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Color name
RGB 159 23 81

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 23 81 it is the complementary color RGB 96 232 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 23 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 23 81 shade: RGB 164 23 76, RGB 181 41 95, RGB 198 59 114, RGB 215 77 133 and RGB 232 95 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 23 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 23 81 shade: RGB 159 23 81, RGB 142 5 62, RGB 125 0 43, RGB 108 0 24 and RGB 91 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 23 81 shade: RGB 160 22 81, RGB 160 22 44 and RGB 160 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 23 81 shade: RGB 160 22 81, RGB 160 22 118, RGB 160 22 155, RGB 128 22 160 and RGB 91 22 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 23 81 shade matches the following richer shades: RGB 160 22 81 and RGB 175 8 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 23 81 shade: RGB 160 22 81, RGB 145 37 83, RGB 130 52 86, RGB 116 67 88 and RGB 101 82 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 23 81 shade: RGB 160 22 156, RGB 160 22 119, RGB 160 22 82, RGB 160 22 45 and RGB 160 36 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 23 81 shade: RGB 88 12 44, RGB 124 17 63, RGB 160 22 81, RGB 196 28 100 and RGB 224 41 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 23 81 shade: RGB 159 23 81, RGB 160 128 22 and RGB 22 137 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 23 81 shade: RGB 159 23 81, RGB 82 160 22 and RGB 22 82 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 23 81 shade: RGB 159 23 81, RGB 160 128 22, RGB 22 160 100 and RGB 22 55 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 23 81 shade: RGB 159 23 81, RGB 151 160 22, RGB 22 160 100 and RGB 32 22 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 49 / 38

HEX #9F1751

RGB 159 23 81

HSL 334.41, 0.75%, 0.36%

LAB 35.16, 56.08, 2.42

 

Complementary color

CMYK 59 / 0 / 25 / 9

HEX #60E8AE

RGB 96 232 174

HSL 154.41, 0.75%, 0.64%

LAB 83.58, -50.44, 17.31

 

CMYK 0 / 86 / 54 / 36

HEX #A4174C

RGB 164 23 76

HSL 337.45, 0.75%, 0.37%

LAB 36.04, 56.98, 7.05

 

CMYK 0 / 77 / 48 / 29

HEX #B5295F

RGB 181 41 95

HSL 336.86, 0.63%, 0.44%

LAB 41.59, 58.37, 3.31

 

CMYK 0 / 70 / 42 / 22

HEX #C63B72

RGB 198 59 114

HSL 336.26, 0.55%, 0.5%

LAB 47.43, 58.86, 0.4

 

CMYK 0 / 64 / 38 / 16

HEX #D74D85

RGB 215 77 133

HSL 335.65, 0.63%, 0.57%

LAB 53.44, 58.79, -1.91

 

CMYK 0 / 59 / 34 / 9

HEX #E85F98

RGB 232 95 152

HSL 335.04, 0.75%, 0.64%

LAB 59.53, 58.38, -3.8

 

CMYK 0 / 86 / 49 / 38

HEX #9F1751

RGB 159 23 81

HSL 334.41, 0.75%, 0.36%

LAB 35.16, 56.08, 2.42

 

CMYK 0 / 96 / 56 / 44

HEX #8E053E

RGB 142 5 62

HSL 335.04, 0.93%, 0.29%

LAB 29.93, 53.41, 7.01

 

CMYK 0 / 100 / 66 / 51

HEX #7D002B

RGB 125 0 43

HSL 339.36, 1%, 0.25%

LAB 25.36, 48.7, 13.05

 

CMYK 0 / 100 / 78 / 58

HEX #6C0018

RGB 108 0 24

HSL 346.67, 1%, 0.21%

LAB 21.03, 43.25, 19.87

 

CMYK 0 / 100 / 95 / 64

HEX #5B0005

RGB 91 0 5

HSL 356.7, 1%, 0.18%

LAB 16.68, 37.89, 23.8

 

CMYK 0 / 86 / 49 / 37

HEX #A01651

RGB 160 22 81

HSL 334.35, 0.76%, 0.36%

LAB 35.28, 56.56, 2.63

 

CMYK 0 / 86 / 73 / 37

HEX #A0162C

RGB 160 22 44

HSL 350.43, 0.76%, 0.36%

LAB 34.46, 54.15, 25.48

 

CMYK 0 / 86 / 86 / 37

HEX #A01616

RGB 160 22 22

HSL 0, 0.76%, 0.36%

LAB 34.2, 53.39, 38.22

 

CMYK 0 / 86 / 49 / 37

HEX #A01651

RGB 160 22 81

HSL 334.35, 0.76%, 0.36%

LAB 35.28, 56.56, 2.63

 

CMYK 0 / 86 / 26 / 37

HEX #A01676

RGB 160 22 118

HSL 318.26, 0.76%, 0.36%

LAB 36.66, 60.44, -18.96

 

CMYK 0 / 86 / 3 / 37

HEX #A0169B

RGB 160 22 155

HSL 302.17, 0.76%, 0.36%

LAB 38.58, 65.59, -38.78

 

CMYK 20 / 86 / 0 / 37

HEX #8016A0

RGB 128 22 160

HSL 286.09, 0.76%, 0.36%

LAB 33.35, 60.65, -50.5

 

CMYK 43 / 86 / 0 / 37

HEX #5B16A0

RGB 91 22 160

HSL 270, 0.76%, 0.36%

LAB 27.67, 55.03, -60

 

CMYK 0 / 86 / 49 / 37

HEX #A01651

RGB 160 22 81

HSL 334.35, 0.76%, 0.36%

LAB 35.28, 56.56, 2.63

 

CMYK 0 / 95 / 55 / 31

HEX #AF084F

RGB 175 8 79

HSL 334.49, 0.91%, 0.36%

LAB 37.58, 62.33, 7.61

 

CMYK 0 / 86 / 49 / 37

HEX #A01651

RGB 160 22 81

HSL 334.35, 0.76%, 0.36%

LAB 35.28, 56.56, 2.63

 

CMYK 0 / 74 / 43 / 43

HEX #912553

RGB 145 37 83

HSL 334.44, 0.59%, 0.36%

LAB 33.91, 48.28, -1.03

 

CMYK 0 / 60 / 34 / 49

HEX #823456

RGB 130 52 86

HSL 333.85, 0.43%, 0.36%

LAB 33.72, 37.32, -3.56

 

CMYK 0 / 42 / 24 / 55

HEX #744358

RGB 116 67 88

HSL 334.29, 0.27%, 0.36%

LAB 34.87, 24.2, -3.37

 

CMYK 0 / 19 / 11 / 60

HEX #65525A

RGB 101 82 90

HSL 334.74, 0.1%, 0.36%

LAB 37, 9.37, -1.69

 

CMYK 0 / 86 / 2 / 37

HEX #A0169C

RGB 160 22 156

HSL 301.74, 0.76%, 0.36%

LAB 38.63, 65.74, -39.29

 

CMYK 0 / 86 / 26 / 37

HEX #A01677

RGB 160 22 119

HSL 317.83, 0.76%, 0.36%

LAB 36.7, 60.56, -19.52

 

CMYK 0 / 86 / 49 / 37

HEX #A01652

RGB 160 22 82

HSL 333.91, 0.76%, 0.36%

LAB 35.31, 56.65, 2.02

 

CMYK 0 / 86 / 72 / 37

HEX #A0162D

RGB 160 22 45

HSL 350, 0.76%, 0.36%

LAB 34.47, 54.19, 24.86

 

CMYK 0 / 78 / 86 / 37

HEX #A02416

RGB 160 36 22

HSL 6.09, 0.76%, 0.36%

LAB 35.58, 49.49, 39.43

 

CMYK 0 / 86 / 50 / 65

HEX #580C2C

RGB 88 12 44

HSL 334.74, 0.76%, 0.2%

LAB 18.01, 35.77, 0.85

 

CMYK 0 / 86 / 49 / 51

HEX #7C113F

RGB 124 17 63

HSL 334.21, 0.76%, 0.28%

LAB 26.86, 46.55, 1.43

 

CMYK 0 / 86 / 49 / 37

HEX #A01651

RGB 160 22 81

HSL 334.35, 0.76%, 0.36%

LAB 35.28, 56.56, 2.63

 

CMYK 0 / 86 / 49 / 23

HEX #C41C64

RGB 196 28 100

HSL 334.29, 0.75%, 0.44%

LAB 43.49, 65.99, 3.29

 

CMYK 0 / 82 / 47 / 12

HEX #E02977

RGB 224 41 119

HSL 334.43, 0.75%, 0.52%

LAB 50.41, 71.66, 2.28

 

CMYK 0 / 86 / 49 / 38

HEX #9F1751

RGB 159 23 81

HSL 334.41, 0.75%, 0.36%

LAB 35.16, 56.08, 2.42

 

CMYK 0 / 20 / 86 / 37

HEX #A08016

RGB 160 128 22

HSL 46.09, 0.76%, 0.36%

LAB 55.04, 2.45, 55.92

 

CMYK 86 / 14 / 0 / 37

HEX #1689A0

RGB 22 137 160

HSL 190, 0.76%, 0.36%

LAB 52.51, -21.41, -20.7

 

CMYK 0 / 86 / 49 / 38

HEX #9F1751

RGB 159 23 81

HSL 334.41, 0.75%, 0.36%

LAB 35.16, 56.08, 2.42

 

CMYK 49 / 0 / 86 / 37

HEX #52A016

RGB 82 160 22

HSL 93.91, 0.76%, 0.36%

LAB 58.97, -45.94, 57.09

 

CMYK 86 / 49 / 0 / 37

HEX #1652A0

RGB 22 82 160

HSL 213.91, 0.76%, 0.36%

LAB 35.49, 11.69, -47.49

 

CMYK 0 / 86 / 49 / 38

HEX #9F1751

RGB 159 23 81

HSL 334.41, 0.75%, 0.36%

LAB 35.16, 56.08, 2.42

 

CMYK 0 / 20 / 86 / 37

HEX #A08016

RGB 160 128 22

HSL 46.09, 0.76%, 0.36%

LAB 55.04, 2.45, 55.92

 

CMYK 86 / 0 / 38 / 37

HEX #16A064

RGB 22 160 100

HSL 153.91, 0.76%, 0.36%

LAB 58.26, -48.66, 21.79

 

CMYK 86 / 66 / 0 / 37

HEX #1637A0

RGB 22 55 160

HSL 225.65, 0.76%, 0.36%

LAB 27.96, 30.04, -59.75

 

CMYK 0 / 86 / 49 / 38

HEX #9F1751

RGB 159 23 81

HSL 334.41, 0.75%, 0.36%

LAB 35.16, 56.08, 2.42

 

CMYK 6 / 0 / 86 / 37

HEX #97A016

RGB 151 160 22

HSL 63.91, 0.76%, 0.36%

LAB 63.16, -18.82, 62.33

 

CMYK 86 / 0 / 38 / 37

HEX #16A064

RGB 22 160 100

HSL 153.91, 0.76%, 0.36%

LAB 58.26, -48.66, 21.79

 

CMYK 80 / 86 / 0 / 37

HEX #2016A0

RGB 32 22 160

HSL 244.35, 0.76%, 0.36%

LAB 21.65, 49.55, -70.15

 

Description

Color code: RGB 159 23 81 | qconv.com Color code: RGB 159 23 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 23 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 23 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 49 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 49% 38% C M Y K

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Provide designers and agencies with accurate color values.

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