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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 89 181 it is the complementary color RGB 98 166 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 89 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 89 181 shade: RGB 162 89 176, RGB 179 107 195, RGB 196 125 214, RGB 213 143 233 and RGB 230 161 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 89 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 89 181 shade: RGB 157 89 181, RGB 140 71 162, RGB 123 53 143, RGB 106 35 124 and RGB 89 17 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 89 181 shade: RGB 156 89 180, RGB 180 89 179, RGB 180 89 155, RGB 180 89 130 and RGB 180 89 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 89 181 shade: RGB 156 89 180, RGB 132 89 180, RGB 107 89 180 and RGB 89 89 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 89 181 shade matches the following richer shades: RGB 156 89 180, RGB 166 70 200, RGB 175 50 219 and RGB 184 31 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 89 181 shade: RGB 156 89 180, RGB 147 108 161, RGB 138 128 141, RGB 129 147 122 and RGB 119 167 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 89 181 shade: RGB 107 89 180, RGB 132 89 180, RGB 156 89 180, RGB 180 89 180 and RGB 180 89 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 89 181 shade: RGB 110 58 129, RGB 135 71 158, RGB 156 89 180, RGB 173 118 193 and RGB 190 146 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 89 181 shade: RGB 157 89 181, RGB 180 89 95 and RGB 89 180 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 89 181 shade: RGB 157 89 181, RGB 180 156 89 and RGB 89 180 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 89 181 shade: RGB 157 89 181, RGB 180 89 95, RGB 113 180 89 and RGB 89 180 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 89 181 shade: RGB 157 89 181, RGB 180 110 89, RGB 113 180 89 and RGB 89 159 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 51 / 0 / 29

HEX #9D59B5

RGB 157 89 181

HSL 284.35, 0.38%, 0.53%

LAB 49.07, 43.35, -37.63

 

Complementary color

CMYK 41 / 0 / 55 / 35

HEX #62A64A

RGB 98 166 74

HSL 104.35, 0.38%, 0.47%

LAB 61.97, -39.12, 40.47

 

CMYK 8 / 49 / 0 / 31

HEX #A259B0

RGB 162 89 176

HSL 290.34, 0.36%, 0.52%

LAB 49.45, 43.75, -34.07

 

CMYK 8 / 45 / 0 / 24

HEX #B36BC3

RGB 179 107 195

HSL 289.09, 0.42%, 0.59%

LAB 56.13, 42.99, -34.43

 

CMYK 8 / 42 / 0 / 16

HEX #C47DD6

RGB 196 125 214

HSL 287.87, 0.52%, 0.66%

LAB 62.72, 42.22, -34.74

 

CMYK 9 / 39 / 0 / 9

HEX #D58FE9

RGB 213 143 233

HSL 286.67, 0.67%, 0.74%

LAB 69.24, 41.46, -35.01

 

CMYK 9 / 36 / 0 / 1

HEX #E6A1FC

RGB 230 161 252

HSL 285.49, 0.94%, 0.81%

LAB 75.66, 40.73, -35.26

 

CMYK 13 / 51 / 0 / 29

HEX #9D59B5

RGB 157 89 181

HSL 284.35, 0.38%, 0.53%

LAB 49.07, 43.35, -37.63

 

CMYK 14 / 56 / 0 / 36

HEX #8C47A2

RGB 140 71 162

HSL 285.49, 0.39%, 0.46%

LAB 42.29, 44.09, -37.28

 

CMYK 14 / 63 / 0 / 44

HEX #7B358F

RGB 123 53 143

HSL 286.67, 0.46%, 0.38%

LAB 35.48, 44.65, -36.76

 

CMYK 15 / 72 / 0 / 51

HEX #6A237C

RGB 106 35 124

HSL 287.87, 0.56%, 0.31%

LAB 28.7, 44.81, -35.93

 

CMYK 15 / 84 / 0 / 59

HEX #591169

RGB 89 17 105

HSL 289.09, 0.72%, 0.24%

LAB 22.11, 44.03, -34.49

 

CMYK 13 / 51 / 0 / 29

HEX #9C59B4

RGB 156 89 180

HSL 284.18, 0.38%, 0.53%

LAB 48.89, 42.85, -37.33

 

CMYK 0 / 51 / 1 / 29

HEX #B459B3

RGB 180 89 179

HSL 300.66, 0.38%, 0.53%

LAB 51.95, 49.53, -31.73

 

CMYK 0 / 51 / 14 / 29

HEX #B4599B

RGB 180 89 155

HSL 316.48, 0.38%, 0.53%

LAB 50.94, 45.4, -19.24

 

CMYK 0 / 51 / 28 / 29

HEX #B45982

RGB 180 89 130

HSL 332.97, 0.38%, 0.53%

LAB 50.05, 41.64, -5.73

 

CMYK 0 / 51 / 41 / 29

HEX #B4596A

RGB 180 89 106

HSL 348.79, 0.38%, 0.53%

LAB 49.36, 38.62, 7.66

 

CMYK 13 / 51 / 0 / 29

HEX #9C59B4

RGB 156 89 180

HSL 284.18, 0.38%, 0.53%

LAB 48.89, 42.85, -37.33

 

CMYK 27 / 51 / 0 / 29

HEX #8459B4

RGB 132 89 180

HSL 268.35, 0.38%, 0.53%

LAB 46.1, 36.14, -41.92

 

CMYK 41 / 51 / 0 / 29

HEX #6B59B4

RGB 107 89 180

HSL 251.87, 0.38%, 0.53%

LAB 43.6, 29.55, -46.05

 

CMYK 51 / 51 / 0 / 29

HEX #5959B4

RGB 89 89 180

HSL 240, 0.38%, 0.53%

LAB 42.1, 25.25, -48.55

 

CMYK 13 / 51 / 0 / 29

HEX #9C59B4

RGB 156 89 180

HSL 284.18, 0.38%, 0.53%

LAB 48.89, 42.85, -37.33

 

CMYK 17 / 65 / 0 / 22

HEX #A646C8

RGB 166 70 200

HSL 284.31, 0.54%, 0.53%

LAB 47.83, 58.93, -50.54

 

CMYK 20 / 77 / 0 / 14

HEX #AF32DB

RGB 175 50 219

HSL 284.38, 0.7%, 0.53%

LAB 47.64, 72.11, -61.69

 

CMYK 23 / 87 / 0 / 7

HEX #B81FEE

RGB 184 31 238

HSL 284.35, 0.86%, 0.53%

LAB 48.69, 81.89, -70.69

 

CMYK 13 / 51 / 0 / 29

HEX #9C59B4

RGB 156 89 180

HSL 284.18, 0.38%, 0.53%

LAB 48.89, 42.85, -37.33

 

CMYK 9 / 33 / 0 / 37

HEX #936CA1

RGB 147 108 161

HSL 284.15, 0.22%, 0.53%

LAB 51.27, 25.32, -22.61

 

CMYK 2 / 9 / 0 / 45

HEX #8A808D

RGB 138 128 141

HSL 286.15, 0.05%, 0.53%

LAB 54.83, 6.32, -5.64

 

CMYK 12 / 0 / 17 / 42

HEX #81937A

RGB 129 147 122

HSL 103.2, 0.1%, 0.53%

LAB 58.92, -11.35, 11.1

 

CMYK 29 / 0 / 38 / 35

HEX #77A767

RGB 119 167 103

HSL 105, 0.27%, 0.53%

LAB 63.79, -28.43, 28.09

 

CMYK 41 / 51 / 0 / 29

HEX #6B59B4

RGB 107 89 180

HSL 251.87, 0.38%, 0.53%

LAB 43.6, 29.55, -46.05

 

CMYK 27 / 51 / 0 / 29

HEX #8459B4

RGB 132 89 180

HSL 268.35, 0.38%, 0.53%

LAB 46.1, 36.14, -41.92

 

CMYK 13 / 51 / 0 / 29

HEX #9C59B4

RGB 156 89 180

HSL 284.18, 0.38%, 0.53%

LAB 48.89, 42.85, -37.33

 

CMYK 0 / 51 / 0 / 29

HEX #B459B4

RGB 180 89 180

HSL 300, 0.38%, 0.53%

LAB 52, 49.71, -32.23

 

CMYK 0 / 51 / 13 / 29

HEX #B4599C

RGB 180 89 156

HSL 315.82, 0.38%, 0.53%

LAB 50.98, 45.56, -19.77

 

CMYK 15 / 55 / 0 / 49

HEX #6E3A81

RGB 110 58 129

HSL 283.94, 0.38%, 0.37%

LAB 33.83, 35.4, -30.86

 

CMYK 15 / 55 / 0 / 38

HEX #87479E

RGB 135 71 158

HSL 284.14, 0.38%, 0.45%

LAB 41.42, 41.85, -36.32

 

CMYK 13 / 51 / 0 / 29

HEX #9C59B4

RGB 156 89 180

HSL 284.18, 0.38%, 0.53%

LAB 48.89, 42.85, -37.33

 

CMYK 10 / 39 / 0 / 24

HEX #AD76C1

RGB 173 118 193

HSL 284, 0.38%, 0.61%

LAB 57.74, 34.76, -30.83

 

CMYK 8 / 29 / 0 / 19

HEX #BE92CE

RGB 190 146 206

HSL 284, 0.38%, 0.69%

LAB 66.49, 27.25, -24.51

 

CMYK 13 / 51 / 0 / 29

HEX #9D59B5

RGB 157 89 181

HSL 284.35, 0.38%, 0.53%

LAB 49.07, 43.35, -37.63

 

CMYK 0 / 51 / 47 / 29

HEX #B4595F

RGB 180 89 95

HSL 356.04, 0.38%, 0.53%

LAB 49.1, 37.44, 13.89

 

CMYK 51 / 0 / 34 / 29

HEX #59B477

RGB 89 180 119

HSL 139.78, 0.38%, 0.53%

LAB 66.59, -40.99, 23.01

 

CMYK 13 / 51 / 0 / 29

HEX #9D59B5

RGB 157 89 181

HSL 284.35, 0.38%, 0.53%

LAB 49.07, 43.35, -37.63

 

CMYK 0 / 13 / 51 / 29

HEX #B49C59

RGB 180 156 89

HSL 44.18, 0.38%, 0.53%

LAB 65.12, 0.02, 38.11

 

CMYK 51 / 0 / 13 / 29

HEX #59B49C

RGB 89 180 156

HSL 164.18, 0.38%, 0.53%

LAB 67.4, -33.09, 3.94

 

CMYK 13 / 51 / 0 / 29

HEX #9D59B5

RGB 157 89 181

HSL 284.35, 0.38%, 0.53%

LAB 49.07, 43.35, -37.63

 

CMYK 0 / 51 / 47 / 29

HEX #B4595F

RGB 180 89 95

HSL 356.04, 0.38%, 0.53%

LAB 49.1, 37.44, 13.89

 

CMYK 37 / 0 / 51 / 29

HEX #71B459

RGB 113 180 89

HSL 104.18, 0.38%, 0.53%

LAB 67.18, -38.47, 39.54

 

CMYK 51 / 0 / 3 / 29

HEX #59B4AE

RGB 89 180 174

HSL 176.04, 0.38%, 0.53%

LAB 67.89, -28.58, -5.29

 

CMYK 13 / 51 / 0 / 29

HEX #9D59B5

RGB 157 89 181

HSL 284.35, 0.38%, 0.53%

LAB 49.07, 43.35, -37.63

 

CMYK 0 / 39 / 51 / 29

HEX #B46E59

RGB 180 110 89

HSL 13.85, 0.38%, 0.53%

LAB 53.57, 25.52, 23.45

 

CMYK 37 / 0 / 51 / 29

HEX #71B459

RGB 113 180 89

HSL 104.18, 0.38%, 0.53%

LAB 67.18, -38.47, 39.54

 

CMYK 51 / 12 / 0 / 29

HEX #599FB4

RGB 89 159 180

HSL 193.85, 0.38%, 0.53%

LAB 61.84, -16.2, -17.7

 

Description

Color code: RGB 157 89 181 | qconv.com Color code: RGB 157 89 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 89 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 89 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 51 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 51% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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