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Color name
RGB 159 93 12

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 93 12 it is the complementary color RGB 96 162 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 93 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 93 12 shade: RGB 164 93 7, RGB 181 111 26, RGB 198 129 45, RGB 215 147 64 and RGB 232 165 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 93 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 93 12 shade: RGB 159 93 12, RGB 142 75 0, RGB 125 57 0, RGB 108 39 0 and RGB 91 21 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 93 12 shade: RGB 161 94 12, RGB 161 54 12, RGB 161 13 12 and RGB 161 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 93 12 shade: RGB 161 94 12, RGB 161 134 12, RGB 147 161 12, RGB 107 161 12 and RGB 67 161 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 93 12 shade matches the following richer shades: RGB 161 94 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 93 12 shade: RGB 161 94 12, RGB 147 92 26, RGB 133 91 40, RGB 119 90 54 and RGB 105 88 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 93 12 shade: RGB 161 14 12, RGB 161 54 12, RGB 161 94 12, RGB 161 133 12 and RGB 148 161 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 93 12 shade: RGB 84 49 6, RGB 122 71 9, RGB 161 94 12, RGB 199 116 15 and RGB 237 139 18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 93 12 shade: RGB 159 93 12, RGB 49 161 12 and RGB 34 12 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 93 12 shade: RGB 159 93 12, RGB 12 161 94 and RGB 94 12 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 93 12 shade: RGB 159 93 12, RGB 49 161 12, RGB 12 79 161 and RGB 123 12 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 93 12 shade: RGB 159 93 12, RGB 12 161 19, RGB 12 79 161 and RGB 161 12 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 92 / 38

HEX #9F5D0C

RGB 159 93 12

HSL 33.06, 0.86%, 0.34%

LAB 45.94, 21.61, 51.32

 

Complementary color

CMYK 60 / 33 / 0 / 5

HEX #60A2F3

RGB 96 162 243

HSL 213.06, 0.86%, 0.66%

LAB 65.59, 2.98, -46.83

 

CMYK 0 / 43 / 96 / 36

HEX #A45D07

RGB 164 93 7

HSL 32.87, 0.92%, 0.34%

LAB 46.63, 23.75, 53.31

 

CMYK 0 / 39 / 86 / 29

HEX #B56F1A

RGB 181 111 26

HSL 32.9, 0.75%, 0.41%

LAB 53.24, 21.6, 54.2

 

CMYK 0 / 35 / 77 / 22

HEX #C6812D

RGB 198 129 45

HSL 32.94, 0.63%, 0.48%

LAB 59.79, 19.73, 53.73

 

CMYK 0 / 32 / 70 / 16

HEX #D79340

RGB 215 147 64

HSL 32.98, 0.65%, 0.55%

LAB 66.28, 18.11, 52.65

 

CMYK 0 / 29 / 64 / 9

HEX #E8A553

RGB 232 165 83

HSL 33.02, 0.76%, 0.62%

LAB 72.69, 16.71, 51.33

 

CMYK 0 / 42 / 92 / 38

HEX #9F5D0C

RGB 159 93 12

HSL 33.06, 0.86%, 0.34%

LAB 45.94, 21.61, 51.32

 

CMYK 0 / 47 / 100 / 44

HEX #8E4B00

RGB 142 75 0

HSL 31.69, 1%, 0.28%

LAB 39.21, 23.99, 48.78

 

CMYK 0 / 54 / 100 / 51

HEX #7D3900

RGB 125 57 0

HSL 27.36, 1%, 0.25%

LAB 32.45, 26.58, 43.31

 

CMYK 0 / 64 / 100 / 58

HEX #6C2700

RGB 108 39 0

HSL 21.67, 1%, 0.21%

LAB 25.68, 29.02, 36.68

 

CMYK 0 / 77 / 100 / 64

HEX #5B1500

RGB 91 21 0

HSL 13.85, 1%, 0.18%

LAB 19.06, 30.87, 28.69

 

CMYK 0 / 42 / 93 / 37

HEX #A15E0C

RGB 161 94 12

HSL 33.02, 0.86%, 0.34%

LAB 46.46, 21.94, 51.83

 

CMYK 0 / 66 / 93 / 37

HEX #A1360C

RGB 161 54 12

HSL 16.91, 0.86%, 0.34%

LAB 38.27, 42.62, 45.88

 

CMYK 0 / 92 / 93 / 37

HEX #A10D0C

RGB 161 13 12

HSL 0.4, 0.86%, 0.34%

LAB 33.76, 55.18, 42.74

 

CMYK 0 / 93 / 93 / 37

HEX #A10C0C

RGB 161 12 12

HSL 0, 0.86%, 0.34%

LAB 33.7, 55.34, 42.71

 

CMYK 0 / 42 / 93 / 37

HEX #A15E0C

RGB 161 94 12

HSL 33.02, 0.86%, 0.34%

LAB 46.46, 21.94, 51.83

 

CMYK 0 / 17 / 93 / 37

HEX #A1860C

RGB 161 134 12

HSL 49.13, 0.86%, 0.34%

LAB 56.74, -0.64, 59.6

 

CMYK 9 / 0 / 93 / 37

HEX #93A10C

RGB 147 161 12

HSL 65.64, 0.86%, 0.34%

LAB 63.11, -21.3, 64.02

 

CMYK 34 / 0 / 93 / 37

HEX #6BA10C

RGB 107 161 12

HSL 81.74, 0.86%, 0.34%

LAB 60.46, -37.88, 60.79

 

CMYK 58 / 0 / 93 / 37

HEX #43A10C

RGB 67 161 12

HSL 97.85, 0.86%, 0.34%

LAB 58.7, -51.05, 58.61

 

CMYK 0 / 42 / 93 / 37

HEX #A15E0C

RGB 161 94 12

HSL 33.02, 0.86%, 0.34%

LAB 46.46, 21.94, 51.83

 

CMYK 0 / 42 / 93 / 37

HEX #A15E0C

RGB 161 94 12

HSL 33.02, 0.86%, 0.34%

LAB 46.46, 21.94, 51.83

 

CMYK 0 / 37 / 82 / 42

HEX #935C1A

RGB 147 92 26

HSL 32.73, 0.7%, 0.34%

LAB 44.14, 17.14, 44.5

 

CMYK 0 / 32 / 70 / 48

HEX #855B28

RGB 133 91 40

HSL 32.9, 0.54%, 0.34%

LAB 42.19, 11.97, 35.45

 

CMYK 0 / 24 / 55 / 53

HEX #775A36

RGB 119 90 54

HSL 33.23, 0.38%, 0.34%

LAB 40.41, 7.19, 25.26

 

CMYK 0 / 16 / 35 / 59

HEX #695844

RGB 105 88 68

HSL 32.43, 0.21%, 0.34%

LAB 38.55, 3.7, 14.2

 

CMYK 0 / 91 / 93 / 37

HEX #A10E0C

RGB 161 14 12

HSL 0.81, 0.86%, 0.34%

LAB 33.81, 55.03, 42.78

 

CMYK 0 / 66 / 93 / 37

HEX #A1360C

RGB 161 54 12

HSL 16.91, 0.86%, 0.34%

LAB 38.27, 42.62, 45.88

 

CMYK 0 / 42 / 93 / 37

HEX #A15E0C

RGB 161 94 12

HSL 33.02, 0.86%, 0.34%

LAB 46.46, 21.94, 51.83

 

CMYK 0 / 17 / 93 / 37

HEX #A1850C

RGB 161 133 12

HSL 48.72, 0.86%, 0.34%

LAB 56.46, -0.09, 59.39

 

CMYK 8 / 0 / 93 / 37

HEX #94A10C

RGB 148 161 12

HSL 65.23, 0.86%, 0.34%

LAB 63.19, -20.86, 64.11

 

CMYK 0 / 42 / 93 / 67

HEX #543106

RGB 84 49 6

HSL 33.08, 0.87%, 0.18%

LAB 23.98, 12.32, 31.19

 

CMYK 0 / 42 / 93 / 52

HEX #7A4709

RGB 122 71 9

HSL 32.92, 0.86%, 0.26%

LAB 35.33, 17.36, 41.8

 

CMYK 0 / 42 / 93 / 37

HEX #A15E0C

RGB 161 94 12

HSL 33.02, 0.86%, 0.34%

LAB 46.46, 21.94, 51.83

 

CMYK 0 / 42 / 92 / 22

HEX #C7740F

RGB 199 116 15

HSL 32.93, 0.86%, 0.42%

LAB 56.75, 26.42, 61.01

 

CMYK 0 / 41 / 92 / 7

HEX #ED8B12

RGB 237 139 18

HSL 33.15, 0.86%, 0.5%

LAB 66.91, 30.2, 69.98

 

CMYK 0 / 42 / 92 / 38

HEX #9F5D0C

RGB 159 93 12

HSL 33.06, 0.86%, 0.34%

LAB 45.94, 21.61, 51.32

 

CMYK 70 / 0 / 93 / 37

HEX #31A10C

RGB 49 161 12

HSL 105.1, 0.86%, 0.34%

LAB 58.2, -55.27, 57.98

 

CMYK 79 / 93 / 0 / 37

HEX #220CA1

RGB 34 12 161

HSL 248.86, 0.86%, 0.34%

LAB 20.74, 53.45, -72.28

 

CMYK 0 / 42 / 92 / 38

HEX #9F5D0C

RGB 159 93 12

HSL 33.06, 0.86%, 0.34%

LAB 45.94, 21.61, 51.32

 

CMYK 93 / 0 / 42 / 37

HEX #0CA15E

RGB 12 161 94

HSL 153.02, 0.86%, 0.34%

LAB 58.39, -50.96, 25.21

 

CMYK 42 / 93 / 0 / 37

HEX #5E0CA1

RGB 94 12 161

HSL 273.02, 0.86%, 0.34%

LAB 27.34, 58.17, -61.14

 

CMYK 0 / 42 / 92 / 38

HEX #9F5D0C

RGB 159 93 12

HSL 33.06, 0.86%, 0.34%

LAB 45.94, 21.61, 51.32

 

CMYK 70 / 0 / 93 / 37

HEX #31A10C

RGB 49 161 12

HSL 105.1, 0.86%, 0.34%

LAB 58.2, -55.27, 57.98

 

CMYK 93 / 51 / 0 / 37

HEX #0C4FA1

RGB 12 79 161

HSL 213.02, 0.86%, 0.34%

LAB 34.48, 13.46, -49.72

 

CMYK 24 / 93 / 0 / 37

HEX #7B0CA1

RGB 123 12 161

HSL 284.7, 0.86%, 0.34%

LAB 31.91, 62.06, -53.48

 

CMYK 0 / 42 / 92 / 38

HEX #9F5D0C

RGB 159 93 12

HSL 33.06, 0.86%, 0.34%

LAB 45.94, 21.61, 51.32

 

CMYK 93 / 0 / 88 / 37

HEX #0CA113

RGB 12 161 19

HSL 122.82, 0.86%, 0.34%

LAB 57.67, -59.83, 56

 

CMYK 93 / 51 / 0 / 37

HEX #0C4FA1

RGB 12 79 161

HSL 213.02, 0.86%, 0.34%

LAB 34.48, 13.46, -49.72

 

CMYK 0 / 93 / 5 / 37

HEX #A10C99

RGB 161 12 153

HSL 303.22, 0.86%, 0.34%

LAB 38.09, 67.08, -38.32

 

Description

Color code: RGB 159 93 12 | qconv.com Color code: RGB 159 93 12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 93 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 93 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 92 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 92% 38% C M Y K

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Provide designers and agencies with accurate color values.

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