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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 46 249 it is the complementary color RGB 98 209 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 46 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 46 249 shade: RGB 162 46 244, RGB 179 64 255, RGB 196 82 255, RGB 213 100 255 and RGB 230 118 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 46 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 46 249 shade: RGB 157 46 249, RGB 140 28 230, RGB 123 10 211, RGB 106 0 192 and RGB 89 0 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 46 249 shade: RGB 157 47 248, RGB 211 47 248, RGB 248 47 231, RGB 248 47 176 and RGB 248 47 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 46 249 shade: RGB 157 47 248, RGB 103 47 248, RGB 48 47 248 and RGB 47 47 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 46 249 shade matches the following richer shades: RGB 157 47 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 46 249 shade: RGB 157 47 248, RGB 155 64 231, RGB 154 81 213, RGB 152 99 196 and RGB 150 116 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 46 249 shade: RGB 47 47 248, RGB 100 47 248, RGB 154 47 248, RGB 208 47 248 and RGB 248 47 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 46 249 shade: RGB 116 6 206, RGB 138 7 246, RGB 157 47 248, RGB 176 87 249 and RGB 194 127 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 46 249 shade: RGB 157 46 249, RGB 248 47 100 and RGB 47 248 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 46 249 shade: RGB 157 46 249, RGB 248 154 47 and RGB 47 248 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 46 249 shade: RGB 157 46 249, RGB 248 47 100, RGB 141 248 47 and RGB 47 248 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 46 249 shade: RGB 157 46 249, RGB 248 53 47, RGB 141 248 47 and RGB 47 241 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 82 / 0 / 2

HEX #9D2EF9

RGB 157 46 249

HSL 272.81, 0.94%, 0.58%

LAB 46.92, 76.54, -79.91

 

Complementary color

CMYK 53 / 0 / 97 / 18

HEX #62D106

RGB 98 209 6

HSL 92.81, 0.94%, 0.42%

LAB 74.96, -59.88, 73.03

 

CMYK 34 / 81 / 0 / 4

HEX #A22EF4

RGB 162 46 244

HSL 275.15, 0.9%, 0.57%

LAB 47.19, 76.2, -76.64

 

CMYK 30 / 75 / 0 / 0

HEX #B340FF

RGB 179 64 255

HSL 276.13, 1%, 0.63%

LAB 52.37, 75.19, -74.26

 

CMYK 23 / 68 / 0 / 0

HEX #C452FF

RGB 196 82 255

HSL 279.54, 1%, 0.66%

LAB 57.07, 71.36, -66.55

 

CMYK 16 / 61 / 0 / 0

HEX #D564FF

RGB 213 100 255

HSL 283.74, 1%, 0.7%

LAB 62.07, 67.26, -58.41

 

CMYK 10 / 54 / 0 / 0

HEX #E676FF

RGB 230 118 255

HSL 289.05, 1%, 0.73%

LAB 67.28, 63.09, -50

 

CMYK 37 / 82 / 0 / 2

HEX #9D2EF9

RGB 157 46 249

HSL 272.81, 0.94%, 0.58%

LAB 46.92, 76.54, -79.91

 

CMYK 39 / 88 / 0 / 10

HEX #8C1CE6

RGB 140 28 230

HSL 273.27, 0.8%, 0.51%

LAB 41.4, 75.1, -78.33

 

CMYK 42 / 95 / 0 / 17

HEX #7B0AD3

RGB 123 10 211

HSL 273.73, 0.91%, 0.43%

LAB 36.24, 72.41, -76.01

 

CMYK 45 / 100 / 0 / 25

HEX #6A00C0

RGB 106 0 192

HSL 273.13, 1%, 0.38%

LAB 31.51, 68.15, -72.78

 

CMYK 49 / 100 / 0 / 32

HEX #5900AD

RGB 89 0 173

HSL 270.87, 1%, 0.34%

LAB 27.13, 62.54, -68.77

 

CMYK 37 / 81 / 0 / 3

HEX #9D2FF8

RGB 157 47 248

HSL 272.84, 0.93%, 0.58%

LAB 46.95, 76.02, -79.32

 

CMYK 15 / 81 / 0 / 3

HEX #D32FF8

RGB 211 47 248

HSL 288.96, 0.93%, 0.58%

LAB 54.72, 84.36, -66.33

 

CMYK 0 / 81 / 7 / 3

HEX #F82FE7

RGB 248 47 231

HSL 305.07, 0.93%, 0.58%

LAB 59.67, 88.34, -48.57

 

CMYK 0 / 81 / 29 / 3

HEX #F82FB0

RGB 248 47 176

HSL 321.49, 0.93%, 0.58%

LAB 57.2, 81.46, -21.01

 

CMYK 0 / 81 / 51 / 3

HEX #F82F7A

RGB 248 47 122

HSL 337.61, 0.93%, 0.58%

LAB 55.48, 76.46, 8.33

 

CMYK 37 / 81 / 0 / 3

HEX #9D2FF8

RGB 157 47 248

HSL 272.84, 0.93%, 0.58%

LAB 46.95, 76.02, -79.32

 

CMYK 58 / 81 / 0 / 3

HEX #672FF8

RGB 103 47 248

HSL 256.72, 0.93%, 0.58%

LAB 40.73, 69.55, -89.77

 

CMYK 81 / 81 / 0 / 3

HEX #302FF8

RGB 48 47 248

HSL 240.3, 0.93%, 0.58%

LAB 36.82, 65.61, -96.37

 

CMYK 81 / 81 / 0 / 3

HEX #2F2FF8

RGB 47 47 248

HSL 240, 0.93%, 0.58%

LAB 36.77, 65.57, -96.45

 

CMYK 37 / 81 / 0 / 3

HEX #9D2FF8

RGB 157 47 248

HSL 272.84, 0.93%, 0.58%

LAB 46.95, 76.02, -79.32

 

CMYK 37 / 81 / 0 / 3

HEX #9D2FF8

RGB 157 47 248

HSL 272.84, 0.93%, 0.58%

LAB 46.95, 76.02, -79.32

 

CMYK 33 / 72 / 0 / 9

HEX #9B40E7

RGB 155 64 231

HSL 272.69, 0.78%, 0.58%

LAB 47.5, 65.87, -68.85

 

CMYK 28 / 62 / 0 / 16

HEX #9A51D5

RGB 154 81 213

HSL 273.18, 0.61%, 0.58%

LAB 48.96, 53.81, -56.28

 

CMYK 22 / 49 / 0 / 23

HEX #9863C4

RGB 152 99 196

HSL 272.78, 0.45%, 0.58%

LAB 51.36, 39.83, -42.71

 

CMYK 16 / 35 / 0 / 30

HEX #9674B3

RGB 150 116 179

HSL 272.38, 0.29%, 0.58%

LAB 54.27, 25.63, -28.39

 

CMYK 81 / 81 / 0 / 3

HEX #2F2FF8

RGB 47 47 248

HSL 240, 0.93%, 0.58%

LAB 36.77, 65.57, -96.45

 

CMYK 60 / 81 / 0 / 3

HEX #642FF8

RGB 100 47 248

HSL 255.82, 0.93%, 0.58%

LAB 40.44, 69.26, -90.25

 

CMYK 38 / 81 / 0 / 3

HEX #9A2FF8

RGB 154 47 248

HSL 271.94, 0.93%, 0.58%

LAB 46.55, 75.61, -79.98

 

CMYK 16 / 81 / 0 / 3

HEX #D02FF8

RGB 208 47 248

HSL 288.06, 0.93%, 0.58%

LAB 54.26, 83.86, -67.1

 

CMYK 0 / 81 / 5 / 3

HEX #F82FEB

RGB 248 47 235

HSL 303.88, 0.93%, 0.58%

LAB 59.88, 88.9, -50.48

 

CMYK 44 / 97 / 0 / 19

HEX #7406CE

RGB 116 6 206

HSL 273, 0.94%, 0.42%

LAB 34.6, 71.19, -75.84

 

CMYK 44 / 97 / 0 / 4

HEX #8A07F6

RGB 138 7 246

HSL 272.89, 0.94%, 0.5%

LAB 41.55, 81.42, -87.16

 

CMYK 37 / 81 / 0 / 3

HEX #9D2FF8

RGB 157 47 248

HSL 272.84, 0.93%, 0.58%

LAB 46.95, 76.02, -79.32

 

CMYK 29 / 65 / 0 / 2

HEX #B057F9

RGB 176 87 249

HSL 272.96, 0.93%, 0.66%

LAB 54.95, 63.83, -66.75

 

CMYK 23 / 49 / 0 / 2

HEX #C27FFB

RGB 194 127 251

HSL 272.42, 0.94%, 0.74%

LAB 64.65, 48.44, -52.23

 

CMYK 37 / 82 / 0 / 2

HEX #9D2EF9

RGB 157 46 249

HSL 272.81, 0.94%, 0.58%

LAB 46.92, 76.54, -79.91

 

CMYK 0 / 81 / 60 / 3

HEX #F82F64

RGB 248 47 100

HSL 344.18, 0.93%, 0.58%

LAB 54.98, 74.98, 20.8

 

CMYK 81 / 0 / 70 / 3

HEX #2FF84A

RGB 47 248 74

HSL 128.06, 0.93%, 0.58%

LAB 86.12, -78.5, 66.81

 

CMYK 37 / 82 / 0 / 2

HEX #9D2EF9

RGB 157 46 249

HSL 272.81, 0.94%, 0.58%

LAB 46.92, 76.54, -79.91

 

CMYK 0 / 38 / 81 / 3

HEX #F89A2F

RGB 248 154 47

HSL 31.94, 0.93%, 0.58%

LAB 71.74, 27.53, 66.25

 

CMYK 81 / 0 / 38 / 3

HEX #2FF89A

RGB 47 248 154

HSL 151.94, 0.93%, 0.58%

LAB 87.03, -67.63, 32.1

 

CMYK 37 / 82 / 0 / 2

HEX #9D2EF9

RGB 157 46 249

HSL 272.81, 0.94%, 0.58%

LAB 46.92, 76.54, -79.91

 

CMYK 0 / 81 / 60 / 3

HEX #F82F64

RGB 248 47 100

HSL 344.18, 0.93%, 0.58%

LAB 54.98, 74.98, 20.8

 

CMYK 43 / 0 / 81 / 3

HEX #8DF82F

RGB 141 248 47

HSL 91.94, 0.93%, 0.58%

LAB 88.45, -60.33, 78.17

 

CMYK 81 / 0 / 22 / 3

HEX #2FF8C2

RGB 47 248 194

HSL 163.88, 0.93%, 0.58%

LAB 87.79, -59.2, 12.72

 

CMYK 37 / 82 / 0 / 2

HEX #9D2EF9

RGB 157 46 249

HSL 272.81, 0.94%, 0.58%

LAB 46.92, 76.54, -79.91

 

CMYK 0 / 79 / 81 / 3

HEX #F8352F

RGB 248 53 47

HSL 1.79, 0.93%, 0.58%

LAB 54.77, 71.2, 50.7

 

CMYK 43 / 0 / 81 / 3

HEX #8DF82F

RGB 141 248 47

HSL 91.94, 0.93%, 0.58%

LAB 88.45, -60.33, 78.17

 

CMYK 81 / 3 / 0 / 3

HEX #2FF1F8

RGB 47 241 248

HSL 182.09, 0.93%, 0.58%

LAB 87.14, -42.1, -16.42

 

Description

Color code: RGB 157 46 249 | qconv.com Color code: RGB 157 46 249 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 46 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 46 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 82 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 82% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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