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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 27 20 it is the complementary color RGB 98 228 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 27 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 27 20 shade: RGB 162 27 15, RGB 179 45 34, RGB 196 63 53, RGB 213 81 72 and RGB 230 99 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 27 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 27 20 shade: RGB 157 27 20, RGB 140 9 1, RGB 123 0 0, RGB 106 0 0 and RGB 89 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 27 20 shade: RGB 157 27 20 and RGB 157 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 27 20 shade: RGB 157 27 20, RGB 157 64 20, RGB 157 101 20, RGB 157 138 20 and RGB 140 157 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 27 20 shade matches the following richer shades: RGB 157 27 20 and RGB 172 14 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 27 20 shade: RGB 157 27 20, RGB 143 40 34, RGB 129 53 49, RGB 114 66 63 and RGB 100 79 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 27 20 shade: RGB 157 20 86, RGB 157 20 50, RGB 157 27 20, RGB 157 64 20 and RGB 157 100 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 27 20 shade: RGB 84 14 11, RGB 121 21 15, RGB 157 27 20, RGB 194 33 25 and RGB 226 44 34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 27 20 shade: RGB 157 27 20, RGB 123 157 20 and RGB 20 68 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 27 20 shade: RGB 157 27 20, RGB 20 157 27 and RGB 27 20 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 27 20 shade: RGB 157 27 20, RGB 123 157 20, RGB 20 151 157 and RGB 54 20 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 27 20 shade: RGB 157 27 20, RGB 82 157 20, RGB 20 151 157 and RGB 96 20 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

Complementary color

CMYK 58 / 3 / 0 / 8

HEX #62E4EB

RGB 98 228 235

HSL 183.07, 0.77%, 0.65%

LAB 84.01, -33.52, -14.18

 

CMYK 0 / 83 / 91 / 36

HEX #A21B0F

RGB 162 27 15

HSL 4.9, 0.83%, 0.35%

LAB 35, 52.62, 42.44

 

CMYK 0 / 75 / 81 / 30

HEX #B32D22

RGB 179 45 34

HSL 4.55, 0.68%, 0.42%

LAB 40.53, 52.81, 39.13

 

CMYK 0 / 68 / 73 / 23

HEX #C43F35

RGB 196 63 53

HSL 4.2, 0.57%, 0.49%

LAB 46.38, 52.29, 35.73

 

CMYK 0 / 62 / 66 / 16

HEX #D55148

RGB 213 81 72

HSL 3.83, 0.63%, 0.56%

LAB 52.4, 51.39, 32.7

 

CMYK 0 / 57 / 60 / 10

HEX #E6635B

RGB 230 99 91

HSL 3.45, 0.74%, 0.63%

LAB 58.51, 50.33, 30.09

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 0 / 94 / 99 / 45

HEX #8C0901

RGB 140 9 1

HSL 3.45, 0.99%, 0.28%

LAB 28.83, 49.81, 41.59

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 0 / 87 / 87 / 38

HEX #9D1414

RGB 157 20 20

HSL 0, 0.77%, 0.35%

LAB 33.39, 52.92, 38.31

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 0 / 59 / 87 / 38

HEX #9D4014

RGB 157 64 20

HSL 19.27, 0.77%, 0.35%

LAB 39.39, 36.56, 43.38

 

CMYK 0 / 36 / 87 / 38

HEX #9D6514

RGB 157 101 20

HSL 35.47, 0.77%, 0.35%

LAB 47.66, 16.34, 50.25

 

CMYK 0 / 12 / 87 / 38

HEX #9D8A14

RGB 157 138 20

HSL 51.68, 0.77%, 0.35%

LAB 57.46, -4.52, 58.31

 

CMYK 11 / 0 / 87 / 38

HEX #8C9D14

RGB 140 157 20

HSL 67.45, 0.77%, 0.35%

LAB 61.43, -22.18, 60.98

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 0 / 92 / 97 / 33

HEX #AC0E06

RGB 172 14 6

HSL 2.89, 0.93%, 0.35%

LAB 36.17, 57.95, 47.77

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 0 / 72 / 76 / 44

HEX #8F2822

RGB 143 40 34

HSL 3.3, 0.62%, 0.35%

LAB 32.86, 42.82, 28.93

 

CMYK 0 / 59 / 62 / 49

HEX #813531

RGB 129 53 49

HSL 3, 0.45%, 0.35%

LAB 32.78, 32.53, 18.93

 

CMYK 0 / 42 / 45 / 55

HEX #72423F

RGB 114 66 63

HSL 3.53, 0.29%, 0.35%

LAB 33.63, 20.41, 10.76

 

CMYK 0 / 21 / 22 / 61

HEX #644F4E

RGB 100 79 78

HSL 2.73, 0.12%, 0.35%

LAB 35.7, 8.61, 3.93

 

CMYK 0 / 87 / 45 / 38

HEX #9D1456

RGB 157 20 86

HSL 331.09, 0.77%, 0.35%

LAB 34.68, 56.67, -1.57

 

CMYK 0 / 87 / 68 / 38

HEX #9D1432

RGB 157 20 50

HSL 346.86, 0.77%, 0.35%

LAB 33.77, 54.04, 20.65

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 0 / 59 / 87 / 38

HEX #9D4014

RGB 157 64 20

HSL 19.27, 0.77%, 0.35%

LAB 39.39, 36.56, 43.38

 

CMYK 0 / 36 / 87 / 38

HEX #9D6414

RGB 157 100 20

HSL 35.04, 0.77%, 0.35%

LAB 47.41, 16.91, 50.05

 

CMYK 0 / 83 / 87 / 67

HEX #540E0B

RGB 84 14 11

HSL 2.47, 0.77%, 0.19%

LAB 16.62, 31.48, 20.9

 

CMYK 0 / 83 / 88 / 53

HEX #79150F

RGB 121 21 15

HSL 3.4, 0.78%, 0.27%

LAB 25.67, 41.67, 31.21

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 0 / 83 / 87 / 24

HEX #C22119

RGB 194 33 25

HSL 2.84, 0.77%, 0.43%

LAB 42.2, 60.59, 46.31

 

CMYK 0 / 81 / 85 / 11

HEX #E22C22

RGB 226 44 34

HSL 3.13, 0.77%, 0.51%

LAB 49.6, 67.07, 50.82

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 22 / 0 / 87 / 38

HEX #7B9D14

RGB 123 157 20

HSL 74.89, 0.77%, 0.35%

LAB 60.23, -29.43, 59.49

 

CMYK 87 / 57 / 0 / 38

HEX #14449D

RGB 20 68 157

HSL 218.98, 0.77%, 0.35%

LAB 31.15, 19.83, -52.7

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 87 / 0 / 83 / 38

HEX #149D1B

RGB 20 157 27

HSL 123.07, 0.77%, 0.35%

LAB 56.43, -57.63, 52.9

 

CMYK 83 / 87 / 0 / 38

HEX #1B149D

RGB 27 20 157

HSL 243.07, 0.77%, 0.35%

LAB 20.7, 49.24, -69.9

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 22 / 0 / 87 / 38

HEX #7B9D14

RGB 123 157 20

HSL 74.89, 0.77%, 0.35%

LAB 60.23, -29.43, 59.49

 

CMYK 87 / 4 / 0 / 38

HEX #14979D

RGB 20 151 157

HSL 182.63, 0.77%, 0.35%

LAB 56.8, -29.66, -12.46

 

CMYK 66 / 87 / 0 / 38

HEX #36149D

RGB 54 20 157

HSL 254.89, 0.77%, 0.35%

LAB 22.72, 50.92, -66.49

 

CMYK 0 / 83 / 87 / 38

HEX #9D1B14

RGB 157 27 20

HSL 3.07, 0.77%, 0.35%

LAB 33.99, 51.22, 38.82

 

CMYK 48 / 0 / 87 / 38

HEX #529D14

RGB 82 157 20

HSL 92.85, 0.77%, 0.35%

LAB 58, -44.83, 56.7

 

CMYK 87 / 4 / 0 / 38

HEX #14979D

RGB 20 151 157

HSL 182.63, 0.77%, 0.35%

LAB 56.8, -29.66, -12.46

 

CMYK 39 / 87 / 0 / 38

HEX #60149D

RGB 96 20 157

HSL 273.28, 0.77%, 0.35%

LAB 27.9, 55.6, -57.77

 

Description

Color code: RGB 157 27 20 | qconv.com Color code: RGB 157 27 20 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 27 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 27 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 87 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 87% 38% C M Y K

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Provide designers and agencies with accurate color values.

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