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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 19 138 it is the complementary color RGB 97 236 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 19 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 158 19 138 shade: RGB 163 19 133, RGB 180 37 152, RGB 197 55 171, RGB 214 73 190 and RGB 231 91 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 19 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 158 19 138 shade: RGB 158 19 138, RGB 141 1 119, RGB 124 0 100, RGB 107 0 81 and RGB 90 0 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 158 19 138 shade: RGB 159 18 139, RGB 159 18 101, RGB 159 18 63, RGB 159 18 25 and RGB 159 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 158 19 138 shade: RGB 159 18 139, RGB 142 18 159, RGB 103 18 159, RGB 65 18 159 and RGB 27 18 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 158 19 138 shade matches the following richer shades: RGB 159 18 139 and RGB 174 4 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 158 19 138 shade: RGB 159 18 139, RGB 145 33 129, RGB 130 47 118, RGB 116 62 108 and RGB 101 76 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 158 19 138 shade: RGB 103 18 159, RGB 140 18 159, RGB 159 18 140, RGB 159 18 103 and RGB 159 18 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 158 19 138 shade: RGB 85 10 74, RGB 122 14 107, RGB 159 18 139, RGB 196 23 171 and RGB 228 32 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 158 19 138 shade: RGB 158 19 138, RGB 159 65 18 and RGB 18 159 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 158 19 138 shade: RGB 158 19 138, RGB 140 159 18 and RGB 18 140 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 158 19 138 shade: RGB 158 19 138, RGB 159 65 18, RGB 18 159 37 and RGB 18 112 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 158 19 138 shade: RGB 158 19 138, RGB 159 108 18, RGB 18 159 37 and RGB 18 70 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 13 / 38

HEX #9E138A

RGB 158 19 138

HSL 308.63, 0.79%, 0.35%

LAB 37.06, 63.24, -30.81

 

Complementary color

CMYK 59 / 0 / 50 / 7

HEX #61EC75

RGB 97 236 117

HSL 128.63, 0.79%, 0.65%

LAB 83.87, -61.69, 46.33

 

CMYK 0 / 88 / 18 / 36

HEX #A31385

RGB 163 19 133

HSL 312.5, 0.79%, 0.36%

LAB 37.74, 63.59, -26.58

 

CMYK 0 / 79 / 16 / 29

HEX #B42598

RGB 180 37 152

HSL 311.75, 0.66%, 0.43%

LAB 43.2, 65.82, -29.42

 

CMYK 0 / 72 / 13 / 23

HEX #C537AB

RGB 197 55 171

HSL 310.99, 0.56%, 0.49%

LAB 48.94, 67, -31.57

 

CMYK 0 / 66 / 11 / 16

HEX #D649BE

RGB 214 73 190

HSL 310.21, 0.63%, 0.56%

LAB 54.84, 67.48, -33.21

 

CMYK 0 / 61 / 10 / 9

HEX #E75BD1

RGB 231 91 209

HSL 309.43, 0.74%, 0.63%

LAB 60.85, 67.5, -34.51

 

CMYK 0 / 88 / 13 / 38

HEX #9E138A

RGB 158 19 138

HSL 308.63, 0.79%, 0.35%

LAB 37.06, 63.24, -30.81

 

CMYK 0 / 99 / 16 / 45

HEX #8D0177

RGB 141 1 119

HSL 309.43, 0.99%, 0.28%

LAB 31.84, 59.86, -27.38

 

CMYK 0 / 100 / 19 / 51

HEX #7C0064

RGB 124 0 100

HSL 311.61, 1%, 0.24%

LAB 27.31, 54.08, -22.53

 

CMYK 0 / 100 / 24 / 58

HEX #6B0051

RGB 107 0 81

HSL 314.58, 1%, 0.21%

LAB 22.72, 48.01, -17.37

 

CMYK 0 / 100 / 31 / 65

HEX #5A003E

RGB 90 0 62

HSL 318.67, 1%, 0.18%

LAB 18.02, 41.8, -11.89

 

CMYK 0 / 89 / 13 / 38

HEX #9F128B

RGB 159 18 139

HSL 308.51, 0.8%, 0.35%

LAB 37.24, 63.77, -31.13

 

CMYK 0 / 89 / 36 / 38

HEX #9F1265

RGB 159 18 101

HSL 324.68, 0.8%, 0.35%

LAB 35.48, 59.04, -9.99

 

CMYK 0 / 89 / 60 / 38

HEX #9F123F

RGB 159 18 63

HSL 340.85, 0.8%, 0.35%

LAB 34.32, 55.76, 12.98

 

CMYK 0 / 89 / 84 / 38

HEX #9F1219

RGB 159 18 25

HSL 357.02, 0.8%, 0.35%

LAB 33.72, 54.02, 36.08

 

CMYK 0 / 89 / 89 / 38

HEX #9F1212

RGB 159 18 18

HSL 0, 0.8%, 0.35%

LAB 33.66, 53.86, 39.72

 

CMYK 0 / 89 / 13 / 38

HEX #9F128B

RGB 159 18 139

HSL 308.51, 0.8%, 0.35%

LAB 37.24, 63.77, -31.13

 

CMYK 11 / 89 / 0 / 38

HEX #8E129F

RGB 142 18 159

HSL 292.77, 0.8%, 0.35%

LAB 35.37, 63.71, -46.51

 

CMYK 35 / 89 / 0 / 38

HEX #67129F

RGB 103 18 159

HSL 276.17, 0.8%, 0.35%

LAB 28.95, 57.55, -57.23

 

CMYK 59 / 89 / 0 / 38

HEX #41129F

RGB 65 18 159

HSL 260, 0.8%, 0.35%

LAB 23.87, 53.1, -65.78

 

CMYK 83 / 89 / 0 / 38

HEX #1B129F

RGB 27 18 159

HSL 243.83, 0.8%, 0.35%

LAB 20.71, 50.62, -71.12

 

CMYK 0 / 89 / 13 / 38

HEX #9F128B

RGB 159 18 139

HSL 308.51, 0.8%, 0.35%

LAB 37.24, 63.77, -31.13

 

CMYK 0 / 98 / 14 / 32

HEX #AE0495

RGB 174 4 149

HSL 308.82, 0.96%, 0.35%

LAB 40.01, 69.82, -32.7

 

CMYK 0 / 89 / 13 / 38

HEX #9F128B

RGB 159 18 139

HSL 308.51, 0.8%, 0.35%

LAB 37.24, 63.77, -31.13

 

CMYK 0 / 77 / 11 / 43

HEX #912181

RGB 145 33 129

HSL 308.57, 0.63%, 0.35%

LAB 35.39, 55.64, -28.04

 

CMYK 0 / 64 / 9 / 49

HEX #822F76

RGB 130 47 118

HSL 308.67, 0.47%, 0.35%

LAB 34.16, 44.61, -23.26

 

CMYK 0 / 47 / 7 / 55

HEX #743E6C

RGB 116 62 108

HSL 308.89, 0.3%, 0.35%

LAB 34.48, 30.66, -16.64

 

CMYK 0 / 25 / 3 / 60

HEX #654C62

RGB 101 76 98

HSL 307.2, 0.14%, 0.35%

LAB 35.63, 14.72, -8.76

 

CMYK 35 / 89 / 0 / 38

HEX #67129F

RGB 103 18 159

HSL 276.17, 0.8%, 0.35%

LAB 28.95, 57.55, -57.23

 

CMYK 12 / 89 / 0 / 38

HEX #8C129F

RGB 140 18 159

HSL 291.91, 0.8%, 0.35%

LAB 35.03, 63.36, -47.09

 

CMYK 0 / 89 / 12 / 38

HEX #9F128C

RGB 159 18 140

HSL 308.09, 0.8%, 0.35%

LAB 37.29, 63.91, -31.67

 

CMYK 0 / 89 / 35 / 38

HEX #9F1267

RGB 159 18 103

HSL 323.83, 0.8%, 0.35%

LAB 35.56, 59.25, -11.15

 

CMYK 0 / 89 / 59 / 38

HEX #9F1241

RGB 159 18 65

HSL 340, 0.8%, 0.35%

LAB 34.37, 55.89, 11.73

 

CMYK 0 / 88 / 13 / 67

HEX #550A4A

RGB 85 10 74

HSL 308.8, 0.79%, 0.19%

LAB 18.55, 39.54, -19.47

 

CMYK 0 / 89 / 12 / 52

HEX #7A0E6B

RGB 122 14 107

HSL 308.33, 0.79%, 0.27%

LAB 28.15, 52.15, -25.78

 

CMYK 0 / 89 / 13 / 38

HEX #9F128B

RGB 159 18 139

HSL 308.51, 0.8%, 0.35%

LAB 37.24, 63.77, -31.13

 

CMYK 0 / 88 / 13 / 23

HEX #C417AB

RGB 196 23 171

HSL 308.67, 0.79%, 0.43%

LAB 46.03, 74.66, -36.15

 

CMYK 0 / 86 / 12 / 11

HEX #E420C8

RGB 228 32 200

HSL 308.57, 0.78%, 0.51%

LAB 53.7, 83.2, -40.6

 

CMYK 0 / 88 / 13 / 38

HEX #9E138A

RGB 158 19 138

HSL 308.63, 0.79%, 0.35%

LAB 37.06, 63.24, -30.81

 

CMYK 0 / 59 / 89 / 38

HEX #9F4112

RGB 159 65 18

HSL 20, 0.8%, 0.35%

LAB 39.91, 36.8, 44.75

 

CMYK 89 / 0 / 23 / 38

HEX #129F7A

RGB 18 159 122

HSL 164.26, 0.8%, 0.35%

LAB 58.35, -43.47, 9.7

 

CMYK 0 / 88 / 13 / 38

HEX #9E138A

RGB 158 19 138

HSL 308.63, 0.79%, 0.35%

LAB 37.06, 63.24, -30.81

 

CMYK 12 / 0 / 89 / 38

HEX #8C9F12

RGB 140 159 18

HSL 68.09, 0.8%, 0.35%

LAB 62.01, -23.23, 61.88

 

CMYK 89 / 12 / 0 / 38

HEX #128C9F

RGB 18 140 159

HSL 188.09, 0.8%, 0.35%

LAB 53.37, -23.6, -18.81

 

CMYK 0 / 88 / 13 / 38

HEX #9E138A

RGB 158 19 138

HSL 308.63, 0.79%, 0.35%

LAB 37.06, 63.24, -30.81

 

CMYK 0 / 59 / 89 / 38

HEX #9F4112

RGB 159 65 18

HSL 20, 0.8%, 0.35%

LAB 39.91, 36.8, 44.75

 

CMYK 89 / 0 / 77 / 38

HEX #129F25

RGB 18 159 37

HSL 128.09, 0.8%, 0.35%

LAB 57.13, -57.73, 50.4

 

CMYK 89 / 30 / 0 / 38

HEX #12709F

RGB 18 112 159

HSL 200, 0.8%, 0.35%

LAB 44.55, -8.06, -32.48

 

CMYK 0 / 88 / 13 / 38

HEX #9E138A

RGB 158 19 138

HSL 308.63, 0.79%, 0.35%

LAB 37.06, 63.24, -30.81

 

CMYK 0 / 32 / 89 / 38

HEX #9F6C12

RGB 159 108 18

HSL 38.3, 0.8%, 0.35%

LAB 49.67, 13.21, 52.6

 

CMYK 89 / 0 / 77 / 38

HEX #129F25

RGB 18 159 37

HSL 128.09, 0.8%, 0.35%

LAB 57.13, -57.73, 50.4

 

CMYK 89 / 56 / 0 / 38

HEX #12469F

RGB 18 70 159

HSL 217.87, 0.8%, 0.35%

LAB 31.83, 19.13, -52.81

 

Description

Color code: RGB 158 19 138 | qconv.com Color code: RGB 158 19 138 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 19 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 19 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 13 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 13% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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