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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 97 132 it is the complementary color RGB 240 158 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 97 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 97 132 shade: RGB 20 97 127, RGB 37 115 146, RGB 54 133 165, RGB 71 151 184 and RGB 88 169 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 97 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 97 132 shade: RGB 15 97 132, RGB 0 79 113, RGB 0 61 94, RGB 0 43 75 and RGB 0 25 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 97 132 shade: RGB 14 97 133, RGB 14 65 133, RGB 14 33 133, RGB 27 14 133 and RGB 59 14 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 97 132 shade: RGB 14 97 133, RGB 14 65 133, RGB 14 33 133 and RGB 14 14 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 97 132 shade matches the following richer shades: RGB 14 97 133 and RGB 2 102 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 97 132 shade: RGB 14 97 133, RGB 26 92 121, RGB 38 88 109, RGB 50 83 97 and RGB 62 78 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 97 132 shade: RGB 14 133 103, RGB 14 131 133, RGB 14 99 133, RGB 14 68 133 and RGB 14 36 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 97 132 shade: RGB 6 43 58, RGB 10 70 95, RGB 14 97 133, RGB 18 124 170 and RGB 23 152 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 97 132 shade: RGB 15 97 132, RGB 71 14 133 and RGB 133 119 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 97 132 shade: RGB 15 97 132, RGB 133 14 99 and RGB 99 133 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 97 132 shade: RGB 15 97 132, RGB 71 14 133, RGB 133 48 14 and RGB 75 133 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 97 132 shade: RGB 15 97 132, RGB 107 14 133, RGB 133 48 14 and RGB 40 133 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 27 / 0 / 48

HEX #0F6184

RGB 15 97 132

HSL 197.95, 0.8%, 0.29%

LAB 38.41, -9.72, -25.94

 

Complementary color

CMYK 0 / 34 / 49 / 6

HEX #F09E7B

RGB 240 158 123

HSL 17.95, 0.8%, 0.71%

LAB 72.5, 26.78, 30.8

 

CMYK 84 / 24 / 0 / 50

HEX #14617F

RGB 20 97 127

HSL 196.82, 0.73%, 0.29%

LAB 38.25, -11.19, -23.12

 

CMYK 75 / 21 / 0 / 43

HEX #257392

RGB 37 115 146

HSL 197.06, 0.6%, 0.36%

LAB 45.26, -12.66, -23.64

 

CMYK 67 / 19 / 0 / 35

HEX #3685A5

RGB 54 133 165

HSL 197.3, 0.51%, 0.43%

LAB 52.15, -13.69, -24.09

 

CMYK 61 / 18 / 0 / 28

HEX #4797B8

RGB 71 151 184

HSL 197.52, 0.44%, 0.5%

LAB 58.91, -14.44, -24.49

 

CMYK 57 / 17 / 0 / 20

HEX #58A9CB

RGB 88 169 203

HSL 197.74, 0.53%, 0.57%

LAB 65.56, -14.99, -24.86

 

CMYK 89 / 27 / 0 / 48

HEX #0F6184

RGB 15 97 132

HSL 197.95, 0.8%, 0.29%

LAB 38.41, -9.72, -25.94

 

CMYK 100 / 30 / 0 / 56

HEX #004F71

RGB 0 79 113

HSL 198.05, 1%, 0.22%

LAB 31.31, -7.34, -25.33

RGB 0 79 113

CMYK 100 / 35 / 0 / 63

HEX #003D5E

RGB 0 61 94

HSL 201.06, 1%, 0.18%

LAB 24.15, -3.76, -24.48

RGB 0 61 94

CMYK 100 / 43 / 0 / 71

HEX #002B4B

RGB 0 43 75

HSL 205.6, 1%, 0.15%

LAB 16.68, 0.2, -23.68

RGB 0 43 75

CMYK 100 / 55 / 0 / 78

HEX #001938

RGB 0 25 56

HSL 213.21, 1%, 0.11%

LAB 8.83, 4.73, -22.97

RGB 0 25 56

CMYK 89 / 27 / 0 / 48

HEX #0E6185

RGB 14 97 133

HSL 198.15, 0.81%, 0.29%

LAB 38.44, -9.41, -26.49

 

CMYK 89 / 51 / 0 / 48

HEX #0E4185

RGB 14 65 133

HSL 214.29, 0.81%, 0.29%

LAB 28.29, 11.48, -42.63

 

CMYK 89 / 75 / 0 / 48

HEX #0E2185

RGB 14 33 133

HSL 230.42, 0.81%, 0.29%

LAB 19.53, 33.66, -56.95

 

CMYK 80 / 89 / 0 / 48

HEX #1B0E85

RGB 27 14 133

HSL 246.55, 0.81%, 0.29%

LAB 16.7, 44.4, -61.63

 

CMYK 56 / 89 / 0 / 48

HEX #3B0E85

RGB 59 14 133

HSL 262.69, 0.81%, 0.29%

LAB 19.79, 46.94, -56.41

 

CMYK 89 / 27 / 0 / 48

HEX #0E6185

RGB 14 97 133

HSL 198.15, 0.81%, 0.29%

LAB 38.44, -9.41, -26.49

 

CMYK 89 / 51 / 0 / 48

HEX #0E4185

RGB 14 65 133

HSL 214.29, 0.81%, 0.29%

LAB 28.29, 11.48, -42.63

 

CMYK 89 / 75 / 0 / 48

HEX #0E2185

RGB 14 33 133

HSL 230.42, 0.81%, 0.29%

LAB 19.53, 33.66, -56.95

 

CMYK 89 / 89 / 0 / 48

HEX #0E0E85

RGB 14 14 133

HSL 240, 0.81%, 0.29%

LAB 16.01, 43.87, -62.8

 

CMYK 89 / 27 / 0 / 48

HEX #0E6185

RGB 14 97 133

HSL 198.15, 0.81%, 0.29%

LAB 38.44, -9.41, -26.49

 

CMYK 99 / 30 / 0 / 43

HEX #026691

RGB 2 102 145

HSL 198.04, 0.97%, 0.29%

LAB 40.51, -8.42, -30.51

 

CMYK 89 / 27 / 0 / 48

HEX #0E6185

RGB 14 97 133

HSL 198.15, 0.81%, 0.29%

LAB 38.44, -9.41, -26.49

 

CMYK 79 / 24 / 0 / 53

HEX #1A5C79

RGB 26 92 121

HSL 198.32, 0.65%, 0.29%

LAB 36.47, -9.77, -22.21

 

CMYK 65 / 19 / 0 / 57

HEX #26586D

RGB 38 88 109

HSL 197.75, 0.48%, 0.29%

LAB 34.99, -9.73, -17.04

 

CMYK 48 / 14 / 0 / 62

HEX #325361

RGB 50 83 97

HSL 197.87, 0.32%, 0.29%

LAB 33.41, -7.81, -11.9

 

CMYK 27 / 8 / 0 / 67

HEX #3E4E55

RGB 62 78 85

HSL 198.26, 0.16%, 0.29%

LAB 32.1, -4.43, -6.2

 

CMYK 89 / 0 / 23 / 48

HEX #0E8567

RGB 14 133 103

HSL 164.87, 0.81%, 0.29%

LAB 49.31, -37.73, 7.74

 

CMYK 89 / 2 / 0 / 48

HEX #0E8385

RGB 14 131 133

HSL 181.01, 0.81%, 0.29%

LAB 49.52, -27.93, -9.52

 

CMYK 89 / 26 / 0 / 48

HEX #0E6385

RGB 14 99 133

HSL 197.14, 0.81%, 0.29%

LAB 39.09, -10.6, -25.48

 

CMYK 89 / 49 / 0 / 48

HEX #0E4485

RGB 14 68 133

HSL 212.77, 0.81%, 0.29%

LAB 29.21, 9.4, -41.14

 

CMYK 89 / 73 / 0 / 48

HEX #0E2485

RGB 14 36 133

HSL 228.91, 0.81%, 0.29%

LAB 20.24, 31.72, -55.79

 

CMYK 90 / 26 / 0 / 77

HEX #062B3A

RGB 6 43 58

HSL 197.31, 0.81%, 0.13%

LAB 15.86, -6.5, -13.25

 

CMYK 89 / 26 / 0 / 63

HEX #0A465F

RGB 10 70 95

HSL 197.65, 0.81%, 0.21%

LAB 27.49, -8.2, -19.86

 

CMYK 89 / 27 / 0 / 48

HEX #0E6185

RGB 14 97 133

HSL 198.15, 0.81%, 0.29%

LAB 38.44, -9.41, -26.49

 

CMYK 89 / 27 / 0 / 33

HEX #127CAA

RGB 18 124 170

HSL 198.16, 0.81%, 0.37%

LAB 48.82, -10.92, -32.22

 

CMYK 89 / 27 / 0 / 19

HEX #1798CF

RGB 23 152 207

HSL 197.93, 0.8%, 0.45%

LAB 59.11, -12.87, -37.22

 

CMYK 89 / 27 / 0 / 48

HEX #0F6184

RGB 15 97 132

HSL 197.95, 0.8%, 0.29%

LAB 38.41, -9.72, -25.94

 

CMYK 47 / 89 / 0 / 48

HEX #470E85

RGB 71 14 133

HSL 268.74, 0.81%, 0.29%

LAB 21.38, 48.34, -53.73

 

CMYK 0 / 11 / 89 / 48

HEX #85770E

RGB 133 119 14

HSL 52.94, 0.81%, 0.29%

LAB 49.75, -5.34, 52.5

 

CMYK 89 / 27 / 0 / 48

HEX #0F6184

RGB 15 97 132

HSL 197.95, 0.8%, 0.29%

LAB 38.41, -9.72, -25.94

 

CMYK 0 / 89 / 26 / 48

HEX #850E63

RGB 133 14 99

HSL 317.14, 0.81%, 0.29%

LAB 29.92, 53.49, -17.69

 

CMYK 26 / 0 / 89 / 48

HEX #63850E

RGB 99 133 14

HSL 77.14, 0.81%, 0.29%

LAB 51.22, -28.14, 52.59

 

CMYK 89 / 27 / 0 / 48

HEX #0F6184

RGB 15 97 132

HSL 197.95, 0.8%, 0.29%

LAB 38.41, -9.72, -25.94

 

CMYK 47 / 89 / 0 / 48

HEX #470E85

RGB 71 14 133

HSL 268.74, 0.81%, 0.29%

LAB 21.38, 48.34, -53.73

 

CMYK 0 / 64 / 89 / 48

HEX #85300E

RGB 133 48 14

HSL 17.14, 0.81%, 0.29%

LAB 32.11, 34.89, 38.16

 

CMYK 44 / 0 / 89 / 48

HEX #4B850E

RGB 75 133 14

HSL 89.24, 0.81%, 0.29%

LAB 49.86, -37.53, 50.89

 

CMYK 89 / 27 / 0 / 48

HEX #0F6184

RGB 15 97 132

HSL 197.95, 0.8%, 0.29%

LAB 38.41, -9.72, -25.94

 

CMYK 20 / 89 / 0 / 48

HEX #6B0E85

RGB 107 14 133

HSL 286.89, 0.81%, 0.29%

LAB 27.11, 53.74, -44.14

 

CMYK 0 / 64 / 89 / 48

HEX #85300E

RGB 133 48 14

HSL 17.14, 0.81%, 0.29%

LAB 32.11, 34.89, 38.16

 

CMYK 70 / 0 / 89 / 48

HEX #28850E

RGB 40 133 14

HSL 106.89, 0.81%, 0.29%

LAB 48.58, -47.63, 49.28

 

Description

Color code: RGB 15 97 132 | qconv.com Color code: RGB 15 97 132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 97 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 97 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 27 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 27% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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