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Color name
RGB 155 48 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 48 105 it is the complementary color RGB 100 207 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 48 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 48 105 shade: RGB 160 48 100, RGB 177 66 119, RGB 194 84 138, RGB 211 102 157 and RGB 228 120 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 48 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 48 105 shade: RGB 155 48 105, RGB 138 30 86, RGB 121 12 67, RGB 104 0 48 and RGB 87 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 48 105 shade: RGB 156 47 105, RGB 156 47 76 and RGB 156 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 48 105 shade: RGB 156 47 105, RGB 156 47 134, RGB 148 47 156, RGB 119 47 156 and RGB 89 47 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 48 105 shade matches the following richer shades: RGB 156 47 105, RGB 172 31 106 and RGB 189 14 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 48 105 shade: RGB 156 47 105, RGB 139 64 104, RGB 123 80 103, RGB 106 97 102 and RGB 90 113 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 48 105 shade: RGB 148 47 156, RGB 156 47 134, RGB 156 47 105, RGB 156 47 76 and RGB 156 47 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 48 105 shade: RGB 92 28 62, RGB 124 38 84, RGB 156 47 105, RGB 187 57 126 and RGB 202 84 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 48 105 shade: RGB 155 48 105, RGB 156 120 47 and RGB 47 148 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 48 105 shade: RGB 155 48 105, RGB 105 156 47 and RGB 47 105 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 48 105 shade: RGB 155 48 105, RGB 156 120 47, RGB 47 156 98 and RGB 47 83 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 48 105 shade: RGB 155 48 105, RGB 156 152 47, RGB 47 156 98 and RGB 47 51 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 32 / 39

HEX #9B3069

RGB 155 48 105

HSL 328.04, 0.53%, 0.4%

LAB 38.03, 49.53, -8.78

 

Complementary color

CMYK 52 / 0 / 28 / 19

HEX #64CF96

RGB 100 207 150

HSL 148.04, 0.53%, 0.6%

LAB 75.78, -43.94, 19.1

 

CMYK 0 / 70 / 38 / 37

HEX #A03064

RGB 160 48 100

HSL 332.14, 0.54%, 0.41%

LAB 38.74, 50.41, -4.47

 

CMYK 0 / 63 / 33 / 31

HEX #B14277

RGB 177 66 119

HSL 331.35, 0.46%, 0.48%

LAB 45.05, 50.28, -6.57

 

CMYK 0 / 57 / 29 / 24

HEX #C2548A

RGB 194 84 138

HSL 330.55, 0.47%, 0.55%

LAB 51.43, 49.79, -8.22

 

CMYK 0 / 52 / 26 / 17

HEX #D3669D

RGB 211 102 157

HSL 329.72, 0.55%, 0.61%

LAB 57.83, 49.13, -9.56

 

CMYK 0 / 47 / 23 / 11

HEX #E478B0

RGB 228 120 176

HSL 328.89, 0.67%, 0.68%

LAB 64.21, 48.38, -10.68

 

CMYK 0 / 69 / 32 / 39

HEX #9B3069

RGB 155 48 105

HSL 328.04, 0.53%, 0.4%

LAB 38.03, 49.53, -8.78

 

CMYK 0 / 78 / 38 / 46

HEX #8A1E56

RGB 138 30 86

HSL 328.89, 0.64%, 0.33%

LAB 31.82, 49.01, -6.24

 

CMYK 0 / 90 / 45 / 53

HEX #790C43

RGB 121 12 67

HSL 329.72, 0.82%, 0.26%

LAB 25.96, 47.28, -2.68

 

CMYK 0 / 100 / 54 / 59

HEX #680030

RGB 104 0 48

HSL 332.31, 1%, 0.2%

LAB 20.66, 43.72, 2.29

 

CMYK 0 / 100 / 67 / 66

HEX #57001D

RGB 87 0 29

HSL 340, 1%, 0.17%

LAB 16.08, 37.82, 9

 

CMYK 0 / 70 / 33 / 39

HEX #9C2F69

RGB 156 47 105

HSL 328.07, 0.54%, 0.4%

LAB 38.06, 50.22, -8.71

 

CMYK 0 / 70 / 51 / 39

HEX #9C2F4C

RGB 156 47 76

HSL 344.04, 0.54%, 0.4%

LAB 37.16, 47.13, 8.41

 

CMYK 0 / 70 / 70 / 39

HEX #9C2F2F

RGB 156 47 47

HSL 0, 0.54%, 0.4%

LAB 36.57, 45.05, 25.96

 

CMYK 0 / 70 / 33 / 39

HEX #9C2F69

RGB 156 47 105

HSL 328.07, 0.54%, 0.4%

LAB 38.06, 50.22, -8.71

 

CMYK 0 / 70 / 14 / 39

HEX #9C2F86

RGB 156 47 134

HSL 312.11, 0.54%, 0.4%

LAB 39.28, 54.23, -24.9

 

CMYK 5 / 70 / 0 / 39

HEX #942F9C

RGB 148 47 156

HSL 295.6, 0.54%, 0.4%

LAB 39.12, 55.94, -38.64

 

CMYK 24 / 70 / 0 / 39

HEX #772F9C

RGB 119 47 156

HSL 279.63, 0.54%, 0.4%

LAB 34.71, 49.34, -45.94

 

CMYK 43 / 70 / 0 / 39

HEX #592F9C

RGB 89 47 156

HSL 263.12, 0.54%, 0.4%

LAB 30.78, 43.05, -52.5

 

CMYK 0 / 70 / 33 / 39

HEX #9C2F69

RGB 156 47 105

HSL 328.07, 0.54%, 0.4%

LAB 38.06, 50.22, -8.71

 

CMYK 0 / 82 / 38 / 33

HEX #AC1F6A

RGB 172 31 106

HSL 328.09, 0.69%, 0.4%

LAB 39.23, 59.87, -7.29

 

CMYK 0 / 93 / 43 / 26

HEX #BD0E6B

RGB 189 14 107

HSL 328.11, 0.86%, 0.4%

LAB 41.52, 67.19, -4.14

 

CMYK 0 / 70 / 33 / 39

HEX #9C2F69

RGB 156 47 105

HSL 328.07, 0.54%, 0.4%

LAB 38.06, 50.22, -8.71

 

CMYK 0 / 54 / 25 / 45

HEX #8B4068

RGB 139 64 104

HSL 328, 0.37%, 0.4%

LAB 38.12, 36.8, -8.27

 

CMYK 0 / 35 / 16 / 52

HEX #7B5067

RGB 123 80 103

HSL 327.91, 0.21%, 0.4%

LAB 39.46, 21.74, -5.88

 

CMYK 0 / 8 / 4 / 58

HEX #6A6166

RGB 106 97 102

HSL 326.67, 0.04%, 0.4%

LAB 42.11, 4.57, -1.54

 

CMYK 20 / 0 / 11 / 56

HEX #5A7165

RGB 90 113 101

HSL 148.7, 0.11%, 0.4%

LAB 45.53, -11.14, 3.87

 

CMYK 5 / 70 / 0 / 39

HEX #942F9C

RGB 148 47 156

HSL 295.6, 0.54%, 0.4%

LAB 39.12, 55.94, -38.64

 

CMYK 0 / 70 / 14 / 39

HEX #9C2F86

RGB 156 47 134

HSL 312.11, 0.54%, 0.4%

LAB 39.28, 54.23, -24.9

 

CMYK 0 / 70 / 33 / 39

HEX #9C2F69

RGB 156 47 105

HSL 328.07, 0.54%, 0.4%

LAB 38.06, 50.22, -8.71

 

CMYK 0 / 70 / 51 / 39

HEX #9C2F4C

RGB 156 47 76

HSL 344.04, 0.54%, 0.4%

LAB 37.16, 47.13, 8.41

 

CMYK 0 / 70 / 70 / 39

HEX #9C2F2F

RGB 156 47 47

HSL 0, 0.54%, 0.4%

LAB 36.57, 45.05, 25.96

 

CMYK 0 / 70 / 33 / 64

HEX #5C1C3E

RGB 92 28 62

HSL 328.13, 0.53%, 0.24%

LAB 21.78, 32.87, -6.12

 

CMYK 0 / 69 / 32 / 51

HEX #7C2654

RGB 124 38 84

HSL 327.91, 0.53%, 0.32%

LAB 30.18, 41.64, -7.64

 

CMYK 0 / 70 / 33 / 39

HEX #9C2F69

RGB 156 47 105

HSL 328.07, 0.54%, 0.4%

LAB 38.06, 50.22, -8.71

 

CMYK 0 / 70 / 33 / 27

HEX #BB397E

RGB 187 57 126

HSL 328.15, 0.53%, 0.48%

LAB 45.63, 57.77, -9.8

 

CMYK 0 / 58 / 27 / 21

HEX #CA5493

RGB 202 84 147

HSL 327.97, 0.53%, 0.56%

LAB 52.95, 53.47, -11.15

 

CMYK 0 / 69 / 32 / 39

HEX #9B3069

RGB 155 48 105

HSL 328.04, 0.53%, 0.4%

LAB 38.03, 49.53, -8.78

 

CMYK 0 / 23 / 70 / 39

HEX #9C782F

RGB 156 120 47

HSL 40.18, 0.54%, 0.4%

LAB 52.63, 6.18, 44.02

 

CMYK 70 / 5 / 0 / 39

HEX #2F949C

RGB 47 148 156

HSL 184.4, 0.54%, 0.4%

LAB 56.27, -25.65, -12.64

 

CMYK 0 / 69 / 32 / 39

HEX #9B3069

RGB 155 48 105

HSL 328.04, 0.53%, 0.4%

LAB 38.03, 49.53, -8.78

 

CMYK 33 / 0 / 70 / 39

HEX #699C2F

RGB 105 156 47

HSL 88.07, 0.54%, 0.4%

LAB 58.96, -34.77, 49.36

 

CMYK 70 / 33 / 0 / 39

HEX #2F699C

RGB 47 105 156

HSL 208.07, 0.54%, 0.4%

LAB 42.93, -1.6, -33.21

 

CMYK 0 / 69 / 32 / 39

HEX #9B3069

RGB 155 48 105

HSL 328.04, 0.53%, 0.4%

LAB 38.03, 49.53, -8.78

 

CMYK 0 / 23 / 70 / 39

HEX #9C782F

RGB 156 120 47

HSL 40.18, 0.54%, 0.4%

LAB 52.63, 6.18, 44.02

 

CMYK 70 / 0 / 37 / 39

HEX #2F9C62

RGB 47 156 98

HSL 148.07, 0.54%, 0.4%

LAB 57.33, -44.3, 21.72

 

CMYK 70 / 47 / 0 / 39

HEX #2F539C

RGB 47 83 156

HSL 220.18, 0.54%, 0.4%

LAB 36.35, 12.47, -43.66

 

CMYK 0 / 69 / 32 / 39

HEX #9B3069

RGB 155 48 105

HSL 328.04, 0.53%, 0.4%

LAB 38.03, 49.53, -8.78

 

CMYK 0 / 3 / 70 / 39

HEX #9C982F

RGB 156 152 47

HSL 57.8, 0.54%, 0.4%

LAB 61.42, -11.43, 53.04

 

CMYK 70 / 0 / 37 / 39

HEX #2F9C62

RGB 47 156 98

HSL 148.07, 0.54%, 0.4%

LAB 57.33, -44.3, 21.72

 

CMYK 70 / 67 / 0 / 39

HEX #2F339C

RGB 47 51 156

HSL 237.8, 0.54%, 0.4%

LAB 27.77, 33.67, -57.57

 

Description

Color code: RGB 155 48 105 | qconv.com Color code: RGB 155 48 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 48 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 48 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 32 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 32% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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