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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 0 183 it is the complementary color RGB 96 255 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 0 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 0 183 shade: RGB 164 0 178, RGB 181 18 197, RGB 198 36 216, RGB 215 54 235 and RGB 232 72 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 0 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 0 183 shade: RGB 159 0 183, RGB 142 0 164, RGB 125 0 145, RGB 108 0 126 and RGB 91 0 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 0 183 shade: RGB 159 0 183, RGB 183 0 158, RGB 183 0 108, RGB 183 0 59 and RGB 183 0 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 0 183 shade: RGB 159 0 183, RGB 110 0 183, RGB 60 0 183, RGB 10 0 183 and RGB 0 0 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 0 183 shade matches the following richer shades: RGB 159 0 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 0 183 shade: RGB 159 0 183, RGB 148 14 168, RGB 137 29 153, RGB 126 44 139 and RGB 115 59 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 0 183 shade: RGB 61 0 183, RGB 110 0 183, RGB 159 0 183, RGB 183 0 159 and RGB 183 0 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 0 183 shade: RGB 87 0 101, RGB 123 0 142, RGB 159 0 183, RGB 195 0 224 and RGB 223 11 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 0 183 shade: RGB 159 0 183, RGB 183 12 0 and RGB 0 183 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 0 183 shade: RGB 159 0 183, RGB 183 159 0 and RGB 0 183 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 0 183 shade: RGB 159 0 183, RGB 183 12 0, RGB 24 183 0 and RGB 0 171 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 0 183 shade: RGB 159 0 183, RGB 183 67 0, RGB 24 183 0 and RGB 0 116 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

Complementary color

CMYK 62 / 0 / 72 / 0

HEX #60FF48

RGB 96 255 72

HSL 112.13, 1%, 0.64%

LAB 89.15, -73.13, 70.9

 

CMYK 8 / 100 / 0 / 30

HEX #A400B2

RGB 164 0 178

HSL 295.28, 1%, 0.35%

LAB 39.76, 72.79, -50.63

 

CMYK 8 / 91 / 0 / 23

HEX #B512C5

RGB 181 18 197

HSL 294.64, 0.83%, 0.42%

LAB 44.64, 76.57, -53.79

 

CMYK 8 / 83 / 0 / 15

HEX #C624D8

RGB 198 36 216

HSL 294, 0.71%, 0.49%

LAB 49.77, 79.33, -56.35

 

CMYK 9 / 77 / 0 / 8

HEX #D736EB

RGB 215 54 235

HSL 293.37, 0.82%, 0.57%

LAB 55.16, 81.06, -58.32

 

CMYK 9 / 72 / 0 / 0

HEX #E848FE

RGB 232 72 254

HSL 292.75, 0.99%, 0.64%

LAB 60.73, 82.05, -59.83

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 13 / 100 / 0 / 36

HEX #8E00A4

RGB 142 0 164

HSL 291.95, 1%, 0.32%

LAB 34.87, 67.12, -50.35

 

CMYK 14 / 100 / 0 / 43

HEX #7D0091

RGB 125 0 145

HSL 291.72, 1%, 0.28%

LAB 30.41, 61.27, -46.11

 

CMYK 14 / 100 / 0 / 51

HEX #6C007E

RGB 108 0 126

HSL 291.43, 1%, 0.25%

LAB 25.85, 55.28, -41.77

 

CMYK 15 / 100 / 0 / 58

HEX #5B006B

RGB 91 0 107

HSL 291.03, 1%, 0.21%

LAB 21.15, 49.12, -37.31

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 0 / 100 / 14 / 28

HEX #B7009E

RGB 183 0 158

HSL 308.2, 1%, 0.36%

LAB 42.06, 73.08, -34.81

 

CMYK 0 / 100 / 41 / 28

HEX #B7006C

RGB 183 0 108

HSL 324.59, 1%, 0.36%

LAB 39.83, 67.43, -7.41

 

CMYK 0 / 100 / 68 / 28

HEX #B7003B

RGB 183 0 59

HSL 340.66, 1%, 0.36%

LAB 38.52, 63.96, 22.05

 

CMYK 0 / 100 / 95 / 28

HEX #B70009

RGB 183 0 9

HSL 357.05, 1%, 0.36%

LAB 38, 62.54, 48.92

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 40 / 100 / 0 / 28

HEX #6E00B7

RGB 110 0 183

HSL 276.07, 1%, 0.36%

LAB 31.19, 66.65, -67.95

 

CMYK 67 / 100 / 0 / 28

HEX #3C00B7

RGB 60 0 183

HSL 259.67, 1%, 0.36%

LAB 24.89, 62.99, -78.58

 

CMYK 95 / 100 / 0 / 28

HEX #0A00B7

RGB 10 0 183

HSL 243.28, 1%, 0.36%

LAB 21.88, 61.8, -83.67

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 12 / 92 / 0 / 34

HEX #940EA8

RGB 148 14 168

HSL 292.21, 0.85%, 0.36%

LAB 36.81, 66.94, -49.56

 

CMYK 10 / 81 / 0 / 40

HEX #891D99

RGB 137 29 153

HSL 292.26, 0.68%, 0.36%

LAB 35, 59.14, -43.51

 

CMYK 9 / 68 / 0 / 45

HEX #7E2C8B

RGB 126 44 139

HSL 291.79, 0.52%, 0.36%

LAB 34.19, 48.75, -36.33

 

CMYK 7 / 52 / 0 / 51

HEX #733B7C

RGB 115 59 124

HSL 291.69, 0.36%, 0.36%

LAB 34.45, 35.24, -26.72

 

CMYK 67 / 100 / 0 / 28

HEX #3D00B7

RGB 61 0 183

HSL 260, 1%, 0.36%

LAB 24.99, 63.03, -78.42

 

CMYK 40 / 100 / 0 / 28

HEX #6E00B7

RGB 110 0 183

HSL 276.07, 1%, 0.36%

LAB 31.19, 66.65, -67.95

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 0 / 100 / 13 / 28

HEX #B7009F

RGB 183 0 159

HSL 307.87, 1%, 0.36%

LAB 42.11, 73.21, -35.32

 

CMYK 0 / 100 / 40 / 28

HEX #B7006E

RGB 183 0 110

HSL 323.93, 1%, 0.36%

LAB 39.9, 67.62, -8.57

 

CMYK 14 / 100 / 0 / 60

HEX #570065

RGB 87 0 101

HSL 291.68, 1%, 0.2%

LAB 19.91, 47.36, -35.43

 

CMYK 13 / 100 / 0 / 44

HEX #7B008E

RGB 123 0 142

HSL 291.97, 1%, 0.28%

LAB 29.82, 60.44, -45.22

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 13 / 100 / 0 / 12

HEX #C300E0

RGB 195 0 224

HSL 292.23, 1%, 0.44%

LAB 48.24, 84.73, -63.41

 

CMYK 13 / 96 / 0 / 0

HEX #DF0BFF

RGB 223 11 255

HSL 292.13, 1%, 0.52%

LAB 55.22, 92.83, -69.32

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 0 / 93 / 100 / 28

HEX #B70C00

RGB 183 12 0

HSL 3.93, 1%, 0.36%

LAB 38.43, 61.09, 52.56

 

CMYK 100 / 0 / 54 / 28

HEX #00B755

RGB 0 183 85

HSL 147.87, 1%, 0.36%

LAB 65.38, -60.61, 38.69

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 0 / 13 / 100 / 28

HEX #B79F00

RGB 183 159 0

HSL 52.13, 1%, 0.36%

LAB 65.64, -4.34, 68.92

 

CMYK 100 / 0 / 13 / 28

HEX #00B79F

RGB 0 183 159

HSL 172.13, 1%, 0.36%

LAB 66.8, -44.46, 1.21

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 0 / 93 / 100 / 28

HEX #B70C00

RGB 183 12 0

HSL 3.93, 1%, 0.36%

LAB 38.43, 61.09, 52.56

 

CMYK 87 / 0 / 100 / 28

HEX #18B700

RGB 24 183 0

HSL 112.13, 1%, 0.36%

LAB 65.01, -65.77, 65.02

 

CMYK 100 / 7 / 0 / 28

HEX #00ABB7

RGB 0 171 183

HSL 183.93, 1%, 0.36%

LAB 63.79, -31.85, -16.59

 

CMYK 13 / 100 / 0 / 28

HEX #9F00B7

RGB 159 0 183

HSL 292.13, 1%, 0.36%

LAB 39.22, 72.84, -54.51

 

CMYK 0 / 63 / 100 / 28

HEX #B74300

RGB 183 67 0

HSL 21.97, 1%, 0.36%

LAB 44.35, 44.69, 55.24

 

CMYK 87 / 0 / 100 / 28

HEX #18B700

RGB 24 183 0

HSL 112.13, 1%, 0.36%

LAB 65.01, -65.77, 65.02

 

CMYK 100 / 37 / 0 / 28

HEX #0074B7

RGB 0 116 183

HSL 201.97, 1%, 0.36%

LAB 46.86, -1.98, -42.88

 

Description

Color code: RGB 159 0 183 | qconv.com Color code: RGB 159 0 183 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, none green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 0 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 100 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 100% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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