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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 82 117 it is the complementary color RGB 92 173 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 82 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 82 117 shade: RGB 168 82 112, RGB 185 100 131, RGB 202 118 150, RGB 219 136 169 and RGB 236 154 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 82 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 82 117 shade: RGB 163 82 117, RGB 146 64 98, RGB 129 46 79, RGB 112 28 60 and RGB 95 10 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 82 117 shade: RGB 162 82 116, RGB 162 82 95 and RGB 162 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 82 117 shade: RGB 162 82 116, RGB 162 82 138, RGB 162 82 160, RGB 143 82 162 and RGB 121 82 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 82 117 shade matches the following richer shades: RGB 162 82 116, RGB 182 62 114, RGB 202 42 111, RGB 222 22 108 and RGB 242 2 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 82 117 shade: RGB 162 82 116, RGB 142 101 119, RGB 123 121 122, RGB 103 141 124 and RGB 83 161 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 82 117 shade: RGB 162 82 160, RGB 162 82 138, RGB 162 82 117, RGB 162 82 95 and RGB 162 90 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 82 117 shade: RGB 107 54 77, RGB 135 68 97, RGB 162 82 116, RGB 179 106 138 and RGB 193 133 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 82 117 shade: RGB 163 82 117, RGB 162 143 82 and RGB 82 149 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 82 117 shade: RGB 163 82 117, RGB 117 162 82 and RGB 82 117 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 82 117 shade: RGB 163 82 117, RGB 162 143 82, RGB 82 162 127 and RGB 82 100 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 82 117 shade: RGB 163 82 117, RGB 157 162 82, RGB 82 162 127 and RGB 87 82 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 28 / 36

HEX #A35275

RGB 163 82 117

HSL 334.07, 0.33%, 0.48%

LAB 45.78, 37.57, -4.5

 

Complementary color

CMYK 47 / 0 / 20 / 32

HEX #5CAD8A

RGB 92 173 138

HSL 154.07, 0.33%, 0.52%

LAB 64.96, -33.18, 10.4

 

CMYK 0 / 51 / 33 / 34

HEX #A85270

RGB 168 82 112

HSL 339.07, 0.34%, 0.49%

LAB 46.35, 38.66, -0.53

 

CMYK 0 / 46 / 29 / 27

HEX #B96483

RGB 185 100 131

HSL 338.12, 0.38%, 0.56%

LAB 53.02, 37.78, -1.86

 

CMYK 0 / 42 / 26 / 21

HEX #CA7696

RGB 202 118 150

HSL 337.14, 0.44%, 0.63%

LAB 59.63, 36.91, -2.97

 

CMYK 0 / 38 / 23 / 14

HEX #DB88A9

RGB 219 136 169

HSL 336.14, 0.54%, 0.7%

LAB 66.16, 36.07, -3.95

 

CMYK 0 / 35 / 20 / 7

HEX #EC9ABC

RGB 236 154 188

HSL 335.12, 0.68%, 0.76%

LAB 72.61, 35.28, -4.82

 

CMYK 0 / 50 / 28 / 36

HEX #A35275

RGB 163 82 117

HSL 334.07, 0.33%, 0.48%

LAB 45.78, 37.57, -4.5

 

CMYK 0 / 56 / 33 / 43

HEX #924062

RGB 146 64 98

HSL 335.12, 0.39%, 0.41%

LAB 39, 38.38, -3.08

 

CMYK 0 / 64 / 39 / 49

HEX #812E4F

RGB 129 46 79

HSL 336.14, 0.47%, 0.34%

LAB 32.23, 39.01, -1.25

 

CMYK 0 / 75 / 46 / 56

HEX #701C3C

RGB 112 28 60

HSL 337.14, 0.6%, 0.27%

LAB 25.57, 39.15, 1.28

 

CMYK 0 / 89 / 57 / 63

HEX #5F0A29

RGB 95 10 41

HSL 338.12, 0.81%, 0.21%

LAB 19.27, 38.14, 5

 

CMYK 0 / 49 / 28 / 36

HEX #A25274

RGB 162 82 116

HSL 334.5, 0.33%, 0.48%

LAB 45.6, 37.08, -4.17

 

CMYK 0 / 49 / 41 / 36

HEX #A2525F

RGB 162 82 95

HSL 350.25, 0.33%, 0.48%

LAB 45, 34.38, 7.76

 

CMYK 0 / 49 / 49 / 36

HEX #A25252

RGB 162 82 82

HSL 0, 0.33%, 0.48%

LAB 44.7, 32.98, 15.25

 

CMYK 0 / 49 / 28 / 36

HEX #A25274

RGB 162 82 116

HSL 334.5, 0.33%, 0.48%

LAB 45.6, 37.08, -4.17

 

CMYK 0 / 49 / 15 / 36

HEX #A2528A

RGB 162 82 138

HSL 318, 0.33%, 0.48%

LAB 46.38, 40.45, -16.31

 

CMYK 0 / 49 / 1 / 36

HEX #A252A0

RGB 162 82 160

HSL 301.5, 0.33%, 0.48%

LAB 47.31, 44.31, -28.01

 

CMYK 12 / 49 / 0 / 36

HEX #8F52A2

RGB 143 82 162

HSL 285.75, 0.33%, 0.48%

LAB 44.92, 39.05, -33.11

 

CMYK 25 / 49 / 0 / 36

HEX #7952A2

RGB 121 82 162

HSL 269.25, 0.33%, 0.48%

LAB 42.32, 32.66, -37.38

 

CMYK 0 / 49 / 28 / 36

HEX #A25274

RGB 162 82 116

HSL 334.5, 0.33%, 0.48%

LAB 45.6, 37.08, -4.17

 

CMYK 0 / 66 / 37 / 29

HEX #B63E72

RGB 182 62 114

HSL 334, 0.49%, 0.48%

LAB 45.09, 52.94, -3.35

 

CMYK 0 / 79 / 45 / 21

HEX #CA2A6F

RGB 202 42 111

HSL 334.13, 0.66%, 0.48%

LAB 46.12, 65.13, 0.43

 

CMYK 0 / 90 / 51 / 13

HEX #DE166C

RGB 222 22 108

HSL 334.2, 0.82%, 0.48%

LAB 48.49, 73.85, 6.19

 

CMYK 0 / 99 / 56 / 5

HEX #F2026A

RGB 242 2 106

HSL 334, 0.98%, 0.48%

LAB 51.79, 80.1, 12.64

 

CMYK 0 / 49 / 28 / 36

HEX #A25274

RGB 162 82 116

HSL 334.5, 0.33%, 0.48%

LAB 45.6, 37.08, -4.17

 

CMYK 0 / 29 / 16 / 44

HEX #8E6577

RGB 142 101 119

HSL 333.66, 0.17%, 0.48%

LAB 47.48, 19.43, -3.49

 

CMYK 0 / 2 / 1 / 52

HEX #7B797A

RGB 123 121 122

HSL 330, 0.01%, 0.48%

LAB 51.03, 0.96, -0.28

 

CMYK 27 / 0 / 12 / 45

HEX #678D7C

RGB 103 141 124

HSL 153.16, 0.16%, 0.48%

LAB 55.47, -16.96, 4.82

 

CMYK 48 / 0 / 21 / 37

HEX #53A17F

RGB 83 161 127

HSL 153.85, 0.32%, 0.48%

LAB 60.66, -32.32, 10.38

 

CMYK 0 / 49 / 1 / 36

HEX #A252A0

RGB 162 82 160

HSL 301.5, 0.33%, 0.48%

LAB 47.31, 44.31, -28.01

 

CMYK 0 / 49 / 15 / 36

HEX #A2528A

RGB 162 82 138

HSL 318, 0.33%, 0.48%

LAB 46.38, 40.45, -16.31

 

CMYK 0 / 49 / 28 / 36

HEX #A25275

RGB 162 82 117

HSL 333.75, 0.33%, 0.48%

LAB 45.63, 37.22, -4.73

 

CMYK 0 / 49 / 41 / 36

HEX #A2525F

RGB 162 82 95

HSL 350.25, 0.33%, 0.48%

LAB 45, 34.38, 7.76

 

CMYK 0 / 44 / 49 / 36

HEX #A25A52

RGB 162 90 82

HSL 6, 0.33%, 0.48%

LAB 46.45, 28.61, 17.63

 

CMYK 0 / 50 / 28 / 58

HEX #6B364D

RGB 107 54 77

HSL 333.96, 0.33%, 0.32%

LAB 30.16, 26.57, -3.4

 

CMYK 0 / 50 / 28 / 47

HEX #874461

RGB 135 68 97

HSL 334.03, 0.33%, 0.4%

LAB 38.11, 32.19, -3.96

 

CMYK 0 / 49 / 28 / 36

HEX #A25274

RGB 162 82 116

HSL 334.5, 0.33%, 0.48%

LAB 45.6, 37.08, -4.17

 

CMYK 0 / 41 / 23 / 30

HEX #B36A8A

RGB 179 106 138

HSL 333.7, 0.32%, 0.56%

LAB 53.74, 33.42, -5.02

 

CMYK 0 / 31 / 18 / 24

HEX #C1859F

RGB 193 133 159

HSL 334, 0.33%, 0.64%

LAB 62.18, 26.9, -4.49

 

CMYK 0 / 50 / 28 / 36

HEX #A35275

RGB 163 82 117

HSL 334.07, 0.33%, 0.48%

LAB 45.78, 37.57, -4.5

 

CMYK 0 / 12 / 49 / 36

HEX #A28F52

RGB 162 143 82

HSL 45.75, 0.33%, 0.48%

LAB 59.83, -1.26, 34.88

 

CMYK 49 / 8 / 0 / 36

HEX #5295A2

RGB 82 149 162

HSL 189.75, 0.33%, 0.48%

LAB 57.94, -17.64, -13.44

 

CMYK 0 / 50 / 28 / 36

HEX #A35275

RGB 163 82 117

HSL 334.07, 0.33%, 0.48%

LAB 45.78, 37.57, -4.5

 

CMYK 28 / 0 / 49 / 36

HEX #75A252

RGB 117 162 82

HSL 93.75, 0.33%, 0.48%

LAB 61.85, -29.61, 36.59

 

CMYK 49 / 28 / 0 / 36

HEX #5275A2

RGB 82 117 162

HSL 213.75, 0.33%, 0.48%

LAB 48.42, 0.49, -28.03

 

CMYK 0 / 50 / 28 / 36

HEX #A35275

RGB 163 82 117

HSL 334.07, 0.33%, 0.48%

LAB 45.78, 37.57, -4.5

 

CMYK 0 / 12 / 49 / 36

HEX #A28F52

RGB 162 143 82

HSL 45.75, 0.33%, 0.48%

LAB 59.83, -1.26, 34.88

 

CMYK 49 / 0 / 22 / 36

HEX #52A27F

RGB 82 162 127

HSL 153.75, 0.33%, 0.48%

LAB 60.93, -33.05, 10.75

 

CMYK 49 / 38 / 0 / 36

HEX #5264A2

RGB 82 100 162

HSL 226.5, 0.33%, 0.48%

LAB 43.53, 10.92, -35.69

 

CMYK 0 / 50 / 28 / 36

HEX #A35275

RGB 163 82 117

HSL 334.07, 0.33%, 0.48%

LAB 45.78, 37.57, -4.5

 

CMYK 3 / 0 / 49 / 36

HEX #9DA252

RGB 157 162 82

HSL 63.75, 0.33%, 0.48%

LAB 64.66, -13.6, 40.64

 

CMYK 49 / 0 / 22 / 36

HEX #52A27F

RGB 82 162 127

HSL 153.75, 0.33%, 0.48%

LAB 60.93, -33.05, 10.75

 

CMYK 46 / 49 / 0 / 36

HEX #5752A2

RGB 87 82 162

HSL 243.75, 0.33%, 0.48%

LAB 39.02, 23.53, -42.84

 

Description

Color code: RGB 163 82 117 | qconv.com Color code: RGB 163 82 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 82 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 82 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 28 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 28% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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