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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 180 93 it is the complementary color RGB 92 75 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 180 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 180 93 shade: RGB 168 180 88, RGB 185 198 107, RGB 202 216 126, RGB 219 234 145 and RGB 236 252 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 180 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 180 93 shade: RGB 163 180 93, RGB 146 162 74, RGB 129 144 55, RGB 112 126 36 and RGB 95 108 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 180 93 shade: RGB 164 181 94, RGB 181 174 94, RGB 181 151 94, RGB 181 127 94 and RGB 181 104 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 180 93 shade: RGB 164 181 94, RGB 140 181 94, RGB 117 181 94, RGB 94 181 94 and RGB 94 181 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 180 93 shade matches the following richer shades: RGB 164 181 94, RGB 175 200 75, RGB 187 219 56 and RGB 198 238 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 180 93 shade: RGB 164 181 94, RGB 152 162 113, RGB 141 143 132, RGB 129 124 151 and RGB 117 105 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 180 93 shade: RGB 181 150 94, RGB 181 173 94, RGB 165 181 94, RGB 142 181 94 and RGB 118 181 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 180 93 shade: RGB 118 132 60, RGB 143 160 73, RGB 164 181 94, RGB 180 194 122 and RGB 196 207 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 180 93 shade: RGB 163 180 93, RGB 94 181 127 and RGB 162 94 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 180 93 shade: RGB 163 180 93, RGB 94 165 181 and RGB 181 94 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 180 93 shade: RGB 163 180 93, RGB 94 181 127, RGB 110 94 181 and RGB 181 94 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 180 93 shade: RGB 163 180 93, RGB 94 181 153, RGB 110 94 181 and RGB 181 94 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 48 / 29

HEX #A3B45D

RGB 163 180 93

HSL 71.72, 0.37%, 0.54%

LAB 70.33, -19.27, 42.1

 

Complementary color

CMYK 43 / 54 / 0 / 36

HEX #5C4BA2

RGB 92 75 162

HSL 251.72, 0.37%, 0.46%

LAB 37.69, 29.13, -44.94

 

CMYK 7 / 0 / 51 / 29

HEX #A8B458

RGB 168 180 88

HSL 67.83, 0.38%, 0.53%

LAB 70.64, -17.73, 45.02

 

CMYK 7 / 0 / 46 / 22

HEX #B9C66B

RGB 185 198 107

HSL 68.57, 0.44%, 0.6%

LAB 77.14, -18.06, 43.86

 

CMYK 6 / 0 / 42 / 15

HEX #CAD87E

RGB 202 216 126

HSL 69.33, 0.54%, 0.67%

LAB 83.53, -18.32, 42.7

 

CMYK 6 / 0 / 38 / 8

HEX #DBEA91

RGB 219 234 145

HSL 70.11, 0.68%, 0.74%

LAB 89.84, -18.52, 41.56

 

CMYK 6 / 0 / 35 / 1

HEX #ECFCA4

RGB 236 252 164

HSL 70.91, 0.94%, 0.82%

LAB 96.05, -18.69, 40.44

 

CMYK 9 / 0 / 48 / 29

HEX #A3B45D

RGB 163 180 93

HSL 71.72, 0.37%, 0.54%

LAB 70.33, -19.27, 42.1

 

CMYK 10 / 0 / 54 / 36

HEX #92A24A

RGB 146 162 74

HSL 70.91, 0.37%, 0.46%

LAB 63.71, -18.96, 43.25

 

CMYK 10 / 0 / 62 / 44

HEX #819037

RGB 129 144 55

HSL 70.11, 0.45%, 0.39%

LAB 56.97, -18.53, 44.26

 

CMYK 11 / 0 / 71 / 51

HEX #707E24

RGB 112 126 36

HSL 69.33, 0.56%, 0.32%

LAB 50.09, -17.94, 44.92

 

CMYK 12 / 0 / 84 / 58

HEX #5F6C11

RGB 95 108 17

HSL 68.57, 0.73%, 0.25%

LAB 43.06, -17.1, 44.67

 

CMYK 9 / 0 / 48 / 29

HEX #A4B55E

RGB 164 181 94

HSL 71.72, 0.37%, 0.54%

LAB 70.7, -19.27, 42.07

 

CMYK 0 / 4 / 48 / 29

HEX #B5AE5E

RGB 181 174 94

HSL 55.17, 0.37%, 0.54%

LAB 70.11, -8.68, 41.67

 

CMYK 0 / 17 / 48 / 29

HEX #B5975E

RGB 181 151 94

HSL 39.31, 0.37%, 0.54%

LAB 63.97, 3.65, 34.08

 

CMYK 0 / 30 / 48 / 29

HEX #B57F5E

RGB 181 127 94

HSL 22.76, 0.37%, 0.54%

LAB 57.86, 16.96, 26.25

 

CMYK 0 / 43 / 48 / 29

HEX #B5685E

RGB 181 104 94

HSL 6.9, 0.37%, 0.54%

LAB 52.43, 29.71, 19.05

 

CMYK 9 / 0 / 48 / 29

HEX #A4B55E

RGB 164 181 94

HSL 71.72, 0.37%, 0.54%

LAB 70.7, -19.27, 42.07

 

CMYK 23 / 0 / 48 / 29

HEX #8CB55E

RGB 140 181 94

HSL 88.28, 0.37%, 0.54%

LAB 69.06, -28.66, 39.7

 

CMYK 35 / 0 / 48 / 29

HEX #75B55E

RGB 117 181 94

HSL 104.14, 0.37%, 0.54%

LAB 67.75, -36.93, 37.79

 

CMYK 48 / 0 / 48 / 29

HEX #5EB55E

RGB 94 181 94

HSL 120, 0.37%, 0.54%

LAB 66.7, -44.16, 36.25

 

CMYK 48 / 0 / 35 / 29

HEX #5EB576

RGB 94 181 118

HSL 136.55, 0.37%, 0.54%

LAB 67.08, -40.28, 24.22

 

CMYK 9 / 0 / 48 / 29

HEX #A4B55E

RGB 164 181 94

HSL 71.72, 0.37%, 0.54%

LAB 70.7, -19.27, 42.07

 

CMYK 13 / 0 / 63 / 22

HEX #AFC84B

RGB 175 200 75

HSL 72, 0.53%, 0.54%

LAB 76.64, -25.84, 57.82

 

CMYK 15 / 0 / 74 / 14

HEX #BBDB38

RGB 187 219 56

HSL 71.78, 0.69%, 0.54%

LAB 82.65, -31.14, 71.2

 

CMYK 17 / 0 / 84 / 7

HEX #C6EE25

RGB 198 238 37

HSL 71.94, 0.86%, 0.54%

LAB 88.59, -36.18, 81.74

 

CMYK 9 / 0 / 48 / 29

HEX #A4B55E

RGB 164 181 94

HSL 71.72, 0.37%, 0.54%

LAB 70.7, -19.27, 42.07

 

CMYK 6 / 0 / 30 / 36

HEX #98A271

RGB 152 162 113

HSL 72.24, 0.21%, 0.54%

LAB 64.73, -11.95, 24.36

 

CMYK 1 / 0 / 8 / 44

HEX #8D8F84

RGB 141 143 132

HSL 70.91, 0.05%, 0.54%

LAB 58.95, -2.82, 5.59

 

CMYK 15 / 18 / 0 / 41

HEX #817C97

RGB 129 124 151

HSL 251.11, 0.11%, 0.54%

LAB 53.29, 7.6, -13.83

 

CMYK 31 / 38 / 0 / 33

HEX #7569AA

RGB 117 105 170

HSL 251.08, 0.28%, 0.54%

LAB 47.99, 19.79, -33.19

 

CMYK 0 / 17 / 48 / 29

HEX #B5965E

RGB 181 150 94

HSL 38.62, 0.37%, 0.54%

LAB 63.71, 4.2, 33.75

 

CMYK 0 / 4 / 48 / 29

HEX #B5AD5E

RGB 181 173 94

HSL 54.48, 0.37%, 0.54%

LAB 69.84, -8.16, 41.34

 

CMYK 9 / 0 / 48 / 29

HEX #A5B55E

RGB 165 181 94

HSL 71.03, 0.37%, 0.54%

LAB 70.77, -18.86, 42.18

 

CMYK 22 / 0 / 48 / 29

HEX #8EB55E

RGB 142 181 94

HSL 86.9, 0.37%, 0.54%

LAB 69.19, -27.9, 39.89

 

CMYK 35 / 0 / 48 / 29

HEX #76B55E

RGB 118 181 94

HSL 103.45, 0.37%, 0.54%

LAB 67.8, -36.59, 37.87

 

CMYK 11 / 0 / 55 / 48

HEX #76843C

RGB 118 132 60

HSL 71.67, 0.38%, 0.38%

LAB 52.6, -16.54, 36.67

 

CMYK 11 / 0 / 54 / 37

HEX #8FA049

RGB 143 160 73

HSL 71.72, 0.37%, 0.46%

LAB 62.9, -19.28, 42.73

 

CMYK 9 / 0 / 48 / 29

HEX #A4B55E

RGB 164 181 94

HSL 71.72, 0.37%, 0.54%

LAB 70.7, -19.27, 42.07

 

CMYK 7 / 0 / 37 / 24

HEX #B4C27A

RGB 180 194 122

HSL 71.67, 0.37%, 0.62%

LAB 75.88, -16.33, 34.64

 

CMYK 5 / 0 / 28 / 19

HEX #C4CF96

RGB 196 207 150

HSL 71.58, 0.37%, 0.7%

LAB 81.05, -13.13, 27.15

 

CMYK 9 / 0 / 48 / 29

HEX #A3B45D

RGB 163 180 93

HSL 71.72, 0.37%, 0.54%

LAB 70.33, -19.27, 42.1

 

CMYK 48 / 0 / 30 / 29

HEX #5EB57F

RGB 94 181 127

HSL 142.76, 0.37%, 0.54%

LAB 67.25, -38.59, 19.61

 

CMYK 10 / 48 / 0 / 29

HEX #A25EB5

RGB 162 94 181

HSL 286.9, 0.37%, 0.54%

LAB 50.71, 42.11, -34.99

 

CMYK 9 / 0 / 48 / 29

HEX #A3B45D

RGB 163 180 93

HSL 71.72, 0.37%, 0.54%

LAB 70.33, -19.27, 42.1

 

CMYK 48 / 9 / 0 / 29

HEX #5EA5B5

RGB 94 165 181

HSL 191.03, 0.37%, 0.54%

LAB 63.86, -17.93, -15.18

 

CMYK 0 / 48 / 9 / 29

HEX #B55EA5

RGB 181 94 165

HSL 311.03, 0.37%, 0.54%

LAB 52.45, 44.83, -22.78

 

CMYK 9 / 0 / 48 / 29

HEX #A3B45D

RGB 163 180 93

HSL 71.72, 0.37%, 0.54%

LAB 70.33, -19.27, 42.1

 

CMYK 48 / 0 / 30 / 29

HEX #5EB57F

RGB 94 181 127

HSL 142.76, 0.37%, 0.54%

LAB 67.25, -38.59, 19.61

 

CMYK 39 / 48 / 0 / 29

HEX #6E5EB5

RGB 110 94 181

HSL 251.03, 0.37%, 0.54%

LAB 45.16, 27.57, -44.14

 

CMYK 0 / 48 / 19 / 29

HEX #B55E93

RGB 181 94 147

HSL 323.45, 0.37%, 0.54%

LAB 51.76, 41.89, -13.25

 

CMYK 9 / 0 / 48 / 29

HEX #A3B45D

RGB 163 180 93

HSL 71.72, 0.37%, 0.54%

LAB 70.33, -19.27, 42.1

 

CMYK 48 / 0 / 15 / 29

HEX #5EB599

RGB 94 181 153

HSL 160.69, 0.37%, 0.54%

LAB 67.82, -33.05, 6.22

 

CMYK 39 / 48 / 0 / 29

HEX #6E5EB5

RGB 110 94 181

HSL 251.03, 0.37%, 0.54%

LAB 45.16, 27.57, -44.14

 

CMYK 0 / 48 / 33 / 29

HEX #B55E79

RGB 181 94 121

HSL 341.38, 0.37%, 0.54%

LAB 50.93, 38.19, 0.96

 

Description

Color code: RGB 163 180 93 | qconv.com Color code: RGB 163 180 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 180 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 180 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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