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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 250 96 it is the complementary color RGB 92 5 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 250 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 250 96 shade: RGB 168 250 91, RGB 185 255 110, RGB 202 255 129, RGB 219 255 148 and RGB 236 255 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 250 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 250 96 shade: RGB 163 250 96, RGB 146 232 77, RGB 129 214 58, RGB 112 196 39 and RGB 95 178 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 250 96 shade: RGB 163 250 96, RGB 204 250 96, RGB 246 250 96, RGB 250 212 96 and RGB 250 171 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 250 96 shade: RGB 163 250 96, RGB 122 250 96, RGB 96 250 112, RGB 96 250 154 and RGB 96 250 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 250 96 shade matches the following richer shades: RGB 163 250 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 250 96 shade: RGB 163 250 96, RGB 165 236 109, RGB 166 223 123, RGB 168 210 136 and RGB 170 197 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 250 96 shade: RGB 247 250 96, RGB 206 250 96, RGB 165 250 96, RGB 124 250 96 and RGB 96 250 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 250 96 shade: RGB 117 247 16, RGB 140 248 56, RGB 163 250 96, RGB 186 251 136 and RGB 209 252 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 250 96 shade: RGB 163 250 96, RGB 96 250 211 and RGB 250 96 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 250 96 shade: RGB 163 250 96, RGB 96 165 250 and RGB 250 96 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 250 96 shade: RGB 163 250 96, RGB 96 250 211, RGB 181 96 250 and RGB 250 96 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 250 96 shade: RGB 163 250 96, RGB 96 242 250, RGB 181 96 250 and RGB 250 104 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

Complementary color

CMYK 42 / 97 / 0 / 38

HEX #5C059F

RGB 92 5 159

HSL 273.9, 0.94%, 0.32%

LAB 26.41, 58.82, -61.46

 

CMYK 33 / 0 / 64 / 2

HEX #A8FA5B

RGB 168 250 91

HSL 90.94, 0.94%, 0.67%

LAB 90.53, -49.66, 66.14

 

CMYK 27 / 0 / 57 / 0

HEX #B9FF6E

RGB 185 255 110

HSL 88.97, 1%, 0.72%

LAB 93, -44.3, 61.23

 

CMYK 21 / 0 / 49 / 0

HEX #CAFF81

RGB 202 255 129

HSL 85.24, 1%, 0.75%

LAB 94.17, -36.43, 54.36

 

CMYK 14 / 0 / 42 / 0

HEX #DBFF94

RGB 219 255 148

HSL 80.19, 1%, 0.79%

LAB 95.46, -28.22, 47.24

 

CMYK 7 / 0 / 35 / 0

HEX #ECFFA7

RGB 236 255 167

HSL 72.95, 1%, 0.83%

LAB 96.88, -19.78, 40.04

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 37 / 0 / 67 / 9

HEX #92E84D

RGB 146 232 77

HSL 93.29, 0.77%, 0.61%

LAB 84.15, -50.7, 64.5

 

CMYK 40 / 0 / 73 / 16

HEX #81D63A

RGB 129 214 58

HSL 92.69, 0.66%, 0.53%

LAB 77.91, -50.34, 64.82

 

CMYK 43 / 0 / 80 / 23

HEX #70C427

RGB 112 196 39

HSL 92.1, 0.67%, 0.46%

LAB 71.6, -49.78, 64.5

 

CMYK 47 / 0 / 89 / 30

HEX #5FB214

RGB 95 178 20

HSL 91.52, 0.8%, 0.39%

LAB 65.22, -48.94, 63.12

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 18 / 0 / 62 / 2

HEX #CCFA60

RGB 204 250 96

HSL 77.92, 0.94%, 0.68%

LAB 92.6, -36.34, 66.97

 

CMYK 2 / 0 / 62 / 2

HEX #F6FA60

RGB 246 250 96

HSL 61.56, 0.94%, 0.68%

LAB 95.5, -20, 70.94

 

CMYK 0 / 15 / 62 / 2

HEX #FAD460

RGB 250 212 96

HSL 45.19, 0.94%, 0.68%

LAB 86.13, 0.46, 60.89

 

CMYK 0 / 32 / 62 / 2

HEX #FAAB60

RGB 250 171 96

HSL 29.22, 0.94%, 0.68%

LAB 76.25, 21.78, 49.66

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 51 / 0 / 62 / 2

HEX #7AFA60

RGB 122 250 96

HSL 109.87, 0.94%, 0.68%

LAB 88.62, -63.2, 61.45

 

CMYK 62 / 0 / 55 / 2

HEX #60FA70

RGB 96 250 112

HSL 126.23, 0.94%, 0.68%

LAB 87.98, -67.56, 53.59

 

CMYK 62 / 0 / 38 / 2

HEX #60FA9A

RGB 96 250 154

HSL 142.6, 0.94%, 0.68%

LAB 88.54, -61.36, 34.26

 

CMYK 62 / 0 / 22 / 2

HEX #60FAC3

RGB 96 250 195

HSL 158.57, 0.94%, 0.68%

LAB 89.3, -53.34, 14.46

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 30 / 0 / 54 / 7

HEX #A5EC6D

RGB 165 236 109

HSL 93.54, 0.77%, 0.68%

LAB 86.55, -43.1, 53.92

 

CMYK 26 / 0 / 45 / 13

HEX #A6DF7B

RGB 166 223 123

HSL 94.2, 0.61%, 0.68%

LAB 83.08, -35.39, 43.1

 

CMYK 20 / 0 / 35 / 18

HEX #A8D288

RGB 168 210 136

HSL 94.05, 0.45%, 0.68%

LAB 79.73, -26.88, 32.29

 

CMYK 14 / 0 / 24 / 23

HEX #AAC595

RGB 170 197 149

HSL 93.75, 0.29%, 0.68%

LAB 76.47, -17.82, 21.13

 

CMYK 1 / 0 / 62 / 2

HEX #F7FA60

RGB 247 250 96

HSL 61.17, 0.94%, 0.68%

LAB 95.58, -19.6, 71.04

 

CMYK 18 / 0 / 62 / 2

HEX #CEFA60

RGB 206 250 96

HSL 77.14, 0.94%, 0.68%

LAB 92.72, -35.59, 67.14

 

CMYK 34 / 0 / 62 / 2

HEX #A5FA60

RGB 165 250 96

HSL 93.12, 0.94%, 0.68%

LAB 90.42, -50.26, 63.96

 

CMYK 50 / 0 / 62 / 2

HEX #7CFA60

RGB 124 250 96

HSL 109.09, 0.94%, 0.68%

LAB 88.69, -62.67, 61.55

 

CMYK 62 / 0 / 56 / 2

HEX #60FA6D

RGB 96 250 109

HSL 125.06, 0.94%, 0.68%

LAB 87.95, -67.92, 54.9

 

CMYK 53 / 0 / 94 / 3

HEX #75F710

RGB 117 247 16

HSL 93.77, 0.94%, 0.52%

LAB 87.16, -67.83, 82.19

 

CMYK 44 / 0 / 77 / 3

HEX #8CF838

RGB 140 248 56

HSL 93.75, 0.93%, 0.6%

LAB 88.45, -60.22, 75.75

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 26 / 0 / 46 / 2

HEX #BAFB88

RGB 186 251 136

HSL 93.91, 0.93%, 0.76%

LAB 92.23, -39.51, 48.49

 

CMYK 17 / 0 / 30 / 1

HEX #D1FCB0

RGB 209 252 176

HSL 93.95, 0.93%, 0.84%

LAB 94.45, -26.81, 32.01

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 62 / 0 / 16 / 2

HEX #60FAD3

RGB 96 250 211

HSL 164.81, 0.94%, 0.68%

LAB 89.66, -49.73, 6.69

 

CMYK 0 / 62 / 9 / 2

HEX #FA60E3

RGB 250 96 227

HSL 308.96, 0.94%, 0.68%

LAB 65.15, 73.03, -37.69

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 62 / 34 / 0 / 2

HEX #60A5FA

RGB 96 165 250

HSL 213.12, 0.94%, 0.68%

LAB 66.75, 3.52, -48.83

 

CMYK 0 / 62 / 34 / 2

HEX #FA60A5

RGB 250 96 165

HSL 333.12, 0.94%, 0.68%

LAB 62.85, 64.83, -6.09

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 62 / 0 / 16 / 2

HEX #60FAD3

RGB 96 250 211

HSL 164.81, 0.94%, 0.68%

LAB 89.66, -49.73, 6.69

 

CMYK 28 / 62 / 0 / 2

HEX #B560FA

RGB 181 96 250

HSL 273.12, 0.94%, 0.68%

LAB 57.16, 60.87, -63.72

 

CMYK 0 / 62 / 46 / 2

HEX #FA6087

RGB 250 96 135

HSL 344.81, 0.94%, 0.68%

LAB 62.03, 61.78, 10.03

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 62 / 3 / 0 / 2

HEX #60F2FA

RGB 96 242 250

HSL 183.12, 0.94%, 0.68%

LAB 88.4, -36.3, -15.49

 

CMYK 28 / 62 / 0 / 2

HEX #B560FA

RGB 181 96 250

HSL 273.12, 0.94%, 0.68%

LAB 57.16, 60.87, -63.72

 

CMYK 0 / 58 / 62 / 2

HEX #FA6860

RGB 250 104 96

HSL 3.12, 0.94%, 0.68%

LAB 62.57, 55.29, 33.06

 

Description

Color code: RGB 163 250 96 | qconv.com Color code: RGB 163 250 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 250 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 250 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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