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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 50 224 it is the complementary color RGB 240 205 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 50 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 50 224 shade: RGB 20 50 219, RGB 37 68 238, RGB 54 86 255, RGB 71 104 255 and RGB 88 122 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 50 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 50 224 shade: RGB 15 50 224, RGB 0 32 205, RGB 0 14 186, RGB 0 0 167 and RGB 0 0 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 50 224 shade: RGB 15 50 224, RGB 36 15 224, RGB 93 15 224, RGB 149 15 224 and RGB 205 15 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 50 224 shade: RGB 15 50 224 and RGB 15 15 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 50 224 shade matches the following richer shades: RGB 15 50 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 50 224 shade: RGB 15 50 224, RGB 34 63 204, RGB 54 76 185, RGB 73 89 165 and RGB 93 102 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 50 224 shade: RGB 15 165 224, RGB 15 109 224, RGB 15 53 224, RGB 32 15 224 and RGB 88 15 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 50 224 shade: RGB 10 33 146, RGB 12 41 185, RGB 15 50 224, RGB 40 74 240 and RGB 79 106 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 50 224 shade: RGB 15 50 224, RGB 224 15 220 and RGB 137 224 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 50 224 shade: RGB 15 50 224, RGB 224 15 53 and RGB 53 224 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 50 224 shade: RGB 15 50 224, RGB 224 15 220, RGB 224 185 15 and RGB 15 224 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 50 224 shade: RGB 15 50 224, RGB 224 15 158, RGB 224 185 15 and RGB 15 224 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

Complementary color

CMYK 0 / 15 / 87 / 6

HEX #F0CD1F

RGB 240 205 31

HSL 49.95, 0.87%, 0.53%

LAB 83.07, -2.88, 79.79

 

CMYK 91 / 77 / 0 / 14

HEX #1432DB

RGB 20 50 219

HSL 230.95, 0.83%, 0.47%

LAB 33.02, 54.13, -86.21

 

CMYK 84 / 71 / 0 / 7

HEX #2544EE

RGB 37 68 238

HSL 230.75, 0.86%, 0.54%

LAB 39.07, 51.14, -87.01

 

CMYK 79 / 66 / 0 / 0

HEX #3656FF

RGB 54 86 255

HSL 230.45, 1%, 0.61%

LAB 45.16, 47.48, -86.48

 

CMYK 72 / 59 / 0 / 0

HEX #4768FF

RGB 71 104 255

HSL 229.24, 1%, 0.64%

LAB 50.05, 38.2, -78.45

 

CMYK 65 / 52 / 0 / 0

HEX #587AFF

RGB 88 122 255

HSL 227.78, 1%, 0.67%

LAB 55.29, 29.45, -69.89

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 100 / 84 / 0 / 20

HEX #0020CD

RGB 0 32 205

HSL 230.63, 1%, 0.4%

LAB 27.96, 58.09, -86.53

 

CMYK 100 / 92 / 0 / 27

HEX #000EBA

RGB 0 14 186

HSL 235.48, 1%, 0.36%

LAB 23.2, 59.1, -83.27

 

CMYK 100 / 100 / 0 / 35

HEX #0000A7

RGB 0 0 167

HSL 240, 1%, 0.33%

LAB 19.18, 57.69, -78.57

 

CMYK 100 / 100 / 0 / 42

HEX #000094

RGB 0 0 148

HSL 240, 1%, 0.29%

LAB 16.2, 52.79, -71.9

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 84 / 93 / 0 / 12

HEX #240FE0

RGB 36 15 224

HSL 246.03, 0.87%, 0.47%

LAB 29.66, 69.45, -94.66

 

CMYK 58 / 93 / 0 / 12

HEX #5D0FE0

RGB 93 15 224

HSL 262.39, 0.87%, 0.47%

LAB 34.09, 71.98, -87.17

 

CMYK 33 / 93 / 0 / 12

HEX #950FE0

RGB 149 15 224

HSL 278.47, 0.87%, 0.47%

LAB 41.4, 77.26, -74.87

 

CMYK 8 / 93 / 0 / 12

HEX #CD0FE0

RGB 205 15 224

HSL 294.55, 0.87%, 0.47%

LAB 50.34, 84.98, -59.94

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 93 / 93 / 0 / 12

HEX #0F0FE0

RGB 15 15 224

HSL 240, 0.87%, 0.47%

LAB 28.97, 69.12, -95.84

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 83 / 69 / 0 / 20

HEX #223FCC

RGB 34 63 204

HSL 229.76, 0.71%, 0.47%

LAB 34.51, 42.11, -75.06

 

CMYK 71 / 59 / 0 / 27

HEX #364CB9

RGB 54 76 185

HSL 229.92, 0.55%, 0.47%

LAB 36.85, 28.91, -60.08

 

CMYK 56 / 46 / 0 / 35

HEX #4959A5

RGB 73 89 165

HSL 229.57, 0.39%, 0.47%

LAB 40.04, 16.78, -43.04

 

CMYK 36 / 30 / 0 / 43

HEX #5D6692

RGB 93 102 146

HSL 229.81, 0.22%, 0.47%

LAB 44.1, 7.84, -25.24

 

CMYK 93 / 26 / 0 / 12

HEX #0FA5E0

RGB 15 165 224

HSL 196.94, 0.87%, 0.47%

LAB 63.67, -14.28, -39.54

 

CMYK 93 / 51 / 0 / 12

HEX #0F6DE0

RGB 15 109 224

HSL 213.01, 0.87%, 0.47%

LAB 47.52, 19.17, -65.27

 

CMYK 93 / 76 / 0 / 12

HEX #0F35E0

RGB 15 53 224

HSL 229.09, 0.87%, 0.47%

LAB 34.04, 54.04, -87.38

 

CMYK 86 / 93 / 0 / 12

HEX #200FE0

RGB 32 15 224

HSL 244.88, 0.87%, 0.47%

LAB 29.49, 69.37, -94.95

 

CMYK 61 / 93 / 0 / 12

HEX #580FE0

RGB 88 15 224

HSL 260.96, 0.87%, 0.47%

LAB 33.56, 71.64, -88.06

 

CMYK 93 / 77 / 0 / 43

HEX #0A2192

RGB 10 33 146

HSL 229.85, 0.87%, 0.31%

LAB 20.93, 38.3, -62.76

 

CMYK 94 / 78 / 0 / 27

HEX #0C29B9

RGB 12 41 185

HSL 229.94, 0.88%, 0.39%

LAB 27.2, 47.44, -76

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 83 / 69 / 0 / 6

HEX #284AF0

RGB 40 74 240

HSL 229.8, 0.87%, 0.55%

LAB 40.64, 48.49, -85.55

 

CMYK 67 / 56 / 0 / 5

HEX #4F6AF2

RGB 79 106 242

HSL 230.06, 0.86%, 0.63%

LAB 49.96, 33.51, -71.35

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 0 / 93 / 2 / 12

HEX #E00FDC

RGB 224 15 220

HSL 301.15, 0.87%, 0.47%

LAB 53.34, 87.42, -52.67

 

CMYK 39 / 0 / 93 / 12

HEX #89E00F

RGB 137 224 15

HSL 84.98, 0.87%, 0.47%

LAB 81.11, -53.29, 77.73

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 0 / 93 / 76 / 12

HEX #E00F35

RGB 224 15 53

HSL 349.09, 0.87%, 0.47%

LAB 47.55, 72.27, 38.54

 

CMYK 76 / 0 / 93 / 12

HEX #35E00F

RGB 53 224 15

HSL 109.09, 0.87%, 0.47%

LAB 78.52, -73.9, 74.55

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 0 / 93 / 2 / 12

HEX #E00FDC

RGB 224 15 220

HSL 301.15, 0.87%, 0.47%

LAB 53.34, 87.42, -52.67

 

CMYK 0 / 17 / 93 / 12

HEX #E0B90F

RGB 224 185 15

HSL 48.8, 0.87%, 0.47%

LAB 76.42, 0.28, 76.73

 

CMYK 93 / 0 / 92 / 12

HEX #0FE013

RGB 15 224 19

HSL 121.15, 0.87%, 0.47%

LAB 78.15, -77.24, 73.57

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 0 / 93 / 29 / 12

HEX #E00F9E

RGB 224 15 158

HSL 318.95, 0.87%, 0.47%

LAB 50.28, 79.65, -21.4

 

CMYK 0 / 17 / 93 / 12

HEX #E0B90F

RGB 224 185 15

HSL 48.8, 0.87%, 0.47%

LAB 76.42, 0.28, 76.73

 

CMYK 93 / 0 / 64 / 12

HEX #0FE051

RGB 15 224 81

HSL 138.95, 0.87%, 0.47%

LAB 78.47, -73.15, 55.78

 

Description

Color code: RGB 15 50 224 | qconv.com Color code: RGB 15 50 224 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 50 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 50 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 78 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 78% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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