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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 192 175 it is the complementary color RGB 240 63 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 192 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 192 175 shade: RGB 20 192 170, RGB 37 210 189, RGB 54 228 208, RGB 71 246 227 and RGB 88 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 192 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 192 175 shade: RGB 15 192 175, RGB 0 174 156, RGB 0 156 137, RGB 0 138 118 and RGB 0 120 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 192 175 shade: RGB 14 194 177, RGB 14 194 128, RGB 14 194 80, RGB 14 194 31 and RGB 46 194 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 192 175 shade: RGB 14 194 177, RGB 14 163 194, RGB 14 114 194, RGB 14 66 194 and RGB 14 17 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 192 175 shade matches the following richer shades: RGB 14 194 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 192 175 shade: RGB 14 194 177, RGB 31 177 163, RGB 48 160 149, RGB 65 143 136 and RGB 82 126 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 192 175 shade: RGB 14 194 80, RGB 14 194 128, RGB 14 194 176, RGB 14 164 194 and RGB 14 116 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 192 175 shade: RGB 8 117 107, RGB 11 156 142, RGB 14 194 177, RGB 17 232 212 and RGB 51 239 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 192 175 shade: RGB 15 192 175, RGB 32 14 194 and RGB 194 104 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 192 175 shade: RGB 15 192 175, RGB 176 14 194 and RGB 194 176 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 192 175 shade: RGB 15 192 175, RGB 32 14 194, RGB 194 14 32 and RGB 176 194 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 192 175 shade: RGB 15 192 175, RGB 86 14 194, RGB 194 14 32 and RGB 122 194 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 9 / 25

HEX #0FC0AF

RGB 15 192 175

HSL 174.24, 0.86%, 0.41%

LAB 70.1, -43.33, -2.74

 

Complementary color

CMYK 0 / 74 / 67 / 6

HEX #F03F50

RGB 240 63 80

HSL 354.24, 0.86%, 0.59%

LAB 54.72, 67.23, 32

 

CMYK 90 / 0 / 11 / 25

HEX #14C0AA

RGB 20 192 170

HSL 172.33, 0.81%, 0.42%

LAB 70, -44.49, -0.15

 

CMYK 82 / 0 / 10 / 18

HEX #25D2BD

RGB 37 210 189

HSL 172.72, 0.7%, 0.48%

LAB 76.17, -45.87, -1.41

 

CMYK 76 / 0 / 9 / 11

HEX #36E4D0

RGB 54 228 208

HSL 173.1, 0.76%, 0.55%

LAB 82.28, -46.93, -2.56

 

CMYK 71 / 0 / 8 / 4

HEX #47F6E3

RGB 71 246 227

HSL 173.49, 0.91%, 0.62%

LAB 88.35, -47.73, -3.6

 

CMYK 65 / 0 / 4 / 0

HEX #58FFF6

RGB 88 255 246

HSL 176.77, 1%, 0.67%

LAB 91.8, -44.43, -8.36

 

CMYK 92 / 0 / 9 / 25

HEX #0FC0AF

RGB 15 192 175

HSL 174.24, 0.86%, 0.41%

LAB 70.1, -43.33, -2.74

 

CMYK 100 / 0 / 10 / 32

HEX #00AE9C

RGB 0 174 156

HSL 173.79, 1%, 0.34%

LAB 63.89, -41.45, -1.37

 

CMYK 100 / 0 / 12 / 39

HEX #009C89

RGB 0 156 137

HSL 172.69, 1%, 0.31%

LAB 57.64, -39.03, 0.18

 

CMYK 100 / 0 / 14 / 46

HEX #008A76

RGB 0 138 118

HSL 171.3, 1%, 0.27%

LAB 51.25, -36.56, 1.79

 

CMYK 100 / 0 / 18 / 53

HEX #007863

RGB 0 120 99

HSL 169.5, 1%, 0.24%

LAB 44.71, -34.04, 3.49

 

CMYK 93 / 0 / 9 / 24

HEX #0EC2B1

RGB 14 194 177

HSL 174.33, 0.87%, 0.41%

LAB 70.77, -43.67, -2.86

 

CMYK 93 / 0 / 34 / 24

HEX #0EC280

RGB 14 194 128

HSL 158, 0.87%, 0.41%

LAB 69.64, -55.89, 22.07

 

CMYK 93 / 0 / 59 / 24

HEX #0EC250

RGB 14 194 80

HSL 142, 0.87%, 0.41%

LAB 68.94, -64.21, 45.34

 

CMYK 93 / 0 / 84 / 24

HEX #0EC21F

RGB 14 194 31

HSL 125.67, 0.87%, 0.41%

LAB 68.59, -68.6, 62.99

 

CMYK 76 / 0 / 93 / 24

HEX #2EC20E

RGB 46 194 14

HSL 109.33, 0.87%, 0.41%

LAB 68.89, -66.08, 66.63

 

CMYK 93 / 0 / 9 / 24

HEX #0EC2B1

RGB 14 194 177

HSL 174.33, 0.87%, 0.41%

LAB 70.77, -43.67, -2.86

 

CMYK 93 / 16 / 0 / 24

HEX #0EA3C2

RGB 14 163 194

HSL 190.33, 0.87%, 0.41%

LAB 61.81, -23.75, -25.75

 

CMYK 93 / 41 / 0 / 24

HEX #0E72C2

RGB 14 114 194

HSL 206.67, 0.87%, 0.41%

LAB 47, 4.14, -48.99

 

CMYK 93 / 66 / 0 / 24

HEX #0E42C2

RGB 14 66 194

HSL 222.67, 0.87%, 0.41%

LAB 33.74, 35.5, -70.5

 

CMYK 93 / 91 / 0 / 24

HEX #0E11C2

RGB 14 17 194

HSL 239, 0.87%, 0.41%

LAB 24.92, 60.6, -85.13

 

CMYK 93 / 0 / 9 / 24

HEX #0EC2B1

RGB 14 194 177

HSL 174.33, 0.87%, 0.41%

LAB 70.77, -43.67, -2.86

 

CMYK 93 / 0 / 9 / 24

HEX #0EC2B1

RGB 14 194 177

HSL 174.33, 0.87%, 0.41%

LAB 70.77, -43.67, -2.86

 

CMYK 82 / 0 / 8 / 31

HEX #1FB1A3

RGB 31 177 163

HSL 174.25, 0.7%, 0.41%

LAB 65.26, -39.15, -3.23

 

CMYK 70 / 0 / 7 / 37

HEX #30A095

RGB 48 160 149

HSL 174.11, 0.54%, 0.41%

LAB 59.83, -33.42, -3.34

 

CMYK 55 / 0 / 5 / 44

HEX #418F88

RGB 65 143 136

HSL 174.62, 0.38%, 0.41%

LAB 54.6, -25.7, -3.58

 

CMYK 35 / 0 / 3 / 51

HEX #527E7A

RGB 82 126 122

HSL 174.55, 0.21%, 0.41%

LAB 49.64, -16.06, -2.65

 

CMYK 93 / 0 / 59 / 24

HEX #0EC250

RGB 14 194 80

HSL 142, 0.87%, 0.41%

LAB 68.94, -64.21, 45.34

 

CMYK 93 / 0 / 34 / 24

HEX #0EC280

RGB 14 194 128

HSL 158, 0.87%, 0.41%

LAB 69.64, -55.89, 22.07

 

CMYK 93 / 0 / 9 / 24

HEX #0EC2B0

RGB 14 194 176

HSL 174, 0.87%, 0.41%

LAB 70.74, -43.95, -2.35

 

CMYK 93 / 15 / 0 / 24

HEX #0EA4C2

RGB 14 164 194

HSL 190, 0.87%, 0.41%

LAB 62.12, -24.26, -25.28

 

CMYK 93 / 40 / 0 / 24

HEX #0E74C2

RGB 14 116 194

HSL 206, 0.87%, 0.41%

LAB 47.6, 2.89, -48.04

 

CMYK 93 / 0 / 9 / 54

HEX #08756B

RGB 8 117 107

HSL 174.5, 0.87%, 0.25%

LAB 44, -29.74, -2.32

 

CMYK 93 / 0 / 9 / 39

HEX #0B9C8E

RGB 11 156 142

HSL 174.21, 0.87%, 0.33%

LAB 57.85, -37.1, -2.35

 

CMYK 93 / 0 / 9 / 24

HEX #0EC2B1

RGB 14 194 177

HSL 174.33, 0.87%, 0.41%

LAB 70.77, -43.67, -2.86

 

CMYK 93 / 0 / 9 / 9

HEX #11E8D4

RGB 17 232 212

HSL 174.42, 0.86%, 0.49%

LAB 83.22, -49.99, -3.33

 

CMYK 79 / 0 / 8 / 6

HEX #33EFDD

RGB 51 239 221

HSL 174.26, 0.85%, 0.57%

LAB 85.83, -48.43, -4.2

 

CMYK 92 / 0 / 9 / 25

HEX #0FC0AF

RGB 15 192 175

HSL 174.24, 0.86%, 0.41%

LAB 70.1, -43.33, -2.74

 

CMYK 84 / 93 / 0 / 24

HEX #200EC2

RGB 32 14 194

HSL 246, 0.87%, 0.41%

LAB 25.31, 61.78, -84.46

 

CMYK 0 / 46 / 93 / 24

HEX #C2680E

RGB 194 104 14

HSL 30, 0.87%, 0.41%

LAB 53.39, 30.73, 58.5

 

CMYK 92 / 0 / 9 / 25

HEX #0FC0AF

RGB 15 192 175

HSL 174.24, 0.86%, 0.41%

LAB 70.1, -43.33, -2.74

 

CMYK 9 / 93 / 0 / 24

HEX #B00EC2

RGB 176 14 194

HSL 294, 0.87%, 0.41%

LAB 43.42, 75.78, -54.05

 

CMYK 0 / 9 / 93 / 24

HEX #C2B00E

RGB 194 176 14

HSL 54, 0.87%, 0.41%

LAB 71.25, -8.21, 71.73

 

CMYK 92 / 0 / 9 / 25

HEX #0FC0AF

RGB 15 192 175

HSL 174.24, 0.86%, 0.41%

LAB 70.1, -43.33, -2.74

 

CMYK 84 / 93 / 0 / 24

HEX #200EC2

RGB 32 14 194

HSL 246, 0.87%, 0.41%

LAB 25.31, 61.78, -84.46

 

CMYK 0 / 93 / 84 / 24

HEX #C20E20

RGB 194 14 32

HSL 354, 0.87%, 0.41%

LAB 41.04, 64.21, 41.75

 

CMYK 9 / 0 / 93 / 24

HEX #B0C20E

RGB 176 194 14

HSL 66, 0.87%, 0.41%

LAB 74.73, -25.08, 73.77

 

CMYK 92 / 0 / 9 / 25

HEX #0FC0AF

RGB 15 192 175

HSL 174.24, 0.86%, 0.41%

LAB 70.1, -43.33, -2.74

 

CMYK 56 / 93 / 0 / 24

HEX #560EC2

RGB 86 14 194

HSL 264, 0.87%, 0.41%

LAB 29.88, 64.6, -76.73

 

CMYK 0 / 93 / 84 / 24

HEX #C20E20

RGB 194 14 32

HSL 354, 0.87%, 0.41%

LAB 41.04, 64.21, 41.75

 

CMYK 37 / 0 / 93 / 24

HEX #7AC20E

RGB 122 194 14

HSL 84, 0.87%, 0.41%

LAB 71.39, -46.38, 69.7

 

Description

Color code: RGB 15 192 175 | qconv.com Color code: RGB 15 192 175 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 192 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 192 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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