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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 75 129 it is the complementary color RGB 99 180 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 75 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 75 129 shade: RGB 161 75 124, RGB 178 93 143, RGB 195 111 162, RGB 212 129 181 and RGB 229 147 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 75 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 75 129 shade: RGB 156 75 129, RGB 139 57 110, RGB 122 39 91, RGB 105 21 72 and RGB 88 3 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 75 129 shade: RGB 154 74 128, RGB 154 74 106, RGB 154 74 84 and RGB 154 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 75 129 shade: RGB 154 74 128, RGB 154 74 149, RGB 138 74 154, RGB 116 74 154 and RGB 95 74 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 75 129 shade matches the following richer shades: RGB 154 74 128, RGB 173 56 134, RGB 192 37 140, RGB 210 18 146 and RGB 229 0 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 75 129 shade: RGB 154 74 128, RGB 136 93 121, RGB 117 111 115, RGB 99 130 109 and RGB 80 148 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 75 129 shade: RGB 138 74 154, RGB 154 74 149, RGB 154 74 128, RGB 154 74 106 and RGB 154 74 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 75 129 shade: RGB 99 47 82, RGB 127 61 105, RGB 154 74 128, RGB 177 93 149 and RGB 190 121 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 75 129 shade: RGB 156 75 129, RGB 154 117 74 and RGB 74 154 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 75 129 shade: RGB 156 75 129, RGB 128 154 74 and RGB 74 128 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 75 129 shade: RGB 156 75 129, RGB 154 117 74, RGB 74 154 101 and RGB 74 112 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 75 129 shade: RGB 156 75 129, RGB 154 141 74, RGB 74 154 101 and RGB 74 87 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 17 / 39

HEX #9C4B81

RGB 156 75 129

HSL 320, 0.35%, 0.45%

LAB 43.78, 40.67, -14.91

 

Complementary color

CMYK 45 / 0 / 30 / 29

HEX #63B47E

RGB 99 180 126

HSL 140, 0.35%, 0.55%

LAB 67.13, -36.96, 20.03

 

CMYK 0 / 53 / 23 / 37

HEX #A14B7C

RGB 161 75 124

HSL 325.81, 0.36%, 0.46%

LAB 44.33, 41.54, -10.96

 

CMYK 0 / 48 / 20 / 30

HEX #B25D8F

RGB 178 93 143

HSL 324.71, 0.36%, 0.53%

LAB 51.01, 40.79, -12.06

 

CMYK 0 / 43 / 17 / 24

HEX #C36FA2

RGB 195 111 162

HSL 323.57, 0.41%, 0.6%

LAB 57.64, 40, -12.97

 

CMYK 0 / 39 / 15 / 17

HEX #D481B5

RGB 212 129 181

HSL 322.41, 0.49%, 0.67%

LAB 64.19, 39.21, -13.76

 

CMYK 0 / 36 / 13 / 10

HEX #E593C8

RGB 229 147 200

HSL 321.22, 0.61%, 0.74%

LAB 70.66, 38.45, -14.45

 

CMYK 0 / 52 / 17 / 39

HEX #9C4B81

RGB 156 75 129

HSL 320, 0.35%, 0.45%

LAB 43.78, 40.67, -14.91

 

CMYK 0 / 59 / 21 / 45

HEX #8B396E

RGB 139 57 110

HSL 321.22, 0.42%, 0.38%

LAB 37.01, 41.28, -13.72

 

CMYK 0 / 68 / 25 / 52

HEX #7A275B

RGB 122 39 91

HSL 322.41, 0.52%, 0.32%

LAB 30.26, 41.56, -12.13

 

CMYK 0 / 80 / 31 / 59

HEX #691548

RGB 105 21 72

HSL 323.57, 0.67%, 0.25%

LAB 23.7, 41.08, -9.81

 

CMYK 0 / 97 / 40 / 65

HEX #580335

RGB 88 3 53

HSL 324.71, 0.93%, 0.18%

LAB 17.45, 39.36, -6.43

 

CMYK 0 / 52 / 17 / 40

HEX #9A4A80

RGB 154 74 128

HSL 319.5, 0.35%, 0.45%

LAB 43.25, 40.37, -15.13

 

CMYK 0 / 52 / 31 / 40

HEX #9A4A6A

RGB 154 74 106

HSL 336, 0.35%, 0.45%

LAB 42.47, 37.08, -2.8

 

CMYK 0 / 52 / 45 / 40

HEX #9A4A54

RGB 154 74 84

HSL 352.5, 0.35%, 0.45%

LAB 41.86, 34.39, 9.92

 

CMYK 0 / 52 / 52 / 40

HEX #9A4A4A

RGB 154 74 74

HSL 0, 0.35%, 0.45%

LAB 41.63, 33.37, 15.77

 

CMYK 0 / 52 / 17 / 40

HEX #9A4A80

RGB 154 74 128

HSL 319.5, 0.35%, 0.45%

LAB 43.25, 40.37, -15.13

 

CMYK 0 / 52 / 3 / 40

HEX #9A4A95

RGB 154 74 149

HSL 303.75, 0.35%, 0.45%

LAB 44.14, 43.99, -26.46

 

CMYK 10 / 52 / 0 / 40

HEX #8A4A9A

RGB 138 74 154

HSL 288, 0.35%, 0.45%

LAB 42.21, 40.24, -32.65

 

CMYK 25 / 52 / 0 / 40

HEX #744A9A

RGB 116 74 154

HSL 271.5, 0.35%, 0.45%

LAB 39.49, 33.92, -37.12

 

CMYK 38 / 52 / 0 / 40

HEX #5F4A9A

RGB 95 74 154

HSL 255.75, 0.35%, 0.45%

LAB 37.23, 28.17, -40.85

 

CMYK 0 / 52 / 17 / 40

HEX #9A4A80

RGB 154 74 128

HSL 319.5, 0.35%, 0.45%

LAB 43.25, 40.37, -15.13

 

CMYK 0 / 68 / 23 / 32

HEX #AD3886

RGB 173 56 134

HSL 320, 0.51%, 0.45%

LAB 43.41, 55.28, -18.28

 

CMYK 0 / 81 / 27 / 25

HEX #C0258C

RGB 192 37 140

HSL 320.13, 0.68%, 0.45%

LAB 44.83, 67.01, -19.46

 

CMYK 0 / 91 / 30 / 18

HEX #D21292

RGB 210 18 146

HSL 320, 0.84%, 0.45%

LAB 47.25, 75.15, -19.09

 

CMYK 0 / 100 / 34 / 10

HEX #E50098

RGB 229 0 152

HSL 320.17, 1%, 0.45%

LAB 50.6, 81.21, -17.25

 

CMYK 0 / 52 / 17 / 40

HEX #9A4A80

RGB 154 74 128

HSL 319.5, 0.35%, 0.45%

LAB 43.25, 40.37, -15.13

 

CMYK 0 / 32 / 11 / 47

HEX #885D79

RGB 136 93 121

HSL 320.93, 0.19%, 0.45%

LAB 44.86, 22.21, -8.67

 

CMYK 0 / 5 / 2 / 54

HEX #756F73

RGB 117 111 115

HSL 320, 0.03%, 0.45%

LAB 47.48, 3.12, -1.39

 

CMYK 24 / 0 / 16 / 49

HEX #63826D

RGB 99 130 109

HSL 139.35, 0.14%, 0.45%

LAB 51.52, -15.61, 7.81

 

CMYK 46 / 0 / 30 / 42

HEX #509467

RGB 80 148 103

HSL 140.29, 0.3%, 0.45%

LAB 55.95, -32.08, 17.26

 

CMYK 10 / 52 / 0 / 40

HEX #8A4A9A

RGB 138 74 154

HSL 288, 0.35%, 0.45%

LAB 42.21, 40.24, -32.65

 

CMYK 0 / 52 / 3 / 40

HEX #9A4A95

RGB 154 74 149

HSL 303.75, 0.35%, 0.45%

LAB 44.14, 43.99, -26.46

 

CMYK 0 / 52 / 17 / 40

HEX #9A4A80

RGB 154 74 128

HSL 319.5, 0.35%, 0.45%

LAB 43.25, 40.37, -15.13

 

CMYK 0 / 52 / 31 / 40

HEX #9A4A6A

RGB 154 74 106

HSL 336, 0.35%, 0.45%

LAB 42.47, 37.08, -2.8

 

CMYK 0 / 52 / 45 / 40

HEX #9A4A55

RGB 154 74 85

HSL 351.75, 0.35%, 0.45%

LAB 41.88, 34.5, 9.34

 

CMYK 0 / 53 / 17 / 61

HEX #632F52

RGB 99 47 82

HSL 319.62, 0.36%, 0.29%

LAB 27.56, 28.46, -10.71

 

CMYK 0 / 52 / 17 / 50

HEX #7F3D69

RGB 127 61 105

HSL 320, 0.35%, 0.37%

LAB 35.73, 34.44, -12.69

 

CMYK 0 / 52 / 17 / 40

HEX #9A4A80

RGB 154 74 128

HSL 319.5, 0.35%, 0.45%

LAB 43.25, 40.37, -15.13

 

CMYK 0 / 47 / 16 / 31

HEX #B15D95

RGB 177 93 149

HSL 320, 0.35%, 0.53%

LAB 51.09, 41.4, -15.5

 

CMYK 0 / 36 / 12 / 25

HEX #BE79A7

RGB 190 121 167

HSL 320, 0.35%, 0.61%

LAB 59.35, 33.74, -13.32

 

CMYK 0 / 52 / 17 / 39

HEX #9C4B81

RGB 156 75 129

HSL 320, 0.35%, 0.45%

LAB 43.78, 40.67, -14.91

 

CMYK 0 / 24 / 52 / 40

HEX #9A754A

RGB 154 117 74

HSL 32.25, 0.35%, 0.45%

LAB 51.94, 9.08, 29.2

 

CMYK 52 / 0 / 3 / 40

HEX #4A9A95

RGB 74 154 149

HSL 176.25, 0.35%, 0.45%

LAB 58.73, -25.69, -4.89

 

CMYK 0 / 52 / 17 / 39

HEX #9C4B81

RGB 156 75 129

HSL 320, 0.35%, 0.45%

LAB 43.78, 40.67, -14.91

 

CMYK 17 / 0 / 52 / 40

HEX #809A4A

RGB 128 154 74

HSL 79.5, 0.35%, 0.45%

LAB 60.06, -22.3, 38.63

 

CMYK 52 / 17 / 0 / 40

HEX #4A809A

RGB 74 128 154

HSL 199.5, 0.35%, 0.45%

LAB 50.95, -10.36, -19.48

 

CMYK 0 / 52 / 17 / 39

HEX #9C4B81

RGB 156 75 129

HSL 320, 0.35%, 0.45%

LAB 43.78, 40.67, -14.91

 

CMYK 0 / 24 / 52 / 40

HEX #9A754A

RGB 154 117 74

HSL 32.25, 0.35%, 0.45%

LAB 51.94, 9.08, 29.2

 

CMYK 52 / 0 / 34 / 40

HEX #4A9A65

RGB 74 154 101

HSL 140.25, 0.35%, 0.45%

LAB 57.57, -36.89, 20.53

 

CMYK 52 / 27 / 0 / 40

HEX #4A709A

RGB 74 112 154

HSL 211.5, 0.35%, 0.45%

LAB 46.15, -1.01, -26.89

 

CMYK 0 / 52 / 17 / 39

HEX #9C4B81

RGB 156 75 129

HSL 320, 0.35%, 0.45%

LAB 43.78, 40.67, -14.91

 

CMYK 0 / 8 / 52 / 40

HEX #9A8D4A

RGB 154 141 74

HSL 50.25, 0.35%, 0.45%

LAB 58.43, -4.4, 37.17

 

CMYK 52 / 0 / 34 / 40

HEX #4A9A65

RGB 74 154 101

HSL 140.25, 0.35%, 0.45%

LAB 57.57, -36.89, 20.53

 

CMYK 52 / 44 / 0 / 40

HEX #4A579A

RGB 74 87 154

HSL 230.25, 0.35%, 0.45%

LAB 38.91, 14.61, -38.28

 

Description

Color code: RGB 156 75 129 | qconv.com Color code: RGB 156 75 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 75 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 75 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 17 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 17% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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