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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 154 187 it is the complementary color RGB 98 101 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 154 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 154 187 shade: RGB 162 154 182, RGB 179 172 201, RGB 196 190 220, RGB 213 208 239 and RGB 230 226 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 154 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 154 187 shade: RGB 157 154 187, RGB 140 136 168, RGB 123 118 149, RGB 106 100 130 and RGB 89 82 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 154 187 shade: RGB 157 154 187, RGB 166 154 187, RGB 175 154 187, RGB 184 154 187 and RGB 187 154 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 154 187 shade: RGB 157 154 187 and RGB 154 154 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 154 187 shade matches the following richer shades: RGB 157 154 187, RGB 145 140 201, RGB 134 126 214, RGB 123 113 228 and RGB 112 99 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 154 187 shade: RGB 157 154 187, RGB 168 167 174, RGB 179 181 160, RGB 190 194 146 and RGB 201 208 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 154 187 shade: RGB 154 169 187, RGB 154 160 187, RGB 156 154 187, RGB 165 154 187 and RGB 174 154 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 154 187 shade: RGB 109 104 154, RGB 133 129 171, RGB 157 154 187, RGB 181 178 204 and RGB 205 203 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 154 187 shade: RGB 157 154 187, RGB 187 154 178 and RGB 164 187 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 154 187 shade: RGB 157 154 187, RGB 187 156 154 and RGB 154 187 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 154 187 shade: RGB 157 154 187, RGB 187 154 178, RGB 184 187 154 and RGB 154 187 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 154 187 shade: RGB 157 154 187, RGB 187 154 168, RGB 184 187 154 and RGB 154 187 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

Complementary color

CMYK 3 / 0 / 33 / 60

HEX #626544

RGB 98 101 68

HSL 65.45, 0.2%, 0.33%

LAB 41.72, -7.12, 18.34

 

CMYK 11 / 15 / 0 / 29

HEX #A29AB6

RGB 162 154 182

HSL 257.14, 0.16%, 0.66%

LAB 65.1, 8.48, -13.45

 

CMYK 11 / 14 / 0 / 21

HEX #B3ACC9

RGB 179 172 201

HSL 254.48, 0.21%, 0.73%

LAB 71.76, 8.17, -13.83

 

CMYK 11 / 14 / 0 / 14

HEX #C4BEDC

RGB 196 190 220

HSL 252, 0.3%, 0.8%

LAB 78.3, 7.88, -14.22

 

CMYK 11 / 13 / 0 / 6

HEX #D5D0EF

RGB 213 208 239

HSL 249.68, 0.49%, 0.88%

LAB 84.74, 7.61, -14.6

 

CMYK 10 / 11 / 0 / 0

HEX #E6E2FF

RGB 230 226 255

HSL 248.28, 1%, 0.94%

LAB 90.98, 6.76, -13.55

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 17 / 19 / 0 / 34

HEX #8C88A8

RGB 140 136 168

HSL 247.5, 0.16%, 0.6%

LAB 58.05, 8.24, -16.36

 

CMYK 17 / 21 / 0 / 42

HEX #7B7695

RGB 123 118 149

HSL 249.68, 0.13%, 0.52%

LAB 51.08, 8.61, -16.07

 

CMYK 18 / 23 / 0 / 49

HEX #6A6482

RGB 106 100 130

HSL 252, 0.13%, 0.45%

LAB 43.93, 9.03, -15.81

 

CMYK 20 / 26 / 0 / 56

HEX #59526F

RGB 89 82 111

HSL 254.48, 0.15%, 0.38%

LAB 36.57, 9.51, -15.58

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 11 / 18 / 0 / 27

HEX #A69ABB

RGB 166 154 187

HSL 261.82, 0.2%, 0.67%

LAB 65.6, 10.89, -15.47

 

CMYK 6 / 18 / 0 / 27

HEX #AF9ABB

RGB 175 154 187

HSL 278.18, 0.2%, 0.67%

LAB 66.38, 13.93, -14.21

 

CMYK 2 / 18 / 0 / 27

HEX #B89ABB

RGB 184 154 187

HSL 294.55, 0.2%, 0.67%

LAB 67.19, 17.01, -12.9

 

CMYK 0 / 18 / 3 / 27

HEX #BB9AB5

RGB 187 154 181

HSL 310.91, 0.2%, 0.67%

LAB 67.29, 16.91, -9.39

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 18 / 18 / 0 / 27

HEX #9A9ABB

RGB 154 154 187

HSL 240, 0.2%, 0.67%

LAB 64.62, 6.92, -17.04

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 28 / 30 / 0 / 21

HEX #918CC9

RGB 145 140 201

HSL 244.92, 0.36%, 0.67%

LAB 60.78, 15.44, -30.86

 

CMYK 37 / 41 / 0 / 16

HEX #867ED6

RGB 134 126 214

HSL 245.45, 0.52%, 0.67%

LAB 56.92, 23.93, -44.26

 

CMYK 46 / 50 / 0 / 11

HEX #7B71E4

RGB 123 113 228

HSL 245.22, 0.68%, 0.67%

LAB 53.62, 32.89, -57.44

 

CMYK 54 / 59 / 0 / 5

HEX #7063F2

RGB 112 99 242

HSL 245.45, 0.85%, 0.67%

LAB 50.43, 43.05, -70.48

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 3 / 4 / 0 / 32

HEX #A8A7AE

RGB 168 167 174

HSL 248.57, 0.04%, 0.67%

LAB 68.76, 1.7, -3.48

 

CMYK 1 / 0 / 12 / 29

HEX #B3B5A0

RGB 179 181 160

HSL 65.71, 0.12%, 0.67%

LAB 73, -4.44, 10.46

 

CMYK 2 / 0 / 25 / 24

HEX #BEC292

RGB 190 194 146

HSL 65, 0.28%, 0.67%

LAB 77.04, -9.3, 23.75

 

CMYK 3 / 0 / 36 / 18

HEX #C9D085

RGB 201 208 133

HSL 65.6, 0.44%, 0.67%

LAB 81.41, -13.91, 36.47

 

CMYK 18 / 10 / 0 / 27

HEX #9AA9BB

RGB 154 169 187

HSL 212.73, 0.2%, 0.67%

LAB 68.63, -1.41, -11

 

CMYK 18 / 14 / 0 / 27

HEX #9AA0BB

RGB 154 160 187

HSL 229.09, 0.2%, 0.67%

LAB 66.21, 3.56, -14.63

 

CMYK 17 / 18 / 0 / 27

HEX #9C9ABB

RGB 156 154 187

HSL 243.64, 0.2%, 0.67%

LAB 64.78, 7.58, -16.79

 

CMYK 12 / 18 / 0 / 27

HEX #A59ABB

RGB 165 154 187

HSL 260, 0.2%, 0.67%

LAB 65.51, 10.56, -15.6

 

CMYK 7 / 18 / 0 / 27

HEX #AE9ABB

RGB 174 154 187

HSL 276.36, 0.2%, 0.67%

LAB 66.29, 13.59, -14.36

 

CMYK 29 / 32 / 0 / 40

HEX #6D689A

RGB 109 104 154

HSL 246, 0.2%, 0.51%

LAB 46.29, 13.71, -26.48

 

CMYK 22 / 25 / 0 / 33

HEX #8581AB

RGB 133 129 171

HSL 245.71, 0.2%, 0.59%

LAB 55.71, 10.71, -21.69

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 11 / 13 / 0 / 20

HEX #B5B2CC

RGB 181 178 204

HSL 246.92, 0.2%, 0.75%

LAB 73.56, 6.17, -12.76

 

CMYK 7 / 8 / 0 / 14

HEX #CDCBDC

RGB 205 203 220

HSL 247.06, 0.2%, 0.83%

LAB 82.3, 3.89, -8.18

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 0 / 18 / 5 / 27

HEX #BB9AB2

RGB 187 154 178

HSL 316.36, 0.2%, 0.67%

LAB 67.19, 16.36, -7.85

 

CMYK 12 / 0 / 18 / 27

HEX #A4BB9A

RGB 164 187 154

HSL 101.82, 0.2%, 0.67%

LAB 73.39, -14.05, 14.12

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 0 / 17 / 18 / 27

HEX #BB9C9A

RGB 187 156 154

HSL 3.64, 0.2%, 0.67%

LAB 67.03, 11.14, 5.33

 

CMYK 18 / 0 / 17 / 27

HEX #9ABB9C

RGB 154 187 156

HSL 123.64, 0.2%, 0.67%

LAB 72.77, -17.21, 12.05

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 0 / 18 / 5 / 27

HEX #BB9AB2

RGB 187 154 178

HSL 316.36, 0.2%, 0.67%

LAB 67.19, 16.36, -7.85

 

CMYK 2 / 0 / 18 / 27

HEX #B8BB9A

RGB 184 187 154

HSL 65.45, 0.2%, 0.67%

LAB 74.87, -6.73, 16.39

 

CMYK 18 / 0 / 13 / 27

HEX #9ABBA3

RGB 154 187 163

HSL 136.36, 0.2%, 0.67%

LAB 72.93, -15.92, 8.48

 

CMYK 16 / 18 / 0 / 27

HEX #9D9ABB

RGB 157 154 187

HSL 245.45, 0.2%, 0.67%

LAB 64.86, 7.9, -16.66

 

CMYK 0 / 18 / 10 / 27

HEX #BB9AA8

RGB 187 154 168

HSL 334.55, 0.2%, 0.67%

LAB 66.9, 14.58, -2.69

 

CMYK 2 / 0 / 18 / 27

HEX #B8BB9A

RGB 184 187 154

HSL 65.45, 0.2%, 0.67%

LAB 74.87, -6.73, 16.39

 

CMYK 18 / 0 / 7 / 27

HEX #9ABBAD

RGB 154 187 173

HSL 154.55, 0.2%, 0.67%

LAB 73.17, -13.97, 3.39

 

Description

Color code: RGB 157 154 187 | qconv.com Color code: RGB 157 154 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 154 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 154 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 18 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 18% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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