 / 37

HEX #A0301C

RGB 160 48 28

HSL 9.09, 0.7%, 0.37%

LAB 37.25, 45.2, 37.88

 

CMYK 79 / 0 / 83 / 37

HEX #22A01C

RGB 34 160 28

HSL 117.27, 0.7%, 0.37%

LAB 57.62, -56.85, 53.8

 

CMYK 83 / 13 / 0 / 37

HEX #1C8CA0

RGB 28 140 160

HSL 189.09, 0.7%, 0.37%

LAB 53.54, -22.49, -19.12

 

CMYK 3 / 83 / 0 / 37

HEX #9B1CA0

RGB 155 28 160

HSL 297.73, 0.7%, 0.37%

LAB 38.44, 64.11, -42.07

 

CMYK 0 / 46 / 83 / 37

HEX #A0571C

RGB 160 87 28

HSL 26.82, 0.7%, 0.37%

LAB 44.76, 25.83, 44.91

 

CMYK 79 / 0 / 83 / 37

HEX #22A01C

RGB 34 160 28

HSL 117.27, 0.7%, 0.37%

LAB 57.62, -56.85, 53.8

 

CMYK 83 / 38 / 0 / 37

HEX #1C64A0

RGB 28 100 160

HSL 207.27, 0.7%, 0.37%

LAB 41.06, 0.52, -38.57

 

Description

Color code: RGB 155 28 160 | qconv.com Color code: RGB 155 28 160 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 28 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 28 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 83 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 83% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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