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Color name
RGB 160 82 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 82 27 it is the complementary color RGB 95 173 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 82 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 160 82 27 shade: RGB 165 82 22, RGB 182 100 41, RGB 199 118 60, RGB 216 136 79 and RGB 233 154 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 82 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 160 82 27 shade: RGB 160 82 27, RGB 143 64 8, RGB 126 46 0, RGB 109 28 0 and RGB 92 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 160 82 27 shade: RGB 161 82 27, RGB 161 46 27 and RGB 161 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 160 82 27 shade: RGB 161 82 27, RGB 161 118 27, RGB 161 155 27, RGB 131 161 27 and RGB 95 161 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 160 82 27 shade matches the following richer shades: RGB 161 82 27 and RGB 176 80 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 160 82 27 shade: RGB 161 82 27, RGB 146 85 42, RGB 130 88 57, RGB 115 90 73 and RGB 100 93 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 160 82 27 shade: RGB 161 27 45, RGB 161 45 27, RGB 161 80 27, RGB 161 116 27 and RGB 161 152 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 160 82 27 shade: RGB 90 46 15, RGB 126 64 21, RGB 161 82 27, RGB 196 100 33 and RGB 220 120 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 160 82 27 shade: RGB 160 82 27, RGB 80 161 27 and RGB 27 27 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 160 82 27 shade: RGB 160 82 27, RGB 27 161 80 and RGB 80 27 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 160 82 27 shade: RGB 160 82 27, RGB 80 161 27, RGB 27 107 161 and RGB 107 27 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 160 82 27 shade: RGB 160 82 27, RGB 40 161 27, RGB 27 107 161 and RGB 147 27 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 83 / 37

HEX #A0521B

RGB 160 82 27

HSL 24.81, 0.71%, 0.37%

LAB 43.64, 28.55, 44.31

 

Complementary color

CMYK 58 / 24 / 0 / 11

HEX #5FADE4

RGB 95 173 228

HSL 204.81, 0.71%, 0.63%

LAB 67.96, -8.14, -34.91

 

CMYK 0 / 50 / 87 / 35

HEX #A55216

RGB 165 82 22

HSL 25.17, 0.76%, 0.37%

LAB 44.36, 30.51, 47.27

 

CMYK 0 / 45 / 77 / 29

HEX #B66429

RGB 182 100 41

HSL 25.11, 0.63%, 0.44%

LAB 50.94, 28.57, 46.12

 

CMYK 0 / 41 / 70 / 22

HEX #C7763C

RGB 199 118 60

HSL 25.04, 0.55%, 0.51%

LAB 57.49, 26.85, 44.51

 

CMYK 0 / 37 / 63 / 15

HEX #D8884F

RGB 216 136 79

HSL 24.96, 0.64%, 0.58%

LAB 63.98, 25.34, 42.83

 

CMYK 0 / 34 / 58 / 9

HEX #E99A62

RGB 233 154 98

HSL 24.89, 0.75%, 0.65%

LAB 70.4, 24.01, 41.2

 

CMYK 0 / 49 / 83 / 37

HEX #A0521B

RGB 160 82 27

HSL 24.81, 0.71%, 0.37%

LAB 43.64, 28.55, 44.31

 

CMYK 0 / 55 / 94 / 44

HEX #8F4008

RGB 143 64 8

HSL 24.89, 0.89%, 0.3%

LAB 36.97, 30.63, 44.79

 

CMYK 0 / 63 / 100 / 51

HEX #7E2E00

RGB 126 46 0

HSL 21.9, 1%, 0.25%

LAB 30.37, 32.81, 41.95

 

CMYK 0 / 74 / 100 / 57

HEX #6D1C00

RGB 109 28 0

HSL 15.41, 1%, 0.21%

LAB 23.94, 34.62, 35.07

 

CMYK 0 / 89 / 100 / 64

HEX #5C0A00

RGB 92 10 0

HSL 6.52, 1%, 0.18%

LAB 17.88, 35.13, 27.36

 

CMYK 0 / 49 / 83 / 37

HEX #A1521B

RGB 161 82 27

HSL 24.63, 0.71%, 0.37%

LAB 43.79, 28.97, 44.5

 

CMYK 0 / 71 / 83 / 37

HEX #A12E1B

RGB 161 46 27

HSL 8.51, 0.71%, 0.37%

LAB 37.13, 46.32, 38.36

 

CMYK 0 / 83 / 83 / 37

HEX #A11B1B

RGB 161 27 27

HSL 0, 0.71%, 0.37%

LAB 34.88, 52.59, 36.22

 

CMYK 0 / 49 / 83 / 37

HEX #A1521B

RGB 161 82 27

HSL 24.63, 0.71%, 0.37%

LAB 43.79, 28.97, 44.5

 

CMYK 0 / 27 / 83 / 37

HEX #A1761B

RGB 161 118 27

HSL 40.75, 0.71%, 0.37%

LAB 52.52, 8.7, 52.28

 

CMYK 0 / 4 / 83 / 37

HEX #A19B1B

RGB 161 155 27

HSL 57.31, 0.71%, 0.37%

LAB 62.59, -11.63, 60.96

 

CMYK 19 / 0 / 83 / 37

HEX #83A11B

RGB 131 161 27

HSL 73.43, 0.71%, 0.37%

LAB 61.99, -27.78, 59.53

 

CMYK 41 / 0 / 83 / 37

HEX #5FA11B

RGB 95 161 27

HSL 89.55, 0.71%, 0.37%

LAB 59.89, -41.79, 56.86

 

CMYK 0 / 49 / 83 / 37

HEX #A1521B

RGB 161 82 27

HSL 24.63, 0.71%, 0.37%

LAB 43.79, 28.97, 44.5

 

CMYK 0 / 55 / 93 / 31

HEX #B0500C

RGB 176 80 12

HSL 24.88, 0.87%, 0.37%

LAB 45.63, 35.87, 52.25

 

CMYK 0 / 49 / 83 / 37

HEX #A1521B

RGB 161 82 27

HSL 24.63, 0.71%, 0.37%

LAB 43.79, 28.97, 44.5

 

CMYK 0 / 42 / 71 / 43

HEX #92552A

RGB 146 85 42

HSL 24.81, 0.55%, 0.37%

LAB 42.42, 21.47, 35.15

 

CMYK 0 / 32 / 56 / 49

HEX #825839

RGB 130 88 57

HSL 25.48, 0.39%, 0.37%

LAB 41.25, 13.69, 24.85

 

CMYK 0 / 22 / 37 / 55

HEX #735A49

RGB 115 90 73

HSL 24.29, 0.22%, 0.37%

LAB 40.31, 7.63, 13.73

 

CMYK 0 / 7 / 12 / 61

HEX #645D58

RGB 100 93 88

HSL 25, 0.06%, 0.37%

LAB 39.99, 1.83, 3.87

 

CMYK 0 / 83 / 72 / 37

HEX #A11B2D

RGB 161 27 45

HSL 351.94, 0.71%, 0.37%

LAB 35.1, 53.27, 25.67

 

CMYK 0 / 72 / 83 / 37

HEX #A12D1B

RGB 161 45 27

HSL 8.06, 0.71%, 0.37%

LAB 36.99, 46.71, 38.22

 

CMYK 0 / 50 / 83 / 37

HEX #A1501B

RGB 161 80 27

HSL 23.73, 0.71%, 0.37%

LAB 43.35, 30.05, 44.11

 

CMYK 0 / 28 / 83 / 37

HEX #A1741B

RGB 161 116 27

HSL 39.85, 0.71%, 0.37%

LAB 52, 9.83, 51.82

 

CMYK 0 / 6 / 83 / 37

HEX #A1981B

RGB 161 152 27

HSL 55.97, 0.71%, 0.37%

LAB 61.75, -10.04, 60.25

 

CMYK 0 / 49 / 83 / 65

HEX #5A2E0F

RGB 90 46 15

HSL 24.8, 0.71%, 0.21%

LAB 24.2, 17.5, 27.75

 

CMYK 0 / 49 / 83 / 51

HEX #7E4015

RGB 126 64 21

HSL 24.57, 0.71%, 0.29%

LAB 34.31, 23.63, 36.49

 

CMYK 0 / 49 / 83 / 37

HEX #A1521B

RGB 161 82 27

HSL 24.63, 0.71%, 0.37%

LAB 43.79, 28.97, 44.5

 

CMYK 0 / 49 / 83 / 23

HEX #C46421

RGB 196 100 33

HSL 24.66, 0.71%, 0.45%

LAB 52.91, 34.08, 52.15

 

CMYK 0 / 45 / 77 / 14

HEX #DC7832

RGB 220 120 50

HSL 24.71, 0.71%, 0.53%

LAB 60.67, 33.95, 53.43

 

CMYK 0 / 49 / 83 / 37

HEX #A0521B

RGB 160 82 27

HSL 24.81, 0.71%, 0.37%

LAB 43.64, 28.55, 44.31

 

CMYK 50 / 0 / 83 / 37

HEX #50A11B

RGB 80 161 27

HSL 96.27, 0.71%, 0.37%

LAB 59.23, -46.74, 56.02

 

CMYK 83 / 83 / 0 / 37

HEX #1B1BA1

RGB 27 27 161

HSL 240, 0.71%, 0.37%

LAB 22.27, 47.37, -69.75

 

CMYK 0 / 49 / 83 / 37

HEX #A0521B

RGB 160 82 27

HSL 24.81, 0.71%, 0.37%

LAB 43.64, 28.55, 44.31

 

CMYK 83 / 0 / 50 / 37

HEX #1BA150

RGB 27 161 80

HSL 143.73, 0.71%, 0.37%

LAB 58.32, -52.3, 32.54

 

CMYK 50 / 83 / 0 / 37

HEX #501BA1

RGB 80 27 161

HSL 263.73, 0.71%, 0.37%

LAB 26.91, 52.12, -61.91

 

CMYK 0 / 49 / 83 / 37

HEX #A0521B

RGB 160 82 27

HSL 24.81, 0.71%, 0.37%

LAB 43.64, 28.55, 44.31

 

CMYK 50 / 0 / 83 / 37

HEX #50A11B

RGB 80 161 27

HSL 96.27, 0.71%, 0.37%

LAB 59.23, -46.74, 56.02

 

CMYK 83 / 34 / 0 / 37

HEX #1B6BA1

RGB 27 107 161

HSL 204.18, 0.71%, 0.37%

LAB 43.24, -3.54, -35.7

 

CMYK 34 / 83 / 0 / 37

HEX #6B1BA1

RGB 107 27 161

HSL 275.82, 0.71%, 0.37%

LAB 30.6, 56.02, -55.73

 

CMYK 0 / 49 / 83 / 37

HEX #A0521B

RGB 160 82 27

HSL 24.81, 0.71%, 0.37%

LAB 43.64, 28.55, 44.31

 

CMYK 75 / 0 / 83 / 37

HEX #28A11B

RGB 40 161 27

HSL 114.18, 0.71%, 0.37%

LAB 58.06, -56.3, 54.52

 

CMYK 83 / 34 / 0 / 37

HEX #1B6BA1

RGB 27 107 161

HSL 204.18, 0.71%, 0.37%

LAB 43.24, -3.54, -35.7

 

CMYK 9 / 83 / 0 / 37

HEX #931BA1

RGB 147 27 161

HSL 293.73, 0.71%, 0.37%

LAB 37.04, 63, -44.99

 

Description

Color code: RGB 160 82 27 | qconv.com Color code: RGB 160 82 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 82 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 82 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 83 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 83% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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