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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 99 134 it is the complementary color RGB 97 156 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 99 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 158 99 134 shade: RGB 163 99 129, RGB 180 117 148, RGB 197 135 167, RGB 214 153 186 and RGB 231 171 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 99 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 158 99 134 shade: RGB 158 99 134, RGB 141 81 115, RGB 124 63 96, RGB 107 45 77 and RGB 90 27 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 158 99 134 shade: RGB 156 98 132, RGB 156 98 117, RGB 156 98 101 and RGB 156 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 158 99 134 shade: RGB 156 98 132, RGB 156 98 148, RGB 149 98 156, RGB 133 98 156 and RGB 117 98 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 158 99 134 shade matches the following richer shades: RGB 156 98 132, RGB 177 77 136, RGB 198 56 140, RGB 218 36 144 and RGB 239 15 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 158 99 134 shade: RGB 156 98 132, RGB 136 118 129, RGB 115 139 125, RGB 94 160 121 and RGB 74 180 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 158 99 134 shade: RGB 149 98 156, RGB 156 98 149, RGB 156 98 133, RGB 156 98 117 and RGB 156 98 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 158 99 134 shade: RGB 106 66 89, RGB 131 82 111, RGB 156 98 132, RGB 172 123 152 and RGB 188 148 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 158 99 134 shade: RGB 158 99 134, RGB 156 133 98 and RGB 98 156 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 158 99 134 shade: RGB 158 99 134, RGB 133 156 98 and RGB 98 133 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 158 99 134 shade: RGB 158 99 134, RGB 156 133 98, RGB 98 156 121 and RGB 98 121 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 158 99 134 shade: RGB 158 99 134, RGB 156 150 98, RGB 98 156 121 and RGB 98 104 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 15 / 38

HEX #9E6386

RGB 158 99 134

HSL 324.41, 0.23%, 0.5%

LAB 49.39, 29.11, -9.41

 

Complementary color

CMYK 38 / 0 / 22 / 39

HEX #619C79

RGB 97 156 121

HSL 144.41, 0.23%, 0.5%

LAB 59.62, -27.2, 12.36

 

CMYK 0 / 39 / 21 / 36

HEX #A36381

RGB 163 99 129

HSL 331.88, 0.26%, 0.51%

LAB 49.85, 30.1, -5.68

 

CMYK 0 / 35 / 18 / 29

HEX #B47594

RGB 180 117 148

HSL 330.48, 0.3%, 0.58%

LAB 56.65, 29.28, -6.53

 

CMYK 0 / 31 / 15 / 23

HEX #C587A7

RGB 197 135 167

HSL 329.03, 0.35%, 0.65%

LAB 63.33, 28.53, -7.28

 

CMYK 0 / 29 / 13 / 16

HEX #D699BA

RGB 214 153 186

HSL 327.54, 0.43%, 0.72%

LAB 69.91, 27.82, -7.97

 

CMYK 0 / 26 / 11 / 9

HEX #E7ABCD

RGB 231 171 205

HSL 326, 0.56%, 0.79%

LAB 76.39, 27.18, -8.61

 

CMYK 0 / 37 / 15 / 38

HEX #9E6386

RGB 158 99 134

HSL 324.41, 0.23%, 0.5%

LAB 49.39, 29.11, -9.41

 

CMYK 0 / 43 / 18 / 45

HEX #8D5173

RGB 141 81 115

HSL 326, 0.27%, 0.44%

LAB 42.44, 29.94, -8.58

 

CMYK 0 / 49 / 23 / 51

HEX #7C3F60

RGB 124 63 96

HSL 327.54, 0.33%, 0.37%

LAB 35.37, 30.8, -7.59

 

CMYK 0 / 58 / 28 / 58

HEX #6B2D4D

RGB 107 45 77

HSL 329.03, 0.41%, 0.3%

LAB 28.22, 31.61, -6.29

 

CMYK 0 / 70 / 36 / 65

HEX #5A1B3A

RGB 90 27 58

HSL 330.48, 0.54%, 0.23%

LAB 21.07, 32.11, -4.46

 

CMYK 0 / 37 / 15 / 39

HEX #9C6284

RGB 156 98 132

HSL 324.83, 0.23%, 0.5%

LAB 48.85, 28.61, -9.06

 

CMYK 0 / 37 / 25 / 39

HEX #9C6275

RGB 156 98 117

HSL 340.34, 0.23%, 0.5%

LAB 48.37, 26.19, -0.79

 

CMYK 0 / 37 / 35 / 39

HEX #9C6265

RGB 156 98 101

HSL 356.9, 0.23%, 0.5%

LAB 47.93, 23.92, 8.18

 

CMYK 0 / 37 / 37 / 39

HEX #9C6262

RGB 156 98 98

HSL 0, 0.23%, 0.5%

LAB 47.86, 23.53, 9.87

 

CMYK 0 / 37 / 15 / 39

HEX #9C6284

RGB 156 98 132

HSL 324.83, 0.23%, 0.5%

LAB 48.85, 28.61, -9.06

 

CMYK 0 / 37 / 5 / 39

HEX #9C6294

RGB 156 98 148

HSL 308.28, 0.23%, 0.5%

LAB 49.42, 31.47, -17.69

 

CMYK 4 / 37 / 0 / 39

HEX #95629C

RGB 149 98 156

HSL 292.76, 0.23%, 0.5%

LAB 48.92, 30.7, -23.28

 

CMYK 15 / 37 / 0 / 39

HEX #85629C

RGB 133 98 156

HSL 276.21, 0.23%, 0.5%

LAB 47.13, 25.47, -26.18

 

CMYK 25 / 37 / 0 / 39

HEX #75629C

RGB 117 98 156

HSL 259.66, 0.23%, 0.5%

LAB 45.52, 20.38, -28.81

 

CMYK 0 / 37 / 15 / 39

HEX #9C6284

RGB 156 98 132

HSL 324.83, 0.23%, 0.5%

LAB 48.85, 28.61, -9.06

 

CMYK 0 / 56 / 23 / 31

HEX #B14D88

RGB 177 77 136

HSL 324.6, 0.39%, 0.5%

LAB 47.54, 47.47, -13.14

 

CMYK 0 / 72 / 29 / 22

HEX #C6388C

RGB 198 56 140

HSL 324.51, 0.56%, 0.5%

LAB 47.91, 62.79, -14.65

 

CMYK 0 / 83 / 34 / 15

HEX #DA2490

RGB 218 36 144

HSL 324.4, 0.72%, 0.5%

LAB 49.71, 73.68, -13.99

 

CMYK 0 / 94 / 38 / 6

HEX #EF0F94

RGB 239 15 148

HSL 324.38, 0.88%, 0.5%

LAB 52.76, 81.74, -11.4

 

CMYK 0 / 37 / 15 / 39

HEX #9C6284

RGB 156 98 132

HSL 324.83, 0.23%, 0.5%

LAB 48.85, 28.61, -9.06

 

CMYK 0 / 13 / 5 / 47

HEX #887681

RGB 136 118 129

HSL 323.33, 0.07%, 0.5%

LAB 51.58, 9.01, -3.45

 

CMYK 17 / 0 / 10 / 45

HEX #738B7D

RGB 115 139 125

HSL 145, 0.09%, 0.5%

LAB 55.68, -11.53, 4.64

 

CMYK 41 / 0 / 24 / 37

HEX #5EA079

RGB 94 160 121

HSL 144.55, 0.26%, 0.5%

LAB 60.69, -30.06, 13.85

 

CMYK 59 / 0 / 35 / 29

HEX #4AB475

RGB 74 180 117

HSL 144.34, 0.42%, 0.5%

LAB 66.05, -45, 23.25

 

CMYK 4 / 37 / 0 / 39

HEX #95629C

RGB 149 98 156

HSL 292.76, 0.23%, 0.5%

LAB 48.92, 30.7, -23.28

 

CMYK 0 / 37 / 4 / 39

HEX #9C6295

RGB 156 98 149

HSL 307.24, 0.23%, 0.5%

LAB 49.46, 31.66, -18.23

 

CMYK 0 / 37 / 15 / 39

HEX #9C6285

RGB 156 98 133

HSL 323.79, 0.23%, 0.5%

LAB 48.88, 28.78, -9.6

 

CMYK 0 / 37 / 25 / 39

HEX #9C6275

RGB 156 98 117

HSL 340.34, 0.23%, 0.5%

LAB 48.37, 26.19, -0.79

 

CMYK 0 / 37 / 35 / 39

HEX #9C6266

RGB 156 98 102

HSL 355.86, 0.23%, 0.5%

LAB 47.96, 24.05, 7.61

 

CMYK 0 / 38 / 16 / 58

HEX #6A4259

RGB 106 66 89

HSL 325.5, 0.23%, 0.34%

LAB 33.31, 21.07, -6.47

 

CMYK 0 / 37 / 15 / 49

HEX #83526F

RGB 131 82 111

HSL 324.49, 0.23%, 0.42%

LAB 41.23, 25, -8.07

 

CMYK 0 / 37 / 15 / 39

HEX #9C6284

RGB 156 98 132

HSL 324.83, 0.23%, 0.5%

LAB 48.85, 28.61, -9.06

 

CMYK 0 / 28 / 12 / 33

HEX #AC7B98

RGB 172 123 152

HSL 324.49, 0.23%, 0.58%

LAB 57.27, 23.7, -8.01

 

CMYK 0 / 21 / 9 / 26

HEX #BC94AC

RGB 188 148 172

HSL 324, 0.23%, 0.66%

LAB 65.63, 18.97, -6.8

 

CMYK 0 / 37 / 15 / 38

HEX #9E6386

RGB 158 99 134

HSL 324.41, 0.23%, 0.5%

LAB 49.39, 29.11, -9.41

 

CMYK 0 / 15 / 37 / 39

HEX #9C8562

RGB 156 133 98

HSL 36.21, 0.23%, 0.5%

LAB 56.81, 3.53, 22.13

 

CMYK 37 / 0 / 0 / 39

HEX #629C9C

RGB 98 156 156

HSL 180, 0.23%, 0.5%

LAB 60.58, -18.85, -6

 

CMYK 0 / 37 / 15 / 38

HEX #9E6386

RGB 158 99 134

HSL 324.41, 0.23%, 0.5%

LAB 49.39, 29.11, -9.41

 

CMYK 15 / 0 / 37 / 39

HEX #859C62

RGB 133 156 98

HSL 83.79, 0.23%, 0.5%

LAB 61.35, -18.39, 27.76

 

CMYK 37 / 15 / 0 / 39

HEX #62859C

RGB 98 133 156

HSL 203.79, 0.23%, 0.5%

LAB 53.78, -6.28, -16.2

 

CMYK 0 / 37 / 15 / 38

HEX #9E6386

RGB 158 99 134

HSL 324.41, 0.23%, 0.5%

LAB 49.39, 29.11, -9.41

 

CMYK 0 / 15 / 37 / 39

HEX #9C8562

RGB 156 133 98

HSL 36.21, 0.23%, 0.5%

LAB 56.81, 3.53, 22.13

 

CMYK 37 / 0 / 22 / 39

HEX #629C79

RGB 98 156 121

HSL 143.79, 0.23%, 0.5%

LAB 59.67, -26.9, 12.44

 

CMYK 37 / 22 / 0 / 39

HEX #62799C

RGB 98 121 156

HSL 216.21, 0.23%, 0.5%

LAB 50.3, 0.69, -21.53

 

CMYK 0 / 37 / 15 / 38

HEX #9E6386

RGB 158 99 134

HSL 324.41, 0.23%, 0.5%

LAB 49.39, 29.11, -9.41

 

CMYK 0 / 4 / 37 / 39

HEX #9C9662

RGB 156 150 98

HSL 53.79, 0.23%, 0.5%

LAB 61.45, -5.87, 28.24

 

CMYK 37 / 0 / 22 / 39

HEX #629C79

RGB 98 156 121

HSL 143.79, 0.23%, 0.5%

LAB 59.67, -26.9, 12.44

 

CMYK 37 / 33 / 0 / 39

HEX #62689C

RGB 98 104 156

HSL 233.79, 0.23%, 0.5%

LAB 45.49, 10.95, -28.97

 

Description

Color code: RGB 158 99 134 | qconv.com Color code: RGB 158 99 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 99 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 99 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 15 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 15% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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