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Color name
RGB 159 96 82

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 96 82 it is the complementary color RGB 96 159 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 96 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 96 82 shade: RGB 164 96 77, RGB 181 114 96, RGB 198 132 115, RGB 215 150 134 and RGB 232 168 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 96 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 96 82 shade: RGB 159 96 82, RGB 142 78 63, RGB 125 60 44, RGB 108 42 25 and RGB 91 24 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 96 82 shade: RGB 158 95 81 and RGB 158 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 96 82 shade: RGB 158 95 81, RGB 158 116 81, RGB 158 136 81, RGB 158 157 81 and RGB 138 158 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 96 82 shade matches the following richer shades: RGB 158 95 81, RGB 177 83 62, RGB 196 70 42, RGB 216 58 23 and RGB 235 46 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 96 82 shade: RGB 158 95 81, RGB 138 107 100, RGB 119 120 120, RGB 100 132 139 and RGB 80 144 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 96 82 shade: RGB 158 81 109, RGB 158 81 89, RGB 158 94 81, RGB 158 114 81 and RGB 158 135 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 96 82 shade: RGB 103 62 53, RGB 130 79 67, RGB 158 95 81, RGB 177 117 103 and RGB 191 141 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 96 82 shade: RGB 159 96 82, RGB 130 158 81 and RGB 81 99 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 96 82 shade: RGB 159 96 82, RGB 81 158 94 and RGB 94 81 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 96 82 shade: RGB 159 96 82, RGB 130 158 81, RGB 81 145 158 and RGB 109 81 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 96 82 shade: RGB 159 96 82, RGB 107 158 81, RGB 81 145 158 and RGB 132 81 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 48 / 38

HEX #9F6052

RGB 159 96 82

HSL 10.91, 0.32%, 0.47%

LAB 47.43, 24.03, 18.87

 

Complementary color

CMYK 45 / 8 / 0 / 32

HEX #609FAD

RGB 96 159 173

HSL 190.91, 0.32%, 0.53%

LAB 61.91, -16.48, -13.62

 

CMYK 0 / 41 / 53 / 36

HEX #A4604D

RGB 164 96 77

HSL 13.1, 0.36%, 0.47%

LAB 48, 25.6, 22.69

 

CMYK 0 / 37 / 47 / 29

HEX #B57260

RGB 181 114 96

HSL 12.71, 0.36%, 0.54%

LAB 54.77, 24.41, 21.03

 

CMYK 0 / 33 / 42 / 22

HEX #C68473

RGB 198 132 115

HSL 12.29, 0.42%, 0.61%

LAB 61.43, 23.36, 19.56

 

CMYK 0 / 30 / 38 / 16

HEX #D79686

RGB 215 150 134

HSL 11.85, 0.5%, 0.68%

LAB 68.01, 22.43, 18.25

 

CMYK 0 / 28 / 34 / 9

HEX #E8A899

RGB 232 168 153

HSL 11.39, 0.63%, 0.75%

LAB 74.48, 21.61, 17.07

 

CMYK 0 / 40 / 48 / 38

HEX #9F6052

RGB 159 96 82

HSL 10.91, 0.32%, 0.47%

LAB 47.43, 24.03, 18.87

 

CMYK 0 / 45 / 56 / 44

HEX #8E4E3F

RGB 142 78 63

HSL 11.39, 0.39%, 0.4%

LAB 40.51, 25.3, 20.67

 

CMYK 0 / 52 / 65 / 51

HEX #7D3C2C

RGB 125 60 44

HSL 11.85, 0.48%, 0.33%

LAB 33.51, 26.73, 22.82

 

CMYK 0 / 61 / 77 / 58

HEX #6C2A19

RGB 108 42 25

HSL 12.29, 0.62%, 0.26%

LAB 26.49, 28.3, 25.43

 

CMYK 0 / 74 / 93 / 64

HEX #5B1806

RGB 91 24 6

HSL 12.71, 0.88%, 0.19%

LAB 19.6, 29.73, 26.87

 

CMYK 0 / 40 / 49 / 38

HEX #9E5F51

RGB 158 95 81

HSL 10.91, 0.32%, 0.47%

LAB 47.04, 24.08, 18.92

 

CMYK 0 / 49 / 49 / 38

HEX #9E5151

RGB 158 81 81

HSL 0, 0.32%, 0.47%

LAB 43.87, 31.86, 14.64

 

CMYK 0 / 40 / 49 / 38

HEX #9E5F51

RGB 158 95 81

HSL 10.91, 0.32%, 0.47%

LAB 47.04, 24.08, 18.92

 

CMYK 0 / 27 / 49 / 38

HEX #9E7451

RGB 158 116 81

HSL 27.27, 0.32%, 0.47%

LAB 52.24, 12.09, 25.75

 

CMYK 0 / 14 / 49 / 38

HEX #9E8851

RGB 158 136 81

HSL 42.86, 0.32%, 0.47%

LAB 57.53, 0.78, 32.47

 

CMYK 0 / 1 / 49 / 38

HEX #9E9D51

RGB 158 157 81

HSL 59.22, 0.32%, 0.47%

LAB 63.32, -10.64, 39.56

 

CMYK 13 / 0 / 49 / 38

HEX #8A9E51

RGB 138 158 81

HSL 75.58, 0.32%, 0.47%

LAB 62.04, -19.51, 37.64

 

CMYK 0 / 40 / 49 / 38

HEX #9E5F51

RGB 158 95 81

HSL 10.91, 0.32%, 0.47%

LAB 47.04, 24.08, 18.92

 

CMYK 0 / 53 / 65 / 31

HEX #B1533E

RGB 177 83 62

HSL 10.96, 0.48%, 0.47%

LAB 46.82, 36.66, 30.31

 

CMYK 0 / 64 / 79 / 23

HEX #C4462A

RGB 196 70 42

HSL 10.91, 0.65%, 0.47%

LAB 47.34, 48.91, 42.75

 

CMYK 0 / 73 / 89 / 15

HEX #D83A17

RGB 216 58 23

HSL 10.88, 0.81%, 0.47%

LAB 49.11, 59.72, 54.35

 

CMYK 0 / 80 / 99 / 8

HEX #EB2E03

RGB 235 46 3

HSL 11.12, 0.97%, 0.47%

LAB 51.41, 68.7, 63.31

 

CMYK 0 / 40 / 49 / 38

HEX #9E5F51

RGB 158 95 81

HSL 10.91, 0.32%, 0.47%

LAB 47.04, 24.08, 18.92

 

CMYK 0 / 22 / 28 / 46

HEX #8A6B64

RGB 138 107 100

HSL 11.05, 0.16%, 0.47%

LAB 48.06, 11.24, 8.65

 

CMYK 1 / 0 / 0 / 53

HEX #777878

RGB 119 120 120

HSL 180, 0%, 0.47%

LAB 50.35, -0.37, -0.14

 

CMYK 28 / 5 / 0 / 45

HEX #64848B

RGB 100 132 139

HSL 190.77, 0.16%, 0.47%

LAB 53.03, -9.54, -7.46

 

CMYK 50 / 9 / 0 / 38

HEX #50909F

RGB 80 144 159

HSL 191.39, 0.33%, 0.47%

LAB 56.24, -16.3, -14.29

 

CMYK 0 / 49 / 31 / 38

HEX #9E516D

RGB 158 81 109

HSL 338.18, 0.32%, 0.47%

LAB 44.6, 35.21, -1.44

 

CMYK 0 / 49 / 44 / 38

HEX #9E5159

RGB 158 81 89

HSL 353.77, 0.32%, 0.47%

LAB 44.05, 32.71, 10.01

 

CMYK 0 / 41 / 49 / 38

HEX #9E5E51

RGB 158 94 81

HSL 10.13, 0.32%, 0.47%

LAB 46.8, 24.64, 18.6

 

CMYK 0 / 28 / 49 / 38

HEX #9E7251

RGB 158 114 81

HSL 25.71, 0.32%, 0.47%

LAB 51.72, 13.23, 25.09

 

CMYK 0 / 15 / 49 / 38

HEX #9E8751

RGB 158 135 81

HSL 42.08, 0.32%, 0.47%

LAB 57.26, 1.34, 32.13

 

CMYK 0 / 40 / 49 / 60

HEX #673E35

RGB 103 62 53

HSL 10.8, 0.32%, 0.31%

LAB 30.84, 16.83, 13.08

 

CMYK 0 / 39 / 48 / 49

HEX #824F43

RGB 130 79 67

HSL 11.43, 0.32%, 0.39%

LAB 39.14, 20.02, 16.13

 

CMYK 0 / 40 / 49 / 38

HEX #9E5F51

RGB 158 95 81

HSL 10.91, 0.32%, 0.47%

LAB 47.04, 24.08, 18.92

 

CMYK 0 / 34 / 42 / 31

HEX #B17567

RGB 177 117 103

HSL 11.35, 0.32%, 0.55%

LAB 55.12, 21.88, 17.39

 

CMYK 0 / 26 / 31 / 25

HEX #BF8D83

RGB 191 141 131

HSL 10, 0.32%, 0.63%

LAB 63.15, 17.59, 12.78

 

CMYK 0 / 40 / 48 / 38

HEX #9F6052

RGB 159 96 82

HSL 10.91, 0.32%, 0.47%

LAB 47.43, 24.03, 18.87

 

CMYK 18 / 0 / 49 / 38

HEX #829E51

RGB 130 158 81

HSL 81.82, 0.32%, 0.47%

LAB 61.48, -22.74, 36.83

 

CMYK 49 / 37 / 0 / 38

HEX #51639E

RGB 81 99 158

HSL 225.97, 0.32%, 0.47%

LAB 42.98, 10.02, -34.2

 

CMYK 0 / 40 / 48 / 38

HEX #9F6052

RGB 159 96 82

HSL 10.91, 0.32%, 0.47%

LAB 47.43, 24.03, 18.87

 

CMYK 49 / 0 / 41 / 38

HEX #519E5E

RGB 81 158 94

HSL 130.13, 0.32%, 0.47%

LAB 58.98, -38, 26.28

 

CMYK 41 / 49 / 0 / 38

HEX #5E519E

RGB 94 81 158

HSL 250.13, 0.32%, 0.47%

LAB 39.13, 24.73, -40.23

 

CMYK 0 / 40 / 48 / 38

HEX #9F6052

RGB 159 96 82

HSL 10.91, 0.32%, 0.47%

LAB 47.43, 24.03, 18.87

 

CMYK 18 / 0 / 49 / 38

HEX #829E51

RGB 130 158 81

HSL 81.82, 0.32%, 0.47%

LAB 61.48, -22.74, 36.83

 

CMYK 49 / 8 / 0 / 38

HEX #51919E

RGB 81 145 158

HSL 190.13, 0.32%, 0.47%

LAB 56.55, -16.88, -13.25

 

CMYK 31 / 49 / 0 / 38

HEX #6D519E

RGB 109 81 158

HSL 261.82, 0.32%, 0.47%

LAB 40.58, 28.82, -37.83

 

CMYK 0 / 40 / 48 / 38

HEX #9F6052

RGB 159 96 82

HSL 10.91, 0.32%, 0.47%

LAB 47.43, 24.03, 18.87

 

CMYK 32 / 0 / 49 / 38

HEX #6B9E51

RGB 107 158 81

HSL 99.74, 0.32%, 0.47%

LAB 60.05, -31.5, 34.75

 

CMYK 49 / 8 / 0 / 38

HEX #51919E

RGB 81 145 158

HSL 190.13, 0.32%, 0.47%

LAB 56.55, -16.88, -13.25

 

CMYK 16 / 49 / 0 / 38

HEX #84519E

RGB 132 81 158

HSL 279.74, 0.32%, 0.47%

LAB 43.15, 35.48, -33.6

 

Description

Color code: RGB 159 96 82 | qconv.com Color code: RGB 159 96 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 96 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 96 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 48 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 48% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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