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Color name
RGB 156 195 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 195 105 it is the complementary color RGB 99 60 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 195 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 195 105 shade: RGB 161 195 100, RGB 178 213 119, RGB 195 231 138, RGB 212 249 157 and RGB 229 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 195 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 195 105 shade: RGB 156 195 105, RGB 139 177 86, RGB 122 159 67, RGB 105 141 48 and RGB 88 123 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 195 105 shade: RGB 156 195 105, RGB 180 195 105, RGB 195 185 105, RGB 195 161 105 and RGB 195 137 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 195 105 shade: RGB 156 195 105, RGB 132 195 105, RGB 107 195 105, RGB 105 195 127 and RGB 105 195 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 195 105 shade matches the following richer shades: RGB 156 195 105, RGB 158 212 88, RGB 160 229 71 and RGB 163 246 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 195 105 shade: RGB 156 195 105, RGB 154 178 122, RGB 151 161 139, RGB 149 144 156 and RGB 147 127 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 195 105 shade: RGB 195 186 105, RGB 180 195 105, RGB 156 195 105, RGB 132 195 105 and RGB 108 195 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 195 105 shade: RGB 115 156 62, RGB 136 183 75, RGB 156 195 105, RGB 175 207 134 and RGB 195 218 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 195 105 shade: RGB 156 195 105, RGB 105 195 162 and RGB 195 105 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 195 105 shade: RGB 156 195 105, RGB 105 156 195 and RGB 195 105 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 195 105 shade: RGB 156 195 105, RGB 105 195 162, RGB 144 105 195 and RGB 195 105 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 195 105 shade: RGB 156 195 105, RGB 105 195 189, RGB 144 105 195 and RGB 195 105 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

Complementary color

CMYK 34 / 60 / 0 / 41

HEX #633C96

RGB 99 60 150

HSL 266, 0.43%, 0.41%

LAB 34.16, 36.46, -43.32

 

CMYK 17 / 0 / 49 / 24

HEX #A1C364

RGB 161 195 100

HSL 81.47, 0.44%, 0.58%

LAB 74.53, -26.72, 43.72

 

CMYK 16 / 0 / 44 / 16

HEX #B2D577

RGB 178 213 119

HSL 82.34, 0.53%, 0.65%

LAB 80.95, -26.81, 42.56

 

CMYK 16 / 0 / 40 / 9

HEX #C3E78A

RGB 195 231 138

HSL 83.23, 0.66%, 0.72%

LAB 87.28, -26.85, 41.42

 

CMYK 15 / 0 / 37 / 2

HEX #D4F99D

RGB 212 249 157

HSL 84.13, 0.88%, 0.8%

LAB 93.53, -26.87, 40.3

 

CMYK 10 / 0 / 31 / 0

HEX #E5FFB0

RGB 229 255 176

HSL 79.75, 1%, 0.85%

LAB 96.54, -21.18, 35.04

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 21 / 0 / 51 / 31

HEX #8BB156

RGB 139 177 86

HSL 85.05, 0.37%, 0.52%

LAB 67.73, -28.01, 42.03

 

CMYK 23 / 0 / 58 / 38

HEX #7A9F43

RGB 122 159 67

HSL 84.13, 0.41%, 0.44%

LAB 61.08, -27.89, 43.13

 

CMYK 26 / 0 / 66 / 45

HEX #698D30

RGB 105 141 48

HSL 83.23, 0.49%, 0.37%

LAB 54.31, -27.65, 44.04

 

CMYK 28 / 0 / 76 / 52

HEX #587B1D

RGB 88 123 29

HSL 82.34, 0.62%, 0.3%

LAB 47.4, -27.22, 44.44

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 8 / 0 / 46 / 24

HEX #B4C369

RGB 180 195 105

HSL 70, 0.43%, 0.59%

LAB 75.92, -18.75, 43.27

 

CMYK 0 / 5 / 46 / 24

HEX #C3B969

RGB 195 185 105

HSL 53.33, 0.43%, 0.59%

LAB 74.39, -7.57, 41.67

 

CMYK 0 / 17 / 46 / 24

HEX #C3A169

RGB 195 161 105

HSL 37.33, 0.43%, 0.59%

LAB 68.1, 5.18, 33.78

 

CMYK 0 / 30 / 46 / 24

HEX #C38969

RGB 195 137 105

HSL 21.33, 0.43%, 0.59%

LAB 62.09, 18.33, 25.98

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 32 / 0 / 46 / 24

HEX #84C369

RGB 132 195 105

HSL 102, 0.43%, 0.59%

LAB 72.86, -36.72, 38.81

 

CMYK 45 / 0 / 46 / 24

HEX #6BC369

RGB 107 195 105

HSL 118.67, 0.43%, 0.59%

LAB 71.67, -44.71, 37.07

 

CMYK 46 / 0 / 35 / 24

HEX #69C37F

RGB 105 195 127

HSL 134.67, 0.43%, 0.59%

LAB 71.94, -41.77, 26.04

 

CMYK 46 / 0 / 23 / 24

HEX #69C397

RGB 105 195 151

HSL 150.67, 0.43%, 0.59%

LAB 72.41, -37.16, 13.88

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 25 / 0 / 58 / 17

HEX #9ED458

RGB 158 212 88

HSL 86.13, 0.59%, 0.59%

LAB 79.08, -36.98, 54.6

 

CMYK 30 / 0 / 69 / 10

HEX #A0E547

RGB 160 229 71

HSL 86.2, 0.75%, 0.59%

LAB 83.95, -45.04, 66.77

 

CMYK 34 / 0 / 78 / 4

HEX #A3F636

RGB 163 246 54

HSL 85.94, 0.91%, 0.59%

LAB 88.91, -52.01, 77.12

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 13 / 0 / 31 / 30

HEX #9AB27A

RGB 154 178 122

HSL 85.71, 0.27%, 0.59%

LAB 69.55, -18.19, 25.98

 

CMYK 6 / 0 / 14 / 37

HEX #97A18B

RGB 151 161 139

HSL 87.27, 0.1%, 0.59%

LAB 64.91, -7.68, 10.25

 

CMYK 4 / 8 / 0 / 39

HEX #95909C

RGB 149 144 156

HSL 265, 0.06%, 0.59%

LAB 60.55, 4.2, -5.68

 

CMYK 15 / 27 / 0 / 32

HEX #937FAD

RGB 147 127 173

HSL 266.09, 0.22%, 0.59%

LAB 56.49, 16.92, -21.55

 

CMYK 0 / 5 / 46 / 24

HEX #C3BA69

RGB 195 186 105

HSL 54, 0.43%, 0.59%

LAB 74.66, -8.09, 41.99

 

CMYK 8 / 0 / 46 / 24

HEX #B4C369

RGB 180 195 105

HSL 70, 0.43%, 0.59%

LAB 75.92, -18.75, 43.27

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 32 / 0 / 46 / 24

HEX #84C369

RGB 132 195 105

HSL 102, 0.43%, 0.59%

LAB 72.86, -36.72, 38.81

 

CMYK 45 / 0 / 46 / 24

HEX #6CC369

RGB 108 195 105

HSL 118, 0.43%, 0.59%

LAB 71.72, -44.41, 37.13

 

CMYK 26 / 0 / 60 / 39

HEX #739C3E

RGB 115 156 62

HSL 86.17, 0.43%, 0.43%

LAB 59.68, -29.67, 43.78

 

CMYK 26 / 0 / 59 / 28

HEX #88B74B

RGB 136 183 75

HSL 86.11, 0.43%, 0.51%

LAB 69.19, -33.1, 48.89

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 15 / 0 / 35 / 19

HEX #AFCF86

RGB 175 207 134

HSL 86.3, 0.43%, 0.67%

LAB 79.31, -23.15, 32.86

 

CMYK 11 / 0 / 25 / 15

HEX #C3DAA4

RGB 195 218 164

HSL 85.56, 0.42%, 0.75%

LAB 84.19, -17.01, 24.1

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 46 / 0 / 17 / 24

HEX #69C3A2

RGB 105 195 162

HSL 158, 0.43%, 0.59%

LAB 72.66, -34.8, 8.29

 

CMYK 0 / 46 / 2 / 24

HEX #C369C0

RGB 195 105 192

HSL 302, 0.43%, 0.59%

LAB 57.57, 48.21, -30.32

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 46 / 20 / 0 / 24

HEX #699CC3

RGB 105 156 195

HSL 206, 0.43%, 0.59%

LAB 62.27, -6.42, -25.39

 

CMYK 0 / 46 / 20 / 24

HEX #C3699C

RGB 195 105 156

HSL 326, 0.43%, 0.59%

LAB 56.19, 42.21, -11.66

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 46 / 0 / 17 / 24

HEX #69C3A2

RGB 105 195 162

HSL 158, 0.43%, 0.59%

LAB 72.66, -34.8, 8.29

 

CMYK 26 / 46 / 0 / 24

HEX #9069C3

RGB 144 105 195

HSL 266, 0.43%, 0.59%

LAB 51.81, 33.98, -41.49

 

CMYK 0 / 46 / 29 / 24

HEX #C3698A

RGB 195 105 138

HSL 338, 0.43%, 0.59%

LAB 55.62, 39.63, -2

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 46 / 0 / 3 / 24

HEX #69C3BD

RGB 105 195 189

HSL 176, 0.43%, 0.59%

LAB 73.36, -28.4, -5.36

 

CMYK 26 / 46 / 0 / 24

HEX #9069C3

RGB 144 105 195

HSL 266, 0.43%, 0.59%

LAB 51.81, 33.98, -41.49

 

CMYK 0 / 46 / 43 / 24

HEX #C3696F

RGB 195 105 111

HSL 356, 0.43%, 0.59%

LAB 54.92, 36.35, 12.82

 

Description

Color code: RGB 156 195 105 | qconv.com Color code: RGB 156 195 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 195 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 195 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 46 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 46% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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