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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 244 132 it is the complementary color RGB 240 11 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 244 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 244 132 shade: RGB 20 244 127, RGB 37 255 146, RGB 54 255 165, RGB 71 255 184 and RGB 88 255 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 244 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 244 132 shade: RGB 15 244 132, RGB 0 226 113, RGB 0 208 94, RGB 0 190 75 and RGB 0 172 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 244 132 shade: RGB 16 243 132, RGB 16 243 71, RGB 22 243 16, RGB 84 243 16 and RGB 145 243 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 244 132 shade: RGB 16 243 132, RGB 16 243 193, RGB 16 232 243, RGB 16 170 243 and RGB 16 109 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 244 132 shade matches the following richer shades: RGB 16 243 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 244 132 shade: RGB 16 243 132, RGB 36 223 132, RGB 56 203 131, RGB 76 183 131 and RGB 97 162 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 244 132 shade: RGB 23 243 16, RGB 16 243 69, RGB 16 243 130, RGB 16 243 190 and RGB 16 236 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 244 132 shade: RGB 7 169 90, RGB 9 208 111, RGB 16 243 132, RGB 55 245 152 and RGB 95 247 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 244 132 shade: RGB 15 244 132, RGB 16 84 243 and RGB 243 39 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 244 132 shade: RGB 15 244 132, RGB 130 16 243 and RGB 243 130 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 244 132 shade: RGB 15 244 132, RGB 16 84 243, RGB 243 16 130 and RGB 243 175 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 244 132 shade: RGB 15 244 132, RGB 16 16 243, RGB 243 16 130 and RGB 243 243 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 46 / 4

HEX #0FF484

RGB 15 244 132

HSL 150.66, 0.91%, 0.51%

LAB 85.24, -72.22, 40.57

 

Complementary color

CMYK 0 / 95 / 49 / 6

HEX #F00B7B

RGB 240 11 123

HSL 330.66, 0.91%, 0.49%

LAB 52.06, 80.19, 2.62

 

CMYK 92 / 0 / 48 / 4

HEX #14F47F

RGB 20 244 127

HSL 148.66, 0.91%, 0.52%

LAB 85.19, -72.84, 42.94

 

CMYK 85 / 0 / 43 / 0

HEX #25FF92

RGB 37 255 146

HSL 150, 1%, 0.57%

LAB 88.92, -72.27, 38.52

 

CMYK 79 / 0 / 35 / 0

HEX #36FFA5

RGB 54 255 165

HSL 153.13, 1%, 0.61%

LAB 89.4, -67.32, 29.77

 

CMYK 72 / 0 / 28 / 0

HEX #47FFB8

RGB 71 255 184

HSL 156.85, 1%, 0.64%

LAB 90.01, -61.51, 21.02

 

CMYK 65 / 0 / 20 / 0

HEX #58FFCB

RGB 88 255 203

HSL 161.32, 1%, 0.67%

LAB 90.74, -54.93, 12.35

 

CMYK 94 / 0 / 46 / 4

HEX #0FF484

RGB 15 244 132

HSL 150.66, 0.91%, 0.51%

LAB 85.24, -72.22, 40.57

 

CMYK 100 / 0 / 50 / 11

HEX #00E271

RGB 0 226 113

HSL 150, 1%, 0.44%

LAB 79.38, -70.01, 42.37

 

CMYK 100 / 0 / 55 / 18

HEX #00D05E

RGB 0 208 94

HSL 147.12, 1%, 0.41%

LAB 73.49, -67.21, 44.21

 

CMYK 100 / 0 / 61 / 25

HEX #00BE4B

RGB 0 190 75

HSL 143.68, 1%, 0.37%

LAB 67.53, -64.21, 45.97

 

CMYK 100 / 0 / 67 / 33

HEX #00AC38

RGB 0 172 56

HSL 139.53, 1%, 0.34%

LAB 61.47, -60.96, 47.51

 

CMYK 93 / 0 / 46 / 5

HEX #10F384

RGB 16 243 132

HSL 150.66, 0.9%, 0.51%

LAB 84.93, -71.86, 40.19

 

CMYK 93 / 0 / 71 / 5

HEX #10F347

RGB 16 243 71

HSL 134.54, 0.9%, 0.51%

LAB 84.31, -79.54, 65.93

 

CMYK 91 / 0 / 93 / 5

HEX #16F310

RGB 22 243 16

HSL 118.41, 0.9%, 0.51%

LAB 84.13, -82.03, 78.95

 

CMYK 65 / 0 / 93 / 5

HEX #54F310

RGB 84 243 16

HSL 102.03, 0.9%, 0.51%

LAB 85.01, -74.29, 80.03

 

CMYK 40 / 0 / 93 / 5

HEX #91F310

RGB 145 243 16

HSL 85.9, 0.9%, 0.51%

LAB 87.07, -58.02, 82.57

 

CMYK 93 / 0 / 46 / 5

HEX #10F384

RGB 16 243 132

HSL 150.66, 0.9%, 0.51%

LAB 84.93, -71.86, 40.19

 

CMYK 93 / 0 / 21 / 5

HEX #10F3C1

RGB 16 243 193

HSL 166.78, 0.9%, 0.51%

LAB 86.04, -59.31, 10.71

 

CMYK 93 / 5 / 0 / 5

HEX #10E8F3

RGB 16 232 243

HSL 182.91, 0.9%, 0.51%

LAB 84.12, -41.13, -18.37

 

CMYK 93 / 30 / 0 / 5

HEX #10AAF3

RGB 16 170 243

HSL 199.3, 0.9%, 0.51%

LAB 66.01, -10.17, -46.3

 

CMYK 93 / 55 / 0 / 5

HEX #106DF3

RGB 16 109 243

HSL 215.42, 0.9%, 0.51%

LAB 48.91, 26.57, -73.7

 

CMYK 93 / 0 / 46 / 5

HEX #10F384

RGB 16 243 132

HSL 150.66, 0.9%, 0.51%

LAB 84.93, -71.86, 40.19

 

CMYK 93 / 0 / 46 / 5

HEX #10F384

RGB 16 243 132

HSL 150.66, 0.9%, 0.51%

LAB 84.93, -71.86, 40.19

 

CMYK 84 / 0 / 41 / 13

HEX #24DF84

RGB 36 223 132

HSL 150.8, 0.75%, 0.51%

LAB 78.94, -64, 32.45

 

CMYK 72 / 0 / 35 / 20

HEX #38CB83

RGB 56 203 131

HSL 150.61, 0.59%, 0.51%

LAB 73.02, -54.67, 25.14

 

CMYK 58 / 0 / 28 / 28

HEX #4CB783

RGB 76 183 131

HSL 150.84, 0.43%, 0.51%

LAB 67.31, -43.01, 17.43

 

CMYK 40 / 0 / 20 / 36

HEX #61A282

RGB 97 162 130

HSL 150.46, 0.26%, 0.51%

LAB 61.65, -28.26, 10.19

 

CMYK 91 / 0 / 93 / 5

HEX #17F310

RGB 23 243 16

HSL 118.15, 0.9%, 0.51%

LAB 84.13, -81.98, 78.95

 

CMYK 93 / 0 / 72 / 5

HEX #10F345

RGB 16 243 69

HSL 134.01, 0.9%, 0.51%

LAB 84.3, -79.7, 66.62

 

CMYK 93 / 0 / 47 / 5

HEX #10F382

RGB 16 243 130

HSL 150.13, 0.9%, 0.51%

LAB 84.91, -72.2, 41.13

 

CMYK 93 / 0 / 22 / 5

HEX #10F3BE

RGB 16 243 190

HSL 165.99, 0.9%, 0.51%

LAB 85.97, -60.03, 12.18

 

CMYK 93 / 3 / 0 / 5

HEX #10ECF3

RGB 16 236 243

HSL 181.85, 0.9%, 0.51%

LAB 85.29, -42.92, -16.61

 

CMYK 96 / 0 / 47 / 34

HEX #07A95A

RGB 7 169 90

HSL 150.74, 0.92%, 0.35%

LAB 60.92, -54.79, 30.61

 

CMYK 96 / 0 / 47 / 18

HEX #09D06F

RGB 9 208 111

HSL 150.75, 0.92%, 0.43%

LAB 73.75, -64.22, 36.27

 

CMYK 93 / 0 / 46 / 5

HEX #10F384

RGB 16 243 132

HSL 150.66, 0.9%, 0.51%

LAB 84.93, -71.86, 40.19

 

CMYK 78 / 0 / 38 / 4

HEX #37F598

RGB 55 245 152

HSL 150.63, 0.9%, 0.59%

LAB 86.2, -66.14, 32.01

 

CMYK 62 / 0 / 30 / 3

HEX #5FF7AC

RGB 95 247 172

HSL 150.39, 0.9%, 0.67%

LAB 87.94, -57.08, 24.37

 

CMYK 94 / 0 / 46 / 4

HEX #0FF484

RGB 15 244 132

HSL 150.66, 0.91%, 0.51%

LAB 85.24, -72.22, 40.57

 

CMYK 93 / 65 / 0 / 5

HEX #1054F3

RGB 16 84 243

HSL 222.03, 0.9%, 0.51%

LAB 42.65, 42.43, -83.95

 

CMYK 0 / 84 / 93 / 5

HEX #F32710

RGB 243 39 16

HSL 6.08, 0.9%, 0.51%

LAB 52.45, 72.61, 61.44

 

CMYK 94 / 0 / 46 / 4

HEX #0FF484

RGB 15 244 132

HSL 150.66, 0.91%, 0.51%

LAB 85.24, -72.22, 40.57

 

CMYK 47 / 93 / 0 / 5

HEX #8210F3

RGB 130 16 243

HSL 270.13, 0.9%, 0.51%

LAB 40.55, 79.01, -87.14

 

CMYK 0 / 47 / 93 / 5

HEX #F38210

RGB 243 130 16

HSL 30.13, 0.9%, 0.51%

LAB 65.79, 37.25, 69.97

 

CMYK 94 / 0 / 46 / 4

HEX #0FF484

RGB 15 244 132

HSL 150.66, 0.91%, 0.51%

LAB 85.24, -72.22, 40.57

 

CMYK 93 / 65 / 0 / 5

HEX #1054F3

RGB 16 84 243

HSL 222.03, 0.9%, 0.51%

LAB 42.65, 42.43, -83.95

 

CMYK 0 / 93 / 47 / 5

HEX #F31082

RGB 243 16 130

HSL 329.87, 0.9%, 0.51%

LAB 52.99, 80.96, -0.18

 

CMYK 0 / 28 / 93 / 5

HEX #F3AF10

RGB 243 175 16

HSL 42.03, 0.9%, 0.51%

LAB 75.92, 13.75, 77.11

 

CMYK 94 / 0 / 46 / 4

HEX #0FF484

RGB 15 244 132

HSL 150.66, 0.91%, 0.51%

LAB 85.24, -72.22, 40.57

 

CMYK 93 / 93 / 0 / 5

HEX #1010F3

RGB 16 16 243

HSL 240, 0.9%, 0.51%

LAB 31.7, 73.76, -102.11

 

CMYK 0 / 93 / 47 / 5

HEX #F31082

RGB 243 16 130

HSL 329.87, 0.9%, 0.51%

LAB 52.99, 80.96, -0.18

 

CMYK 0 / 0 / 93 / 5

HEX #F3F310

RGB 243 243 16

HSL 60, 0.9%, 0.51%

LAB 93.1, -20.65, 89.86

 

Description

Color code: RGB 15 244 132 | qconv.com Color code: RGB 15 244 132 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 244 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 244 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 46 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 46% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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