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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 240 245 it is the complementary color RGB 240 15 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 240 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 240 245 shade: RGB 20 240 240, RGB 37 255 255, RGB 54 255 255, RGB 71 255 255 and RGB 88 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 240 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 240 245 shade: RGB 15 240 245, RGB 0 222 226, RGB 0 204 207, RGB 0 186 188 and RGB 0 168 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 240 245 shade: RGB 15 240 245, RGB 15 178 245, RGB 15 116 245, RGB 15 54 245 and RGB 38 15 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 240 245 shade: RGB 15 240 245, RGB 15 178 245, RGB 15 116 245, RGB 15 54 245 and RGB 15 15 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 240 245 shade matches the following richer shades: RGB 15 240 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 240 245 shade: RGB 15 240 245, RGB 35 220 224, RGB 55 201 204, RGB 75 182 184 and RGB 95 162 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 240 245 shade: RGB 15 245 126, RGB 15 245 187, RGB 15 241 245, RGB 15 179 245 and RGB 15 118 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 240 245 shade: RGB 7 166 170, RGB 8 205 210, RGB 15 240 245, RGB 54 242 246 and RGB 94 244 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 240 245 shade: RGB 15 240 245, RGB 64 15 245 and RGB 245 156 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 240 245 shade: RGB 15 240 245, RGB 245 15 241 and RGB 241 245 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 240 245 shade: RGB 15 240 245, RGB 64 15 245, RGB 245 18 15 and RGB 195 245 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 240 245 shade: RGB 15 240 245, RGB 133 15 245, RGB 245 18 15 and RGB 126 245 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

Complementary color

CMYK 0 / 94 / 96 / 6

HEX #F00F0A

RGB 240 15 10

HSL 1.3, 0.92%, 0.49%

LAB 50.56, 75.42, 61.75

 

CMYK 92 / 0 / 0 / 6

HEX #14F0F0

RGB 20 240 240

HSL 180, 0.88%, 0.51%

LAB 86.39, -45.43, -13.39

 

CMYK 85 / 0 / 0 / 0

HEX #25FFFF

RGB 37 255 255

HSL 180, 1%, 0.57%

LAB 91.29, -46.9, -13.85

 

CMYK 79 / 0 / 0 / 0

HEX #36FFFF

RGB 54 255 255

HSL 180, 1%, 0.61%

LAB 91.47, -45.75, -13.57

 

CMYK 72 / 0 / 0 / 0

HEX #47FFFF

RGB 71 255 255

HSL 180, 1%, 0.64%

LAB 91.72, -44.13, -13.17

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 100 / 2 / 0 / 11

HEX #00DEE2

RGB 0 222 226

HSL 181.06, 1%, 0.44%

LAB 80.59, -42.12, -14.68

 

CMYK 100 / 1 / 0 / 19

HEX #00CCCF

RGB 0 204 207

HSL 180.87, 1%, 0.41%

LAB 74.63, -39.74, -13.43

 

CMYK 100 / 1 / 0 / 26

HEX #00BABC

RGB 0 186 188

HSL 180.64, 1%, 0.37%

LAB 68.57, -37.32, -12.16

 

CMYK 100 / 1 / 0 / 34

HEX #00A8A9

RGB 0 168 169

HSL 180.36, 1%, 0.33%

LAB 62.4, -34.86, -10.86

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 94 / 27 / 0 / 4

HEX #0FB2F5

RGB 15 178 245

HSL 197.48, 0.92%, 0.51%

LAB 68.41, -13.86, -43.61

 

CMYK 94 / 53 / 0 / 4

HEX #0F74F5

RGB 15 116 245

HSL 213.65, 0.92%, 0.51%

LAB 50.9, 22.86, -71.57

 

CMYK 94 / 78 / 0 / 4

HEX #0F36F5

RGB 15 54 245

HSL 229.83, 0.92%, 0.51%

LAB 36.62, 60.32, -95.04

 

CMYK 84 / 94 / 0 / 4

HEX #260FF5

RGB 38 15 245

HSL 246, 0.92%, 0.51%

LAB 32.58, 74.78, -101.74

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 94 / 27 / 0 / 4

HEX #0FB2F5

RGB 15 178 245

HSL 197.48, 0.92%, 0.51%

LAB 68.41, -13.86, -43.61

 

CMYK 94 / 53 / 0 / 4

HEX #0F74F5

RGB 15 116 245

HSL 213.65, 0.92%, 0.51%

LAB 50.9, 22.86, -71.57

 

CMYK 94 / 78 / 0 / 4

HEX #0F36F5

RGB 15 54 245

HSL 229.83, 0.92%, 0.51%

LAB 36.62, 60.32, -95.04

 

CMYK 94 / 94 / 0 / 4

HEX #0F0FF5

RGB 15 15 245

HSL 240, 0.92%, 0.51%

LAB 31.89, 74.46, -102.92

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 84 / 2 / 0 / 12

HEX #23DCE0

RGB 35 220 224

HSL 181.27, 0.75%, 0.51%

LAB 80.14, -40.5, -14.27

 

CMYK 73 / 1 / 0 / 20

HEX #37C9CC

RGB 55 201 204

HSL 181.21, 0.59%, 0.51%

LAB 74.15, -35.9, -12.47

 

CMYK 59 / 1 / 0 / 28

HEX #4BB6B8

RGB 75 182 184

HSL 181.1, 0.43%, 0.51%

LAB 68.32, -29.66, -10.21

 

CMYK 42 / 1 / 0 / 36

HEX #5FA2A4

RGB 95 162 164

HSL 181.74, 0.27%, 0.51%

LAB 62.47, -20.71, -7.73

 

CMYK 94 / 0 / 49 / 4

HEX #0FF57E

RGB 15 245 126

HSL 148.96, 0.92%, 0.51%

LAB 85.46, -73.51, 43.75

 

CMYK 94 / 0 / 24 / 4

HEX #0FF5BB

RGB 15 245 187

HSL 164.87, 0.92%, 0.51%

LAB 86.5, -61.53, 14.48

 

CMYK 94 / 2 / 0 / 4

HEX #0FF1F5

RGB 15 241 245

HSL 181.04, 0.92%, 0.51%

LAB 86.8, -44.57, -15.38

 

CMYK 94 / 27 / 0 / 4

HEX #0FB3F5

RGB 15 179 245

HSL 197.22, 0.92%, 0.51%

LAB 68.7, -14.4, -43.15

 

CMYK 94 / 52 / 0 / 4

HEX #0F76F5

RGB 15 118 245

HSL 213.13, 0.92%, 0.51%

LAB 51.44, 21.59, -70.69

 

CMYK 96 / 2 / 0 / 33

HEX #07A6AA

RGB 7 166 170

HSL 181.47, 0.92%, 0.35%

LAB 61.84, -33.36, -12.25

 

CMYK 96 / 2 / 0 / 18

HEX #08CDD2

RGB 8 205 210

HSL 181.49, 0.93%, 0.43%

LAB 75.06, -39.07, -14.41

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 78 / 2 / 0 / 4

HEX #36F2F6

RGB 54 242 246

HSL 181.25, 0.91%, 0.59%

LAB 87.46, -42.56, -14.89

 

CMYK 62 / 2 / 0 / 3

HEX #5EF4F8

RGB 94 244 248

HSL 181.56, 0.92%, 0.67%

LAB 88.86, -38.08, -13.76

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 74 / 94 / 0 / 4

HEX #400FF5

RGB 64 15 245

HSL 252.78, 0.92%, 0.51%

LAB 34.03, 75.49, -99.29

 

CMYK 0 / 36 / 94 / 4

HEX #F59C0F

RGB 245 156 15

HSL 36.78, 0.92%, 0.51%

LAB 71.71, 24.59, 74.36

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 0 / 94 / 2 / 4

HEX #F50FF1

RGB 245 15 241

HSL 301.04, 0.92%, 0.51%

LAB 58.14, 93.8, -56.64

 

CMYK 2 / 0 / 94 / 4

HEX #F1F50F

RGB 241 245 15

HSL 61.04, 0.92%, 0.51%

LAB 93.47, -22.44, 90.17

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 74 / 94 / 0 / 4

HEX #400FF5

RGB 64 15 245

HSL 252.78, 0.92%, 0.51%

LAB 34.03, 75.49, -99.29

 

CMYK 0 / 93 / 94 / 4

HEX #F5120F

RGB 245 18 15

HSL 0.78, 0.92%, 0.51%

LAB 51.7, 76.4, 61.53

 

CMYK 20 / 0 / 94 / 4

HEX #C3F50F

RGB 195 245 15

HSL 73.04, 0.92%, 0.51%

LAB 90.29, -40.89, 86.35

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 46 / 94 / 0 / 4

HEX #850FF5

RGB 133 15 245

HSL 270.78, 0.92%, 0.51%

LAB 41.09, 79.85, -87.37

 

CMYK 0 / 93 / 94 / 4

HEX #F5120F

RGB 245 18 15

HSL 0.78, 0.92%, 0.51%

LAB 51.7, 76.4, 61.53

 

CMYK 49 / 0 / 94 / 4

HEX #7EF50F

RGB 126 245 15

HSL 91.04, 0.92%, 0.51%

LAB 86.89, -64.63, 82.2

 

Description

Color code: RGB 15 240 245 | qconv.com Color code: RGB 15 240 245 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 240 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 240 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 2 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 2% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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