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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 81 63 it is the complementary color RGB 99 174 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 81 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 81 63 shade: RGB 161 81 58, RGB 178 99 77, RGB 195 117 96, RGB 212 135 115 and RGB 229 153 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 81 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 81 63 shade: RGB 156 81 63, RGB 139 63 44, RGB 122 45 25, RGB 105 27 6 and RGB 88 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 81 63 shade: RGB 155 81 63 and RGB 155 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 81 63 shade: RGB 155 81 63, RGB 155 106 63, RGB 155 131 63, RGB 155 155 63 and RGB 130 155 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 81 63 shade matches the following richer shades: RGB 155 81 63, RGB 173 70 45, RGB 191 59 28 and RGB 208 48 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 81 63 shade: RGB 155 81 63, RGB 137 92 81, RGB 120 103 99, RGB 102 114 116 and RGB 84 124 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 81 63 shade: RGB 155 63 95, RGB 155 63 71, RGB 155 80 63, RGB 155 105 63 and RGB 155 129 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 81 63 shade: RGB 97 50 39, RGB 126 66 51, RGB 155 81 63, RGB 182 98 77 and RGB 194 124 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 81 63 shade: RGB 156 81 63, RGB 120 155 63 and RGB 63 83 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 81 63 shade: RGB 156 81 63, RGB 63 155 80 and RGB 80 63 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 81 63 shade: RGB 156 81 63, RGB 120 155 63, RGB 63 138 155 and RGB 98 63 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 81 63 shade: RGB 156 81 63, RGB 92 155 63, RGB 63 138 155 and RGB 126 63 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 60 / 39

HEX #9C513F

RGB 156 81 63

HSL 11.61, 0.42%, 0.43%

LAB 43.23, 29.42, 24.57

 

Complementary color

CMYK 48 / 9 / 0 / 25

HEX #63AEC0

RGB 99 174 192

HSL 191.61, 0.42%, 0.57%

LAB 67.07, -18.42, -16.42

 

CMYK 0 / 50 / 64 / 37

HEX #A1513A

RGB 161 81 58

HSL 13.4, 0.47%, 0.43%

LAB 43.9, 31.09, 28.5

 

CMYK 0 / 44 / 57 / 30

HEX #B2634D

RGB 178 99 77

HSL 13.07, 0.4%, 0.5%

LAB 50.6, 29.67, 26.43

 

CMYK 0 / 40 / 51 / 24

HEX #C37560

RGB 195 117 96

HSL 12.73, 0.45%, 0.57%

LAB 57.24, 28.4, 24.63

 

CMYK 0 / 36 / 46 / 17

HEX #D48773

RGB 212 135 115

HSL 12.37, 0.53%, 0.64%

LAB 63.81, 27.27, 23.05

 

CMYK 0 / 33 / 41 / 10

HEX #E59986

RGB 229 153 134

HSL 12, 0.65%, 0.71%

LAB 70.29, 26.26, 21.64

 

CMYK 0 / 48 / 60 / 39

HEX #9C513F

RGB 156 81 63

HSL 11.61, 0.42%, 0.43%

LAB 43.23, 29.42, 24.57

 

CMYK 0 / 55 / 68 / 45

HEX #8B3F2C

RGB 139 63 44

HSL 12, 0.52%, 0.36%

LAB 36.42, 30.89, 26.87

 

CMYK 0 / 63 / 80 / 52

HEX #7A2D19

RGB 122 45 25

HSL 12.37, 0.66%, 0.29%

LAB 29.62, 32.41, 29.55

 

CMYK 0 / 74 / 94 / 59

HEX #691B06

RGB 105 27 6

HSL 12.73, 0.89%, 0.22%

LAB 23, 33.72, 31.41

 

CMYK 0 / 90 / 100 / 65

HEX #580900

RGB 88 9 0

HSL 6.14, 1%, 0.17%

LAB 16.85, 34.1, 25.88

 

CMYK 0 / 48 / 59 / 39

HEX #9B513F

RGB 155 81 63

HSL 11.74, 0.42%, 0.43%

LAB 43.08, 29.01, 24.35

 

CMYK 0 / 59 / 59 / 39

HEX #9B3F3F

RGB 155 63 63

HSL 0, 0.42%, 0.43%

LAB 39.38, 38.46, 19.59

 

CMYK 0 / 48 / 59 / 39

HEX #9B513F

RGB 155 81 63

HSL 11.74, 0.42%, 0.43%

LAB 43.08, 29.01, 24.35

 

CMYK 0 / 32 / 59 / 39

HEX #9B6A3F

RGB 155 106 63

HSL 28.04, 0.42%, 0.43%

LAB 49.05, 14.85, 31.75

 

CMYK 0 / 15 / 59 / 39

HEX #9B833F

RGB 155 131 63

HSL 44.35, 0.42%, 0.43%

LAB 55.64, 0.63, 39.54

 

CMYK 0 / 0 / 59 / 39

HEX #9B9B3F

RGB 155 155 63

HSL 60, 0.42%, 0.43%

LAB 62.31, -12.42, 47.06

 

CMYK 16 / 0 / 59 / 39

HEX #829B3F

RGB 130 155 63

HSL 76.3, 0.42%, 0.43%

LAB 60.38, -23.05, 44.37

 

CMYK 0 / 48 / 59 / 39

HEX #9B513F

RGB 155 81 63

HSL 11.74, 0.42%, 0.43%

LAB 43.08, 29.01, 24.35

 

CMYK 0 / 60 / 74 / 32

HEX #AD462D

RGB 173 70 45

HSL 11.72, 0.59%, 0.43%

LAB 43.44, 40.68, 35.83

 

CMYK 0 / 69 / 85 / 25

HEX #BF3B1C

RGB 191 59 28

HSL 11.41, 0.74%, 0.43%

LAB 44.64, 51.35, 46.74

 

CMYK 0 / 77 / 95 / 18

HEX #D0300A

RGB 208 48 10

HSL 11.52, 0.91%, 0.43%

LAB 46.37, 60.34, 56.05

 

CMYK 0 / 48 / 59 / 39

HEX #9B513F

RGB 155 81 63

HSL 11.74, 0.42%, 0.43%

LAB 43.08, 29.01, 24.35

 

CMYK 0 / 33 / 41 / 46

HEX #895C51

RGB 137 92 81

HSL 11.79, 0.26%, 0.43%

LAB 43.61, 17.01, 13.81

 

CMYK 0 / 14 / 18 / 53

HEX #786763

RGB 120 103 99

HSL 11.43, 0.1%, 0.43%

LAB 45.07, 6.04, 4.74

 

CMYK 12 / 2 / 0 / 55

HEX #667274

RGB 102 114 116

HSL 188.57, 0.06%, 0.43%

LAB 47.13, -4.04, -2.64

 

CMYK 37 / 7 / 0 / 47

HEX #547C86

RGB 84 124 134

HSL 192, 0.23%, 0.43%

LAB 49.52, -11.22, -9.88

 

CMYK 0 / 59 / 39 / 39

HEX #9B3F5F

RGB 155 63 95

HSL 339.13, 0.42%, 0.43%

LAB 40.16, 41.61, 0.67

 

CMYK 0 / 59 / 54 / 39

HEX #9B3F47

RGB 155 63 71

HSL 354.78, 0.42%, 0.43%

LAB 39.54, 39.13, 14.84

 

CMYK 0 / 48 / 59 / 39

HEX #9B503F

RGB 155 80 63

HSL 11.09, 0.42%, 0.43%

LAB 42.86, 29.56, 24.07

 

CMYK 0 / 32 / 59 / 39

HEX #9B693F

RGB 155 105 63

HSL 27.39, 0.42%, 0.43%

LAB 48.8, 15.42, 31.44

 

CMYK 0 / 17 / 59 / 39

HEX #9B813F

RGB 155 129 63

HSL 43.04, 0.42%, 0.43%

LAB 55.1, 1.75, 38.91

 

CMYK 0 / 48 / 60 / 62

HEX #613227

RGB 97 50 39

HSL 11.38, 0.43%, 0.27%

LAB 26.65, 19.98, 16.39

 

CMYK 0 / 48 / 60 / 51

HEX #7E4233

RGB 126 66 51

HSL 12, 0.42%, 0.35%

LAB 35.14, 24.31, 20.61

 

CMYK 0 / 48 / 59 / 39

HEX #9B513F

RGB 155 81 63

HSL 11.74, 0.42%, 0.43%

LAB 43.08, 29.01, 24.35

 

CMYK 0 / 46 / 58 / 29

HEX #B6624D

RGB 182 98 77

HSL 12, 0.42%, 0.51%

LAB 50.94, 31.82, 26.98

 

CMYK 0 / 36 / 45 / 24

HEX #C27C6B

RGB 194 124 107

HSL 11.72, 0.42%, 0.59%

LAB 58.92, 25.28, 20.61

 

CMYK 0 / 48 / 60 / 39

HEX #9C513F

RGB 156 81 63

HSL 11.61, 0.42%, 0.43%

LAB 43.23, 29.42, 24.57

 

CMYK 23 / 0 / 59 / 39

HEX #789B3F

RGB 120 155 63

HSL 82.83, 0.42%, 0.43%

LAB 59.7, -27.12, 43.42

 

CMYK 59 / 46 / 0 / 39

HEX #3F539B

RGB 63 83 155

HSL 226.96, 0.42%, 0.43%

LAB 37.13, 15.08, -41.75

 

CMYK 0 / 48 / 60 / 39

HEX #9C513F

RGB 156 81 63

HSL 11.61, 0.42%, 0.43%

LAB 43.23, 29.42, 24.57

 

CMYK 59 / 0 / 48 / 39

HEX #3F9B50

RGB 63 155 80

HSL 131.09, 0.42%, 0.43%

LAB 57.15, -43.8, 31.24

 

CMYK 48 / 59 / 0 / 39

HEX #503F9B

RGB 80 63 155

HSL 251.09, 0.42%, 0.43%

LAB 33.19, 31.64, -48.02

 

CMYK 0 / 48 / 60 / 39

HEX #9C513F

RGB 156 81 63

HSL 11.61, 0.42%, 0.43%

LAB 43.23, 29.42, 24.57

 

CMYK 23 / 0 / 59 / 39

HEX #789B3F

RGB 120 155 63

HSL 82.83, 0.42%, 0.43%

LAB 59.7, -27.12, 43.42

 

CMYK 59 / 11 / 0 / 39

HEX #3F8A9B

RGB 63 138 155

HSL 191.09, 0.42%, 0.43%

LAB 53.6, -17.99, -16.06

 

CMYK 37 / 59 / 0 / 39

HEX #623F9B

RGB 98 63 155

HSL 262.83, 0.42%, 0.43%

LAB 35.04, 35.83, -44.95

 

CMYK 0 / 48 / 60 / 39

HEX #9C513F

RGB 156 81 63

HSL 11.61, 0.42%, 0.43%

LAB 43.23, 29.42, 24.57

 

CMYK 41 / 0 / 59 / 39

HEX #5C9B3F

RGB 92 155 63

HSL 101.09, 0.42%, 0.43%

LAB 58.11, -37.55, 41.18

 

CMYK 59 / 11 / 0 / 39

HEX #3F8A9B

RGB 63 138 155

HSL 191.09, 0.42%, 0.43%

LAB 53.6, -17.99, -16.06

 

CMYK 19 / 59 / 0 / 39

HEX #7E3F9B

RGB 126 63 155

HSL 281.09, 0.42%, 0.43%

LAB 38.48, 42.97, -39.26

 

Description

Color code: RGB 156 81 63 | qconv.com Color code: RGB 156 81 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 81 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 81 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 60 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 60% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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