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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 129 99 it is the complementary color RGB 91 126 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 129 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 129 99 shade: RGB 169 129 94, RGB 186 147 113, RGB 203 165 132, RGB 220 183 151 and RGB 237 201 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 129 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 129 99 shade: RGB 164 129 99, RGB 147 111 80, RGB 130 93 61, RGB 113 75 42 and RGB 96 57 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 129 99 shade: RGB 164 130 100, RGB 164 112 100 and RGB 164 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 129 99 shade: RGB 164 130 100, RGB 164 147 100, RGB 164 164 100, RGB 147 164 100 and RGB 130 164 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 129 99 shade matches the following richer shades: RGB 164 130 100, RGB 184 128 80, RGB 204 127 61, RGB 223 125 41 and RGB 243 124 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 129 99 shade: RGB 164 130 100, RGB 144 131 120, RGB 124 133 140, RGB 105 134 160 and RGB 85 136 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 129 99 shade: RGB 164 100 106, RGB 164 112 100, RGB 164 129 100, RGB 164 146 100 and RGB 164 163 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 129 99 shade: RGB 115 89 67, RGB 141 109 82, RGB 164 130 100, RGB 179 151 126 and RGB 194 172 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 129 99 shade: RGB 164 129 99, RGB 123 164 100 and RGB 103 100 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 129 99 shade: RGB 164 129 99, RGB 100 164 129 and RGB 129 100 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 129 99 shade: RGB 164 129 99, RGB 123 164 100, RGB 100 135 164 and RGB 142 100 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 129 99 shade: RGB 164 129 99, RGB 103 164 100, RGB 100 135 164 and RGB 161 100 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 40 / 36

HEX #A48163

RGB 164 129 99

HSL 27.69, 0.26%, 0.52%

LAB 56.58, 9.27, 21.4

 

Complementary color

CMYK 42 / 19 / 0 / 39

HEX #5B7E9C

RGB 91 126 156

HSL 207.69, 0.26%, 0.48%

LAB 51.32, -4.24, -20

 

CMYK 0 / 24 / 44 / 34

HEX #A9815E

RGB 169 129 94

HSL 28, 0.3%, 0.52%

LAB 57.02, 10.8, 24.9

 

CMYK 0 / 21 / 39 / 27

HEX #BA9371

RGB 186 147 113

HSL 27.95, 0.35%, 0.59%

LAB 63.75, 10, 23.59

 

CMYK 0 / 19 / 35 / 20

HEX #CBA584

RGB 203 165 132

HSL 27.89, 0.41%, 0.66%

LAB 70.37, 9.32, 22.38

 

CMYK 0 / 17 / 31 / 14

HEX #DCB797

RGB 220 183 151

HSL 27.83, 0.5%, 0.73%

LAB 76.87, 8.73, 21.26

 

CMYK 0 / 15 / 28 / 7

HEX #EDC9AA

RGB 237 201 170

HSL 27.76, 0.65%, 0.8%

LAB 83.27, 8.2, 20.22

 

CMYK 0 / 21 / 40 / 36

HEX #A48163

RGB 164 129 99

HSL 27.69, 0.26%, 0.52%

LAB 56.58, 9.27, 21.4

 

CMYK 0 / 24 / 46 / 42

HEX #936F50

RGB 147 111 80

HSL 27.76, 0.3%, 0.45%

LAB 49.68, 10.1, 22.76

 

CMYK 0 / 28 / 53 / 49

HEX #825D3D

RGB 130 93 61

HSL 27.83, 0.36%, 0.37%

LAB 42.63, 11.11, 24.26

 

CMYK 0 / 34 / 63 / 56

HEX #714B2A

RGB 113 75 42

HSL 27.89, 0.46%, 0.3%

LAB 35.42, 12.37, 25.93

 

CMYK 0 / 41 / 76 / 62

HEX #603917

RGB 96 57 23

HSL 27.95, 0.61%, 0.23%

LAB 28.05, 14, 27.7

 

CMYK 0 / 21 / 39 / 36

HEX #A48264

RGB 164 130 100

HSL 28.13, 0.26%, 0.52%

LAB 56.86, 8.83, 21.21

 

CMYK 0 / 32 / 39 / 36

HEX #A47064

RGB 164 112 100

HSL 11.25, 0.26%, 0.52%

LAB 52.29, 19.05, 15

 

CMYK 0 / 39 / 39 / 36

HEX #A46464

RGB 164 100 100

HSL 0, 0.26%, 0.52%

LAB 49.41, 25.84, 11

 

CMYK 0 / 21 / 39 / 36

HEX #A48264

RGB 164 130 100

HSL 28.13, 0.26%, 0.52%

LAB 56.86, 8.83, 21.21

 

CMYK 0 / 10 / 39 / 36

HEX #A49364

RGB 164 147 100

HSL 44.06, 0.26%, 0.52%

LAB 61.38, -0.66, 27.2

 

CMYK 0 / 0 / 39 / 36

HEX #A4A464

RGB 164 164 100

HSL 60, 0.26%, 0.52%

LAB 66.03, -9.83, 33.2

 

CMYK 10 / 0 / 39 / 36

HEX #93A464

RGB 147 164 100

HSL 75.94, 0.26%, 0.52%

LAB 64.7, -16.72, 31.24

 

CMYK 21 / 0 / 39 / 36

HEX #82A464

RGB 130 164 100

HSL 91.88, 0.26%, 0.52%

LAB 63.52, -23.34, 29.48

 

CMYK 0 / 21 / 39 / 36

HEX #A48264

RGB 164 130 100

HSL 28.13, 0.26%, 0.52%

LAB 56.86, 8.83, 21.21

 

CMYK 0 / 30 / 57 / 28

HEX #B88050

RGB 184 128 80

HSL 27.69, 0.42%, 0.52%

LAB 58.23, 16.38, 34.5

 

CMYK 0 / 38 / 70 / 20

HEX #CC7F3D

RGB 204 127 61

HSL 27.69, 0.58%, 0.52%

LAB 60.21, 24.13, 47.17

 

CMYK 0 / 44 / 82 / 13

HEX #DF7D29

RGB 223 125 41

HSL 27.69, 0.74%, 0.52%

LAB 62.1, 32.25, 58.64

 

CMYK 0 / 49 / 91 / 5

HEX #F37C15

RGB 243 124 21

HSL 27.84, 0.9%, 0.52%

LAB 64.58, 40.34, 68.06

 

CMYK 0 / 21 / 39 / 36

HEX #A48264

RGB 164 130 100

HSL 28.13, 0.26%, 0.52%

LAB 56.86, 8.83, 21.21

 

CMYK 0 / 9 / 17 / 44

HEX #908378

RGB 144 131 120

HSL 27.5, 0.1%, 0.52%

LAB 55.6, 2.99, 7.72

 

CMYK 11 / 5 / 0 / 45

HEX #7C858C

RGB 124 133 140

HSL 206.25, 0.07%, 0.52%

LAB 55.02, -1.8, -4.9

 

CMYK 34 / 16 / 0 / 37

HEX #6986A0

RGB 105 134 160

HSL 208.36, 0.22%, 0.52%

LAB 54.65, -3.72, -17.16

 

CMYK 53 / 24 / 0 / 30

HEX #5588B3

RGB 85 136 179

HSL 207.45, 0.38%, 0.52%

LAB 54.86, -4.67, -27.85

 

CMYK 0 / 39 / 35 / 36

HEX #A4646A

RGB 164 100 106

HSL 354.38, 0.26%, 0.52%

LAB 49.55, 26.6, 7.63

 

CMYK 0 / 32 / 39 / 36

HEX #A47064

RGB 164 112 100

HSL 11.25, 0.26%, 0.52%

LAB 52.29, 19.05, 15

 

CMYK 0 / 21 / 39 / 36

HEX #A48164

RGB 164 129 100

HSL 27.19, 0.26%, 0.52%

LAB 56.6, 9.39, 20.86

 

CMYK 0 / 11 / 39 / 36

HEX #A49264

RGB 164 146 100

HSL 43.13, 0.26%, 0.52%

LAB 61.11, -0.11, 26.84

 

CMYK 0 / 1 / 39 / 36

HEX #A4A364

RGB 164 163 100

HSL 59.06, 0.26%, 0.52%

LAB 65.75, -9.3, 32.85

 

CMYK 0 / 23 / 42 / 55

HEX #735943

RGB 115 89 67

HSL 27.5, 0.26%, 0.36%

LAB 39.91, 7.43, 16.82

 

CMYK 0 / 23 / 42 / 45

HEX #8D6D52

RGB 141 109 82

HSL 27.46, 0.26%, 0.44%

LAB 48.52, 8.89, 19.95

 

CMYK 0 / 21 / 39 / 36

HEX #A48264

RGB 164 130 100

HSL 28.13, 0.26%, 0.52%

LAB 56.86, 8.83, 21.21

 

CMYK 0 / 16 / 30 / 30

HEX #B3977E

RGB 179 151 126

HSL 28.3, 0.26%, 0.6%

LAB 64.34, 6.62, 17.06

 

CMYK 0 / 11 / 22 / 24

HEX #C2AC98

RGB 194 172 152

HSL 28.57, 0.26%, 0.68%

LAB 71.72, 4.75, 13.19

 

CMYK 0 / 21 / 40 / 36

HEX #A48163

RGB 164 129 99

HSL 27.69, 0.26%, 0.52%

LAB 56.58, 9.27, 21.4

 

CMYK 25 / 0 / 39 / 36

HEX #7BA464

RGB 123 164 100

HSL 98.44, 0.26%, 0.52%

LAB 63.08, -25.96, 28.82

 

CMYK 37 / 39 / 0 / 36

HEX #6764A4

RGB 103 100 164

HSL 242.81, 0.26%, 0.52%

LAB 45.19, 17.14, -34.15

 

CMYK 0 / 21 / 40 / 36

HEX #A48163

RGB 164 129 99

HSL 27.69, 0.26%, 0.52%

LAB 56.58, 9.27, 21.4

 

CMYK 39 / 0 / 21 / 36

HEX #64A481

RGB 100 164 129

HSL 147.19, 0.26%, 0.52%

LAB 62.38, -28.56, 11.79

 

CMYK 21 / 39 / 0 / 36

HEX #8164A4

RGB 129 100 164

HSL 267.19, 0.26%, 0.52%

LAB 47.57, 24.9, -30.24

 

CMYK 0 / 21 / 40 / 36

HEX #A48163

RGB 164 129 99

HSL 27.69, 0.26%, 0.52%

LAB 56.58, 9.27, 21.4

 

CMYK 25 / 0 / 39 / 36

HEX #7BA464

RGB 123 164 100

HSL 98.44, 0.26%, 0.52%

LAB 63.08, -25.96, 28.82

 

CMYK 39 / 18 / 0 / 36

HEX #6487A4

RGB 100 135 164

HSL 207.19, 0.26%, 0.52%

LAB 54.78, -4.65, -19.29

 

CMYK 13 / 39 / 0 / 36

HEX #8E64A4

RGB 142 100 164

HSL 279.38, 0.26%, 0.52%

LAB 48.94, 28.99, -28.01

 

CMYK 0 / 21 / 40 / 36

HEX #A48163

RGB 164 129 99

HSL 27.69, 0.26%, 0.52%

LAB 56.58, 9.27, 21.4

 

CMYK 37 / 0 / 39 / 36

HEX #67A464

RGB 103 164 100

HSL 117.19, 0.26%, 0.52%

LAB 61.96, -32.95, 27.14

 

CMYK 39 / 18 / 0 / 36

HEX #6487A4

RGB 100 135 164

HSL 207.19, 0.26%, 0.52%

LAB 54.78, -4.65, -19.29

 

CMYK 2 / 39 / 0 / 36

HEX #A164A4

RGB 161 100 164

HSL 297.19, 0.26%, 0.52%

LAB 51.12, 35.08, -24.46

 

Description

Color code: RGB 164 129 99 | qconv.com Color code: RGB 164 129 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 129 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 129 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 40 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 40% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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