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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 224 203 it is the complementary color RGB 92 31 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 224 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 224 203 shade: RGB 168 224 198, RGB 185 242 217, RGB 202 255 236, RGB 219 255 255 and RGB 236 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 224 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 224 203 shade: RGB 163 224 203, RGB 146 206 184, RGB 129 188 165, RGB 112 170 146 and RGB 95 152 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 224 203 shade: RGB 163 224 203, RGB 163 224 186, RGB 163 224 170, RGB 172 224 163 and RGB 189 224 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 224 203 shade: RGB 163 224 203, RGB 163 224 219, RGB 163 212 224, RGB 163 195 224 and RGB 163 179 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 224 203 shade matches the following richer shades: RGB 163 224 203, RGB 153 234 206, RGB 143 244 209 and RGB 133 254 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 224 203 shade: RGB 163 224 203, RGB 173 214 200, RGB 183 204 197, RGB 192 194 194 and RGB 202 184 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 224 203 shade: RGB 163 224 170, RGB 163 224 186, RGB 163 224 202, RGB 163 224 219 and RGB 163 213 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 224 203 shade: RGB 101 203 168, RGB 132 214 185, RGB 163 224 203, RGB 194 234 220 and RGB 225 245 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 224 203 shade: RGB 163 224 203, RGB 163 172 224 and RGB 224 178 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 224 203 shade: RGB 163 224 203, RGB 202 163 224 and RGB 224 202 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 224 203 shade: RGB 163 224 203, RGB 163 172 224, RGB 224 163 184 and RGB 224 215 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 224 203 shade: RGB 163 224 203, RGB 172 163 224, RGB 224 163 184 and RGB 215 224 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

Complementary color

CMYK 0 / 66 / 43 / 64

HEX #5C1F34

RGB 92 31 52

HSL 339.34, 0.5%, 0.24%

LAB 21.96, 30.07, 1.05

 

CMYK 25 / 0 / 12 / 12

HEX #A8E0C6

RGB 168 224 198

HSL 152.14, 0.47%, 0.77%

LAB 84.85, -23.16, 6.94

 

CMYK 24 / 0 / 10 / 5

HEX #B9F2D9

RGB 185 242 217

HSL 153.68, 0.69%, 0.84%

LAB 91.16, -22.99, 6.2

 

CMYK 21 / 0 / 7 / 0

HEX #CAFFEC

RGB 202 255 236

HSL 158.49, 1%, 0.9%

LAB 96.05, -20.42, 3.58

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 29 / 0 / 11 / 19

HEX #92CEB8

RGB 146 206 184

HSL 158, 0.38%, 0.69%

LAB 78.29, -23.87, 4.79

 

CMYK 31 / 0 / 12 / 26

HEX #81BCA5

RGB 129 188 165

HSL 156.61, 0.31%, 0.62%

LAB 71.79, -24.08, 5.57

 

CMYK 34 / 0 / 14 / 33

HEX #70AA92

RGB 112 170 146

HSL 155.17, 0.25%, 0.55%

LAB 65.18, -24.3, 6.4

 

CMYK 38 / 0 / 16 / 40

HEX #5F987F

RGB 95 152 127

HSL 153.68, 0.23%, 0.48%

LAB 58.44, -24.55, 7.3

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 27 / 0 / 17 / 12

HEX #A3E0BA

RGB 163 224 186

HSL 142.62, 0.5%, 0.76%

LAB 84.3, -27.03, 12.44

 

CMYK 27 / 0 / 24 / 12

HEX #A3E0AA

RGB 163 224 170

HSL 126.89, 0.5%, 0.76%

LAB 83.97, -29.93, 20.35

 

CMYK 23 / 0 / 27 / 12

HEX #ACE0A3

RGB 172 224 163

HSL 111.15, 0.5%, 0.76%

LAB 84.34, -28.13, 24.59

 

CMYK 16 / 0 / 27 / 12

HEX #BDE0A3

RGB 189 224 163

HSL 94.43, 0.5%, 0.76%

LAB 85.39, -22.26, 26.19

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 27 / 0 / 2 / 12

HEX #A3E0DB

RGB 163 224 219

HSL 175.08, 0.5%, 0.76%

LAB 85.1, -20.29, -3.81

 

CMYK 27 / 5 / 0 / 12

HEX #A3D4E0

RGB 163 212 224

HSL 191.8, 0.5%, 0.76%

LAB 81.98, -13.11, -11.1

 

CMYK 27 / 13 / 0 / 12

HEX #A3C3E0

RGB 163 195 224

HSL 208.52, 0.5%, 0.76%

LAB 77.4, -4.21, -17.97

 

CMYK 27 / 20 / 0 / 12

HEX #A3B3E0

RGB 163 179 224

HSL 224.26, 0.5%, 0.76%

LAB 73.16, 4.46, -24.41

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 35 / 0 / 12 / 8

HEX #99EACE

RGB 153 234 206

HSL 159.26, 0.66%, 0.76%

LAB 87.03, -30.76, 5.78

 

CMYK 41 / 0 / 14 / 4

HEX #8FF4D1

RGB 143 244 209

HSL 159.21, 0.82%, 0.76%

LAB 89.46, -37.44, 7.65

 

CMYK 48 / 0 / 17 / 0

HEX #85FED4

RGB 133 254 212

HSL 159.17, 0.98%, 0.76%

LAB 91.96, -43.72, 9.64

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 19 / 0 / 7 / 16

HEX #ADD6C8

RGB 173 214 200

HSL 159.51, 0.33%, 0.76%

LAB 82.46, -16.22, 2.46

 

CMYK 10 / 0 / 3 / 20

HEX #B7CCC5

RGB 183 204 197

HSL 160, 0.17%, 0.76%

LAB 80.34, -8.43, 1.06

 

CMYK 1 / 0 / 0 / 24

HEX #C0C2C2

RGB 192 194 194

HSL 180, 0.02%, 0.76%

LAB 78.28, -0.69, -0.25

 

CMYK 0 / 9 / 6 / 21

HEX #CAB8BE

RGB 202 184 190

HSL 340, 0.15%, 0.76%

LAB 76.41, 7.43, -0.72

 

CMYK 27 / 0 / 24 / 12

HEX #A3E0AA

RGB 163 224 170

HSL 126.89, 0.5%, 0.76%

LAB 83.97, -29.93, 20.35

 

CMYK 27 / 0 / 17 / 12

HEX #A3E0BA

RGB 163 224 186

HSL 142.62, 0.5%, 0.76%

LAB 84.3, -27.03, 12.44

 

CMYK 27 / 0 / 10 / 12

HEX #A3E0CA

RGB 163 224 202

HSL 158.36, 0.5%, 0.76%

LAB 84.67, -23.88, 4.54

 

CMYK 27 / 0 / 2 / 12

HEX #A3E0DB

RGB 163 224 219

HSL 175.08, 0.5%, 0.76%

LAB 85.1, -20.29, -3.81

 

CMYK 27 / 5 / 0 / 12

HEX #A3D5E0

RGB 163 213 224

HSL 190.82, 0.5%, 0.76%

LAB 82.25, -13.62, -10.69

 

CMYK 50 / 0 / 17 / 20

HEX #65CBA8

RGB 101 203 168

HSL 159.41, 0.5%, 0.6%

LAB 75.02, -38.11, 8.41

 

CMYK 38 / 0 / 14 / 16

HEX #84D6B9

RGB 132 214 185

HSL 158.78, 0.5%, 0.68%

LAB 79.9, -31.55, 6.47

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 17 / 0 / 6 / 8

HEX #C2EADC

RGB 194 234 220

HSL 159, 0.49%, 0.84%

LAB 89.62, -15.67, 2.48

 

CMYK 8 / 0 / 3 / 4

HEX #E1F5EE

RGB 225 245 238

HSL 159, 0.5%, 0.92%

LAB 94.94, -7.83, 1.11

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 27 / 23 / 0 / 12

HEX #A3ACE0

RGB 163 172 224

HSL 231.15, 0.5%, 0.76%

LAB 71.33, 8.33, -27.21

 

CMYK 0 / 21 / 27 / 12

HEX #E0B2A3

RGB 224 178 163

HSL 14.75, 0.5%, 0.76%

LAB 76.27, 14.52, 14.02

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 10 / 27 / 0 / 12

HEX #CAA3E0

RGB 202 163 224

HSL 278.36, 0.5%, 0.76%

LAB 72.32, 25.38, -25.42

 

CMYK 0 / 10 / 27 / 12

HEX #E0CAA3

RGB 224 202 163

HSL 38.36, 0.5%, 0.76%

LAB 82.23, 1.82, 22.31

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 27 / 23 / 0 / 12

HEX #A3ACE0

RGB 163 172 224

HSL 231.15, 0.5%, 0.76%

LAB 71.33, 8.33, -27.21

 

CMYK 0 / 27 / 18 / 12

HEX #E0A3B8

RGB 224 163 184

HSL 339.34, 0.5%, 0.76%

LAB 73.22, 25.64, -1.86

 

CMYK 0 / 4 / 27 / 12

HEX #E0D7A3

RGB 224 215 163

HSL 51.15, 0.5%, 0.76%

LAB 85.55, -4.9, 26.83

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 23 / 27 / 0 / 12

HEX #ACA3E0

RGB 172 163 224

HSL 248.85, 0.5%, 0.76%

LAB 69.72, 16.05, -29.64

 

CMYK 0 / 27 / 18 / 12

HEX #E0A3B8

RGB 224 163 184

HSL 339.34, 0.5%, 0.76%

LAB 73.22, 25.64, -1.86

 

CMYK 4 / 0 / 27 / 12

HEX #D7E0A3

RGB 215 224 163

HSL 68.85, 0.5%, 0.76%

LAB 87.19, -12.83, 28.94

 

Description

Color code: RGB 163 224 203 | qconv.com Color code: RGB 163 224 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 224 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 224 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 9 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 9% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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