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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 19 172 it is the complementary color RGB 96 236 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 19 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 19 172 shade: RGB 164 19 167, RGB 181 37 186, RGB 198 55 205, RGB 215 73 224 and RGB 232 91 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 19 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 19 172 shade: RGB 159 19 172, RGB 142 1 153, RGB 125 0 134, RGB 108 0 115 and RGB 91 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 19 172 shade: RGB 156 18 169, RGB 169 18 141, RGB 169 18 101, RGB 169 18 60 and RGB 169 18 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 19 172 shade: RGB 156 18 169, RGB 116 18 169, RGB 75 18 169, RGB 34 18 169 and RGB 18 18 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 19 172 shade matches the following richer shades: RGB 156 18 169 and RGB 169 3 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 19 172 shade: RGB 156 18 169, RGB 144 34 154, RGB 131 49 139, RGB 118 64 124 and RGB 106 79 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 19 172 shade: RGB 74 18 169, RGB 114 18 169, RGB 154 18 169, RGB 169 18 144 and RGB 169 18 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 19 172 shade: RGB 88 10 95, RGB 122 14 132, RGB 156 18 169, RGB 191 22 206 and RGB 214 40 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 19 172 shade: RGB 159 19 172, RGB 169 33 18 and RGB 18 169 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 19 172 shade: RGB 159 19 172, RGB 169 154 18 and RGB 18 169 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 19 172 shade: RGB 159 19 172, RGB 169 33 18, RGB 33 169 18 and RGB 18 154 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 19 172 shade: RGB 159 19 172, RGB 169 79 18, RGB 33 169 18 and RGB 18 109 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 89 / 0 / 33

HEX #9F13AC

RGB 159 19 172

HSL 294.9, 0.8%, 0.37%

LAB 39.27, 68.67, -47.9

 

Complementary color

CMYK 59 / 0 / 65 / 7

HEX #60EC53

RGB 96 236 83

HSL 114.9, 0.8%, 0.63%

LAB 83.5, -65.83, 60.88

 

CMYK 2 / 89 / 0 / 35

HEX #A413A7

RGB 164 19 167

HSL 298.78, 0.8%, 0.36%

LAB 39.83, 68.74, -43.96

 

CMYK 3 / 80 / 0 / 27

HEX #B525BA

RGB 181 37 186

HSL 297.99, 0.67%, 0.44%

LAB 45.21, 71.14, -46.45

 

CMYK 3 / 73 / 0 / 20

HEX #C637CD

RGB 198 55 205

HSL 297.2, 0.6%, 0.51%

LAB 50.86, 72.49, -48.31

 

CMYK 4 / 67 / 0 / 12

HEX #D749E0

RGB 215 73 224

HSL 296.42, 0.71%, 0.58%

LAB 56.68, 73.12, -49.7

 

CMYK 5 / 63 / 0 / 5

HEX #E85BF3

RGB 232 91 243

HSL 295.66, 0.86%, 0.65%

LAB 62.6, 73.26, -50.78

 

CMYK 8 / 89 / 0 / 33

HEX #9F13AC

RGB 159 19 172

HSL 294.9, 0.8%, 0.37%

LAB 39.27, 68.67, -47.9

 

CMYK 7 / 99 / 0 / 40

HEX #8E0199

RGB 142 1 153

HSL 295.66, 0.99%, 0.3%

LAB 34.13, 65.16, -44.86

 

CMYK 7 / 100 / 0 / 47

HEX #7D0086

RGB 125 0 134

HSL 295.97, 1%, 0.26%

LAB 29.62, 59.4, -40.56

 

CMYK 6 / 100 / 0 / 55

HEX #6C0073

RGB 108 0 115

HSL 296.35, 1%, 0.23%

LAB 25.03, 53.36, -36.07

 

CMYK 5 / 100 / 0 / 62

HEX #5B0060

RGB 91 0 96

HSL 296.88, 1%, 0.19%

LAB 20.32, 47.15, -31.43

 

CMYK 8 / 89 / 0 / 34

HEX #9C12A9

RGB 156 18 169

HSL 294.83, 0.81%, 0.37%

LAB 38.49, 67.82, -47.39

 

CMYK 0 / 89 / 17 / 34

HEX #A9128D

RGB 169 18 141

HSL 311.13, 0.81%, 0.37%

LAB 39.23, 66.07, -29.11

 

CMYK 0 / 89 / 40 / 34

HEX #A91265

RGB 169 18 101

HSL 327.02, 0.81%, 0.37%

LAB 37.49, 61.4, -6.77

 

CMYK 0 / 89 / 64 / 34

HEX #A9123C

RGB 169 18 60

HSL 343.31, 0.81%, 0.37%

LAB 36.35, 58.21, 18.02

 

CMYK 0 / 89 / 89 / 34

HEX #A91213

RGB 169 18 19

HSL 359.6, 0.81%, 0.37%

LAB 35.82, 56.66, 41.86

 

CMYK 8 / 89 / 0 / 34

HEX #9C12A9

RGB 156 18 169

HSL 294.83, 0.81%, 0.37%

LAB 38.49, 67.82, -47.39

 

CMYK 31 / 89 / 0 / 34

HEX #7412A9

RGB 116 18 169

HSL 278.94, 0.81%, 0.37%

LAB 31.83, 61.49, -58.49

 

CMYK 56 / 89 / 0 / 34

HEX #4B12A9

RGB 75 18 169

HSL 262.65, 0.81%, 0.37%

LAB 26.14, 56.6, -68.06

 

CMYK 80 / 89 / 0 / 34

HEX #2212A9

RGB 34 18 169

HSL 246.36, 0.81%, 0.37%

LAB 22.43, 53.8, -74.32

 

CMYK 89 / 89 / 0 / 34

HEX #1212A9

RGB 18 18 169

HSL 240, 0.81%, 0.37%

LAB 21.67, 53.28, -75.6

 

CMYK 8 / 89 / 0 / 34

HEX #9C12A9

RGB 156 18 169

HSL 294.83, 0.81%, 0.37%

LAB 38.49, 67.82, -47.39

 

CMYK 9 / 98 / 0 / 27

HEX #A903B9

RGB 169 3 185

HSL 294.73, 0.97%, 0.37%

LAB 41.22, 74.36, -52.38

 

CMYK 8 / 89 / 0 / 34

HEX #9C12A9

RGB 156 18 169

HSL 294.83, 0.81%, 0.37%

LAB 38.49, 67.82, -47.39

 

CMYK 6 / 78 / 0 / 40

HEX #90229A

RGB 144 34 154

HSL 295, 0.64%, 0.37%

LAB 36.76, 59.24, -41.24

 

CMYK 6 / 65 / 0 / 45

HEX #83318B

RGB 131 49 139

HSL 294.67, 0.48%, 0.37%

LAB 35.76, 47.79, -33.78

 

CMYK 5 / 48 / 0 / 51

HEX #76407C

RGB 118 64 124

HSL 294, 0.32%, 0.37%

LAB 35.93, 33.39, -24.37

 

CMYK 2 / 27 / 0 / 58

HEX #6A4F6C

RGB 106 79 108

HSL 295.86, 0.16%, 0.37%

LAB 37.37, 16.87, -12.33

 

CMYK 56 / 89 / 0 / 34

HEX #4A12A9

RGB 74 18 169

HSL 262.25, 0.81%, 0.37%

LAB 26.02, 56.5, -68.26

 

CMYK 33 / 89 / 0 / 34

HEX #7212A9

RGB 114 18 169

HSL 278.15, 0.81%, 0.37%

LAB 31.52, 61.21, -59.01

 

CMYK 9 / 89 / 0 / 34

HEX #9A12A9

RGB 154 18 169

HSL 294.04, 0.81%, 0.37%

LAB 38.14, 67.48, -47.97

 

CMYK 0 / 89 / 15 / 34

HEX #A91290

RGB 169 18 144

HSL 309.93, 0.81%, 0.37%

LAB 39.38, 66.48, -30.7

 

CMYK 0 / 89 / 38 / 34

HEX #A91268

RGB 169 18 104

HSL 325.83, 0.81%, 0.37%

LAB 37.6, 61.7, -8.52

 

CMYK 7 / 89 / 0 / 63

HEX #580A5F

RGB 88 10 95

HSL 295.06, 0.81%, 0.21%

LAB 20.51, 43.89, -30.48

 

CMYK 8 / 89 / 0 / 48

HEX #7A0E84

RGB 122 14 132

HSL 294.92, 0.81%, 0.29%

LAB 29.71, 56.22, -39.19

 

CMYK 8 / 89 / 0 / 34

HEX #9C12A9

RGB 156 18 169

HSL 294.83, 0.81%, 0.37%

LAB 38.49, 67.82, -47.39

 

CMYK 7 / 89 / 0 / 19

HEX #BF16CE

RGB 191 22 206

HSL 295.11, 0.81%, 0.45%

LAB 47.11, 79.07, -54.94

 

CMYK 7 / 83 / 0 / 9

HEX #D628E7

RGB 214 40 231

HSL 294.66, 0.8%, 0.53%

LAB 53.58, 83.66, -58.61

 

CMYK 8 / 89 / 0 / 33

HEX #9F13AC

RGB 159 19 172

HSL 294.9, 0.8%, 0.37%

LAB 39.27, 68.67, -47.9

 

CMYK 0 / 80 / 89 / 34

HEX #A92112

RGB 169 33 18

HSL 5.96, 0.81%, 0.37%

LAB 37.05, 53.12, 43.29

 

CMYK 89 / 0 / 44 / 34

HEX #12A95E

RGB 18 169 94

HSL 150.2, 0.81%, 0.37%

LAB 61.06, -53.45, 28.7

 

CMYK 8 / 89 / 0 / 33

HEX #9F13AC

RGB 159 19 172

HSL 294.9, 0.8%, 0.37%

LAB 39.27, 68.67, -47.9

 

CMYK 0 / 9 / 89 / 34

HEX #A99A12

RGB 169 154 18

HSL 54.04, 0.81%, 0.37%

LAB 63, -7.73, 63.68

 

CMYK 89 / 0 / 9 / 34

HEX #12A99A

RGB 18 169 154

HSL 174.04, 0.81%, 0.37%

LAB 62.37, -39.07, -2.47

 

CMYK 8 / 89 / 0 / 33

HEX #9F13AC

RGB 159 19 172

HSL 294.9, 0.8%, 0.37%

LAB 39.27, 68.67, -47.9

 

CMYK 0 / 80 / 89 / 34

HEX #A92112

RGB 169 33 18

HSL 5.96, 0.81%, 0.37%

LAB 37.05, 53.12, 43.29

 

CMYK 80 / 0 / 89 / 34

HEX #21A912

RGB 33 169 18

HSL 114.04, 0.81%, 0.37%

LAB 60.55, -60.23, 58.81

 

CMYK 89 / 9 / 0 / 34

HEX #129AA9

RGB 18 154 169

HSL 185.96, 0.81%, 0.37%

LAB 58.14, -27.37, -17.28

 

CMYK 8 / 89 / 0 / 33

HEX #9F13AC

RGB 159 19 172

HSL 294.9, 0.8%, 0.37%

LAB 39.27, 68.67, -47.9

 

CMYK 0 / 53 / 89 / 34

HEX #A94F12

RGB 169 79 18

HSL 24.24, 0.81%, 0.37%

LAB 44.33, 33.66, 48.96

 

CMYK 80 / 0 / 89 / 34

HEX #21A912

RGB 33 169 18

HSL 114.04, 0.81%, 0.37%

LAB 60.55, -60.23, 58.81

 

CMYK 89 / 36 / 0 / 34

HEX #126DA9

RGB 18 109 169

HSL 203.84, 0.81%, 0.37%

LAB 44.13, -2.38, -39.02

 

Description

Color code: RGB 159 19 172 | qconv.com Color code: RGB 159 19 172 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 19 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 19 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 89 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 89% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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