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Color name
RGB 155 82 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 82 146 it is the complementary color RGB 100 173 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 82 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 82 146 shade: RGB 160 82 141, RGB 177 100 160, RGB 194 118 179, RGB 211 136 198 and RGB 228 154 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 82 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 82 146 shade: RGB 155 82 146, RGB 138 64 127, RGB 121 46 108, RGB 104 28 89 and RGB 87 10 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 82 146 shade: RGB 153 80 144, RGB 153 80 125, RGB 153 80 105, RGB 153 80 85 and RGB 153 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 82 146 shade: RGB 153 80 144, RGB 143 80 153, RGB 123 80 153, RGB 103 80 153 and RGB 84 80 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 82 146 shade matches the following richer shades: RGB 153 80 144, RGB 172 61 158, RGB 191 42 173, RGB 210 23 187 and RGB 229 5 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 82 146 shade: RGB 153 80 144, RGB 134 99 130, RGB 115 118 116, RGB 96 137 101 and RGB 77 156 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 82 146 shade: RGB 123 80 153, RGB 142 80 153, RGB 153 80 145, RGB 153 80 125 and RGB 153 80 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 82 146 shade: RGB 99 52 93, RGB 126 66 119, RGB 153 80 144, RGB 174 101 165 and RGB 188 128 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 82 146 shade: RGB 155 82 146, RGB 153 103 80 and RGB 80 153 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 82 146 shade: RGB 155 82 146, RGB 145 153 80 and RGB 80 145 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 82 146 shade: RGB 155 82 146, RGB 153 103 80, RGB 80 153 89 and RGB 80 130 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 82 146 shade: RGB 155 82 146, RGB 153 125 80, RGB 80 153 89 and RGB 80 108 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 6 / 39

HEX #9B5292

RGB 155 82 146

HSL 307.4, 0.31%, 0.46%

LAB 45.74, 39.57, -22.17

 

Complementary color

CMYK 42 / 0 / 37 / 32

HEX #64AD6D

RGB 100 173 109

HSL 127.4, 0.31%, 0.54%

LAB 64.72, -36.55, 25.94

 

CMYK 0 / 49 / 12 / 37

HEX #A0528D

RGB 160 82 141

HSL 314.62, 0.32%, 0.47%

LAB 46.22, 40.3, -18.38

 

CMYK 0 / 44 / 10 / 31

HEX #B164A0

RGB 177 100 160

HSL 313.25, 0.33%, 0.54%

LAB 52.95, 39.54, -19.14

 

CMYK 0 / 39 / 8 / 24

HEX #C276B3

RGB 194 118 179

HSL 311.84, 0.38%, 0.61%

LAB 59.6, 38.77, -19.78

 

CMYK 0 / 36 / 6 / 17

HEX #D388C6

RGB 211 136 198

HSL 310.4, 0.46%, 0.68%

LAB 66.16, 38.02, -20.34

 

CMYK 0 / 32 / 5 / 11

HEX #E49AD9

RGB 228 154 217

HSL 308.92, 0.58%, 0.75%

LAB 72.64, 37.29, -20.85

 

CMYK 0 / 47 / 6 / 39

HEX #9B5292

RGB 155 82 146

HSL 307.4, 0.31%, 0.46%

LAB 45.74, 39.57, -22.17

 

CMYK 0 / 54 / 8 / 46

HEX #8A407F

RGB 138 64 127

HSL 308.92, 0.37%, 0.4%

LAB 38.9, 40.26, -21.39

 

CMYK 0 / 62 / 11 / 53

HEX #792E6C

RGB 121 46 108

HSL 310.4, 0.45%, 0.33%

LAB 32.04, 40.74, -20.35

 

CMYK 0 / 73 / 14 / 59

HEX #681C59

RGB 104 28 89

HSL 311.84, 0.58%, 0.26%

LAB 25.24, 40.68, -18.83

 

CMYK 0 / 89 / 20 / 66

HEX #570A46

RGB 87 10 70

HSL 313.25, 0.79%, 0.19%

LAB 18.74, 39.4, -16.39

 

CMYK 0 / 48 / 6 / 40

HEX #995090

RGB 153 80 144

HSL 307.4, 0.31%, 0.46%

LAB 44.97, 39.64, -22.18

 

CMYK 0 / 48 / 18 / 40

HEX #99507D

RGB 153 80 125

HSL 323.01, 0.31%, 0.46%

LAB 44.22, 36.37, -11.84

 

CMYK 0 / 48 / 31 / 40

HEX #995069

RGB 153 80 105

HSL 339.45, 0.31%, 0.46%

LAB 43.55, 33.37, -0.62

 

CMYK 0 / 48 / 44 / 40

HEX #995055

RGB 153 80 85

HSL 355.89, 0.31%, 0.46%

LAB 43.01, 30.87, 10.89

 

CMYK 0 / 48 / 48 / 40

HEX #995050

RGB 153 80 80

HSL 0, 0.31%, 0.46%

LAB 42.9, 30.33, 13.8

 

CMYK 0 / 48 / 6 / 40

HEX #995090

RGB 153 80 144

HSL 307.4, 0.31%, 0.46%

LAB 44.97, 39.64, -22.18

 

CMYK 7 / 48 / 0 / 40

HEX #8F5099

RGB 143 80 153

HSL 291.78, 0.31%, 0.46%

LAB 44.06, 38.27, -29.1

 

CMYK 20 / 48 / 0 / 40

HEX #7B5099

RGB 123 80 153

HSL 275.34, 0.31%, 0.46%

LAB 41.61, 32.22, -33.11

 

CMYK 33 / 48 / 0 / 40

HEX #675099

RGB 103 80 153

HSL 258.9, 0.31%, 0.46%

LAB 39.45, 26.39, -36.67

 

CMYK 45 / 48 / 0 / 40

HEX #545099

RGB 84 80 153

HSL 243.29, 0.31%, 0.46%

LAB 37.7, 21.26, -39.55

 

CMYK 0 / 48 / 6 / 40

HEX #995090

RGB 153 80 144

HSL 307.4, 0.31%, 0.46%

LAB 44.97, 39.64, -22.18

 

CMYK 0 / 65 / 8 / 33

HEX #AC3D9E

RGB 172 61 158

HSL 307.57, 0.48%, 0.46%

LAB 45.05, 56.59, -30.23

 

CMYK 0 / 78 / 9 / 25

HEX #BF2AAD

RGB 191 42 173

HSL 307.25, 0.64%, 0.46%

LAB 46.64, 69.87, -36.42

 

CMYK 0 / 89 / 11 / 18

HEX #D217BB

RGB 210 23 187

HSL 307.38, 0.8%, 0.46%

LAB 49.38, 79.48, -40.11

 

CMYK 0 / 98 / 12 / 10

HEX #E505C9

RGB 229 5 201

HSL 307.5, 0.96%, 0.46%

LAB 52.93, 86.45, -42.39

 

CMYK 0 / 48 / 6 / 40

HEX #995090

RGB 153 80 144

HSL 307.4, 0.31%, 0.46%

LAB 44.97, 39.64, -22.18

 

CMYK 0 / 26 / 3 / 47

HEX #866382

RGB 134 99 130

HSL 306.86, 0.15%, 0.46%

LAB 46.45, 19.66, -11.72

 

CMYK 3 / 0 / 2 / 54

HEX #737674

RGB 115 118 116

HSL 140, 0.01%, 0.46%

LAB 49.33, -1.54, 0.7

 

CMYK 30 / 0 / 26 / 46

HEX #608965

RGB 96 137 101

HSL 127.32, 0.18%, 0.46%

LAB 53.3, -21.93, 14.87

 

CMYK 51 / 0 / 44 / 39

HEX #4D9C57

RGB 77 156 87

HSL 127.59, 0.34%, 0.46%

LAB 58.08, -39.43, 28.82

 

CMYK 20 / 48 / 0 / 40

HEX #7B5099

RGB 123 80 153

HSL 275.34, 0.31%, 0.46%

LAB 41.61, 32.22, -33.11

 

CMYK 7 / 48 / 0 / 40

HEX #8E5099

RGB 142 80 153

HSL 290.96, 0.31%, 0.46%

LAB 43.93, 37.96, -29.31

 

CMYK 0 / 48 / 5 / 40

HEX #995091

RGB 153 80 145

HSL 306.58, 0.31%, 0.46%

LAB 45.02, 39.82, -22.71

 

CMYK 0 / 48 / 18 / 40

HEX #99507D

RGB 153 80 125

HSL 323.01, 0.31%, 0.46%

LAB 44.22, 36.37, -11.84

 

CMYK 0 / 48 / 31 / 40

HEX #99506A

RGB 153 80 106

HSL 338.63, 0.31%, 0.46%

LAB 43.58, 33.51, -1.19

 

CMYK 0 / 47 / 6 / 61

HEX #63345D

RGB 99 52 93

HSL 307.66, 0.31%, 0.3%

LAB 29.16, 27.63, -15.45

 

CMYK 0 / 48 / 6 / 51

HEX #7E4277

RGB 126 66 119

HSL 307, 0.31%, 0.38%

LAB 37.23, 33.87, -19.17

 

CMYK 0 / 48 / 6 / 40

HEX #995090

RGB 153 80 144

HSL 307.4, 0.31%, 0.46%

LAB 44.97, 39.64, -22.18

 

CMYK 0 / 42 / 5 / 32

HEX #AE65A5

RGB 174 101 165

HSL 307.4, 0.31%, 0.54%

LAB 52.97, 38.92, -22.05

 

CMYK 0 / 32 / 4 / 26

HEX #BC80B5

RGB 188 128 181

HSL 307, 0.31%, 0.62%

LAB 61.19, 31.7, -18.56

 

CMYK 0 / 47 / 6 / 39

HEX #9B5292

RGB 155 82 146

HSL 307.4, 0.31%, 0.46%

LAB 45.74, 39.57, -22.17

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 48 / 0 / 13 / 40

HEX #509985

RGB 80 153 133

HSL 163.56, 0.31%, 0.46%

LAB 58.21, -27.86, 3.48

 

CMYK 0 / 47 / 6 / 39

HEX #9B5292

RGB 155 82 146

HSL 307.4, 0.31%, 0.46%

LAB 45.74, 39.57, -22.17

 

CMYK 5 / 0 / 48 / 40

HEX #919950

RGB 145 153 80

HSL 66.58, 0.31%, 0.46%

LAB 61.12, -14.12, 37.15

 

CMYK 48 / 5 / 0 / 40

HEX #509199

RGB 80 145 153

HSL 186.58, 0.31%, 0.46%

LAB 56.34, -18.53, -10.7

 

CMYK 0 / 47 / 6 / 39

HEX #9B5292

RGB 155 82 146

HSL 307.4, 0.31%, 0.46%

LAB 45.74, 39.57, -22.17

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 48 / 0 / 42 / 40

HEX #509959

RGB 80 153 89

HSL 127.4, 0.31%, 0.46%

LAB 57.28, -36.92, 26.74

 

CMYK 48 / 15 / 0 / 40

HEX #508299

RGB 80 130 153

HSL 198.9, 0.31%, 0.46%

LAB 51.8, -10.32, -17.57

 

CMYK 0 / 47 / 6 / 39

HEX #9B5292

RGB 155 82 146

HSL 307.4, 0.31%, 0.46%

LAB 45.74, 39.57, -22.17

 

CMYK 0 / 18 / 48 / 40

HEX #997D50

RGB 153 125 80

HSL 36.99, 0.31%, 0.46%

LAB 54.05, 4.69, 28.52

 

CMYK 48 / 0 / 42 / 40

HEX #509959

RGB 80 153 89

HSL 127.4, 0.31%, 0.46%

LAB 57.28, -36.92, 26.74

 

CMYK 48 / 29 / 0 / 40

HEX #506C99

RGB 80 108 153

HSL 216.99, 0.31%, 0.46%

LAB 45.26, 2.61, -27.65

 

Description

Color code: RGB 155 82 146 | qconv.com Color code: RGB 155 82 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 82 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 82 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 6 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 6% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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