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Color name
RGB 156 98 82

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 98 82 it is the complementary color RGB 99 157 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 98 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 98 82 shade: RGB 161 98 77, RGB 178 116 96, RGB 195 134 115, RGB 212 152 134 and RGB 229 170 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 98 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 98 82 shade: RGB 156 98 82, RGB 139 80 63, RGB 122 62 44, RGB 105 44 25 and RGB 88 26 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 98 82 shade: RGB 157 98 82 and RGB 157 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 98 82 shade: RGB 157 98 82, RGB 157 118 82, RGB 157 138 82, RGB 155 157 82 and RGB 135 157 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 98 82 shade matches the following richer shades: RGB 157 98 82, RGB 176 87 63, RGB 195 76 43, RGB 215 65 24 and RGB 234 54 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 98 82 shade: RGB 157 98 82, RGB 137 109 102, RGB 118 120 121, RGB 98 131 140 and RGB 79 142 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 98 82 shade: RGB 157 82 107, RGB 157 82 87, RGB 157 97 82, RGB 157 117 82 and RGB 157 137 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 98 82 shade: RGB 102 64 54, RGB 129 81 68, RGB 157 98 82, RGB 175 120 104 and RGB 190 144 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 98 82 shade: RGB 156 98 82, RGB 127 157 82 and RGB 82 97 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 98 82 shade: RGB 156 98 82, RGB 82 157 97 and RGB 97 82 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 98 82 shade: RGB 156 98 82, RGB 127 157 82, RGB 82 142 157 and RGB 112 82 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 98 82 shade: RGB 156 98 82, RGB 104 157 82, RGB 82 142 157 and RGB 134 82 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 47 / 39

HEX #9C6252

RGB 156 98 82

HSL 12.97, 0.31%, 0.47%

LAB 47.51, 21.65, 18.91

 

Complementary color

CMYK 43 / 9 / 0 / 32

HEX #639DAD

RGB 99 157 173

HSL 192.97, 0.31%, 0.53%

LAB 61.47, -14.64, -14.28

 

CMYK 0 / 39 / 52 / 37

HEX #A1624D

RGB 161 98 77

HSL 15, 0.35%, 0.47%

LAB 48.07, 23.23, 22.71

 

CMYK 0 / 35 / 46 / 30

HEX #B27460

RGB 178 116 96

HSL 14.63, 0.35%, 0.54%

LAB 54.87, 22.07, 21.1

 

CMYK 0 / 31 / 41 / 24

HEX #C38673

RGB 195 134 115

HSL 14.25, 0.4%, 0.61%

LAB 61.56, 21.06, 19.67

 

CMYK 0 / 28 / 37 / 17

HEX #D49886

RGB 212 152 134

HSL 13.85, 0.48%, 0.68%

LAB 68.15, 20.18, 18.4

 

CMYK 0 / 26 / 33 / 10

HEX #E5AA99

RGB 229 170 153

HSL 13.42, 0.59%, 0.75%

LAB 74.64, 19.39, 17.24

 

CMYK 0 / 37 / 47 / 39

HEX #9C6252

RGB 156 98 82

HSL 12.97, 0.31%, 0.47%

LAB 47.51, 21.65, 18.91

 

CMYK 0 / 42 / 55 / 45

HEX #8B503F

RGB 139 80 63

HSL 13.42, 0.38%, 0.4%

LAB 40.55, 22.89, 20.64

 

CMYK 0 / 49 / 64 / 52

HEX #7A3E2C

RGB 122 62 44

HSL 13.85, 0.47%, 0.33%

LAB 33.49, 24.32, 22.69

 

CMYK 0 / 58 / 76 / 59

HEX #692C19

RGB 105 44 25

HSL 14.25, 0.62%, 0.25%

LAB 26.38, 25.95, 25.15

 

CMYK 0 / 70 / 93 / 65

HEX #581A06

RGB 88 26 6

HSL 14.63, 0.87%, 0.18%

LAB 19.34, 27.59, 26.41

 

CMYK 0 / 38 / 48 / 38

HEX #9D6252

RGB 157 98 82

HSL 12.8, 0.31%, 0.47%

LAB 47.64, 22.07, 19.11

 

CMYK 0 / 48 / 48 / 38

HEX #9D5252

RGB 157 82 82

HSL 0, 0.31%, 0.47%

LAB 43.96, 31.02, 14.13

 

CMYK 0 / 38 / 48 / 38

HEX #9D6252

RGB 157 98 82

HSL 12.8, 0.31%, 0.47%

LAB 47.64, 22.07, 19.11

 

CMYK 0 / 25 / 48 / 38

HEX #9D7652

RGB 157 118 82

HSL 28.8, 0.31%, 0.47%

LAB 52.66, 10.62, 25.71

 

CMYK 0 / 12 / 48 / 38

HEX #9D8A52

RGB 157 138 82

HSL 44.8, 0.31%, 0.47%

LAB 57.99, -0.66, 32.49

 

CMYK 1 / 0 / 48 / 38

HEX #9B9D52

RGB 155 157 82

HSL 61.6, 0.31%, 0.47%

LAB 63.09, -11.81, 38.71

 

CMYK 14 / 0 / 48 / 38

HEX #879D52

RGB 135 157 82

HSL 77.6, 0.31%, 0.47%

LAB 61.55, -20.11, 36.48

 

CMYK 0 / 38 / 48 / 38

HEX #9D6252

RGB 157 98 82

HSL 12.8, 0.31%, 0.47%

LAB 47.64, 22.07, 19.11

 

CMYK 0 / 51 / 64 / 31

HEX #B0573F

RGB 176 87 63

HSL 12.74, 0.47%, 0.47%

LAB 47.5, 34.25, 30.53

 

CMYK 0 / 61 / 78 / 24

HEX #C34C2B

RGB 195 76 43

HSL 13.03, 0.64%, 0.47%

LAB 48.19, 45.91, 43.04

 

CMYK 0 / 70 / 89 / 16

HEX #D74118

RGB 215 65 24

HSL 12.88, 0.8%, 0.47%

LAB 49.85, 56.9, 54.43

 

CMYK 0 / 77 / 98 / 8

HEX #EA3605

RGB 234 54 5

HSL 12.84, 0.96%, 0.47%

LAB 52, 66.24, 63

 

CMYK 0 / 38 / 48 / 38

HEX #9D6252

RGB 157 98 82

HSL 12.8, 0.31%, 0.47%

LAB 47.64, 22.07, 19.11

 

CMYK 0 / 20 / 26 / 46

HEX #896D66

RGB 137 109 102

HSL 12, 0.15%, 0.47%

LAB 48.53, 9.96, 8.11

 

CMYK 2 / 1 / 0 / 53

HEX #767879

RGB 118 120 121

HSL 200, 0.01%, 0.47%

LAB 50.29, -0.55, -0.82

 

CMYK 30 / 6 / 0 / 45

HEX #62838C

RGB 98 131 140

HSL 192.86, 0.18%, 0.47%

LAB 52.64, -9.35, -8.63

 

CMYK 51 / 11 / 0 / 37

HEX #4F8EA0

RGB 79 142 160

HSL 193.33, 0.34%, 0.47%

LAB 55.63, -15.16, -15.8

 

CMYK 0 / 48 / 32 / 38

HEX #9D526B

RGB 157 82 107

HSL 340, 0.31%, 0.47%

LAB 44.61, 34.03, -0.22

 

CMYK 0 / 48 / 45 / 38

HEX #9D5257

RGB 157 82 87

HSL 356, 0.31%, 0.47%

LAB 44.08, 31.56, 11.24

 

CMYK 0 / 38 / 48 / 38

HEX #9D6152

RGB 157 97 82

HSL 12, 0.31%, 0.47%

LAB 47.4, 22.64, 18.79

 

CMYK 0 / 25 / 48 / 38

HEX #9D7552

RGB 157 117 82

HSL 28, 0.31%, 0.47%

LAB 52.4, 11.19, 25.37

 

CMYK 0 / 13 / 48 / 38

HEX #9D8952

RGB 157 137 82

HSL 44, 0.31%, 0.47%

LAB 57.72, -0.1, 32.15

 

CMYK 0 / 37 / 47 / 60

HEX #664036

RGB 102 64 54

HSL 12.5, 0.31%, 0.31%

LAB 31.25, 15.27, 12.97

 

CMYK 0 / 37 / 47 / 49

HEX #815144

RGB 129 81 68

HSL 12.79, 0.31%, 0.39%

LAB 39.53, 18.52, 16.01

 

CMYK 0 / 38 / 48 / 38

HEX #9D6252

RGB 157 98 82

HSL 12.8, 0.31%, 0.47%

LAB 47.64, 22.07, 19.11

 

CMYK 0 / 31 / 41 / 31

HEX #AF7868

RGB 175 120 104

HSL 13.52, 0.31%, 0.55%

LAB 55.63, 19.5, 17.47

 

CMYK 0 / 24 / 31 / 25

HEX #BE9084

RGB 190 144 132

HSL 12.41, 0.31%, 0.63%

LAB 63.8, 15.67, 13.11

 

CMYK 0 / 37 / 47 / 39

HEX #9C6252

RGB 156 98 82

HSL 12.97, 0.31%, 0.47%

LAB 47.51, 21.65, 18.91

 

CMYK 19 / 0 / 48 / 38

HEX #7F9D52

RGB 127 157 82

HSL 84, 0.31%, 0.47%

LAB 60.99, -23.31, 35.67

 

CMYK 48 / 38 / 0 / 38

HEX #52619D

RGB 82 97 157

HSL 228, 0.31%, 0.47%

LAB 42.43, 11.21, -34.46

 

CMYK 0 / 37 / 47 / 39

HEX #9C6252

RGB 156 98 82

HSL 12.97, 0.31%, 0.47%

LAB 47.51, 21.65, 18.91

 

CMYK 48 / 0 / 38 / 38

HEX #529D61

RGB 82 157 97

HSL 132, 0.31%, 0.47%

LAB 58.76, -36.75, 24.37

 

CMYK 38 / 48 / 0 / 38

HEX #61529D

RGB 97 82 157

HSL 252, 0.31%, 0.47%

LAB 39.6, 24.62, -38.87

 

CMYK 0 / 37 / 47 / 39

HEX #9C6252

RGB 156 98 82

HSL 12.97, 0.31%, 0.47%

LAB 47.51, 21.65, 18.91

 

CMYK 19 / 0 / 48 / 38

HEX #7F9D52

RGB 127 157 82

HSL 84, 0.31%, 0.47%

LAB 60.99, -23.31, 35.67

 

CMYK 48 / 10 / 0 / 38

HEX #528E9D

RGB 82 142 157

HSL 192, 0.31%, 0.47%

LAB 55.66, -15.3, -14.02

 

CMYK 29 / 48 / 0 / 38

HEX #70529D

RGB 112 82 157

HSL 264, 0.31%, 0.47%

LAB 41.08, 28.81, -36.43

 

CMYK 0 / 37 / 47 / 39

HEX #9C6252

RGB 156 98 82

HSL 12.97, 0.31%, 0.47%

LAB 47.51, 21.65, 18.91

 

CMYK 34 / 0 / 48 / 38

HEX #689D52

RGB 104 157 82

HSL 102.4, 0.31%, 0.47%

LAB 59.59, -31.97, 33.62

 

CMYK 48 / 10 / 0 / 38

HEX #528E9D

RGB 82 142 157

HSL 192, 0.31%, 0.47%

LAB 55.66, -15.3, -14.02

 

CMYK 15 / 48 / 0 / 38

HEX #86529D

RGB 134 82 157

HSL 281.6, 0.31%, 0.47%

LAB 43.56, 35.29, -32.34

 

Description

Color code: RGB 156 98 82 | qconv.com Color code: RGB 156 98 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 98 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 98 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 47 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 47% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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