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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 163 140 it is the complementary color RGB 240 92 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 163 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 163 140 shade: RGB 20 163 135, RGB 37 181 154, RGB 54 199 173, RGB 71 217 192 and RGB 88 235 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 163 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 163 140 shade: RGB 15 163 140, RGB 0 145 121, RGB 0 127 102, RGB 0 109 83 and RGB 0 91 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 163 140 shade: RGB 15 163 140, RGB 15 163 100, RGB 15 163 60, RGB 15 163 20 and RGB 49 163 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 163 140 shade: RGB 15 163 140, RGB 15 146 163, RGB 15 106 163, RGB 15 66 163 and RGB 15 26 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 163 140 shade matches the following richer shades: RGB 15 163 140 and RGB 0 177 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 163 140 shade: RGB 15 163 140, RGB 29 148 130, RGB 44 134 120, RGB 58 120 110 and RGB 72 105 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 163 140 shade: RGB 15 163 59, RGB 15 163 99, RGB 15 163 138, RGB 15 148 163 and RGB 15 109 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 163 140 shade: RGB 8 87 75, RGB 11 125 107, RGB 15 163 140, RGB 18 201 172 and RGB 27 233 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 163 140 shade: RGB 15 163 140, RGB 20 15 163 and RGB 163 79 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 163 140 shade: RGB 15 163 140, RGB 138 15 163 and RGB 163 138 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 163 140 shade: RGB 15 163 140, RGB 20 15 163, RGB 163 15 39 and RGB 158 163 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 163 140 shade: RGB 15 163 140, RGB 64 15 163, RGB 163 15 39 and RGB 113 163 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

Complementary color

CMYK 0 / 62 / 52 / 6

HEX #F05C73

RGB 240 92 115

HSL 350.68, 0.83%, 0.65%

LAB 59.36, 58.59, 17.67

 

CMYK 88 / 0 / 17 / 36

HEX #14A387

RGB 20 163 135

HSL 168.25, 0.78%, 0.36%

LAB 59.97, -41.62, 4.71

 

CMYK 80 / 0 / 15 / 29

HEX #25B59A

RGB 37 181 154

HSL 168.75, 0.66%, 0.43%

LAB 66.35, -42.83, 3.35

 

CMYK 73 / 0 / 13 / 22

HEX #36C7AD

RGB 54 199 173

HSL 169.24, 0.57%, 0.5%

LAB 72.66, -43.67, 2.14

 

CMYK 67 / 0 / 12 / 15

HEX #47D9C0

RGB 71 217 192

HSL 169.73, 0.66%, 0.56%

LAB 78.91, -44.25, 1.05

 

CMYK 63 / 0 / 10 / 8

HEX #58EBD3

RGB 88 235 211

HSL 170.2, 0.79%, 0.63%

LAB 85.1, -44.65, 0.05

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 100 / 0 / 17 / 43

HEX #009179

RGB 0 145 121

HSL 170.07, 1%, 0.28%

LAB 53.63, -38.78, 3.51

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 100 / 0 / 24 / 57

HEX #006D53

RGB 0 109 83

HSL 165.69, 1%, 0.21%

LAB 40.51, -33.7, 7.06

 

CMYK 100 / 0 / 30 / 64

HEX #005B40

RGB 0 91 64

HSL 162.2, 1%, 0.18%

LAB 33.67, -31.02, 9.03

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 91 / 0 / 39 / 36

HEX #0FA364

RGB 15 163 100

HSL 154.46, 0.83%, 0.35%

LAB 59.17, -50.3, 23.01

 

CMYK 91 / 0 / 63 / 36

HEX #0FA33C

RGB 15 163 60

HSL 138.24, 0.83%, 0.35%

LAB 58.62, -56.9, 42.62

 

CMYK 91 / 0 / 88 / 36

HEX #0FA314

RGB 15 163 20

HSL 122.03, 0.83%, 0.35%

LAB 58.36, -60.17, 56.4

 

CMYK 70 / 0 / 91 / 36

HEX #31A30F

RGB 49 163 15

HSL 106.22, 0.83%, 0.35%

LAB 58.86, -55.84, 58.04

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 91 / 10 / 0 / 36

HEX #0F92A3

RGB 15 146 163

HSL 186.89, 0.83%, 0.35%

LAB 55.38, -25.5, -18.04

 

CMYK 91 / 35 / 0 / 36

HEX #0F6AA3

RGB 15 106 163

HSL 203.11, 0.83%, 0.35%

LAB 42.84, -3.07, -37.53

 

CMYK 91 / 60 / 0 / 36

HEX #0F42A3

RGB 15 66 163

HSL 219.32, 0.83%, 0.35%

LAB 30.98, 23.33, -56.62

 

CMYK 91 / 84 / 0 / 36

HEX #0F1AA3

RGB 15 26 163

HSL 235.54, 0.83%, 0.35%

LAB 21.89, 48.02, -71.61

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 100 / 0 / 15 / 31

HEX #00B196

RGB 0 177 150

HSL 170.85, 1%, 0.35%

LAB 64.68, -44.4, 3.11

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 80 / 0 / 12 / 42

HEX #1D9482

RGB 29 148 130

HSL 170.92, 0.67%, 0.35%

LAB 55.13, -35.63, 0.54

 

CMYK 67 / 0 / 10 / 47

HEX #2C8678

RGB 44 134 120

HSL 170.67, 0.51%, 0.35%

LAB 50.62, -29.84, -0.22

 

CMYK 52 / 0 / 8 / 53

HEX #3A786E

RGB 58 120 110

HSL 170.32, 0.35%, 0.35%

LAB 46.26, -22.66, -0.65

 

CMYK 31 / 0 / 5 / 59

HEX #486964

RGB 72 105 100

HSL 170.91, 0.19%, 0.35%

LAB 41.85, -13.1, -1.02

 

CMYK 91 / 0 / 64 / 36

HEX #0FA33B

RGB 15 163 59

HSL 137.84, 0.83%, 0.35%

LAB 58.61, -57.03, 43.06

 

CMYK 91 / 0 / 39 / 36

HEX #0FA363

RGB 15 163 99

HSL 154.05, 0.83%, 0.35%

LAB 59.16, -50.51, 23.53

 

CMYK 91 / 0 / 15 / 36

HEX #0FA38A

RGB 15 163 138

HSL 169.86, 0.83%, 0.35%

LAB 60.01, -41.11, 3.06

 

CMYK 91 / 9 / 0 / 36

HEX #0F94A3

RGB 15 148 163

HSL 186.08, 0.83%, 0.35%

LAB 56.01, -26.51, -17.08

 

CMYK 91 / 33 / 0 / 36

HEX #0F6DA3

RGB 15 109 163

HSL 201.89, 0.83%, 0.35%

LAB 43.78, -4.91, -36.06

 

CMYK 91 / 0 / 14 / 66

HEX #08574B

RGB 8 87 75

HSL 170.89, 0.83%, 0.19%

LAB 32.65, -25.15, 0.71

 

CMYK 91 / 0 / 14 / 51

HEX #0B7D6B

RGB 11 125 107

HSL 170.53, 0.84%, 0.27%

LAB 46.71, -33.28, 1.65

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 91 / 0 / 14 / 21

HEX #12C9AC

RGB 18 201 172

HSL 170.49, 0.84%, 0.43%

LAB 72.81, -47.83, 2.85

 

CMYK 88 / 0 / 14 / 9

HEX #1BE9C9

RGB 27 233 201

HSL 170.68, 0.82%, 0.51%

LAB 83.3, -52.9, 2.59

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 88 / 91 / 0 / 36

HEX #140FA3

RGB 20 15 163

HSL 242.03, 0.83%, 0.35%

LAB 20.58, 52.63, -73.79

 

CMYK 0 / 52 / 91 / 36

HEX #A34F0F

RGB 163 79 15

HSL 25.95, 0.83%, 0.35%

LAB 43.38, 31.12, 48.8

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 15 / 91 / 0 / 36

HEX #8A0FA3

RGB 138 15 163

HSL 289.86, 0.83%, 0.35%

LAB 34.78, 64.28, -49.92

 

CMYK 0 / 15 / 91 / 36

HEX #A38A0F

RGB 163 138 15

HSL 49.86, 0.83%, 0.35%

LAB 58.04, -1.87, 60.12

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 88 / 91 / 0 / 36

HEX #140FA3

RGB 20 15 163

HSL 242.03, 0.83%, 0.35%

LAB 20.58, 52.63, -73.79

 

CMYK 0 / 91 / 76 / 36

HEX #A30F27

RGB 163 15 39

HSL 350.27, 0.83%, 0.35%

LAB 34.55, 56.12, 28.89

 

CMYK 3 / 0 / 91 / 36

HEX #9EA30F

RGB 158 163 15

HSL 62.03, 0.83%, 0.35%

LAB 64.56, -17.42, 65.06

 

CMYK 91 / 0 / 14 / 36

HEX #0FA38C

RGB 15 163 140

HSL 170.68, 0.83%, 0.35%

LAB 60.06, -40.56, 2.01

 

CMYK 61 / 91 / 0 / 36

HEX #400FA3

RGB 64 15 163

HSL 259.86, 0.83%, 0.35%

LAB 23.92, 54.94, -68.13

 

CMYK 0 / 91 / 76 / 36

HEX #A30F27

RGB 163 15 39

HSL 350.27, 0.83%, 0.35%

LAB 34.55, 56.12, 28.89

 

CMYK 31 / 0 / 91 / 36

HEX #71A30F

RGB 113 163 15

HSL 80.27, 0.83%, 0.35%

LAB 61.43, -36.38, 61.22

 

Description

Color code: RGB 15 163 140 | qconv.com Color code: RGB 15 163 140 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 163 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 163 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 14 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 14% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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