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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 31 104 it is the complementary color RGB 91 224 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 31 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 31 104 shade: RGB 169 31 99, RGB 186 49 118, RGB 203 67 137, RGB 220 85 156 and RGB 237 103 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 31 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 31 104 shade: RGB 164 31 104, RGB 147 13 85, RGB 130 0 66, RGB 113 0 47 and RGB 96 0 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 31 104 shade: RGB 162 31 103, RGB 162 31 67, RGB 162 31 32 and RGB 162 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 31 104 shade: RGB 162 31 103, RGB 162 31 138, RGB 151 31 162, RGB 115 31 162 and RGB 80 31 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 31 104 shade matches the following richer shades: RGB 162 31 103 and RGB 178 15 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 31 104 shade: RGB 162 31 103, RGB 147 46 101, RGB 131 62 100, RGB 115 78 98 and RGB 100 93 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 31 104 shade: RGB 151 31 162, RGB 162 31 138, RGB 162 31 103, RGB 162 31 68 and RGB 162 31 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 31 104 shade: RGB 93 17 59, RGB 128 24 81, RGB 162 31 103, RGB 197 37 125 and RGB 217 58 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 31 104 shade: RGB 164 31 104, RGB 162 116 31 and RGB 31 156 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 31 104 shade: RGB 164 31 104, RGB 103 162 31 and RGB 31 103 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 31 104 shade: RGB 164 31 104, RGB 162 116 31, RGB 31 162 90 and RGB 31 77 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 31 104 shade: RGB 164 31 104, RGB 162 156 31, RGB 31 162 90 and RGB 31 37 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 37 / 36

HEX #A41F68

RGB 164 31 104

HSL 327.07, 0.68%, 0.38%

LAB 37.61, 57.63, -8.6

 

Complementary color

CMYK 59 / 0 / 33 / 12

HEX #5BE097

RGB 91 224 151

HSL 147.07, 0.68%, 0.62%

LAB 80.61, -52.81, 25.14

 

CMYK 0 / 82 / 41 / 34

HEX #A91F63

RGB 169 31 99

HSL 330.43, 0.69%, 0.39%

LAB 38.4, 58.39, -4.15

 

CMYK 0 / 74 / 37 / 27

HEX #BA3176

RGB 186 49 118

HSL 329.78, 0.58%, 0.46%

LAB 44.15, 59.44, -7.13

 

CMYK 0 / 67 / 33 / 20

HEX #CB4389

RGB 203 67 137

HSL 329.12, 0.57%, 0.53%

LAB 50.12, 59.74, -9.44

 

CMYK 0 / 61 / 29 / 14

HEX #DC559C

RGB 220 85 156

HSL 328.44, 0.66%, 0.6%

LAB 56.2, 59.59, -11.29

 

CMYK 0 / 57 / 26 / 7

HEX #ED67AF

RGB 237 103 175

HSL 327.76, 0.79%, 0.67%

LAB 62.34, 59.16, -12.79

 

CMYK 0 / 81 / 37 / 36

HEX #A41F68

RGB 164 31 104

HSL 327.07, 0.68%, 0.38%

LAB 37.61, 57.63, -8.6

 

CMYK 0 / 91 / 42 / 42

HEX #930D55

RGB 147 13 85

HSL 327.76, 0.84%, 0.31%

LAB 32.14, 55.4, -4.91

 

CMYK 0 / 100 / 49 / 49

HEX #820042

RGB 130 0 66

HSL 329.54, 1%, 0.25%

LAB 27.13, 51.63, -0.06

 

CMYK 0 / 100 / 58 / 56

HEX #71002F

RGB 113 0 47

HSL 335.04, 1%, 0.22%

LAB 22.71, 45.91, 6.2

 

CMYK 0 / 100 / 71 / 62

HEX #60001C

RGB 96 0 28

HSL 342.5, 1%, 0.19%

LAB 18.24, 40.2, 12.97

 

CMYK 0 / 81 / 36 / 36

HEX #A21F67

RGB 162 31 103

HSL 327.02, 0.68%, 0.38%

LAB 37.19, 57, -8.64

 

CMYK 0 / 81 / 59 / 36

HEX #A21F43

RGB 162 31 67

HSL 343.51, 0.68%, 0.38%

LAB 36.11, 53.76, 12.92

 

CMYK 0 / 81 / 80 / 36

HEX #A21F20

RGB 162 31 32

HSL 359.54, 0.68%, 0.38%

LAB 35.53, 51.95, 34.09

 

CMYK 0 / 81 / 81 / 36

HEX #A21F1F

RGB 162 31 31

HSL 0, 0.68%, 0.38%

LAB 35.52, 51.91, 34.66

 

CMYK 0 / 81 / 36 / 36

HEX #A21F67

RGB 162 31 103

HSL 327.02, 0.68%, 0.38%

LAB 37.19, 57, -8.64

 

CMYK 0 / 81 / 15 / 36

HEX #A21F8A

RGB 162 31 138

HSL 310.99, 0.68%, 0.38%

LAB 38.72, 61.43, -28.15

 

CMYK 7 / 81 / 0 / 36

HEX #971FA2

RGB 151 31 162

HSL 294.96, 0.68%, 0.38%

LAB 38.14, 62.9, -43.79

 

CMYK 29 / 81 / 0 / 36

HEX #731FA2

RGB 115 31 162

HSL 278.47, 0.68%, 0.38%

LAB 32.33, 56.24, -53.46

 

CMYK 51 / 81 / 0 / 36

HEX #501FA2

RGB 80 31 162

HSL 262.44, 0.68%, 0.38%

LAB 27.56, 50.79, -61.46

 

CMYK 0 / 81 / 36 / 36

HEX #A21F67

RGB 162 31 103

HSL 327.02, 0.68%, 0.38%

LAB 37.19, 57, -8.64

 

CMYK 0 / 92 / 42 / 30

HEX #B20F68

RGB 178 15 104

HSL 327.24, 0.84%, 0.38%

LAB 39.25, 64.26, -5.86

 

CMYK 0 / 81 / 36 / 36

HEX #A21F67

RGB 162 31 103

HSL 327.02, 0.68%, 0.38%

LAB 37.19, 57, -8.64

 

CMYK 0 / 69 / 31 / 42

HEX #932E65

RGB 147 46 101

HSL 327.33, 0.52%, 0.38%

LAB 36.17, 47.47, -9.18

 

CMYK 0 / 53 / 24 / 49

HEX #833E64

RGB 131 62 100

HSL 326.96, 0.36%, 0.38%

LAB 36.35, 34.48, -8.54

 

CMYK 0 / 32 / 15 / 55

HEX #734E62

RGB 115 78 98

HSL 327.57, 0.19%, 0.38%

LAB 37.8, 18.94, -5.34

 

CMYK 0 / 7 / 3 / 61

HEX #645D61

RGB 100 93 97

HSL 325.71, 0.04%, 0.38%

LAB 40.25, 3.61, -1.28

 

CMYK 7 / 81 / 0 / 36

HEX #971FA2

RGB 151 31 162

HSL 294.96, 0.68%, 0.38%

LAB 38.14, 62.9, -43.79

 

CMYK 0 / 81 / 15 / 36

HEX #A21F8A

RGB 162 31 138

HSL 310.99, 0.68%, 0.38%

LAB 38.72, 61.43, -28.15

 

CMYK 0 / 81 / 36 / 36

HEX #A21F67

RGB 162 31 103

HSL 327.02, 0.68%, 0.38%

LAB 37.19, 57, -8.64

 

CMYK 0 / 81 / 58 / 36

HEX #A21F44

RGB 162 31 68

HSL 343.05, 0.68%, 0.38%

LAB 36.14, 53.83, 12.31

 

CMYK 0 / 81 / 80 / 36

HEX #A21F21

RGB 162 31 33

HSL 359.08, 0.68%, 0.38%

LAB 35.54, 51.98, 33.53

 

CMYK 0 / 82 / 37 / 64

HEX #5D113B

RGB 93 17 59

HSL 326.84, 0.69%, 0.22%

LAB 20.22, 37.33, -6.37

 

CMYK 0 / 81 / 37 / 50

HEX #801851

RGB 128 24 81

HSL 327.12, 0.68%, 0.3%

LAB 29, 47.58, -7.38

 

CMYK 0 / 81 / 36 / 36

HEX #A21F67

RGB 162 31 103

HSL 327.02, 0.68%, 0.38%

LAB 37.19, 57, -8.64

 

CMYK 0 / 81 / 37 / 23

HEX #C5257D

RGB 197 37 125

HSL 327, 0.68%, 0.46%

LAB 45.18, 66.53, -9.68

 

CMYK 0 / 73 / 33 / 15

HEX #D93A91

RGB 217 58 145

HSL 327.17, 0.68%, 0.54%

LAB 51.64, 67.66, -11.71

 

CMYK 0 / 81 / 37 / 36

HEX #A41F68

RGB 164 31 104

HSL 327.07, 0.68%, 0.38%

LAB 37.61, 57.63, -8.6

 

CMYK 0 / 28 / 81 / 36

HEX #A2741F

RGB 162 116 31

HSL 38.93, 0.68%, 0.38%

LAB 52.14, 10.43, 50.55

 

CMYK 81 / 4 / 0 / 36

HEX #1F9CA2

RGB 31 156 162

HSL 182.75, 0.68%, 0.38%

LAB 58.67, -29.64, -12.47

 

CMYK 0 / 81 / 37 / 36

HEX #A41F68

RGB 164 31 104

HSL 327.07, 0.68%, 0.38%

LAB 37.61, 57.63, -8.6

 

CMYK 36 / 0 / 81 / 36

HEX #67A21F

RGB 103 162 31

HSL 87.02, 0.68%, 0.38%

LAB 60.63, -39.16, 56.55

 

CMYK 81 / 36 / 0 / 36

HEX #1F67A2

RGB 31 103 162

HSL 207.02, 0.68%, 0.38%

LAB 42.15, -0.28, -38.01

 

CMYK 0 / 81 / 37 / 36

HEX #A41F68

RGB 164 31 104

HSL 327.07, 0.68%, 0.38%

LAB 37.61, 57.63, -8.6

 

CMYK 0 / 28 / 81 / 36

HEX #A2741F

RGB 162 116 31

HSL 38.93, 0.68%, 0.38%

LAB 52.14, 10.43, 50.55

 

CMYK 81 / 0 / 44 / 36

HEX #1FA25A

RGB 31 162 90

HSL 147.02, 0.68%, 0.38%

LAB 58.85, -50.47, 27.99

 

CMYK 81 / 52 / 0 / 36

HEX #1F4DA2

RGB 31 77 162

HSL 218.93, 0.68%, 0.38%

LAB 34.41, 16.69, -50.42

 

CMYK 0 / 81 / 37 / 36

HEX #A41F68

RGB 164 31 104

HSL 327.07, 0.68%, 0.38%

LAB 37.61, 57.63, -8.6

 

CMYK 0 / 4 / 81 / 36

HEX #A29C1F

RGB 162 156 31

HSL 57.25, 0.68%, 0.38%

LAB 62.98, -11.58, 60.22

 

CMYK 81 / 0 / 44 / 36

HEX #1FA25A

RGB 31 162 90

HSL 147.02, 0.68%, 0.38%

LAB 58.85, -50.47, 27.99

 

CMYK 81 / 77 / 0 / 36

HEX #1F25A2

RGB 31 37 162

HSL 237.25, 0.68%, 0.38%

LAB 24.4, 42.68, -66.82

 

Description

Color code: RGB 164 31 104 | qconv.com Color code: RGB 164 31 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 31 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 31 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 37 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 37% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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