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Color name
RGB 155 58 108

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 58 108 it is the complementary color RGB 100 197 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 58 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 58 108 shade: RGB 160 58 103, RGB 177 76 122, RGB 194 94 141, RGB 211 112 160 and RGB 228 130 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 58 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 58 108 shade: RGB 155 58 108, RGB 138 40 89, RGB 121 22 70, RGB 104 4 51 and RGB 87 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 58 108 shade: RGB 156 57 108, RGB 156 57 82 and RGB 156 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 58 108 shade: RGB 156 57 108, RGB 156 57 135, RGB 150 57 156, RGB 124 57 156 and RGB 97 57 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 58 108 shade matches the following richer shades: RGB 156 57 108, RGB 173 40 109, RGB 191 23 109 and RGB 208 5 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 58 108 shade: RGB 156 57 108, RGB 139 75 108, RGB 121 92 107, RGB 104 109 107 and RGB 87 127 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 58 108 shade: RGB 151 57 156, RGB 156 57 135, RGB 156 57 108, RGB 156 57 82 and RGB 156 59 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 58 108 shade: RGB 96 35 66, RGB 126 46 87, RGB 156 57 108, RGB 186 69 129 and RGB 197 99 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 58 108 shade: RGB 155 58 108, RGB 156 125 57 and RGB 57 148 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 58 108 shade: RGB 155 58 108, RGB 108 156 57 and RGB 57 108 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 58 108 shade: RGB 155 58 108, RGB 156 125 57, RGB 57 156 105 and RGB 57 89 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 58 108 shade: RGB 155 58 108, RGB 156 154 57, RGB 57 156 105 and RGB 57 59 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 30 / 39

HEX #9B3A6C

RGB 155 58 108

HSL 329.07, 0.46%, 0.42%

LAB 39.71, 45.6, -8.13

 

Complementary color

CMYK 49 / 0 / 25 / 23

HEX #64C593

RGB 100 197 147

HSL 149.07, 0.46%, 0.58%

LAB 72.73, -40.17, 16.45

 

CMYK 0 / 64 / 36 / 37

HEX #A03A67

RGB 160 58 103

HSL 333.53, 0.47%, 0.43%

LAB 40.38, 46.55, -3.93

 

CMYK 0 / 57 / 31 / 31

HEX #B14C7A

RGB 177 76 122

HSL 332.67, 0.4%, 0.5%

LAB 46.87, 46.04, -5.68

 

CMYK 0 / 52 / 27 / 24

HEX #C25E8D

RGB 194 94 141

HSL 331.8, 0.45%, 0.56%

LAB 53.38, 45.33, -7.09

 

CMYK 0 / 47 / 24 / 17

HEX #D370A0

RGB 211 112 160

HSL 330.91, 0.53%, 0.63%

LAB 59.87, 44.55, -8.26

 

CMYK 0 / 43 / 21 / 11

HEX #E482B3

RGB 228 130 179

HSL 330, 0.64%, 0.7%

LAB 66.3, 43.74, -9.26

 

CMYK 0 / 63 / 30 / 39

HEX #9B3A6C

RGB 155 58 108

HSL 329.07, 0.46%, 0.42%

LAB 39.71, 45.6, -8.13

 

CMYK 0 / 71 / 36 / 46

HEX #8A2859

RGB 138 40 89

HSL 330, 0.55%, 0.35%

LAB 33.23, 45.72, -6.08

 

CMYK 0 / 82 / 42 / 53

HEX #791646

RGB 121 22 70

HSL 330.91, 0.69%, 0.28%

LAB 26.96, 45.03, -3.22

 

CMYK 0 / 96 / 51 / 59

HEX #680433

RGB 104 4 51

HSL 331.8, 0.93%, 0.21%

LAB 21.09, 43.01, 0.79

 

CMYK 0 / 100 / 63 / 66

HEX #570020

RGB 87 0 32

HSL 337.93, 1%, 0.17%

LAB 16.16, 38.03, 6.9

 

CMYK 0 / 63 / 31 / 39

HEX #9C396C

RGB 156 57 108

HSL 329.09, 0.46%, 0.42%

LAB 39.71, 46.37, -8.11

 

CMYK 0 / 63 / 47 / 39

HEX #9C3952

RGB 156 57 82

HSL 344.85, 0.46%, 0.42%

LAB 38.9, 43.37, 7.06

 

CMYK 0 / 63 / 63 / 39

HEX #9C3939

RGB 156 57 57

HSL 0, 0.46%, 0.42%

LAB 38.36, 41.27, 22.01

 

CMYK 0 / 63 / 31 / 39

HEX #9C396C

RGB 156 57 108

HSL 329.09, 0.46%, 0.42%

LAB 39.71, 46.37, -8.11

 

CMYK 0 / 63 / 13 / 39

HEX #9C3987

RGB 156 57 135

HSL 312.73, 0.46%, 0.42%

LAB 40.81, 50.28, -23.14

 

CMYK 4 / 63 / 0 / 39

HEX #96399C

RGB 150 57 156

HSL 296.36, 0.46%, 0.42%

LAB 40.91, 52.28, -35.77

 

CMYK 21 / 63 / 0 / 39

HEX #7C399C

RGB 124 57 156

HSL 280.61, 0.46%, 0.42%

LAB 37.14, 45.75, -42.01

 

CMYK 38 / 63 / 0 / 39

HEX #61399C

RGB 97 57 156

HSL 264.24, 0.46%, 0.42%

LAB 33.71, 39.29, -47.71

 

CMYK 0 / 63 / 31 / 39

HEX #9C396C

RGB 156 57 108

HSL 329.09, 0.46%, 0.42%

LAB 39.71, 46.37, -8.11

 

CMYK 0 / 77 / 37 / 32

HEX #AD286D

RGB 173 40 109

HSL 328.87, 0.62%, 0.42%

LAB 40.42, 57.89, -7.37

 

CMYK 0 / 88 / 43 / 25

HEX #BF176D

RGB 191 23 109

HSL 329.29, 0.79%, 0.42%

LAB 42.45, 66.5, -3.97

 

CMYK 0 / 98 / 47 / 18

HEX #D0056E

RGB 208 5 110

HSL 328.97, 0.95%, 0.42%

LAB 45.14, 72.6, -0.24

 

CMYK 0 / 63 / 31 / 39

HEX #9C396C

RGB 156 57 108

HSL 329.09, 0.46%, 0.42%

LAB 39.71, 46.37, -8.11

 

CMYK 0 / 46 / 22 / 45

HEX #8B4B6C

RGB 139 75 108

HSL 329.06, 0.3%, 0.42%

LAB 40.58, 31.45, -7.08

 

CMYK 0 / 24 / 12 / 53

HEX #795C6B

RGB 121 92 107

HSL 328.97, 0.14%, 0.42%

LAB 42.43, 14.48, -3.95

 

CMYK 5 / 0 / 2 / 57

HEX #686D6B

RGB 104 109 107

HSL 156, 0.02%, 0.42%

LAB 45.55, -2.33, 0.45

 

CMYK 31 / 0 / 17 / 50

HEX #577F6A

RGB 87 127 106

HSL 148.5, 0.19%, 0.42%

LAB 49.79, -18.77, 6.99

 

CMYK 3 / 63 / 0 / 39

HEX #97399C

RGB 151 57 156

HSL 296.97, 0.46%, 0.42%

LAB 41.07, 52.54, -35.52

 

CMYK 0 / 63 / 13 / 39

HEX #9C3987

RGB 156 57 135

HSL 312.73, 0.46%, 0.42%

LAB 40.81, 50.28, -23.14

 

CMYK 0 / 63 / 31 / 39

HEX #9C396C

RGB 156 57 108

HSL 329.09, 0.46%, 0.42%

LAB 39.71, 46.37, -8.11

 

CMYK 0 / 63 / 47 / 39

HEX #9C3952

RGB 156 57 82

HSL 344.85, 0.46%, 0.42%

LAB 38.9, 43.37, 7.06

 

CMYK 0 / 62 / 63 / 39

HEX #9C3B39

RGB 156 59 57

HSL 1.21, 0.46%, 0.42%

LAB 38.71, 40.33, 22.46

 

CMYK 0 / 64 / 31 / 62

HEX #602342

RGB 96 35 66

HSL 329.51, 0.47%, 0.26%

LAB 23.94, 31.34, -5.53

 

CMYK 0 / 63 / 31 / 51

HEX #7E2E57

RGB 126 46 87

HSL 329.25, 0.47%, 0.34%

LAB 31.98, 39.04, -6.86

 

CMYK 0 / 63 / 31 / 39

HEX #9C396C

RGB 156 57 108

HSL 329.09, 0.46%, 0.42%

LAB 39.71, 46.37, -8.11

 

CMYK 0 / 63 / 31 / 27

HEX #BA4581

RGB 186 69 129

HSL 329.23, 0.46%, 0.5%

LAB 47.34, 52.97, -9.07

 

CMYK 0 / 50 / 24 / 23

HEX #C56395

RGB 197 99 149

HSL 329.39, 0.46%, 0.58%

LAB 55.04, 44.93, -9.28

 

CMYK 0 / 63 / 30 / 39

HEX #9B3A6C

RGB 155 58 108

HSL 329.07, 0.46%, 0.42%

LAB 39.71, 45.6, -8.13

 

CMYK 0 / 20 / 63 / 39

HEX #9C7D39

RGB 156 125 57

HSL 41.21, 0.46%, 0.42%

LAB 54.06, 4, 40.77

 

CMYK 63 / 5 / 0 / 39

HEX #39949C

RGB 57 148 156

HSL 184.85, 0.46%, 0.42%

LAB 56.54, -24.05, -12.21

 

CMYK 0 / 63 / 30 / 39

HEX #9B3A6C

RGB 155 58 108

HSL 329.07, 0.46%, 0.42%

LAB 39.71, 45.6, -8.13

 

CMYK 31 / 0 / 63 / 39

HEX #6C9C39

RGB 108 156 57

HSL 89.09, 0.46%, 0.42%

LAB 59.21, -32.82, 45.42

 

CMYK 63 / 31 / 0 / 39

HEX #396C9C

RGB 57 108 156

HSL 209.09, 0.46%, 0.42%

LAB 44.23, -1.65, -31.13

 

CMYK 0 / 63 / 30 / 39

HEX #9B3A6C

RGB 155 58 108

HSL 329.07, 0.46%, 0.42%

LAB 39.71, 45.6, -8.13

 

CMYK 0 / 20 / 63 / 39

HEX #9C7D39

RGB 156 125 57

HSL 41.21, 0.46%, 0.42%

LAB 54.06, 4, 40.77

 

CMYK 63 / 0 / 33 / 39

HEX #399C69

RGB 57 156 105

HSL 149.09, 0.46%, 0.42%

LAB 57.72, -40.96, 18.43

 

CMYK 63 / 43 / 0 / 39

HEX #39599C

RGB 57 89 156

HSL 220.61, 0.46%, 0.42%

LAB 38.58, 10.32, -40.07

 

CMYK 0 / 63 / 30 / 39

HEX #9B3A6C

RGB 155 58 108

HSL 329.07, 0.46%, 0.42%

LAB 39.71, 45.6, -8.13

 

CMYK 0 / 1 / 63 / 39

HEX #9C9A39

RGB 156 154 57

HSL 58.79, 0.46%, 0.42%

LAB 62.06, -11.88, 49.51

 

CMYK 63 / 0 / 33 / 39

HEX #399C69

RGB 57 156 105

HSL 149.09, 0.46%, 0.42%

LAB 57.72, -40.96, 18.43

 

CMYK 63 / 62 / 0 / 39

HEX #393B9C

RGB 57 59 156

HSL 238.79, 0.46%, 0.42%

LAB 30.4, 30.02, -53.26

 

Description

Color code: RGB 155 58 108 | qconv.com Color code: RGB 155 58 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 58 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 58 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 30 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 30% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - e58aab7e7ed7168fe42d...
Link: http://neoapo.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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