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Color name
RGB 159 58 56

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 58 56 it is the complementary color RGB 96 197 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 58 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 58 56 shade: RGB 164 58 51, RGB 181 76 70, RGB 198 94 89, RGB 215 112 108 and RGB 232 130 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 58 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 58 56 shade: RGB 159 58 56, RGB 142 40 37, RGB 125 22 18, RGB 108 4 0 and RGB 91 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 58 56 shade: RGB 158 57 55 and RGB 158 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 58 56 shade: RGB 158 57 55, RGB 158 85 55, RGB 158 113 55, RGB 158 140 55 and RGB 148 158 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 58 56 shade matches the following richer shades: RGB 158 57 55, RGB 175 41 38, RGB 193 24 21 and RGB 210 7 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 58 56 shade: RGB 158 57 55, RGB 141 74 73, RGB 123 91 90, RGB 106 107 107 and RGB 89 124 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 58 56 shade: RGB 158 55 108, RGB 158 55 81, RGB 158 57 55, RGB 158 84 55 and RGB 158 112 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 58 56 shade: RGB 97 35 34, RGB 127 46 44, RGB 158 57 55, RGB 188 69 66 and RGB 199 99 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 58 56 shade: RGB 159 58 56, RGB 136 158 55 and RGB 55 95 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 58 56 shade: RGB 159 58 56, RGB 55 158 57 and RGB 57 55 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 58 56 shade: RGB 159 58 56, RGB 136 158 55, RGB 55 156 158 and RGB 77 55 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 58 56 shade: RGB 159 58 56, RGB 105 158 55, RGB 55 156 158 and RGB 108 55 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 65 / 38

HEX #9F3A38

RGB 159 58 56

HSL 1.17, 0.48%, 0.42%

LAB 39.04, 41.82, 23.6

 

Complementary color

CMYK 52 / 1 / 0 / 22

HEX #60C5C7

RGB 96 197 199

HSL 181.17, 0.48%, 0.58%

LAB 73.9, -28.76, -10.03

 

CMYK 0 / 65 / 69 / 36

HEX #A43A33

RGB 164 58 51

HSL 3.72, 0.53%, 0.42%

LAB 39.84, 43.31, 27.82

 

CMYK 0 / 58 / 61 / 29

HEX #B54C46

RGB 181 76 70

HSL 3.24, 0.44%, 0.49%

LAB 46.22, 42.22, 25.03

 

CMYK 0 / 53 / 55 / 22

HEX #C65E59

RGB 198 94 89

HSL 2.75, 0.49%, 0.56%

LAB 52.66, 41.04, 22.7

 

CMYK 0 / 48 / 50 / 16

HEX #D7706C

RGB 215 112 108

HSL 2.24, 0.57%, 0.63%

LAB 59.08, 39.88, 20.72

 

CMYK 0 / 44 / 45 / 9

HEX #E8827F

RGB 232 130 127

HSL 1.71, 0.7%, 0.7%

LAB 65.48, 38.77, 19.01

 

CMYK 0 / 64 / 65 / 38

HEX #9F3A38

RGB 159 58 56

HSL 1.17, 0.48%, 0.42%

LAB 39.04, 41.82, 23.6

 

CMYK 0 / 72 / 74 / 44

HEX #8E2825

RGB 142 40 37

HSL 1.71, 0.59%, 0.35%

LAB 32.7, 42.61, 26.88

 

CMYK 0 / 82 / 86 / 51

HEX #7D1612

RGB 125 22 18

HSL 2.24, 0.75%, 0.28%

LAB 26.67, 42.73, 30.78

 

CMYK 0 / 96 / 100 / 58

HEX #6C0400

RGB 108 4 0

HSL 2.22, 1%, 0.21%

LAB 21.11, 41.6, 32.06

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 64 / 65 / 38

HEX #9E3937

RGB 158 57 55

HSL 1.17, 0.48%, 0.42%

LAB 38.68, 41.86, 23.72

 

CMYK 0 / 65 / 65 / 38

HEX #9E3737

RGB 158 55 55

HSL 0, 0.48%, 0.42%

LAB 38.34, 42.77, 23.29

 

CMYK 0 / 64 / 65 / 38

HEX #9E3937

RGB 158 57 55

HSL 1.17, 0.48%, 0.42%

LAB 38.68, 41.86, 23.72

 

CMYK 0 / 46 / 65 / 38

HEX #9E5537

RGB 158 85 55

HSL 17.48, 0.48%, 0.42%

LAB 44.29, 27.45, 30.59

 

CMYK 0 / 28 / 65 / 38

HEX #9E7137

RGB 158 113 55

HSL 33.79, 0.48%, 0.42%

LAB 51.1, 11.58, 38.5

 

CMYK 0 / 11 / 65 / 38

HEX #9E8C37

RGB 158 140 55

HSL 49.51, 0.48%, 0.42%

LAB 58.32, -3.59, 46.46

 

CMYK 6 / 0 / 65 / 38

HEX #949E37

RGB 148 158 55

HSL 65.83, 0.48%, 0.42%

LAB 62.53, -17.58, 50.67

 

CMYK 0 / 64 / 65 / 38

HEX #9E3937

RGB 158 57 55

HSL 1.17, 0.48%, 0.42%

LAB 38.68, 41.86, 23.72

 

CMYK 0 / 77 / 78 / 31

HEX #AF2926

RGB 175 41 38

HSL 1.31, 0.64%, 0.42%

LAB 39.31, 53.04, 35.4

 

CMYK 0 / 88 / 89 / 24

HEX #C11815

RGB 193 24 21

HSL 1.05, 0.8%, 0.42%

LAB 41.29, 62.17, 47.35

 

CMYK 0 / 97 / 99 / 18

HEX #D20703

RGB 210 7 3

HSL 1.16, 0.97%, 0.42%

LAB 44.03, 68.58, 57.15

 

CMYK 0 / 64 / 65 / 38

HEX #9E3937

RGB 158 57 55

HSL 1.17, 0.48%, 0.42%

LAB 38.68, 41.86, 23.72

 

CMYK 0 / 48 / 48 / 45

HEX #8D4A49

RGB 141 74 73

HSL 0.88, 0.32%, 0.42%

LAB 39.65, 28.13, 13.37

 

CMYK 0 / 26 / 27 / 52

HEX #7B5B5A

RGB 123 91 90

HSL 1.82, 0.15%, 0.42%

LAB 41.89, 12.97, 5.7

 

CMYK 1 / 0 / 0 / 58

HEX #6A6B6B

RGB 106 107 107

HSL 180, 0%, 0.42%

LAB 45.14, -0.38, -0.14

 

CMYK 29 / 1 / 0 / 51

HEX #597C7D

RGB 89 124 125

HSL 181.67, 0.17%, 0.42%

LAB 49.52, -12.04, -4.55

 

CMYK 0 / 65 / 32 / 38

HEX #9E376C

RGB 158 55 108

HSL 329.13, 0.48%, 0.42%

LAB 39.72, 47.87, -8.06

 

CMYK 0 / 65 / 49 / 38

HEX #9E3751

RGB 158 55 81

HSL 344.85, 0.48%, 0.42%

LAB 38.89, 44.85, 7.72

 

CMYK 0 / 64 / 65 / 38

HEX #9E3937

RGB 158 57 55

HSL 1.17, 0.48%, 0.42%

LAB 38.68, 41.86, 23.72

 

CMYK 0 / 47 / 65 / 38

HEX #9E5437

RGB 158 84 55

HSL 16.89, 0.48%, 0.42%

LAB 44.07, 28.01, 30.32

 

CMYK 0 / 29 / 65 / 38

HEX #9E7037

RGB 158 112 55

HSL 33.2, 0.48%, 0.42%

LAB 50.84, 12.15, 38.21

 

CMYK 0 / 64 / 65 / 62

HEX #612322

RGB 97 35 34

HSL 0.95, 0.48%, 0.26%

LAB 23.2, 28.11, 15.25

 

CMYK 0 / 64 / 65 / 50

HEX #7F2E2C

RGB 127 46 44

HSL 1.45, 0.49%, 0.34%

LAB 30.99, 34.93, 19.76

 

CMYK 0 / 64 / 65 / 38

HEX #9E3937

RGB 158 57 55

HSL 1.17, 0.48%, 0.42%

LAB 38.68, 41.86, 23.72

 

CMYK 0 / 63 / 65 / 26

HEX #BC4542

RGB 188 69 66

HSL 1.48, 0.48%, 0.5%

LAB 46.1, 47.71, 27.49

 

CMYK 0 / 50 / 51 / 22

HEX #C76361

RGB 199 99 97

HSL 1.18, 0.48%, 0.58%

LAB 53.95, 39.57, 19.78

 

CMYK 0 / 64 / 65 / 38

HEX #9F3A38

RGB 159 58 56

HSL 1.17, 0.48%, 0.42%

LAB 39.04, 41.82, 23.6

 

CMYK 14 / 0 / 65 / 38

HEX #889E37

RGB 136 158 55

HSL 72.82, 0.48%, 0.42%

LAB 61.62, -22.69, 49.43

 

CMYK 65 / 40 / 0 / 38

HEX #375F9E

RGB 55 95 158

HSL 216.7, 0.48%, 0.42%

LAB 40.35, 6.81, -38.44

 

CMYK 0 / 64 / 65 / 38

HEX #9F3A38

RGB 159 58 56

HSL 1.17, 0.48%, 0.42%

LAB 39.04, 41.82, 23.6

 

CMYK 65 / 0 / 64 / 38

HEX #379E39

RGB 55 158 57

HSL 121.17, 0.48%, 0.42%

LAB 57.62, -49.9, 43.03

 

CMYK 64 / 65 / 0 / 38

HEX #39379E

RGB 57 55 158

HSL 241.17, 0.48%, 0.42%

LAB 29.59, 33.27, -55.78

 

CMYK 0 / 64 / 65 / 38

HEX #9F3A38

RGB 159 58 56

HSL 1.17, 0.48%, 0.42%

LAB 39.04, 41.82, 23.6

 

CMYK 14 / 0 / 65 / 38

HEX #889E37

RGB 136 158 55

HSL 72.82, 0.48%, 0.42%

LAB 61.62, -22.69, 49.43

 

CMYK 65 / 1 / 0 / 38

HEX #379C9E

RGB 55 156 158

HSL 181.17, 0.48%, 0.42%

LAB 59.03, -27.82, -9.62

 

CMYK 51 / 65 / 0 / 38

HEX #4D379E

RGB 77 55 158

HSL 252.82, 0.48%, 0.42%

LAB 31.3, 36.79, -52.93

 

CMYK 0 / 64 / 65 / 38

HEX #9F3A38

RGB 159 58 56

HSL 1.17, 0.48%, 0.42%

LAB 39.04, 41.82, 23.6

 

CMYK 34 / 0 / 65 / 38

HEX #699E37

RGB 105 158 55

HSL 90.87, 0.48%, 0.42%

LAB 59.65, -35.04, 46.73

 

CMYK 65 / 1 / 0 / 38

HEX #379C9E

RGB 55 156 158

HSL 181.17, 0.48%, 0.42%

LAB 59.03, -27.82, -9.62

 

CMYK 32 / 65 / 0 / 38

HEX #6C379E

RGB 108 55 158

HSL 270.87, 0.48%, 0.42%

LAB 34.78, 43.42, -47.12

 

Description

Color code: RGB 159 58 56 | qconv.com Color code: RGB 159 58 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 58 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 58 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 65 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 65% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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