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Color name
RGB 164 243 123

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 243 123 it is the complementary color RGB 91 12 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 243 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 243 123 shade: RGB 169 243 118, RGB 186 255 137, RGB 203 255 156, RGB 220 255 175 and RGB 237 255 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 243 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 243 123 shade: RGB 164 243 123, RGB 147 225 104, RGB 130 207 85, RGB 113 189 66 and RGB 96 171 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 243 123 shade: RGB 164 242 124, RGB 196 242 124, RGB 228 242 124, RGB 242 225 124 and RGB 242 193 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 243 123 shade: RGB 164 242 124, RGB 132 242 124, RGB 124 242 147, RGB 124 242 179 and RGB 124 242 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 243 123 shade matches the following richer shades: RGB 164 242 124 and RGB 161 254 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 243 123 shade: RGB 164 242 124, RGB 168 231 135, RGB 172 219 147, RGB 175 208 158 and RGB 179 196 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 243 123 shade: RGB 229 242 124, RGB 197 242 124, RGB 165 242 124, RGB 134 242 124 and RGB 124 242 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 243 123 shade: RGB 112 235 48, RGB 138 239 86, RGB 164 242 124, RGB 190 246 162 and RGB 216 249 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 243 123 shade: RGB 164 243 123, RGB 124 242 225 and RGB 242 124 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 243 123 shade: RGB 164 243 123, RGB 124 165 242 and RGB 242 124 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 243 123 shade: RGB 164 243 123, RGB 124 242 225, RGB 201 124 242 and RGB 242 124 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 243 123 shade: RGB 164 243 123, RGB 124 225 242, RGB 201 124 242 and RGB 242 142 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 49 / 5

HEX #A4F37B

RGB 164 243 123

HSL 99.5, 0.83%, 0.72%

LAB 88.65, -44.95, 49.96

 

Complementary color

CMYK 31 / 91 / 0 / 48

HEX #5B0C84

RGB 91 12 132

HSL 279.5, 0.83%, 0.28%

LAB 24.17, 51.41, -48.41

 

CMYK 30 / 0 / 51 / 5

HEX #A9F376

RGB 169 243 118

HSL 95.52, 0.84%, 0.71%

LAB 88.85, -43.83, 52.59

 

CMYK 27 / 0 / 46 / 0

HEX #BAFF89

RGB 186 255 137

HSL 95.08, 1%, 0.77%

LAB 93.35, -41.16, 49.41

 

CMYK 20 / 0 / 39 / 0

HEX #CBFF9C

RGB 203 255 156

HSL 91.52, 1%, 0.81%

LAB 94.58, -32.99, 42.03

 

CMYK 14 / 0 / 31 / 0

HEX #DCFFAF

RGB 220 255 175

HSL 86.25, 1%, 0.84%

LAB 95.93, -24.52, 34.62

 

CMYK 7 / 0 / 24 / 0

HEX #EDFFC2

RGB 237 255 194

HSL 77.7, 1%, 0.88%

LAB 97.4, -15.87, 27.26

 

CMYK 33 / 0 / 49 / 5

HEX #A4F37B

RGB 164 243 123

HSL 99.5, 0.83%, 0.72%

LAB 88.65, -44.95, 49.96

 

CMYK 35 / 0 / 54 / 12

HEX #93E168

RGB 147 225 104

HSL 98.68, 0.67%, 0.65%

LAB 82.41, -44.98, 51.08

 

CMYK 37 / 0 / 59 / 19

HEX #82CF55

RGB 130 207 85

HSL 97.87, 0.56%, 0.57%

LAB 76.09, -44.94, 52.13

 

CMYK 40 / 0 / 65 / 26

HEX #71BD42

RGB 113 189 66

HSL 97.07, 0.48%, 0.5%

LAB 69.68, -44.78, 53.02

 

CMYK 44 / 0 / 73 / 33

HEX #60AB2F

RGB 96 171 47

HSL 96.29, 0.57%, 0.43%

LAB 63.19, -44.45, 53.54

 

CMYK 32 / 0 / 49 / 5

HEX #A4F27C

RGB 164 242 124

HSL 99.66, 0.82%, 0.72%

LAB 88.38, -44.4, 49.16

 

CMYK 19 / 0 / 49 / 5

HEX #C4F27C

RGB 196 242 124

HSL 83.39, 0.82%, 0.72%

LAB 90.18, -33.2, 51.77

 

CMYK 6 / 0 / 49 / 5

HEX #E4F27C

RGB 228 242 124

HSL 67.12, 0.82%, 0.72%

LAB 92.33, -21.11, 54.87

 

CMYK 0 / 7 / 49 / 5

HEX #F2E17C

RGB 242 225 124

HSL 51.36, 0.82%, 0.72%

LAB 89.01, -7.23, 51.13

 

CMYK 0 / 20 / 49 / 5

HEX #F2C17C

RGB 242 193 124

HSL 35.08, 0.82%, 0.72%

LAB 81, 9.2, 41.24

 

CMYK 32 / 0 / 49 / 5

HEX #A4F27C

RGB 164 242 124

HSL 99.66, 0.82%, 0.72%

LAB 88.38, -44.4, 49.16

 

CMYK 45 / 0 / 49 / 5

HEX #84F27C

RGB 132 242 124

HSL 115.93, 0.82%, 0.72%

LAB 86.93, -54.24, 47.05

 

CMYK 49 / 0 / 39 / 5

HEX #7CF293

RGB 124 242 147

HSL 131.69, 0.82%, 0.72%

LAB 86.95, -53.08, 35.81

 

CMYK 49 / 0 / 26 / 5

HEX #7CF2B3

RGB 124 242 179

HSL 147.97, 0.82%, 0.72%

LAB 87.51, -47.42, 20.33

 

CMYK 49 / 0 / 13 / 5

HEX #7CF2D3

RGB 124 242 211

HSL 164.24, 0.82%, 0.72%

LAB 88.21, -40.69, 4.71

 

CMYK 32 / 0 / 49 / 5

HEX #A4F27C

RGB 164 242 124

HSL 99.66, 0.82%, 0.72%

LAB 88.38, -44.4, 49.16

 

CMYK 37 / 0 / 56 / 0

HEX #A1FE70

RGB 161 254 112

HSL 99.3, 0.99%, 0.72%

LAB 91.52, -51.73, 58.34

 

CMYK 32 / 0 / 49 / 5

HEX #A4F27C

RGB 164 242 124

HSL 99.66, 0.82%, 0.72%

LAB 88.38, -44.4, 49.16

 

CMYK 27 / 0 / 42 / 9

HEX #A8E787

RGB 168 231 135

HSL 99.38, 0.67%, 0.72%

LAB 85.62, -36.82, 40.44

 

CMYK 21 / 0 / 33 / 14

HEX #ACDB93

RGB 172 219 147

HSL 99.17, 0.5%, 0.72%

LAB 82.67, -28.2, 30.59

 

CMYK 16 / 0 / 24 / 18

HEX #AFD09E

RGB 175 208 158

HSL 99.6, 0.35%, 0.72%

LAB 80.01, -20.11, 21.29

 

CMYK 9 / 0 / 13 / 23

HEX #B3C4AA

RGB 179 196 170

HSL 99.23, 0.18%, 0.72%

LAB 77.26, -10.6, 11.1

 

CMYK 5 / 0 / 49 / 5

HEX #E5F27C

RGB 229 242 124

HSL 66.61, 0.82%, 0.72%

LAB 92.41, -20.73, 54.98

 

CMYK 19 / 0 / 49 / 5

HEX #C5F27C

RGB 197 242 124

HSL 82.88, 0.82%, 0.72%

LAB 90.24, -32.83, 51.86

 

CMYK 32 / 0 / 49 / 5

HEX #A5F27C

RGB 165 242 124

HSL 99.15, 0.82%, 0.72%

LAB 88.43, -44.07, 49.23

 

CMYK 45 / 0 / 49 / 5

HEX #86F27C

RGB 134 242 124

HSL 114.92, 0.82%, 0.72%

LAB 87.01, -53.67, 47.17

 

CMYK 49 / 0 / 40 / 5

HEX #7CF292

RGB 124 242 146

HSL 131.19, 0.82%, 0.72%

LAB 86.93, -53.24, 36.29

 

CMYK 52 / 0 / 80 / 8

HEX #70EB30

RGB 112 235 48

HSL 99.47, 0.82%, 0.55%

LAB 83.48, -63.97, 72.98

 

CMYK 42 / 0 / 64 / 6

HEX #8AEF56

RGB 138 239 86

HSL 99.61, 0.83%, 0.64%

LAB 85.91, -55.35, 62.73

 

CMYK 32 / 0 / 49 / 5

HEX #A4F27C

RGB 164 242 124

HSL 99.66, 0.82%, 0.72%

LAB 88.38, -44.4, 49.16

 

CMYK 23 / 0 / 34 / 4

HEX #BEF6A2

RGB 190 246 162

HSL 100, 0.82%, 0.8%

LAB 91.45, -32.52, 34.83

 

CMYK 13 / 0 / 20 / 2

HEX #D8F9C7

RGB 216 249 199

HSL 99.6, 0.81%, 0.88%

LAB 94.51, -19.5, 20.51

 

CMYK 33 / 0 / 49 / 5

HEX #A4F37B

RGB 164 243 123

HSL 99.5, 0.83%, 0.72%

LAB 88.65, -44.95, 49.96

 

CMYK 49 / 0 / 7 / 5

HEX #7CF2E1

RGB 124 242 225

HSL 171.36, 0.82%, 0.72%

LAB 88.56, -37.44, -2.09

 

CMYK 0 / 49 / 12 / 5

HEX #F27CD5

RGB 242 124 213

HSL 314.75, 0.82%, 0.72%

LAB 68.09, 56.29, -25.43

 

CMYK 33 / 0 / 49 / 5

HEX #A4F37B

RGB 164 243 123

HSL 99.5, 0.83%, 0.72%

LAB 88.65, -44.95, 49.96

 

CMYK 49 / 32 / 0 / 5

HEX #7CA5F2

RGB 124 165 242

HSL 219.15, 0.82%, 0.72%

LAB 67.73, 6.77, -42.83

 

CMYK 0 / 49 / 32 / 5

HEX #F27CA5

RGB 242 124 165

HSL 339.15, 0.82%, 0.72%

LAB 66.53, 49.56, -0.81

 

CMYK 33 / 0 / 49 / 5

HEX #A4F37B

RGB 164 243 123

HSL 99.5, 0.83%, 0.72%

LAB 88.65, -44.95, 49.96

 

CMYK 49 / 0 / 7 / 5

HEX #7CF2E1

RGB 124 242 225

HSL 171.36, 0.82%, 0.72%

LAB 88.56, -37.44, -2.09

 

CMYK 17 / 49 / 0 / 5

HEX #C97CF2

RGB 201 124 242

HSL 279.15, 0.82%, 0.72%

LAB 64.36, 49.92, -47.7

 

CMYK 0 / 49 / 41 / 5

HEX #F27C8E

RGB 242 124 142

HSL 350.85, 0.82%, 0.72%

LAB 65.94, 46.93, 11.38

 

CMYK 33 / 0 / 49 / 5

HEX #A4F37B

RGB 164 243 123

HSL 99.5, 0.83%, 0.72%

LAB 88.65, -44.95, 49.96

 

CMYK 49 / 7 / 0 / 5

HEX #7CE1F2

RGB 124 225 242

HSL 188.64, 0.82%, 0.72%

LAB 84.25, -25.11, -17.43

 

CMYK 17 / 49 / 0 / 5

HEX #C97CF2

RGB 201 124 242

HSL 279.15, 0.82%, 0.72%

LAB 64.36, 49.92, -47.7

 

CMYK 0 / 41 / 49 / 5

HEX #F28E7C

RGB 242 142 124

HSL 9.15, 0.82%, 0.72%

LAB 69.24, 36.02, 25.99

 

Description

Color code: RGB 164 243 123 | qconv.com Color code: RGB 164 243 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 243 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 243 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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