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Color name
RGB 156 173 137

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 173 137 it is the complementary color RGB 99 82 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 173 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 173 137 shade: RGB 161 173 132, RGB 178 191 151, RGB 195 209 170, RGB 212 227 189 and RGB 229 245 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 173 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 173 137 shade: RGB 156 173 137, RGB 139 155 118, RGB 122 137 99, RGB 105 119 80 and RGB 88 101 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 173 137 shade: RGB 156 173 137, RGB 166 173 137, RGB 173 171 137, RGB 173 161 137 and RGB 173 151 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 173 137 shade: RGB 156 173 137, RGB 146 173 137, RGB 137 173 138, RGB 137 173 147 and RGB 137 173 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 173 137 shade matches the following richer shades: RGB 156 173 137, RGB 157 189 121, RGB 158 205 105, RGB 159 221 89 and RGB 160 237 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 173 137 shade: RGB 156 173 137, RGB 155 157 153, RGB 154 141 169, RGB 153 125 185 and RGB 152 109 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 173 137 shade: RGB 173 171 137, RGB 166 173 137, RGB 156 173 137, RGB 147 173 137 and RGB 137 173 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 173 137 shade: RGB 115 134 93, RGB 136 156 113, RGB 156 173 137, RGB 176 190 161 and RGB 197 207 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 173 137 shade: RGB 156 173 137, RGB 137 173 161 and RGB 173 137 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 173 137 shade: RGB 156 173 137, RGB 137 156 173 and RGB 173 137 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 173 137 shade: RGB 156 173 137, RGB 137 173 161, RGB 154 137 173 and RGB 173 137 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 173 137 shade: RGB 156 173 137, RGB 137 173 172, RGB 154 137 173 and RGB 173 137 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

Complementary color

CMYK 16 / 31 / 0 / 54

HEX #635276

RGB 99 82 118

HSL 268.33, 0.18%, 0.39%

LAB 37.83, 14.77, -17.89

 

CMYK 7 / 0 / 24 / 32

HEX #A1AD84

RGB 161 173 132

HSL 77.56, 0.2%, 0.6%

LAB 68.85, -11.45, 19.71

 

CMYK 7 / 0 / 21 / 25

HEX #B2BF97

RGB 178 191 151

HSL 79.5, 0.24%, 0.67%

LAB 75.43, -11.51, 18.72

 

CMYK 7 / 0 / 19 / 18

HEX #C3D1AA

RGB 195 209 170

HSL 81.54, 0.3%, 0.74%

LAB 81.9, -11.56, 17.78

 

CMYK 7 / 0 / 17 / 11

HEX #D4E3BD

RGB 212 227 189

HSL 83.68, 0.4%, 0.82%

LAB 88.26, -11.6, 16.9

 

CMYK 7 / 0 / 15 / 4

HEX #E5F5D0

RGB 229 245 208

HSL 85.95, 0.65%, 0.89%

LAB 94.53, -11.64, 16.05

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 10 / 0 / 24 / 39

HEX #8B9B76

RGB 139 155 118

HSL 85.95, 0.16%, 0.54%

LAB 61.86, -12.54, 17.55

 

CMYK 11 / 0 / 28 / 46

HEX #7A8963

RGB 122 137 99

HSL 83.68, 0.16%, 0.46%

LAB 55, -12.54, 18.62

 

CMYK 12 / 0 / 33 / 53

HEX #697750

RGB 105 119 80

HSL 81.54, 0.2%, 0.39%

LAB 47.98, -12.52, 19.78

 

CMYK 13 / 0 / 40 / 60

HEX #58653D

RGB 88 101 61

HSL 79.5, 0.25%, 0.32%

LAB 40.77, -12.47, 21.03

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 4 / 0 / 21 / 32

HEX #A6AD89

RGB 166 173 137

HSL 71.67, 0.18%, 0.61%

LAB 69.33, -8.78, 17.71

 

CMYK 0 / 1 / 21 / 32

HEX #ADAB89

RGB 173 171 137

HSL 56.67, 0.18%, 0.61%

LAB 69.34, -5.03, 17.81

 

CMYK 0 / 7 / 21 / 32

HEX #ADA189

RGB 173 161 137

HSL 40, 0.18%, 0.61%

LAB 66.66, 0.36, 14.08

 

CMYK 0 / 13 / 21 / 32

HEX #AD9789

RGB 173 151 137

HSL 23.33, 0.18%, 0.61%

LAB 64.02, 5.86, 10.37

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 16 / 0 / 21 / 32

HEX #92AD89

RGB 146 173 137

HSL 105, 0.18%, 0.61%

LAB 67.88, -16.21, 15.47

 

CMYK 21 / 0 / 20 / 32

HEX #89AD8A

RGB 137 173 138

HSL 121.67, 0.18%, 0.61%

LAB 67.31, -19.23, 14.04

 

CMYK 21 / 0 / 15 / 32

HEX #89AD93

RGB 137 173 147

HSL 136.67, 0.18%, 0.61%

LAB 67.51, -17.55, 9.37

 

CMYK 21 / 0 / 9 / 32

HEX #89AD9D

RGB 137 173 157

HSL 153.33, 0.18%, 0.61%

LAB 67.75, -15.56, 4.2

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 17 / 0 / 36 / 26

HEX #9DBD79

RGB 157 189 121

HSL 88.24, 0.34%, 0.61%

LAB 72.85, -22.73, 30.91

 

CMYK 23 / 0 / 49 / 20

HEX #9ECD69

RGB 158 205 105

HSL 88.2, 0.5%, 0.61%

LAB 77.25, -32.06, 44.56

 

CMYK 28 / 0 / 60 / 13

HEX #9FDD59

RGB 159 221 89

HSL 88.18, 0.66%, 0.61%

LAB 81.73, -40.55, 57.17

 

CMYK 32 / 0 / 69 / 7

HEX #A0ED49

RGB 160 237 73

HSL 88.17, 0.82%, 0.61%

LAB 86.27, -48.29, 68.41

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 1 / 0 / 3 / 38

HEX #9B9D99

RGB 155 157 153

HSL 90, 0.02%, 0.61%

LAB 64.47, -1.48, 1.83

 

CMYK 9 / 17 / 0 / 34

HEX #9A8DA9

RGB 154 141 169

HSL 267.86, 0.14%, 0.61%

LAB 60.59, 10.35, -12.97

 

CMYK 17 / 32 / 0 / 27

HEX #997DB9

RGB 153 125 185

HSL 268, 0.3%, 0.61%

LAB 57.02, 22.75, -27.55

 

CMYK 25 / 46 / 0 / 21

HEX #986DCA

RGB 152 109 202

HSL 267.74, 0.47%, 0.61%

LAB 53.9, 35.63, -42.14

 

CMYK 0 / 1 / 21 / 32

HEX #ADAB89

RGB 173 171 137

HSL 56.67, 0.18%, 0.61%

LAB 69.34, -5.03, 17.81

 

CMYK 4 / 0 / 21 / 32

HEX #A6AD89

RGB 166 173 137

HSL 71.67, 0.18%, 0.61%

LAB 69.33, -8.78, 17.71

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 15 / 0 / 21 / 32

HEX #93AD89

RGB 147 173 137

HSL 103.33, 0.18%, 0.61%

LAB 67.94, -15.84, 15.58

 

CMYK 21 / 0 / 21 / 32

HEX #89AD89

RGB 137 173 137

HSL 120, 0.18%, 0.61%

LAB 67.29, -19.41, 14.56

 

CMYK 14 / 0 / 31 / 47

HEX #73865D

RGB 115 134 93

HSL 87.8, 0.18%, 0.45%

LAB 53.48, -14.64, 19.87

 

CMYK 13 / 0 / 28 / 39

HEX #889C71

RGB 136 156 113

HSL 87.91, 0.18%, 0.53%

LAB 61.83, -15.02, 20.25

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 7 / 0 / 15 / 25

HEX #B0BEA1

RGB 176 190 161

HSL 88.97, 0.18%, 0.69%

LAB 75.22, -10.1, 13.03

 

CMYK 5 / 0 / 10 / 19

HEX #C5CFBA

RGB 197 207 186

HSL 88.57, 0.18%, 0.77%

LAB 81.86, -7.18, 9.26

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 21 / 0 / 7 / 32

HEX #89ADA1

RGB 137 173 161

HSL 160, 0.18%, 0.61%

LAB 67.86, -14.73, 2.13

 

CMYK 0 / 21 / 1 / 32

HEX #AD89AB

RGB 173 137 171

HSL 303.33, 0.18%, 0.61%

LAB 61.41, 19.64, -12.7

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 21 / 10 / 0 / 32

HEX #899CAD

RGB 137 156 173

HSL 208.33, 0.18%, 0.61%

LAB 63.44, -2.92, -11.09

 

CMYK 0 / 21 / 10 / 32

HEX #AD899C

RGB 173 137 156

HSL 328.33, 0.18%, 0.61%

LAB 60.94, 16.86, -4.86

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 21 / 0 / 7 / 32

HEX #89ADA1

RGB 137 173 161

HSL 160, 0.18%, 0.61%

LAB 67.86, -14.73, 2.13

 

CMYK 11 / 21 / 0 / 32

HEX #9A89AD

RGB 154 137 173

HSL 268.33, 0.18%, 0.61%

LAB 59.69, 13.49, -16.61

 

CMYK 0 / 21 / 14 / 32

HEX #AD8995

RGB 173 137 149

HSL 340, 0.18%, 0.61%

LAB 60.73, 15.65, -1.16

 

CMYK 10 / 0 / 21 / 32

HEX #9CAD89

RGB 156 173 137

HSL 88.33, 0.18%, 0.61%

LAB 68.58, -12.54, 16.56

 

CMYK 21 / 0 / 1 / 32

HEX #89ADAC

RGB 137 173 172

HSL 178.33, 0.18%, 0.61%

LAB 68.16, -12.36, -3.52

 

CMYK 11 / 21 / 0 / 32

HEX #9A89AD

RGB 154 137 173

HSL 268.33, 0.18%, 0.61%

LAB 59.69, 13.49, -16.61

 

CMYK 0 / 21 / 20 / 32

HEX #AD898A

RGB 173 137 138

HSL 358.33, 0.18%, 0.61%

LAB 60.44, 13.84, 4.69

 

Description

Color code: RGB 156 173 137 | qconv.com Color code: RGB 156 173 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 173 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 173 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 21 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 21% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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