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Color name
RGB 160 137 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 137 42 it is the complementary color RGB 95 118 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 137 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 160 137 42 shade: RGB 165 137 37, RGB 182 155 56, RGB 199 173 75, RGB 216 191 94 and RGB 233 209 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 137 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 160 137 42 shade: RGB 160 137 42, RGB 143 119 23, RGB 126 101 4, RGB 109 83 0 and RGB 92 65 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 160 137 42 shade: RGB 161 138 42, RGB 161 106 42, RGB 161 74 42 and RGB 161 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 160 137 42 shade: RGB 161 138 42, RGB 152 161 42, RGB 120 161 42, RGB 88 161 42 and RGB 56 161 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 160 137 42 shade matches the following richer shades: RGB 161 138 42, RGB 177 148 26 and RGB 194 158 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 160 137 42 shade: RGB 161 138 42, RGB 144 128 59, RGB 128 117 75, RGB 111 107 92 and RGB 95 97 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 160 137 42 shade: RGB 161 74 42, RGB 161 105 42, RGB 161 137 42, RGB 153 161 42 and RGB 121 161 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 160 137 42 shade: RGB 95 82 25, RGB 128 110 34, RGB 161 138 42, RGB 193 166 51 and RGB 208 182 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 160 137 42 shade: RGB 160 137 42, RGB 42 161 42 and RGB 90 42 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 160 137 42 shade: RGB 160 137 42, RGB 42 161 137 and RGB 137 42 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 160 137 42 shade: RGB 160 137 42, RGB 42 161 42, RGB 42 66 161 and RGB 161 42 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 160 137 42 shade: RGB 160 137 42, RGB 42 161 78, RGB 42 66 161 and RGB 161 42 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 74 / 37

HEX #A0892A

RGB 160 137 42

HSL 48.31, 0.58%, 0.4%

LAB 57.59, -1.78, 51.36

 

Complementary color

CMYK 55 / 45 / 0 / 16

HEX #5F76D5

RGB 95 118 213

HSL 228.31, 0.58%, 0.6%

LAB 52.06, 19.17, -51.6

 

CMYK 0 / 17 / 78 / 35

HEX #A58925

RGB 165 137 37

HSL 46.88, 0.63%, 0.4%

LAB 58.06, 0.26, 53.91

 

CMYK 0 / 15 / 69 / 29

HEX #B69B38

RGB 182 155 56

HSL 47.14, 0.53%, 0.47%

LAB 64.7, -1.01, 53.44

 

CMYK 0 / 13 / 62 / 22

HEX #C7AD4B

RGB 199 173 75

HSL 47.42, 0.53%, 0.54%

LAB 71.24, -2.07, 52.51

 

CMYK 0 / 12 / 56 / 15

HEX #D8BF5E

RGB 216 191 94

HSL 47.7, 0.61%, 0.61%

LAB 77.68, -2.95, 51.4

 

CMYK 0 / 10 / 52 / 9

HEX #E9D171

RGB 233 209 113

HSL 48, 0.73%, 0.68%

LAB 84.03, -3.7, 50.21

 

CMYK 0 / 14 / 74 / 37

HEX #A0892A

RGB 160 137 42

HSL 48.31, 0.58%, 0.4%

LAB 57.59, -1.78, 51.36

 

CMYK 0 / 17 / 84 / 44

HEX #8F7717

RGB 143 119 23

HSL 48, 0.72%, 0.33%

LAB 50.8, -0.37, 51.32

 

CMYK 0 / 20 / 97 / 51

HEX #7E6504

RGB 126 101 4

HSL 47.7, 0.94%, 0.25%

LAB 43.87, 1.37, 49.86

 

CMYK 0 / 24 / 100 / 57

HEX #6D5300

RGB 109 83 0

HSL 45.69, 1%, 0.21%

LAB 36.81, 3.58, 45.04

 

CMYK 0 / 29 / 100 / 64

HEX #5C4100

RGB 92 65 0

HSL 42.39, 1%, 0.18%

LAB 29.55, 6.04, 38.99

 

CMYK 0 / 14 / 74 / 37

HEX #A18A2A

RGB 161 138 42

HSL 48.4, 0.59%, 0.4%

LAB 57.96, -1.88, 51.76

 

CMYK 0 / 34 / 74 / 37

HEX #A16A2A

RGB 161 106 42

HSL 32.27, 0.59%, 0.4%

LAB 49.56, 16.14, 43.34

 

CMYK 0 / 54 / 74 / 37

HEX #A14A2A

RGB 161 74 42

HSL 16.13, 0.59%, 0.4%

LAB 42.22, 33.86, 35.57

 

CMYK 0 / 74 / 74 / 37

HEX #A12A2A

RGB 161 42 42

HSL 0, 0.59%, 0.4%

LAB 36.74, 48.41, 29.45

 

CMYK 0 / 14 / 74 / 37

HEX #A18A2A

RGB 161 138 42

HSL 48.4, 0.59%, 0.4%

LAB 57.96, -1.88, 51.76

 

CMYK 6 / 0 / 74 / 37

HEX #98A12A

RGB 152 161 42

HSL 64.54, 0.59%, 0.4%

LAB 63.62, -18.14, 56.94

 

CMYK 25 / 0 / 74 / 37

HEX #78A12A

RGB 120 161 42

HSL 80.67, 0.59%, 0.4%

LAB 61.35, -31.58, 53.97

 

CMYK 45 / 0 / 74 / 37

HEX #58A12A

RGB 88 161 42

HSL 96.81, 0.59%, 0.4%

LAB 59.65, -43.31, 51.71

 

CMYK 65 / 0 / 74 / 37

HEX #38A12A

RGB 56 161 42

HSL 112.94, 0.59%, 0.4%

LAB 58.51, -52.19, 50.19

 

CMYK 0 / 14 / 74 / 37

HEX #A18A2A

RGB 161 138 42

HSL 48.4, 0.59%, 0.4%

LAB 57.96, -1.88, 51.76

 

CMYK 0 / 16 / 85 / 31

HEX #B1941A

RGB 177 148 26

HSL 48.48, 0.74%, 0.4%

LAB 62.17, -0.69, 61.47

 

CMYK 0 / 19 / 95 / 24

HEX #C29E09

RGB 194 158 9

HSL 48.32, 0.91%, 0.4%

LAB 66.48, 1.25, 68.83

 

CMYK 0 / 14 / 74 / 37

HEX #A18A2A

RGB 161 138 42

HSL 48.4, 0.59%, 0.4%

LAB 57.96, -1.88, 51.76

 

CMYK 0 / 11 / 59 / 44

HEX #90803B

RGB 144 128 59

HSL 48.71, 0.42%, 0.4%

LAB 53.69, -2.94, 39.02

 

CMYK 0 / 9 / 41 / 50

HEX #80754B

RGB 128 117 75

HSL 47.55, 0.26%, 0.4%

LAB 49.28, -2.25, 24.71

 

CMYK 0 / 4 / 17 / 56

HEX #6F6B5C

RGB 111 107 92

HSL 47.37, 0.09%, 0.4%

LAB 45.18, -1.24, 8.97

 

CMYK 12 / 10 / 0 / 58

HEX #5F616C

RGB 95 97 108

HSL 230.77, 0.06%, 0.4%

LAB 41.32, 1.66, -6.49

 

CMYK 0 / 54 / 74 / 37

HEX #A14A2A

RGB 161 74 42

HSL 16.13, 0.59%, 0.4%

LAB 42.22, 33.86, 35.57

 

CMYK 0 / 35 / 74 / 37

HEX #A1692A

RGB 161 105 42

HSL 31.76, 0.59%, 0.4%

LAB 49.31, 16.71, 43.09

 

CMYK 0 / 15 / 74 / 37

HEX #A1892A

RGB 161 137 42

HSL 47.9, 0.59%, 0.4%

LAB 57.69, -1.33, 51.5

 

CMYK 5 / 0 / 74 / 37

HEX #99A12A

RGB 153 161 42

HSL 64.03, 0.59%, 0.4%

LAB 63.7, -17.7, 57.04

 

CMYK 25 / 0 / 74 / 37

HEX #79A12A

RGB 121 161 42

HSL 80.17, 0.59%, 0.4%

LAB 61.41, -31.18, 54.05

 

CMYK 0 / 14 / 74 / 63

HEX #5F5219

RGB 95 82 25

HSL 48.86, 0.58%, 0.24%

LAB 35.08, -1.85, 34

 

CMYK 0 / 14 / 73 / 50

HEX #806E22

RGB 128 110 34

HSL 48.51, 0.58%, 0.32%

LAB 46.79, -1.83, 42.92

 

CMYK 0 / 14 / 74 / 37

HEX #A18A2A

RGB 161 138 42

HSL 48.4, 0.59%, 0.4%

LAB 57.96, -1.88, 51.76

 

CMYK 0 / 14 / 74 / 24

HEX #C1A633

RGB 193 166 51

HSL 48.59, 0.58%, 0.48%

LAB 68.64, -2.32, 59.72

 

CMYK 0 / 13 / 63 / 18

HEX #D0B64E

RGB 208 182 78

HSL 48, 0.58%, 0.56%

LAB 74.45, -2.76, 54.93

 

CMYK 0 / 14 / 74 / 37

HEX #A0892A

RGB 160 137 42

HSL 48.31, 0.58%, 0.4%

LAB 57.59, -1.78, 51.36

 

CMYK 74 / 0 / 74 / 37

HEX #2AA12A

RGB 42 161 42

HSL 120, 0.59%, 0.4%

LAB 58.18, -54.94, 49.75

 

CMYK 44 / 74 / 0 / 37

HEX #5A2AA1

RGB 90 42 161

HSL 264.2, 0.59%, 0.4%

LAB 30.41, 47.11, -56.14

 

CMYK 0 / 14 / 74 / 37

HEX #A0892A

RGB 160 137 42

HSL 48.31, 0.58%, 0.4%

LAB 57.59, -1.78, 51.36

 

CMYK 74 / 0 / 15 / 37

HEX #2AA189

RGB 42 161 137

HSL 167.9, 0.59%, 0.4%

LAB 59.7, -38.01, 3.22

 

CMYK 15 / 74 / 0 / 37

HEX #892AA1

RGB 137 42 161

HSL 287.9, 0.59%, 0.4%

LAB 37.02, 56.34, -45.12

 

CMYK 0 / 14 / 74 / 37

HEX #A0892A

RGB 160 137 42

HSL 48.31, 0.58%, 0.4%

LAB 57.59, -1.78, 51.36

 

CMYK 74 / 0 / 74 / 37

HEX #2AA12A

RGB 42 161 42

HSL 120, 0.59%, 0.4%

LAB 58.18, -54.94, 49.75

 

CMYK 74 / 59 / 0 / 37

HEX #2A42A1

RGB 42 66 161

HSL 227.9, 0.59%, 0.4%

LAB 31.72, 25.01, -54.16

 

CMYK 0 / 74 / 0 / 37

HEX #A12AA1

RGB 161 42 161

HSL 300, 0.59%, 0.4%

LAB 40.91, 61.52, -38.68

 

CMYK 0 / 14 / 74 / 37

HEX #A0892A

RGB 160 137 42

HSL 48.31, 0.58%, 0.4%

LAB 57.59, -1.78, 51.36

 

CMYK 74 / 0 / 52 / 37

HEX #2AA14E

RGB 42 161 78

HSL 138.15, 0.59%, 0.4%

LAB 58.54, -50.64, 33.88

 

CMYK 74 / 59 / 0 / 37

HEX #2A42A1

RGB 42 66 161

HSL 227.9, 0.59%, 0.4%

LAB 31.72, 25.01, -54.16

 

CMYK 0 / 74 / 22 / 37

HEX #A12A7D

RGB 161 42 125

HSL 318.15, 0.59%, 0.4%

LAB 39.09, 56.04, -19.56

 

Description

Color code: RGB 160 137 42 | qconv.com Color code: RGB 160 137 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 137 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 137 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 74 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 74% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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